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2026 International Congress on Medieval Studies: Program
Episode 24. “Life with Books” (Interview with John Windle)
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Medieval Missal Fragment as Early-Modern Cover
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J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.
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Private Collection, Ege's FBNC Portfolio, Dante Leaf, Verso, Detail. Reproduced by Permission.
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RGME Pop-UP Poster Exhibition for the 2024 ICMS

May 4, 2024 in Bembino, Business Meeting, Conference, Conference Announcement, Events, Exhibition, ICMS, International Congress on Medieval Studies, Kalamazoo, POMONA, Postal History at Kalamazoo, Reception

RGME Posters on Display
for the
2024 International Congress on Medieval Studies (ICMS)

9–11 May in hybrid format

[Posted on 3 May 2024]

Our Pop-Up Poster Display for the 2024 ICMS

As the 2024 International Congress on Medieval Studies approaches (9–11 May in partly hybrid format), we unveil our Posters for all our events at this Congress. Our Congress activities form part of our Anniversary Year, celebrating 25 years as a nonprofit educational corporation and 35 years as an international scholarly society. For this year, our Theme is Bridges. Besides considering the nature of bridges, both natural and man-made, and exploring their challenges and opportunities, we take the liberty of creating some new ones — as with this Pop-Up Poster Session or Exhibition for the 2024 Congress.

Natural Owachomo Bridge, Natural Bridges Natural Monument, San Juan County, Utah. Image via Laban712 on en, Public domain, via Wikimedia Commons.

This Virtual Exhibition marks a new development for our evolving tradition of Posters for our different Events, comprising Conference Sessions, Symposia, Colloquia, Seminars, Workshops, Receptions, and more. Here, by bringing the set of Posters into an exhibition of their own, we offer a bridge between our webpost for the Congress; our printed Posters for the in-person event and for souvenirs afterward; and for download in digital form from our website.

Our website Home Page for our 2024 ICMS Activities describes each of these events in turn, with descriptions about their scope and aims, instructions for directions to them, and information about the programs of the individual sessions, also with the speakers’ abstracts for their presentations.

The directions include options to register for online access to scheduled in-person events — some Sessions and our Open Business Meeting — through our RGME Eventbrite Collection (at no charge), so as to provide a fully hybrid approach to the Congress.  Similarly, for a scheduled online Session, we have arranged for an in-person approach by reserving a room on campus for in-person attendees of the Congress.

See:

  • 2024 International Congress on Medieval Studies: Program

In a Nutshell

Now, the Posters present, in a nutshell, information about each session of papers or meeting, including updated details which did not emerge in time for the published Congress Program, but which our 2024 RGME @ ICMS HomePage has been able to report through revisions as the news reached us.

The RGME tradition for its sessions and other events at the ICMS has been to prepare Posters announcing, promoting, and celebrating the people participating in creating them; providing evocative illustrations encapsulating or, as it were, commenting upon them; and given concise information about the event and its logistics of time, place, and modes of arrival.

Over the years, the RGME Director, Mildred Budny (also Editor-in-Chief of Publications), has prepared the Posters for our ICMS activities (as for other Events), with the inspiration of images generously provided by our Associates and others, notably including David W. Sorenson, and with the help of the RGME Font and Layout Designer, using the RGME copyright digital font Bembino and RGME principles for our Publications, set out according to our Style Manifesto and our specifications for Designing Academic Posters.

Usually, the Director would bring the Posters to the ICMS for unveiling at the Congress, in printed copies displayed in various places (as a group upon general poster boards or individually at the door or on the wall of the session or meeting itself.

2014 ICMS

Adelaide Bennett stands beside the RGME Posters on display for the 2014 ICMS. Photography by Mildred Budny.

2015 ICMS

Derek Shank stands beside the RGME Poster Display for the 2025 ICMS. Photography by Mildred Budny.

Fit to Print, Free to Keep

Each year, we bring printed copies to display on walls, doors, and boards, where permitted, and also to give to speakers, contributors, and others wishing souvenirs.  We offer them also in digital form, to be downloaded free of charge on our website.  The links for these downloads are indicated in the HomePage for the event (or in other locations on our website).

Online Exhibition

Until now, our habit has been to place the Posters, once they are ready, within the HomePage for the event.  Thus usually occurs at a late stage in the preparations for the year’s Congress, once the final details have settled into place and most of our other tasks of preparation have taken precedence.

This year, in order to allow the Posters to stand alongside each other to tell their stories in unison, we present a curated Gallery or Pop-Up Poster Exhibition for your enjoyment.

The Posters tell in a nutshell the information you might need and wish to know about the event itself, how and where to find it, who is featured in its presentation, and what feature image or images might evoke its essence.

The information includes updated information which the Congress Program does not have, as some logistics evolved after the publication of the Congress Program, and as some details do not have a place in its structure.

Two-By-Two as Pairs or Diptychs

Paris, Louvre Museum, Ivory consular diptych of Areobindus, Byzantium, 506 AD. Image Public domain, via Wikimedia Commons.

Paris, Louvre Museum, Ivory consular diptych of Areobindus, Byzantium, 506 AD. Image Public domain, via Wikimedia Commons.s

Note that, in recent years, we design the posters for individual Sessions as Pairs, to be viewed as Diptychs, in matching sets similar to the facing pages of an opened book.

In a given Pair, one Poster displays the names of the people responsible for the Session or Roundtable. The other exhibits a feature image or two.

While they share identifying elements, each poster in the pair reports information unique to it, so that the two posters provide more information than can one alone. Together they report a concise comprehensive indication of the ensemble which the event represents, encompassing people, a place, a time, and a focus for consideration.

Meetings

Anniversary Reception

2024 Anniversary Reception at the ICMS: Poster.

Open Business Meeting

2024 RGME Business Meeting Poster

2024 RGME Business Meeting Poster

Sessions and a Roundtable

“Alchemical Manuscripts, Printed Books, and Materials”

Poster 1

2024 ICMS Alchemical Session Poster 1

2024 ICMS Alchemical Session Poster 1

Poster 2

2024 ICMS Alchemical Session Poster 2

2024 ICMS Alchemical Session Poster 2

2. “Retrospect and Prospect”

Poster 1

2024 ICMS "Retrospect and Prospects" Session: Poster 1

2024 ICMS “Retrospect and Prospects” Session: Poster 1

Poster 2

2024 ICMS "Retrospect and Prospects" Session: Poster 2

2024 ICMS “Retrospect and Prospects” Session: Poster 2

3. “Letters, Couriers, and Post Offices:
Mail in the Medieval World”

Poster 1

2024 ICMS Postal Session: Poster 1

2024 ICMS Postal Session: Poster 1

Poster 2

2024 ICMS Postal Session: Poster 2

2024 ICMS Postal Session: Poster 2

*****

Suggestion Box

Do you like this Pop-Up Exhibition? Would you like to see more of them?

Please Contact Us or visit

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Donations and contributions, in funds or in kind, are welcome and easy to give.  Given our low overheads, your donations have direct impact on our work and the furtherance of our mission.  For our Section 501(c)(3) nonprofit educational organization, your donations may be tax-deductible to the fullest extent permitted by law.  Thank you for your support!

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We look forward to hearing from you.

*****

 

Tags: 2024 ICMS, 2024 International Congress on Medieval Studies, Anniversary Reception, Bembino, Bembino Digital Font, Business Meeting, Designing Academic Posters, POMONA, Pop-Up Exhibition, Postal History at Kalamazoo, Poster Exhibition, RGME Posters, RGME Publications, Societas Magica, Style Manifesto
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2023 International Congress on Medieval Studies: Report

October 23, 2023 in Events, ICMS, Index of Medieval Art, International Congress on Medieval Studies, Kalamazoo, Manuscript Studies, POMONA, Societas Magica, Uncategorized

2023 International Congress on Medieval Studies: Report

58th ICMS (11–13 May 2023)

Held in a transitional ‘hybrid’ form
with Sponsored and Co-Sponsored Sessions
an Open Business Meeting
and Co-Sponsored Reception

[Posted on 22 October 2023]

After the successful completion of our activities at the 2023 International Congress on Medieval Studies (ICMS), we offer a Report about them.  For their programs and the abstracts of their presentations, see 2023 International Congress on Medieval Studies: Program.

Note that Abstracts for Papers published on our website appear in the Indexes of the Abstracts for Papers, listed both by Alphabetical order of Author’s Surname and by Year.

Logistics

2023 ICMS: Pedagogy II viewed online. Michael Allman presents. Photography by Mildred Budny.

This year’s Congress presented more logistical challenges than ever before, in our experience of attending the annual ICMS.  They were due to the complex and incompletely or perplexingly described conditions for holding the Congress in a nominal ‘hybrid’ format, with few fully hybrid events and the necessity for organizers mostly to choose either in-person or online formats — or to provide the alternative through their own resources.

In that way, for example, once the rules were clarified (within only a fortnight of the Congress), the RGME was able resourcefully to provide (through its own Zoom subscription) for online access to events assigned as in-person and to arrange (sometimes with payment) for a room to be made available for registrants on site at the Congress to gather for participating in sessions assigned as online.  We thank the Congress staff for enabling those arrangements once we learned that they might be permitted.

Our activities comprised five co-sponsored scholarly Sessions, our annual Open Business Meeting at the Congress, and a co-sponsored Reception.

The extra arrangements for in-person facilities for the online sessions and online access for in-person sessions were designed also for the convenience of participants for our events on the first day of the Congress, which had a consecutive series of Morning Session / Lunchtime Business Meeting / two Afternoon Sessions / Reception.  With the Morning Session in a nearby building, the other events that day, by design, took place on one building.

Co-Sponsorship

  • Societas Magica:  2 Sessions and the Reception
  • Schoenberg Institute for Manuscript Studies (SIMS): 2 Sessions
  • Polytheism-Oriented Medievalists of North America (P.-O.M.o.N.A.): 1 Session
  • Index of Medieval Art at Princeton University: Reception

This year marked Year 19 of our co-sponsorship with the Societas Magica; the second (non-consecutive) year of co-sponsorship with POMONA, the third of co-sponsorship with the Index of Medieval Art, and the first year of co-sponsorship with SIMS.

As always, we thank the host, organizers, co-sponsors, presiders, speakers, respondents, advisers, and participants for our activities at the Congress, along with the Congress staff and support staff.

The Sequence of Events

Day 1 of the Congress (Thursday 11 May) had a full set of events. They opened with the Morning Session, led to the RGME Open Business Meeting (with lunch provided), followed with a pair of Afternoon Sessions, and rounded out with the co-hosted Reception.

Day 3 (Saturday 13 May) had a pair of Afternoon Sessions.

The shortness of the notice and the complexity of the RGME’s extra preparations for an ad-hoc fully hybrid format imposed further problems in communicating updated information which, in the rush of last-minute preparations and conflicting information, meant that not all participants received the relevant information in time. Notably this affected the extra online arrangements for the in-person sessions on Saturday afternoon, so that the first one did not have an on-site log-in for the online component.

Informal “Evening Sessions”. Outside the Program, a set of traditional informal gatherings offered the occasion to revive the in-person tradition of meetings in an ad-hoc ‘Board Room’ where board games, brought to the table for the occasion, formed a focus of activity and conversation.  As usual, they included some elements of RGME planning.  This year, they  included an ad-hoc hybrid component for participation at a distance as well.

Our Report of all our activities at the 2023 Congress relates their accomplishment, celebrates the presentations, praises the work of organization, notes a few changes in the program and accessibility for the sessions, displays the full set of posters for our events, and illustrates some memorable moments.

Read the rest of this entry →

Tags: Albert the Great, Binding Archaeology, Binding Spines and Fastenings, Board Games, Board Room, Corpus Christi College Cambridge MS 286, Datini Collection, Ephesia Grammata, Gospels of Saint Augustine of Canterbury, Gutenberg Biblt, History of Bindings, History of Pedagogy, Index of Medieval Art, International Congress on Medieval Studiesieval Studies, Islamic Bookbindings, Manuscript studies, Open Business Meeting, Otto Ege Fragments, Reception, Schoenberg Institute for Manuscript Studies, Societas Magica, William Fulke, Words as Agents
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2021 Congress Program Announced

December 16, 2020 in Abstracts of Conference Papers, Announcements, Business Meeting, Conference, Conference Announcement, Events, Index of Medieval Art, International Congress on Medieval Studies, Kalamazoo, Societas Magica

Activities of the
Research Group on Manuscript Evidence
At the
56th International Congress on Medieval Studies
(10–15 May 2021)

Following the Call for Papers
(due by 15 September 2020)
and the Selection of Papers (due by 1 October 2020)
We announce the Program for our Sessions

#kzoo2021 / #kazoo2021

Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Dutch Book of Hours made for a female patron in the mid 15th century. Opening page of the Hours of the Virgin: "Here du salste opdoen mine lippen". Image via Creative Commons. At the bottom of the bordered page, an elegantly dressed woman sits before a shiny bowl- or mirror-like object, in order, perhaps, to perform skrying or to lure a unicorn.

Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Dutch Book of Hours. Image via Creative Commons.

Following the 2021 Congress Call for Papers, the Selection of proposed Papers, and the submission of the Programs for our Sessions to the Congress Committee (see our 2021 Congress Planning), we announce the Program for our Sessions and our other Activities for the 2021 ICMS Congress.

All activities at the Congress are scheduled to take place only “virtually”.  For such virtual plans, see the Congress page of the Medieval Institute. 

Watch this space. We await instructions from the Congress Committee regarding the revised approach to Sessions.

Note that, once the Committee announced that the Congress would have to go ‘virtual’, all 3 co-sponsors for our planned Reception agreed that it would make sense to wait for such an event until some suitable occasion in person.  However, we continue to plan for all 5 Sessions and our Open Business Meeting.

Update on 26 March 2021:
The Program of the Congress is now available. For information about the Congress, see its website.

*****

In a Nutshell

Open Business Meeting:  All are Welcome

Thursday, 13 May at 12:00 pm EDT.

  • 2021 Congress Program, page 99.

Sessions

Seal the Real, I–II

Congress Sessions 259 and 279, Virtually on
Thursday, 13 May at 11:00 am EDT and at 1:00 pm EDT

  • 2021 Congress Program, pages 92–93 and 100–101.

Medieval Magic in Theory:
Prologues to Learned Texts of Magic

Congress Session 103, Virtually on
Tuesday, 11 May at 11:00 am EDT

  • 2021 Congress Program, pages 38–39.

Revealing the Unknown, Parts I–II

Congress Sessions 181 and 201, Virtually on
Wednesday, 12 May at 11:00 am and 1:00 pm EDT

  • 2021 Congress Program, pages 66 and 73.

Details follow here.

Read the rest of this entry →

Tags: Bibliomancy, History of Documents, History of Magic, Manuscript studies, Matthew Paris, Medieval Lapidaries, Medieval Prologues, Medieval Seals, Picatrix, Reused Antique Gems, Scrying, Seals and Signatures, Sortilège, Thomas Hoccleve
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2019 Congress Behind the Scenes Report

May 6, 2020 in Anniversary, Conference, Events, International Congress on Medieval Studies, Kalamazoo, Reception, Societas Magica, Uncategorized

Light at the End of the Corridor

Behind the Scenes

RGME Activities
at the 2019 International Congress on Medieval Studies

[Posted on 6 May 2020]

At the End of the 2019 Congress. A view down the dorm corridor, with Light at the End of the Tunnel.

At the End of the 2019 Congress: “Light at the End of the Corridor”.

Following the successful completion of our activities at the 2019 Congress, we offer an informal glimpse Behind the Scenes.  Customarily, the completion of the Congress is followed by its Report.  Occasionally, there also follows a Behind-the-Scenes Report.  For the 2019 Congress, we planned already then to offer such an additional, informal Report, but events and tasks arising along the way back from the Congress pushed back its timetable for completion.  Then, in steady succession, other tasks and activities occupied attention.

Some are reported in our blog about our Congress Activities, as we prepared for the 2020 Congress, while others have their say in our blog about Manuscript Studies, and in our reports about other Events, including the 2020 Spring Symposium. The required cancellation in March and April 2020 of that Symposium and the 2020 Congress as a whole led to further re-arrangements. Among other things, we attended to publishing the 2020 Symposium Booklet and the Abstracts for all our 2020 Congress Sessions as “souvenirs” of what had been planned.  Research Group plans and adaptations, including possible rescheduling of parts of those events, are reported in the announcement about Keeping Up: Updates for Spring 2020. Now, as the appointed time would have come to travel to the 2020 Congress as formerly intended, we revisit the 2019 Congress with its Behind-the-Scenes Report, including some hindsight.

Earlier Reports from Behind-the-Scenes

Tardis2 via Wikipedia Commons

Tardis

For the 2016 Congress Report, its Follow-Up Report took shape under the title of Doctor Who-Done-It.  That term had its inspiration from a conversation on the way from one of the Research Group co-sponsored Sessions to our Reception, likewise co-sponsored with the Societas Magica.  Then it was revealed that our Director, Dr. Mildred Budny, drives an equivalent of the  Tardis (a conveyance for “Time and Relative Dimension in Space”).  

As described on the official website for Doctor Who (see also Doctor Who), the Tardis is the “Doctor’s method of travel through both time and space — all Gallifreyan Time Lords use TARDISes for getting from A to B — and from then to now.”  Who knew that this conveyance would also figure among the activities behind the scenes at the 2019 Congress?

The conversation at the 2016 Congress had to do with transporting some copies of the Illustrated Catalogue to the Reception for collection by their new owners.  2016 was the first year that our Director elected to drive, rather than to fly, to Kalamazoo for the Congress — because of the new arrangements by which the Research Group, as its co-publisher, took over the distribution of that Publication, and through which our Director had identified prospective owners, who wished to collect their copies at the Congress (rather than, say, to have to cover the international shipping costs).  At that Congress, our Director could be seen with some of these copies in tow, on a wheeled luggage cart, on the way from one Session or Meeting to another.  On the way to the Reception, there came the question if the ones that time were the only ones that had been brought.  “Oh, no!  These are not the same ones that you have seen on earlier days of the Congress.  These are new, and there are more where they came from, for tomorrow.””

“Ah”, said Collin.  “Where do they [meaning the new ones] come from?”
“Ah”, said our Director, “They come from the back of my car.  There are the refills.”
“Oh!  So your car is the Tardis”.

And so came the title Doctor Who-Done-It.

At the next Congress, the 2017 Congress Report included an image of that conveyance, again in the company of the Illustrated Catalogue and one of its new owners.

Book Signing for Mildred Budny's Illustrated Catalogue, on a Sunny Afternoon outside Fetzer at the 2017 International Congress on Medieval Studies, Tardis Included.

Book Signing Scene outside Fetzer at the 2017 Congress. Photograph by Mildred Budny.

Gathering

Arriving at the Congress base to register on the Eve of the Congress, some of us gathered, as customary, at Bilbos Pizza.  Then it was time to place the Research Group Posters on billboards, where permitted and where space allowed.

RGME and Other Posters at the 2019 Congress.

RGME and Other Posters at the 2019 Congress.

The landscapes also await Arrivals.  Here, outside one of the Dorms — inside which, on occasions, we visit the Board Room (see below).

Plant Life to Greet the Congress Attendees. Row of Hostas alongside the Walkway. Photograph Mildred Budny.

Plant Life to Greet the Congress Attendees. Photograph Mildred Budny.

Setting the Stage

Preparing to start the Sessions and to engage in their Question-and-Answer discussions, our participants engaged in arranging the projection and other aims. The official Report for this Congress includes some Group Portraits of contributors to the different Sessions.  Here, two Speakers set up the projection for their joint paper at our first Session of the Congress, the Organizer of one of our co-sponsored Sessions participates in its discussion, and the Respondent for that Session strokes his beard as he delivers his paper.

Ian Cornelius and James Eric Ensley prepare to tell us about “The Lost Medieval Exemplar of Beinecke Library, Takamiya MS 23”

Eric and Ian Check the Projection for their Joint Paper at the 2019 Congress.

Eric and Ian Check the Projection for their Joint Paper at the 2019 Congress.

Vajra Regan listens to the progress of his Session on “Embedded in the Mainstream: Ritual Magic Incorporated in ‘Legitimate’ Texts”, one of the 2 Sessions co-sponsored by the Research Group and the Societas Magica .

Vajra at his Session at the 2019 Congress.

Vajra at his Session at the 2019 Congress.

Michael A. Conrad offers an erudite Response to Vajra’s Session by his observations “In Plain Sight:  The Promotion of Astrology and Magic at Royal Courts in the Thirteenth Century in Transcultural Perspective”.

Michael Presents His Paper at the the 2019 Congress.

Michael Presents His Paper at the the 2019 Congress.

It was then that we learned that often, giving Papers, Michael ponders while he holds his beard — an observation which he readily confirmed.

Michael Presents His Paper at the the 2019 Congress.

Michael Presents His Paper and Beard at the the 2019 Congress.

2019 Reception and Business Meeting Invitations.

2019 Reception and Business Meeting Invitations.

Our Business Meeting

This year’s Open Business Meeting was an outstanding success.  So many attendees — newcomers gladly included — that we had to bring in more chairs.  Our Associate, William H. Campbell, volunteered to find those arrangements.  As customary, Derek Shank recorded the Minutes.  Constructive suggestions abounded.

Scheduled for lunchtime (lunch provided) on the first full day of the Congress, and right after our first Session (only 1 building away), the Meeting offered an excellent way to launch our activities at the Congress and beyond.  Apparently there are no photographs of the occasion, but the 1-page Agenda not only sets the stage, but also provides a concise record of our achievements and aims for 2017–2018 and beyond, with requests for suggestions and contributions in funds and in kind.

The 2019 Agenda is now downloadable.  Please join us!

Our Reception

As in some previous years, our Reception was co-sponsored with the Societas Magica .  Conversation flowed, and some manuscript materials were examined.

Our Reception at the 2019 Congress.

Our Reception at the 2019 Congress.

Dan Attrell heads the table.

Our Reception at the 2019 Congress.

Our Reception at the 2019 Congress.

Groups hold conversations.

Our Reception at the 2019 Congress.

Our Reception at the 2019 Congress.

Greeting the gatherers.

Our Reception at the 2019 Congress.

Our Reception at the 2019 Congress.

Showing some specimens.

Our Reception at the 2019 Congress.

Our Reception at the 2019 Congress.

Pondering.

Our Reception at the 2019 Congress.

Our Reception at the 2019 Congress.

*****

The Board Room

At the end of the day, as in previous years, it was possible to retreat to one of the Student Lounges, where we gathered to talk, relax, and, on occasion, play board games.  Hence my customary term for that Room.  (Never “Bored”.)

In the Board Room at the 2019 Congress.

In the Board Room at the 2019 Congress.

Making a Move.

In the Board Room at the 2019 Congress.

In the Board Room at the 2019 Congress.

Engaging in the Game.

In the Board Room at the 2019 Congress.

Options.

In the Board Room at the 2019 Congress.

In the Board Room at the 2019 Congress.

The customary Shedding of Shoes.

Bare Feet in the Board Room at the 2019 Congress.

Bare Feet in the Board Room at the 2019 Congress.

Conversing in the Board Room.

In the Board Room 2019 Congress.

In the Board Room 2019 Congress.

Telling Stories.

In the Board Room at the 2019 Congress.

In the Board Room at the 2019 Congress.

Not forgetting Refreshments.

In the Board Room at the 2019 Congress.

In the Board Room at the 2019 Congress.

Happy Traditions in Good Company among Colleagues and Friends.

*****

Book Signing

At last, the edition and translation has appeared.  The Picatrix: A Medieval Treatise on Astral Magic, translated with an introduction by Dan Attrell and David Porreca (2019). The authors sign copies.   Hurray!

Congratulating the achievement, we join the company of admirers with the happy awareness that we have heard about the research for this publication over the years, including in some of our Sessions at the Congress.

Dan and David at Their Book-Signing at the 2019 Congress.

Dan and David at Their Book-Signing at the 2019 Congress.

For example, at the 2018 Congress, Abstract of Paper included.

Poster for our Session co-sponsored with the Societas Magica on "Occult Blockbusters of the Islamicate World", Part I: The Piccatrix (A Magical Bestseller)", organized by David Porreca and sponsored by both the Research Group on Manuscript Evidence amd the Societas Magica at the 2018 International Congress on Medieval Studies. Poster set in RGME Bembino.

2018 Poster for “Occult Blockbusters” Session.

Displays, Dragons Included.

Diane in the Display 2019 Congress.

Display at the 2019 Congress.

*****

Sunday Lunch, Plus Some Manuscript Materials

As customary in recent years, some of us gather at the cafeteria for Sunday lunch, as the Congress draws to its close and we prepare for return journeys.  As in recent years, the gathering gives the opportunity to look afresh at some manuscript materials.

Here.

Adelaide, Eleanor, and David at Sunday Lunch at the 2019 Congress.

Sunday Lunch at the 2019 Congress.

With some improvised, reclaimed materials, Michael wraps his newly won Manuscript Facsimile Page for safe transit.

Michael at Sunday Lunch at the 2019 Congress.

Michael at Sunday Lunch at the 2019 Congress.

Travelling T-Shirts as Selected and Modelled by Research Group Associates.

T-Shirts at Sunday Lunch at the 2019 Congress.

Derek and David with T-Shirts at Sunday Lunch at the 2019 Congress.

*****

Heading Home

As the Congress shuts down, participants, exhibitors, staff, and employees, hurry to pack and depart.  Then comes a quiet time, as some await their transport.  Among them is Ilona.

Ilona Awaits at the End of the 2019 Congress. Photograph by Mildred Budny.

Ilona Awaits at the End of the 2019 Congress.

As packing is completed, there is pause to look around the setting and reflect upon the completion of another Congress.

1) Looking out from a ground-floor dorm room toward the Parking Lot as its spaces have cleared.

View from the Dorm at the End of the Congress.

View from the Dorm at the End of the Congress.

2) A view of the Corridor leading to and from that room shows some “Light at the End of the Corridor”.

At the End of the 2019 Congress. A view down the dorm corridor, with Light at the End of the Tunnel.

At the End of the 2019 Congress: Light at the End of the Tunnel.

Now is the time to drive away.

The Empty Parking Lot after the 2019 Congress.

The Empty Parking Lot after the 2019 Congress.

The grey weather following the Congress made a contrast with the sunny days along part of its course. By some of that sunlight might we remember it.

Central Rock Garden at WMU International Congress on Medieval Studies at Kalamazoo May 2019. Photograph Mildred Budny.

Central Rock Garden at WMU Kzoo 2019

*****

“Le Chariot” Hitches a Ride and Comes to the End of the Line

Remember the  Tardis-like conveyance driven by our Director?  See Above and also the Reports for the  2016 Congress and the 2017 Congress .

Our lamented Associate, Michel Huglo, named this selfsame vehicle “Le Chariot de Milly” when he caught first sight of it.  That was when our Director came to collect him for brunch in Princeton following our 1998 Symposium on The Bible and the Liturgy, at which he had spoken.  That name has proved as trusty as, for years, did the car.  With the Director, it has ventured to conferences — including those in which the Research Group participated as organizer and sponsor or co-sponsor — in various states, including MA, CT, PA, OH, and MI.

This time, on the way back from the Kalamazoo Congress, the car gave up with a pop on the Ohio Turnpike.  In the middle lane, at that, but with no traffic, so that it was possible safely to move to the side of the road, where conveniently stood a layby.

Le Chariot at the Side of the Ohio Turnpike Returning from the 2019 Congress.

Le Chariot at the Side of the Road.

It took some time for help to arrive, but then Le Chariot was able to hitch a ride.

Le Chariot Hitches a Ride on the Way Back from the 2019 Congress.

Le Chariot Hitches a Ride on the Way Back from the 2019 Congress.

This car had come to the end of the line, so had to remain in Ohio.  Another means of conveyance could be found for the return to home base, but that car has now passed into history.  Legend, some might say?

*****

With hindsight, it seems somehow fitting that my thoughtful photographs in leaving the Congress rooms and spaces included choices to record them in the absence of people within the frame, but not without their presence, and their presence of mind.

*****

The grey weather following the Congress made a contrast with the sunny days along part of its course. By some of that sunlight might we remember it.

Central Rock Garden at WMU International Congress on Medieval Studies at Kalamazoo May 2019. Photograph Mildred Budny.

Central Rock Garden at WMU Kzoo 2019

Or, as I also wish to think about it, there might be some “Light at the End of the Corridor”.

*****

Now see the 2020 International Congress Program Announced.

Although some of our Sessions planned for the 2020 Congress considered aspects of Divination and other approaches to “Seeing the Unknown” (in Parts I & II), we did not guess that the Congress itself would have to be abandoned.  And so now, on the day which would have been devoted to travel to the 2020 Congress, I reflect on the forms of light which presence and hindsight — perhaps also forethought — might offer for our explorations across time and space, guided by experiences and reflections.

At the End of the 2019 Congress. A view down the dorm corridor, with Light at the End of the Tunnel.

At the End of the 2019 Congress: Light at the End of the Tunnel.

*****

Tags: Board Room, Business Meeting, Reception, Targis
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2020 Spring Symposium: Save the Date

February 15, 2020 in Announcements, Conference, Conference Announcement, Events, Index of Medieval Art, Princeton University, Reception, Uncategorized

New York, Grolier Club, \*434.14\Aug\1470\Folio. Flavius Josephus, De antiquitate Judiaca and De bello Judaico, translated by Rufinus Aquileinensis, printed in Augsburg on paper by Johannn Schüsseler in 2 Parts, dated respectively 28 June 1470 and 23 August 1470, and bound together with a manuscript copy dated 1462 of Eusebius Caesariensis, Historia ecclesiastica.

New York, Grolier Club, *434.14Aug1470Folio.

“From Cover to Cover”

Activities Devoted to Manuscripts, Early Printed Books & Beyond
From Collecting & Cataloguing to Deciphering & Beholding

2020  Spring Symposium
of the Research Group on Manuscript Evidence

Princeton University
Friday & Saturday 13–14 March 2020

 

Update 5 April 2020

The Symposium Booklet, with illustrations and Abstracts of Papers, is now published and available for download.
See Keeping Up: Updates for Spring 2020.

The Abstract of one paper in the 2020 Symposium Booklet has been expanded to a Draft Paper, available for Feedback:

  • “A Quick Introduction to Indian Manuscripts for the Non-Specialist”, with examples and illustrations,
    downloadable here.

Update 9 March 2020

This event is now cancelled, as Princeton University and other institutions respond to current health concerns, and take precautions regarding travel and meetings of various kinds in person.
The Symposium might be rescheduled, conditions permitting.  

Meanwhile, the Research Group aims to complete the Symposium Booklet and distribute it to contributors, registrants, and others, as a souvenir of our speakers’ good intentions.  Already, as a sign of appreciation, we have adopted the custom of posting on our website the abstracts of contributors who become unable to attend to present in person (as with the 2018 Congress, among others).

This time, under wider — even global — circumstances affecting the ensemble as a whole, we wish to show appreciation for the remarkable enthusiasm and dedication for the collaborative event demonstrated by our hosts, sponsors, speakers, moderators, and others.  This knowledge is something to remember with satisfaction, gratitude, and praise.

The publication could, perhaps, give a token to show for our shared efforts, and to demonstrate something of the spirit of dedication and focus which prepared to assemble for the event itself.

This aim might help to ease some of the disappointment over cancellation, while the cancellation itself might ease some uncertainties about travel at present.

P. S.  Only once before, in more than 30 years of activities in many centers in the United States and elsewhere (see our Events and Congress Activities}, has the Research Group had to cancel an event.  It, however, was only 1 Session among 7 sponsored and co-sponsored Sessions at the 48th International Congress on Medieval Studies in May 2013, when the Session organizer and 2 presenters were unable to travel to the Congress.  We honored their intentions to contribute by continuing to record their abstracts and the statement of purpose of the Session on this  website.

Similar solidarity pertains to our record of this intended 2020 Spring Symposium.  A summary of this Update appears in its own post.

Here we preserve the description of the event in the updated version just before the decision to cancel this Symposium, among many gatherings at Princeton University and elsewhere at the beginning of the week in which the Symposium was planned to take place.

*****

What We Planned

Saint Andrew. Oil on Canvas. Artus Wollfort (1581–1641). Private Collection, Public Domain. Via Wikipedia Commons.

Saint Andrew. Oil on Canvas. Artus Wollfort (1581–1641). Private Collection, Public Domain. Via Wikipedia Commons.

We announce the next Symposium of the Research Group on Manuscript Evidence, to be held at Princeton University on Friday afternoon and Saturday, 13–14 March 2020. This event follows from, and builds upon, our earlier events, including our 2019 Anniversary Symposium, also held at Princeton University.

Our subject this time: “From Cover to Cover”.   Some say, “That Covers It”.  (We might well agree.)

Such activities include Collecting, Curating, Conserving, Cataloguing, Deciphering, Editing, Reading, Teaching, Translating, Displaying, Accessing, Beholding, Reconsidering, and More.  Cover to Cover.

Naturally, these activities need not necessarily occur in that order, and often they appear in combination.

In addition we consider activities dedicated to manuscripts, early printed books, and beyond, in terms (as is our custom) of both media and chronology.  As often, we consider medieval manuscripts and early printed books from Western Europe, but also— as usual — we examine materials from other cultures, languages, and time-frames.

This recognition of the processes (necessarily integrated) infuses the collection of presentations and conversations which our Symposium aims to gather.  In a nutshell:  Food for Thought, Refreshments included.

For which ability, we have Sponsors, Hosts, Trustees, Associates, Contributors, and Volunteers heartily to thank.

Sponsors

Research Group on Manuscript Evidence

Department of Art & Archaeology, Princeton University

The Index of Medieval Art at Princeton University

Program in Medieval Studies, Princeton University

James Marrow and Emily Rose

Barbara A. Shailor

Celia Chazelle

The Schoenberg Institute for Manuscript Studies

The Bibliographical Society of America

Vassar College

On the Road

Poster 1 for 2019 Anniversary Symposium, with symposium information with images of manuscript and early printed pages..

Poster 1 for 2019 Symposium

Poster 2 for 219 Anniversary Symposium, with symposium information and 2 images of cropped initials, from 12th-century Latin manuscripts, from the Princeton University Art Museum.

Poster 2 for 2019 Symposium

Following upon, and building upon, the success of our Anniversary Symposium last year, we prepare the 2020 Spring Symposium.  Its date is now set, as is the Schedule.  (See below.)

For our 2019 Anniversary Symposium, see its Report and its freely downloadable 2019 Anniversary Symposium Booklet.  Like the Booklet, the 2 Posters (seen here) illustrate examples of manuscripts (Western and non-Western) showcased in the Symposium, its papers, and its workshops.

All these publications, as customary, are set in our very own copyright multilingual font Bembino , and designed and laid out according with our Style Manifesto.  This font is freely available through our website, for your use – whether individual, nonprofit, or commercial.

Both the font, and its descriptive Booklet, are downloadable here .  We have also prepared a booklet showing its abilities in setting multiple languages, both Western and non-Western.  See Multi-Lingual Bembino . Plus our Style Manifesto .

Cover Story

Now we turn to our 2020 Spring Symposium.  Please register (details below).

Poster 1 for the 2022 Spring Symposium.

Gladly we list the Sponsors, Speakers, and Moderators.

Speakers and Moderators (in alphabetical order)

Philadelphia, University of Pennsylvania Libraries, Lawrence J. Schoenberg Collection, MS LJS 101, folio 1v. Opening of Boethius's translation of Aristotle's "Peri erimenias" within a collection of secular and classical texts, France, possibly at the Abbey of Fleury (Saint-Benoît-sur-Loire), 9th–11th centuries. Photograph courtesy OPenn.

Philadelphia, University of Pennsylvania Libraries, Lawrence J. Schoenberg Collection, MS LJS 101, folio 1v. Photograph courtesy OPenn.

Paris, Bibliothèque nationale de France, MS latin 190, folio 1r. Opening page of the Commentarii notarum tironiarum, with an enlarged initial decorated with interlace and foliate ornament. Image via gallica.bnf.fr.

Paris, Bibliothèque nationale de France, MS latin 190, folio 1r. Photograph via gallica.bnf.fr.

Christine E. Bachman (Art History Department, University of Delaware and Graduate Student Fellow 2019–2020, Schoenberg Institute for Manuscript Studies, University of Pennsylvania)

Mildred Budny (Director, Research Group on Manuscript Evidence, Princeton)

Raymond Clemens (Curator, Early Books and Manuscripts, Beinecke Rare Book and Manuscript Library, Yale University, New Haven)

Meghan Constantinou (Librarian, The Grolier Club, New York, New York)

Barbara Williams Ellertson (Books as Symbols in Renaissance Art and Research Group on Manuscript Evidence)

Lynley Anne Herbert (Curator of Manuscripts and Rare Books, The Walters Art Museum, Baltimore, Maryland)

Carson Koepke (Program in Medieval Studies, Yale University)

Laura Light (Director and Senior Specialist, Text Manuscripts, Les Enluminures)

John T. McQuillen (Associate Curator, Printed Books & Bindings, The Morgan Library & Museum, New York, New York)

Bernard Maisner (Bernard Maisner and Bernard Maisner, Master Calligrapher)

New York, Morgan Library & Museum, PML 7, folio P2r. Blockbook of Apocalypsis Sancti Johannis, printed in Germany circa 1468. Revelation 15:1, with hand-colored illustration.

New York, Morgan Library & Museum, PML 7, folio P2r. Blockbook of Apocalypsis Sancti Johannis, printed in Germany circa 1468. Revelation 15:1, with hand-colored illustration.

Sabrina Minuzzi (Researcher in Early Modern History, Marie Skłodowska-Curie Fellow, Ca’ Foscari University of Venice)

Ronald D. Patkus (Associate Director of the Libraries for Special Collections and Vassar Head of Special Collections, Vassar College, Poughkeepsie, New York)

Pamela Patton (Director, Index of Medieval Art at Princeton University)

Lynn Ransom (Curator of Programs, The Schoenberg Institute for Manuscript Studies, University of Pennsylvania Libraries)

Helmut Reimitz (Professor of History and Director, Program in Medieval Studies, Princeton University)

Jessica L. Savage (Art History Specialist, Index of Medieval Art)

Barbara A. Shailor (Department of Classics, Yale University, and President, Bibliographical Society of America)

       David W. Sorenson (Independent, Quincy, Massachusetts)

Kelly Tuttle (Project Cataloger, Manuscripts of the Muslim World, University of Pennsylvania Libraries)

Eric White (Curator of Rare Books and Acting Curator of Manuscripts, Special Collections, Firestone Library, Princeton University)

Princeton University Library, Rare Books and Special Collections, William H. Scheide Library, 53.8. Latin Bible in double columns of 49 lines, printed in Strasbourg by Johann Mentelin, not after 1460 CE.

Princeton University Library, Rare Books and Special Collections, William H. Scheide Library, 53.8. Latin Bible (printed in Strasbourg by Johann Mentelin, not after 1460 CE.) Photograph courtesy Princeton University Library, Rare Books and Special Collections.

The Aim

In a nutshell.

2020 Spring Symposium Announcement, describing the scope of the event, listing the Sponsors, and citing the link to the registration form.

2020 Spring Symposium Announcement, describing the scope of the event, listing the Sponsors, and citing the link to the registration form.

The Plan

Day 1

Friday 13 March: Classes, Workshops, Discussion, and a Reception

1) 12:00–1:00, 12:00–1:30, or 12:00–2:00pm (By Invitation)
Seminar Room of the Index of Medieval Art

“Comparing Notes about Databases:  Past, Present & Futures”
An Informal Discussion

2–3) 1:00–2:45 pm or 3:00–4:45 pm
Classes on Site at Firestone Library (Registration Required and Space Limited)

For registration for these classes and the symposium, see below.

“Material Evidence: A Workshop with 15th-Century Manuscripts and Incunabules”

Classes given (twice) by Eric White, Curator of Rare Books, Princeton University Library, in the Large Classroom of Floor C (Rare Books and Special Collections) at Firestone Library

Please gather in the Lobby at the entrance to Firestone Library, for special escorted access to Floor C, where there are lockable lockers (free) for your coats and cases, before entry to Special Collections.

2) Class 1:  Meet at 1:00 for 1:15–2:45 pm

3) Class 2 (repeated):  Meet at 3:00 for 3:15–4:45 pm

or

4) Session 3:00–5:00 pm
106 McCormick Hall

“Materials, Processes & Products:  A Workshop”

This workshop offers presentations by Bernard Maisner on “The Materials and Methods of Medieval & Renaissance Manuscript Gold-Illumination Techniques” and by David W. Sorenson on “An Introduction to Indian Manuscripts for the Non-Specialist”, along with curated displays of original materials in private collections and demonstrations of results from their close study.

5) Reception

5:00–7:00 pm
Lobby outside 106 McCormick Hall

Florence, Galleria degli Uffizi, Anonymous, Still Life, German school of the XVI century, circa 1510, oil on wood, 70.2 × 65 cm. Opened book with fanned leaves showing pages of text and music set out in double columns and adorned with decorated initials and illustrations. Image via Wikimedia, public domain.

Florence, Galleria degli Uffizi, Anonymous, Still Life of an Illuminated Book, German school of the XVI century, circa 1510. Opened book with fanned leaves. Image via Wikimedia, public domain.

Day 2

Saturday 14 March:  Sessions, Refreshments, and Reception

106 McCormick Hall and its Lobby

6) 10:00 am – 5:30 pm

Sessions, Coffee Breaks, Lunch, and Discussion

7) Reception (5:30–7:00 pm)

2020 Symposium "From Cover to Cover" Poster 2

2020 Symposium Poster 2

*****

The Schedule

The Schedule is available here.

*****

Registration

Please register for the Symposium.  We offer the Registration form as a downloadable pdf .

*****

Maps and Directions

Here.

*****

Please Contact us with questions and suggestions.

Watch this space and visit our FaceBook Page for updates.

Floral Motif as Lower Border in a Book of Hours. Photography Mildred Budny.

We invite you to donate to our nonprofit educational mission. Donations may be tax-deductible. We welcome donations in funds and in kind: Contributions and Donations .

Please join us at the symposium, open to all.  You can register here .

*****

Tags: Early Printing, manuscript fragments, Manuscript Illumination, Manuscript studies, Medieval Manuscript Fragments, Medieval Studies, Medieval Writing Materials, Spring Symposium
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“Gutenberg and After” at Princeton University Library

December 11, 2019 in Book & Exhibition Reviews, Events, Princeton University

Guided Tours 2019

Gutenberg & Friends

Among the events for our 2019 Anniversary Year (see below), the Research Group enjoys a set of Guided Tours by our Associate Eric White, Curator of Rare Books in Special Collections of Princeton University Libraries.  He guided us through his co-curated Exhibition at Princeton University Library on Gutenberg and After:  Europe’s First Printers 1450-1470 (12 September 2019 – 15 December 2019).

At the Exhibition of "Gutenberg and After" at Princeton University in 2019, the group listens to Eric White's tour..

The Group Listens. Photograph by Mildred Budny.

These tours, which included members of the Princeton Bibliophiles and Book Collectors (a subgroup of the Friends of the Princeton University Libraries), took place on Monday, 18 November, and Friday 13 December.  In appreciation, we took Eric for refreshments afterward nearby.

Thus, it was possible not only to ask questions during the tour itself, but also to reflect further in conversations emerging from those direct, expertly guided encounters with the materials themselves.

At the Exhibition of "Gutenberg and After" at Princeton University in 2019, the Co-Curator Eric White stands before the Scheide Gutenberg Bible displayed at the opening of the Book of I Kings.

Eric White Explains the Choice for Display of the Opening of I Kings in the Gutenberg Bible of 1455 (Scheide Library copy). Photograph by Mildred Budny.

 

Armchair Exhibition

More information about the exhibition, its background, and its selected exhibits, is presented online. Enjoy!

  • Rare Collections
  • About the Exhibition

Close Up & Personal

Accompanying the exhibition is an online series of 7 short, thematic essays focusing upon selected aspects of the materials and their evidence.

1.  Authenticity

Princeton University Library. "La Grant Danse Macabre" (Lyons, 1499), one of two surviving copies. It contains the earliest depiction of a printing shop, albeit accompanied by animated cadavers.

Princeton University Library. “La Grant Danse Macabre” (Lyons, 1499), one of two surviving copies. It contains the earliest depiction of a printing shop, albeit accompanied by animated cadavers.

2.  Indulgences

Princeton University Library, Special Collections. Printed Cyprus Indulgence, 31 Lines. (Mainz: Johann Gutenberg, 1454).

Princeton University Library, Special Collections. Printed Cyprus Indulgence, 31 Lines. (Mainz: Johann Gutenberg, 1454).

3. Illumination

Princeton University Library, Scheide Library. Gutenberg Bible of 1455, Opening Page of I Kings.

Princeton University Library, Scheide Library. Gutenberg Bible of 1455. Opening Page of I Kings.

4. Uniqueness

THURCORUM (Mainz: Gutenberg, late 1456), opening page.

Princeton University Library, Scheide Library. CALIXTUS III, BULLA THURCORUM (Mainz: Gutenberg, late 1456), opening page.

5. Johann Neumeister

Princeton University Library, Scheide Library. Turrecremata, "Meditations" (Albi: Johann Neumeister, 1481).

Princeton University Library, Scheide Library. Turrecremata, “Meditations” (Albi: Johann Neumeister, 1481).

6. Fragments

Princeton University Library, Scheide Library. Donatus, "Ars minor" on vellum (Mainz: almost certainly Johann Gutenberg and Johann Fust, perhaps ca. 1453-54), fragment.

Princeton University Library, Scheide Library. Donatus, “Ars minor” on vellum (Mainz: almost certainly Johann Gutenberg and Johann Fust, perhaps ca. 1453-54), fragment.

7. Survivals

Princeton University Library, Scheide Library. Mainz Psalter on vellum (Mainz: Johann Fust and Peter Schoeffer, 14 August 1457), folio 98.

Princeton University Library, Scheide Library. Mainz Psalter on vellum (Mainz: Johann Fust and Peter Schoeffer, 14 August 1457), folio 98.

Round-Up

These articles are stored here:

Inside Milberg Gallery “Gutenberg and After” .

An online exhibition displays detailed views: here .  There, exploration is possible among the options of “Printer”, “Publisher”, “Subject”, “Language”.  For example, seaching by “Printer” and selecting Gutenberg, Johann yields closer views and detailed descriptions of 7 exhibited items, with their digital facsimiles.  Thus it is possible virtually to turn their pages, from

1.  The 2-volume Gutenberg Bible of circa 1455 from Mainz in the Scheide Collection, with its original Erfurt binding and illuminations

to

7.  A reused leaf from a Gutenberg Bible in the Princeton University Library, in its converted state as a vellum binding cover for a 1666 lawbook — seen here at the left in the exhibtion.

Princeton University Library. Gutenberg Bible Leaves Recycled as Binding Materials. Photograph by Mildred Budny.

Princeton University Library. Gutenberg Bible Leaves Recycled as Binding Materials. Photograph by Mildred Budny.

Previews

The Cover Page for the 2019 Anniversary Symposium Booklet displays the name and logo of the Research Group on Manuscript Evidence, the title and subtitle of the Symposium, the List of Sponsors, and a description of the scope and aims of the Symposium. Like the rest of the Booklet, the Cover Page is set in RGME Bembino, the copyright multilingual font of the Research Group on Manuscript Evidence.

2019 Symposium Booklet, Cover Page

2016 Symposium Program Booklet, Cover Page, with RGME logo, Symposium title, list of sponsors, and description.

2016 Symposium Program Booklet, Cover Page.

Eric White presented some of the discoveries which appear in the exhibition earlier for 2 of our Research Group Symposia at Princeton University, including our Symposium in this Anniversary Year.

  • Words and Deeds (2016)
  • The Roads Taken (2019)

The booklets for these Symposia (downloadable through those links) include the abstracts of Eric’s papers and some accompanying images — which present materials included in the current exhibition.  His presentations and workshops for those events gave helpful preparation for viewing the exhibition and for learning more from Eric’s guided tours.

We thank him for teaching us more about these challenging, intriguing, and ground-breaking materials in the history of books.  We look forward to learning more.

*****

Preparations are on course for a printed catalogue of the exhibition.  More to discover!

At the Exhibition of "Gutenberg and After" at Princeton University in 2019, the Co-Curator Eric White answers questions.

Eric Answers Questions. Photograph by Mildred Budny.

*****

Anniversary Celebrations

These events in Princeton form part of our activities during 2019, a landmark Anniversary Year for the Research Group on Manuscript [and Other] Evidence.  They include:

  • Specially Guided Tours for the RGME at the the Princeton University Exhibition on Gutenberg and After (November and December)
  • Permanent Panel at the Midwest Duality and Manuscript Evidence at the Midwest Modern Language Association 2019 Convention (November)
  • 2019 International Congress on Medieval Studies (May)
  • 2019 Anniversary Symposium on “The Roads Taken” (April)

Watch This Space

Building upon the momentum of events for our Anniversary Year, we plan more events for 2020. Among them are the activities for the 2020 International Congress on Medieval Studies in May.

Also a Symposium at Princeton University in the Spring. Perhaps with more news about the background and foreground of the Gutenberg and Beyond Exhibition?  Hopeful.

Join Us

Please Contact Us with your questions and suggestions.

For updates, please visit this site, our News & Views, and our Facebook Page .

For our nonprofit educational mission, with tax-exempt status, your donations in funds and in kind (expertise, materials, time) are welcome.

Join us!

 

Tags: Early Printed Fragments reused in Bindings, Early Printing, Eric White, Fragments, Gutenberg Bible, Gutenberg Press, Indulgences, Johannes Gutenberg, Milberg Gallery, Princeton University Library
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2019 International Congress on Medieval Studies Report

September 14, 2019 in Abstracts of Conference Papers, Anniversary, Announcements, Bembino, Business Meeting, Conference, Events, International Congress on Medieval Studies, Kalamazoo, POMONA, Reception, Reports, Societas Magica, Uncategorized

Report:  Events Sponsored and Co-Sponsored
by the Research Group on Manuscript Evidence
at the 54th International Congress on Medieval Studies
9–12 May 2019

[Published on 2 June 2019. With the achievement of our Activities at the 2019 Congress, we offer this Report (Abstracts of Papers Included), while we advance with preparations for the 2020 Congress. For updates, as they evolve, please watch this space and our Facebook Page.]

Central Rock Garden at WMU International Congress on Medieval Studies at Kalamazoo May 2019. Photograph Mildred Budny.

Central Rock Garden. Photograph Mildred Budny.

In 2019, the Research Group on Manuscript Evidence celebrates its 20th year as a nonprofit educational corporation and its 30th year as an international scholarly organization. Accordingly, we hold both customary and extra-special events, both at the Congress and elsewhere. For example, shortly before the 2019 Congress, we

We have a tradition of celebrating landmark Anniversaries, both for our organization, with organizations which which we share anniversaries, and for other events. As described, for example, in our 2014 Anniversary Reflections. For 2019, our events aim to represent, to explore, to promote, to celebrate, and to advance aspects of our shared range of interests, fields of study, subject matter, and collaboration between younger and established scholars, teachers, and others, in multiple centers.

Now we Report the successful accomplishment of our Activities at the 2019 Congress.

Who, What, Why Not

Logo of the Research Group on Manuscript Evidence (colour version)As in recent years, we co-sponsored Sessions with the Societas Magica (2 Sessions). It is the 14th year of this co-sponsorship, and the first year of co-sponsorship with the newly-founded organization Polytheism-Oriented Medievalists of North America (P.-O.M.O.N.A).

Also, like the 2015–2018 Congresses, we held

  • an Open Business Meeting, with a convenient downloadable 2019 Agenda, and
  • a co-sponsored Reception.

As usual, we publish the Program for the accepted Papers, as their Authors permit. Abstracts for previous Congresses appear in our Congress Abstracts, conveniently Indexed both by Year and by Author.

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Tags: Animals in Celtic Magical Texts, Beinecke Takamiya MS 23, Business Meeting, Celtic Magical Texts, Classical Deities, Classical Deities in Medieval Northern European Contexts, Dionysus, Ecstasy Defense, Grettisfærsla, Hêliand, History of Magic, Lapidaries, Mary Moody Emerson, Medieval manuscripts, Medieval Studies, P.-O.M.o.N.A., Reception, Societas Magica
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Heidere Diplomas & Investiture

July 24, 2019 in Design, Events, Manuscript Studies, Parties, Uncategorized

Celebration of Collegiality

Our tradition over the years in the Research Group on Manuscript Evidence, from our earliest days, is to thank people who have contributed to our mission and activities by inviting them to join our group of Honorary Invited Associates.  Our Associates belong to different walks of life, both educational and beyond in the wider world, as their accomplishments and interests amply demonstrate.

The Associates in Early Years, Listed on Our Letterhead

At first, we listed our Associates on our Letterhead —once we had chosen our name, selected our official Font, designed our Logo, laid out our official Letterhead, and accomplished related tasks — as shown, for example, in some Invitation Letters to the Seminars and Workshops during our years as a group emerging from our innovative Research Project at The Parker Library of Corpus Christi College, Cambridge . (The process of our design choices, letterhead included, are considered in the Interview with Our Font and Layout Designer .)

An example of our Letterhead in Action, Associates Included (12 November 1993):

Invitation Letter Page 1 for Workshop on 'Corpus Christi College MS 41' on 11 December 1993

Invitation Letter on RGME Letterhead for Workshop on 11 December 1993

Moving our principal base to the New World in October 1994, we continued to follow this practice.  The Invitations to Symposia and other Events, however, took the forms of Posters, Save the Date Announcements, and Booklets, beyond the Letterhead practices.

Poster 2 for 219 Anniversary Symposium, with symposium information and 2 images of cropped initials, from 12th-century Latin manuscripts, from the Princeton University Art Museum.

Associates Now, Listed on our Website, Once We Had One (2007–)

With the arrival of our website — thanks to the generous donation of our Associate and WebMaster, Jesse Hurlbut — in its first, Drupal, version (2007–2014) and then in its revised, expanded, and updated WordPress version (2014–), it became possible to list online (if they permitted) our  Officers, Associates, and Volunteers .

To start with, we listed names, with locations or affiliations, as before, tout court.  Then, encouraged by our Associate Ioana Georgescu, given the extra facilities of the WordPress site (2014–), we added links and pictures (as our Associates agreed), so as to enliven the list of Names with ‘attributes’ and with ‘appearances’.

A Special Case, Diplomas Included

Between those stages, there arose a new and special case when we invited James Heidere to become an Associate of the Research Group.  He accepted the invitation, and asked for a Diploma.

Responding to his convivial style, we made sure to provide a Diploma worthy of framing and displaying among his other Diplomas, while we also thought that a larger version might be worthy of the competition.   Also, with one large-size version, why not make two?  And so, and lo.

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Tags: design layout, Interlace, Research Group designs
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2019 Anniversary Symposium Program: The Roads Taken

April 11, 2019 in Announcements, Conference Announcement, Events, Index of Medieval Art, Manuscript Studies, Princeton University

Poster 1 for 2019 Anniversary Symposium, with symposium information with images of manuscript and early printed pages..

Poster 1 for 2019 Symposium

The Roads Taken (Or, The Obstacle Course)

Assessing the Origins, Travels & Arrivals
of Manuscripts and Early Printed Materials

A Symposium of the Research Group on Manuscript Evidence

26-27 April 2019 at Princeton University

Program

Friday, 26 April
Princeton University Campus

Session 1.  1:00–2:30pm

Class on Site: Registration is Required and Space is Limited

Class on Rare Books (Sitting 1 of 2, Repeated in Session 2):
Large Classroom, Special Collections, Floor C, Firestone Library

Eric White (Curator of Rare Books, Firestone Library, Princeton University)
“New Findings from Old Bindings”

Break.   2:30–3:00pm

Session 2.1.   3:00–4:30pm

Classes on Site: Registration is Required and Space is Limited

EITHER

1) Class on Rare Books (Repeated as Sitting 2)
Large Classroom, Special Collections, Floor C, Firestone Library

Eric White (Curator of Rare Books, Firestone Library, Princeton University)
“New Findings from Old Bindings”

Princeton University Art Museum, Prints and Drawings, Manuscript Fragment y1026. Photograph by Mildred Budny.

Princeton University Art Museum, Prints and Drawings, Manuscript Fragment y1026.

OR

2) Class on Manuscript Fragments (Sitting 1 of 1)
“Works on Paper” Study Room, Princeton University Art Museum

Mildred Budny (Research Group on Manuscript Evidence)
“Telling Their Stories: Little-Known Manuscript Fragments at the Princeton University Art Museum”

Session 2.2.   3:00–5:00pm

3) Panel on New Projects and New Research at the Schoenberg Institute for Manuscript Studies (SIMS)
Joseph Henry House, Room 15

Aylin Malcolm (Department of English, University of Pennsylvania)
“A Discussion of UPenn MS Codex 1881”

Judith Weston (Comparative Literatures Program, University of Pennsylvania)
“Pop-Up Manuscript Exhibits”

Dot Porter (Curator, Digital Research Services, SIMS, University of Pennsylvania)
“Hosting Medieval and Early Modern Manuscripts in Bibliotheca Philadelphiensis”

The close of this Panel can serve as a meeting point for its participants and for attendees of the Classes in Session 2.1, to gather for the Reception.

Reception.  5:00–7:00pm

Proctor House, 53 University Place, Princeton
Please let us know if you plan to attend.

*****

Saturday 27 April
McCormick Hall 106 and Index of Medival Art

Session 3:  9:00–10:40am

McCormick 106

Mildred Budny
(Research Group on Manuscript Evidence)
“Opening Remarks”

The Peregrinations of MSS:   Origin, Provenance, or Both

Moderator: Barbara A. Shailor (Classics Department, Yale University)

Yale University, Beinecke Rare Book and Manuscript Library, MS 1194. Photograph courtesy Kristen Herdman.

Yale University, Beinecke Rare Book and Manuscript Library, MS 1194. Photograph courtesy Kristen Herdman.

Barbara A. Shailor
“Introduction”

Kyle Conrau–Lewis (Classics Department, Yale University)
“Commentary, Book, Booklet? The Circulation of Conrad von Waldhausen in Austria and Bohemia”

Kristen Herdman (Medieval Studies, Yale University)
”Beinecke MS 1194: A New Medingen Psalter”

Raymond Clemens (Beinecke Rare Book and Manuscript Library, Yale University)
“Response”

Coffee Break 10:40–11:00

Lobby outside McCormick 106

Session 4. 11:00am–12:30pm

McCormick 106

A Sense of Place

Moderator: Beatrice E. Kitzinger (Department of Art & Archaeology, Princeton University)

Joshua O’Driscoll (Department of Medieval and Renaissance Manuscripts, Morgan Library & Museum)
“The Many Problems of the Astor Lectionary”

Éric Palazzo (University of Poitiers and Institute for Advanced Study, Princeton)
“From the Vivien Bible to the Portal of Vézelay: An ‘Active’ Reconsideration of the Canonical Masterpieces”

Lunch 12:30–1:30pm ($12 charge)

Lobby outside McCormick 106

Session 5. 1:30–3:00pm

McCormick 106

Location, Location, Location

Moderator: Pamela Patton (Director, Index of Medieval Art, Princeton University)

Ronald D. Patkus (Head of Special Collections and Adjunct Associate Professor of History, Vassar College)
“Buiding a Collection of pre-1600 Manuscripts for the Liberal Arts College: The Example of Vassar College”

Debra Taylor Cashion (Digital Humanities Librarian and Assistant Librarian, Vatican Film Library,
Pius XII Memorial Library, Saint Louis University Libraries)
“Digital Scriptorium: State of the Union Catalogue”

Eric White (Curator of Rare Books, Special Collections, Firestone Library, Princeton University)
“The Wreck of Time: Patterns of Survival among the Early Mainz Donatus Editions”

Princeton University Library, Scheide Library, Donatus, Ars minor (fragment). Printed on vellum. [Mainz: Types of the 42-Line Bible, circa 1453–54]

Princeton University Library, Scheide Library, Donatus, Ars Minor (fragment), printed in Mainz circa 1453-1454

Cof‌fee Break 3:00–3:20pm

Lobby outside McCormick 106

Session 6. 3:20–5:00pm

McCormick 106

Books as Repository and Paper as Transformer

Moderator: Celia Chazelle (Department of History, College of New Jersey)

Alessia Bellusci (Postdoctoral Associate in Medieval Jewish History, Yale University)
“The Peregrinations of Avraham Yoel da Conegliano and a Frog
in an Unpublished Hebrew Manuscript from Baroque Italy”

David W. Sorenson (Independent, Quincy, Massachusetts)
“Paper and Writing in Later Sultanate India:
Setting the Ground Rules and Seeing What Results”

Michael A. Conrad (Kunsthistorisches Institut, University of Zurich)
“It’s All in the Fold:  Sacrobosco’s Boat and the Early History of Paper Games and Toys in Europe”

Verso of a Leaf from a 35-Line, Double-Column Breviary. Circa 1300. Private Collection, reproduced by permission.

Verso of a Leaf from a 35-Line, Double-Column Breviary. Circa 1300. Private Collection, reproduced by permission.

Reception and Display.  5:00–7:00pm

Index of Medieval Art
Please let us know if you plan to attend.

Reception

Index Centennial Exhibition on View

Curated Display:  Original Manuscript and Early-Printed Materials

Seminar Room, Index of Medieval Art

*****

The Registration Form is available as a downloadable pdf. Please send the completed pdf form to events@manuscriptevidence.org .

You can also register online, 2 ways:

  • If you wish to sign up for the lunch on Saturday @$12.00 and/or add a donation for our nonprofit organization via PayPal, here
  • Otherwise, here

*****

9-line Manuscript on Paper with Decorative Stringing Hole.

Rejoined Pieces of a Leaf from a Book of Hours. Private Collection, reproduced by permission.

Rejoined Pieces of a Leaf from a Book of Hours. Private Collection.

*****

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2019 M-MLA Call for Papers

March 3, 2019 in Announcements, Conference, Conference Announcement, Events, M-MLA, Manuscript Studies, Midwest Modern Language Association

Call for Papers

“Duality and Manuscript Evidence”

2019 Theme for the

Permanent Panels sponsored by the
Research Group on Manuscript Evidence
at the
Midwest Modern Language Association (M-MLA)

2019 Convention
Chicago, Illinois
November 14–17, 2019

[Posted on 2 March 2019]

Poster announcing the Call for Papers for the Permanent Panels sponsored by the Research Group on Manuscript Evidence, to be held at the 2019 MMLA Convention in Chicago in November. Poster set in RGME Bembino and designed by Justin Hastings.

Poster designed by Justin Hastings

The Research Group on Manuscript Evidence, in keeping with the MMLA conference’s theme of “Duality, Doubles, and Doppelgängers” for the 2019 Convention in Chicago, is sponsoring panels on duality in manuscripts broadly conceived.

Information about the conference appears on the MMLA website: MMLA Convention.

For our panels, possible senses of duality include, strictly by way of example, textual variants, recensions, and copies.  It also includes more figurative senses of duality, like the dialectic between text and marginal glosses.

We invite all approaches — including hermeneutical, textual, art historical, codicological, and paleographical — as well as all time periods. Despite the RGME’s traditional medieval focus, which has expanded, not least through these panels at the MMLA, we declare that all proposals considering the material evidence contained in handwritten documents are warmly welcomed.

Interested panelists should send brief abstracts of no more than 300 words to

jhastings@luc.edu by Monday, 01 April 2019.

*****

Thanks to the expert initiatives by our Associate Justin Hastings, this will be the 4th year that the Research Group sponsors Permanent Panels at the Annual Convention of the Midwest Modern Language Association.

It is a special pleasure that our panels at the 2019 Convention form part of our anniversary celebrations.  2019 marks the 20th anniversary of our nonprofit educational corporation based in Princeton, New Jersey, and the 30th anniversary of our international scholarly society founded at the Parker Library of Corpus Christi College, Cambridge.

  • 2018 M-MLA Panel on “Consuming Cultures and Manuscript Evidence”
  • 2017 M-MLA Panel on “Artists, Activists, and Manuscript Evidence”
    2017 M-MLA Panel Report
  • “Marginalia in Manuscripts and Books” for the 2018 M-MLA
    2016 M-MLA Report

As customary for our Sessions at the International Congress on Medieval Studies, we publish the Abstracts of the Papers for our Panels at the M-MLA Convention in our Panel Announcements and Reports.

Poster for CFP RGME Sponsored Panels for 2017 M-MLA Convention*****

The continuation of the tradition of Permanent Panels at the M-MLA Convention is most welcome, and we thank our organizer, Justin Hastings, and the Midwest Modern Language Association.  We congratulate Justin for his expert organizational skills and outstanding collegiality, and we applaud his willingness to continue to organize the panels for the Research Group on Manuscript Evidence.

*****

Further information about the Convention and the Call for Papers for Permanent Panels can be found on the M-MLA website:

  • M-MLA Convention
  • M-MLA Convention Permanent Section Call for Papers .

Please Contact Us with your questions and suggestions.  See you there!

*****

Tags: Manuscript studies, Medieval manuscripts, Midwest Modern Language Association
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