• News
    • News & Views
    • RGME Activities for 2024 and 2025
    • Around & About with the RGME
    • Reviews
    • Highlights
  • Blogs
    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
        • Abstracts of Papers Listed by Year
  • About
    • Mission
    • Who We Are
      • Officers, Associates & Volunteers
      • RGME Committees
      • Friends of the Research Group on Manuscript Evidence
    • Policies & Statements
      • RGME Privacy Policy Statement
      • RGME Intellectual Property Statement & Agreements
    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention (from 2016)
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
    • Contact Us
  • Bembino
    • Multi-Lingual Bembino
    • RGME Bembino: Resources
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention (2016-2019)
      • Abstracts of Papers for the M-MLA Convention
      • Panels at the M-MLA Convention (from 2016)
  • Events
    • RGME Activities for 2024 and 2025
      • 2023 Activities and 2024 Planned Activities
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
      • RGME Symposia: The Various Series
      • The Research Group Speaks: The Series
      • Meetings of the Friends of the Research Group on Manuscript Evidence
      • RGME Online Events
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
    • History and Design of Our Website
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
    • Scripts on Parade
    • Texts on Parade
      • Latin Documents & Cartularies
      • New Testament Leaves in Old Armenian
    • Posters on Display
    • Layout Designs
  • Donations and Contributions
    • RGME Donor Promise
    • 2023 End-of-Year Fundraiser for our 2024 Anniversary Year
    • 2019 Anniversary Appeal
    • Orders
  • Links
    • Catalogs, Metadata, and Databases: A Handlist of Links
    • Handlist of Resources for Manuscript Studies and Fragmentology
    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

  • News
    • News & Views
    • RGME Activities for 2024 and 2025
    • Around & About with the RGME
    • Reviews
    • Highlights
  • Blogs
    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
        • Abstracts of Papers Listed by Year
  • About
    • Mission
    • Who We Are
      • Officers, Associates & Volunteers
      • RGME Committees
      • Friends of the Research Group on Manuscript Evidence
    • Policies & Statements
      • RGME Privacy Policy Statement
      • RGME Intellectual Property Statement & Agreements
    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention (from 2016)
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
    • Contact Us
  • Bembino
    • Multi-Lingual Bembino
    • RGME Bembino: Resources
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention (2016-2019)
      • Abstracts of Papers for the M-MLA Convention
      • Panels at the M-MLA Convention (from 2016)
  • Events
    • RGME Activities for 2024 and 2025
      • 2023 Activities and 2024 Planned Activities
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
      • RGME Symposia: The Various Series
      • The Research Group Speaks: The Series
      • Meetings of the Friends of the Research Group on Manuscript Evidence
      • RGME Online Events
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
    • History and Design of Our Website
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
    • Scripts on Parade
    • Texts on Parade
      • Latin Documents & Cartularies
      • New Testament Leaves in Old Armenian
    • Posters on Display
    • Layout Designs
  • Donations and Contributions
    • RGME Donor Promise
    • 2023 End-of-Year Fundraiser for our 2024 Anniversary Year
    • 2019 Anniversary Appeal
    • Orders
  • Links
    • Catalogs, Metadata, and Databases: A Handlist of Links
    • Handlist of Resources for Manuscript Studies and Fragmentology
    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

Log in

Archives

Featured Posts

J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.
2026 Annual Appeal
Episode 22: “Encounters with Local Saints and Their Cults”
A Little Latin Vulgate Bible Manuscript Leaf in Princeton
Private Collection, Ege's FBNC Portfolio, Dante Leaf, Verso, Detail. Reproduced by Permission.
2025 RGME Autumn Colloquium on Fragments
Workshop 8: A Hybrid Book where Medieval Music Meets Early-Modern Herbal
2025 RGME Autumn Symposium on “Readers, Fakers, and Re-Creators of Books”
“Thresholds and Communities”
RGME Workshops on “The Evidence of Manuscripts, Etc.”
2025 International Medieval Congress at Leeds: RGME Program
Episode 21. “Learning How to Look”
2025 International Congress on Medieval Studies: Program
2025 RGME Visit to Vassar College
Two Leaves in the Book of Numbers from the Chudleigh Bible
Delibovi on Glassgold on Boethius: A Blogpost
Ronald Smeltzer on “Émilie du Châtelet, Woman of Science”
2025 Spring Symposium: “Makers, Producers, and Collectors of Books”
Starters’ Orders
The Weber Leaf from the Saint Albans Bible
Workshop 4. “Manuscript Fragments Compared”
Episode 20. “Comic Book Theory for Medievalists”
Episode 19: “At the Gate: Starting the Year 2025 at its Threshold”
2025 Annual Appeal
Favorite Recipes for Lemonade, Etc.
RGME Visit to the Lomazow Collection: Report
2024 Autumn Symposium: “At the Helm”
Medieval Women’s Networks
A Latin Vulgate Leaf of the Book of Numbers
The RGME ‘Lending Library’
Florence, Italy, Ponte Vecchio from Ponte alle Grazie. Photo: Ingo Mehling, CC BY-SA 4.0 , via Wikimedia Commons
Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections”
2024 Anniversary Symposium: The Booklet
2024 International Medieval Congress at Leeds: Program
Jesse Hurlbut at the Bonneville Salt Flats, Utah. Photograph Jesse Hurlbut.
Episode 16: An Interview with Jesse D. Hurlbut
To Whom Do Manuscripts Belong?
Kalamazoo, MI Western Michigan University, Valley III from the side. Photograph: David W. Sorenson.
2024 International Congress on Medieval Studies: Report
2024 Spring Symposium at Vassar College
Puente de San Martín: Bridge with reflection over the River Targus, Toledo, Spain.
2024 Grant for “Between Past and Future” Project from The Gladys Krieble Delmas Foundation Research Libraries Program
2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

You are browsing the Blog for RGME Publications

Episode 18. “Women as Makers of Books”

May 5, 2024 in Anniversary, Book, Design, Manuscript Studies, Research Group Episodes for The Research Group Speaks, Research Group Speaks (The Series)

“The Research Group Speaks”
Episode 18
“Women as Makers of Books”

Saturday 14 December 2024
1:00–2:30 pm EST (GMT-5) by Zoom

Jaclyn Reed, Hannah Goeselt, Linda Civitello,
Mildred Budny, and Others

[Posted on 3 May 2024, with updates]

London, British Library, Harley MS 4431, fol. 4r.Christine de Pisan sits at work writing in an interior accompanied by a dog. France (Paris), c. 1410 – c. 1414. Image via https://blogs.bl.uk/digitisedmanuscripts/2013/06/christine-de-pizan-and-the-book-of-the-queen.html.

London, British Library, Harley MS 4431, fol. 4r.Christine de Pisan sits at work writing in an interior accompanied by a dog. France (Paris), c. 1410 – c. 1414. Image via https://blogs.bl.uk/digitisedmanuscripts/2013/06/christine-de-pizan-and-the-book-of-the-queen.html.

By its focus upon the agency of women in and for books, this Episode offers a pendant at the end of our 2024 Anniversary Year for the Episode which opened the year.

  • See Episode 15. Women Writers from the Medieval to Post-Modern Periods

Then, in January, scholars, teachers, and writers spoke about their interests, long-term work , and current projects concerned with the writings of women authors across a long span of time. Reflecting women’s roles, opportunities, constraints, and resourcefulness, the writings cover a wide range of spheres, subjects, approaches, and styles. The works range from literary creations to recipes for cookery.

Now, in December, the same speakers from that Episode return to offer reflections, presentations, or responses on the subject of women who contributed in one or more ways to the production of books in various forms during a range of periods across history. Other speakers and respondents join them, along with our audience engaging in the discussion with questions, comments, and observations.

For the January Episode, Mildred Budny was the presider. For the December Episode, Justin Hastings will preside.

We thank all our contributors, presiders, and attendees.

Lewistown, Pennsylvania, Old Stone Arch Bridge spanning Jack’s Creek. Built by Philip Diehl in 1815. Photograph by KAATMAAN (August 2011) via Wikimedia Commons via CC BY-SA 3.0 License.

A Bridge for, or across,
Our 2024 Anniversary Year

In keeping with the Theme of our Anniversary Year, Bridges, this Episode brings the opportunity to round out the year by means of a bridge across the RGME’s year with a return or expansion upon the theme of women responsible for contributions to the making of books. Now, we think of them not only as writers of texts, as at the beginning of the year in Episode 15, but also, or instead, as makers of the images, scripts, bindings, and/or other materials which make up books themselves as carriers of knowledge, art, expressions,  explorations, and manifestations of human aspirations.

Genres and Styles

Womens’ contributions to the “making of books” also extend to manuscripts or other forms of presenting the written word in material form. These makers chose to work in spheres ranging from calligraphy to illustrations and the designs which governed the layout or production of the works themselves.

Periods under consideration might range widely across centuries and cultures.  Examples include the Arts and Crafts Movement which flourished in Europe and North America circa 1880–1920, the Art Nouveau Movement of circa 1890–1910, and the Art Deco Style of the 1910s to 1930s.

Update:
Since we began to plan this Episode, more of our events in our 2024 Anniversary Year address the subject.

For example, in October, online by Zoom:

  • the co-sponsored set of webinars on Medieval Women’s Networks” on Thursday and Friday 17–18 October by Zoom
  • and the Autumn Symposium 2024 Autumn Symposium “At the Helm: Spotlight on Special Collections as Teaching Events”
    on Friday and Saturday 25–26 October by Zoom; its first session showcases contributions to book-production in the Victorian period Read the rest of this entry →

Tags: Ali Smith, Art Nouveau, Arts & Crafts Movement, Calligraphers, Cheap Repository Tracts, Cookbooks, Élisabeth Sonrel, Hannah More, History of Book Production, Illustrators, Lucy Maynard Salmon, Mary Mape Dodge, Muriel Spark, Recipes, RGME Publications, Saint Nicholas Magazine, Seasons Personnified as Women, The Little Red Hen, Women as Makers, Women in Books, Women Printers, Women Writers
No Comments »

RGME Pop-UP Poster Exhibition for the 2024 ICMS

May 4, 2024 in Bembino, Business Meeting, Conference, Conference Announcement, Events, Exhibition, ICMS, International Congress on Medieval Studies, Kalamazoo, POMONA, Postal History at Kalamazoo, Reception

RGME Posters on Display
for the
2024 International Congress on Medieval Studies (ICMS)

9–11 May in hybrid format

[Posted on 3 May 2024]

Our Pop-Up Poster Display for the 2024 ICMS

As the 2024 International Congress on Medieval Studies approaches (9–11 May in partly hybrid format), we unveil our Posters for all our events at this Congress. Our Congress activities form part of our Anniversary Year, celebrating 25 years as a nonprofit educational corporation and 35 years as an international scholarly society. For this year, our Theme is Bridges. Besides considering the nature of bridges, both natural and man-made, and exploring their challenges and opportunities, we take the liberty of creating some new ones — as with this Pop-Up Poster Session or Exhibition for the 2024 Congress.

Natural Owachomo Bridge, Natural Bridges Natural Monument, San Juan County, Utah. Image via Laban712 on en, Public domain, via Wikimedia Commons.

This Virtual Exhibition marks a new development for our evolving tradition of Posters for our different Events, comprising Conference Sessions, Symposia, Colloquia, Seminars, Workshops, Receptions, and more. Here, by bringing the set of Posters into an exhibition of their own, we offer a bridge between our webpost for the Congress; our printed Posters for the in-person event and for souvenirs afterward; and for download in digital form from our website.

Our website Home Page for our 2024 ICMS Activities describes each of these events in turn, with descriptions about their scope and aims, instructions for directions to them, and information about the programs of the individual sessions, also with the speakers’ abstracts for their presentations.

The directions include options to register for online access to scheduled in-person events — some Sessions and our Open Business Meeting — through our RGME Eventbrite Collection (at no charge), so as to provide a fully hybrid approach to the Congress.  Similarly, for a scheduled online Session, we have arranged for an in-person approach by reserving a room on campus for in-person attendees of the Congress.

See:

  • 2024 International Congress on Medieval Studies: Program

In a Nutshell

Now, the Posters present, in a nutshell, information about each session of papers or meeting, including updated details which did not emerge in time for the published Congress Program, but which our 2024 RGME @ ICMS HomePage has been able to report through revisions as the news reached us.

The RGME tradition for its sessions and other events at the ICMS has been to prepare Posters announcing, promoting, and celebrating the people participating in creating them; providing evocative illustrations encapsulating or, as it were, commenting upon them; and given concise information about the event and its logistics of time, place, and modes of arrival.

Over the years, the RGME Director, Mildred Budny (also Editor-in-Chief of Publications), has prepared the Posters for our ICMS activities (as for other Events), with the inspiration of images generously provided by our Associates and others, notably including David W. Sorenson, and with the help of the RGME Font and Layout Designer, using the RGME copyright digital font Bembino and RGME principles for our Publications, set out according to our Style Manifesto and our specifications for Designing Academic Posters.

Usually, the Director would bring the Posters to the ICMS for unveiling at the Congress, in printed copies displayed in various places (as a group upon general poster boards or individually at the door or on the wall of the session or meeting itself.

2014 ICMS

Adelaide Bennett stands beside the RGME Posters on display for the 2014 ICMS. Photography by Mildred Budny.

2015 ICMS

Derek Shank stands beside the RGME Poster Display for the 2025 ICMS. Photography by Mildred Budny.

Fit to Print, Free to Keep

Each year, we bring printed copies to display on walls, doors, and boards, where permitted, and also to give to speakers, contributors, and others wishing souvenirs.  We offer them also in digital form, to be downloaded free of charge on our website.  The links for these downloads are indicated in the HomePage for the event (or in other locations on our website).

Online Exhibition

Until now, our habit has been to place the Posters, once they are ready, within the HomePage for the event.  Thus usually occurs at a late stage in the preparations for the year’s Congress, once the final details have settled into place and most of our other tasks of preparation have taken precedence.

This year, in order to allow the Posters to stand alongside each other to tell their stories in unison, we present a curated Gallery or Pop-Up Poster Exhibition for your enjoyment.

The Posters tell in a nutshell the information you might need and wish to know about the event itself, how and where to find it, who is featured in its presentation, and what feature image or images might evoke its essence.

The information includes updated information which the Congress Program does not have, as some logistics evolved after the publication of the Congress Program, and as some details do not have a place in its structure.

Two-By-Two as Pairs or Diptychs

Paris, Louvre Museum, Ivory consular diptych of Areobindus, Byzantium, 506 AD. Image Public domain, via Wikimedia Commons.

Paris, Louvre Museum, Ivory consular diptych of Areobindus, Byzantium, 506 AD. Image Public domain, via Wikimedia Commons.s

Note that, in recent years, we design the posters for individual Sessions as Pairs, to be viewed as Diptychs, in matching sets similar to the facing pages of an opened book.

In a given Pair, one Poster displays the names of the people responsible for the Session or Roundtable. The other exhibits a feature image or two.

While they share identifying elements, each poster in the pair reports information unique to it, so that the two posters provide more information than can one alone. Together they report a concise comprehensive indication of the ensemble which the event represents, encompassing people, a place, a time, and a focus for consideration.

Meetings

Anniversary Reception

2024 Anniversary Reception at the ICMS: Poster.

Open Business Meeting

2024 RGME Business Meeting Poster

2024 RGME Business Meeting Poster

Sessions and a Roundtable

“Alchemical Manuscripts, Printed Books, and Materials”

Poster 1

2024 ICMS Alchemical Session Poster 1

2024 ICMS Alchemical Session Poster 1

Poster 2

2024 ICMS Alchemical Session Poster 2

2024 ICMS Alchemical Session Poster 2

2. “Retrospect and Prospect”

Poster 1

2024 ICMS "Retrospect and Prospects" Session: Poster 1

2024 ICMS “Retrospect and Prospects” Session: Poster 1

Poster 2

2024 ICMS "Retrospect and Prospects" Session: Poster 2

2024 ICMS “Retrospect and Prospects” Session: Poster 2

3. “Letters, Couriers, and Post Offices:
Mail in the Medieval World”

Poster 1

2024 ICMS Postal Session: Poster 1

2024 ICMS Postal Session: Poster 1

Poster 2

2024 ICMS Postal Session: Poster 2

2024 ICMS Postal Session: Poster 2

*****

Suggestion Box

Do you like this Pop-Up Exhibition? Would you like to see more of them?

Please Contact Us or visit

  • our FaceBook Page
  • our Facebook Group
  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our LinkedIn Group
  • our Blog on Manuscript Studies and its Contents List

Donations and contributions, in funds or in kind, are welcome and easy to give.  Given our low overheads, your donations have direct impact on our work and the furtherance of our mission.  For our Section 501(c)(3) nonprofit educational organization, your donations may be tax-deductible to the fullest extent permitted by law.  Thank you for your support!

  • Contributions and Donations
  • 2024 Anniversary Appeal

We look forward to hearing from you.

*****

 

Tags: 2024 ICMS, 2024 International Congress on Medieval Studies, Anniversary Reception, Bembino, Bembino Digital Font, Business Meeting, Designing Academic Posters, POMONA, Pop-Up Exhibition, Postal History at Kalamazoo, Poster Exhibition, RGME Posters, RGME Publications, Societas Magica, Style Manifesto
No Comments »

Image-Processing and Manuscript Studies (January 1994)

January 1, 2014 in Events, Manuscript Studies, Photographic Exhibition, Reports

Cover for Preliminary Report of the January 1994 Workshop on 'Image Processing and Manuscript Studies'A one-day Workshop held
at the Parker Library of Corpus Christi College, Cambridge,
by the Research Group on Manuscript Evidence

15 January 1994

In the Series of Research Group Seminars on ‘The Evidence of Manuscripts’
The Parker Library, Corpus Christi College, Cambridge

[First published on 13 October 2015 from our Archives, with updates]

This workshop focused upon optical imaging techniques as aids for manuscript studies.  It considered developments in imaging through photographic and computerised methods, as it provided a forum for information and feedback about techniques of image processing, both existing and planned:  applications, capabilities, limitations, desiderata, and future potential.  Participants included experts in manuscript studies, conservation, photography, imaging aids, computing, radio astronomy, engineering, forensics and medical imaging.

Our First Event Report in Booklet Form

Front cover of the assembled booklet with the Profile of the Research Group on Manuscript Evidence and the full set of 5 Annual Reports to the Leverhulme Trust, which funded the 5-year major Research ProjectA ‘Preliminary Report’ of the proceedings of the Workshop was prepared and printed by the Research Group as a small-format Booklet soon after the event.

Following the move of our principal base to the United States later that year, not to the destination expected, but to Princeton, we thought that the Booklet had disappeared.  Describing the event for our upgraded website (in October 2015), we had to rely on the corrected proof-copy, transcribed here.  More recently, from another section of our Archives, the printed copy of the Booklet has emerged, and we publish it as well in downloadable form.

It represents the first of our printed Booklets for any of our events.  It followed the model of our Annual Reports for the Research Project, composed principally by Mildred Budny and circulated in printed copies both individually and as a collected group, as described among our Publications).  Those reports summarised our Seminars and Workshops, along with accounts of our other activities and the research work itself.

It also followed the model of the Exhibition Booklets for the exhibitions at the Parker Library of “Canterbury at Corpus” (1991) and “Matthew Parker in Cambridge” (1993), although those are illustrated with our photographs from Parker Library materials. Both were printed in-house and circulated at the events, as well as afterward. Both were reprinted, but in quarto format, in the Old English Newsletter, 24:4 (Summer 1991), Appendix A (= pages A-1–A-7) and 27:1 (Fall 1993), Apendix A (A-1–A-8); the latter issue is available online in the OEN Archives, but not yet the former. In their original design, these Exhibition Booklets emanated in A3 format as a group of single sheets stapled twice along the left-hand side; the 1991 Exhibition Booklet, with text and photographs by Mildred Budny, was also prepared as an A5 booklet of folded and nested leaves with the pages of text and image reduced to half-size in photocopying. Similar layout in small-format booklets came to pertain also to the Annual Reports. Such forms of in-house design, layout, and publication by the Research Group on Manuscript Evidence prepared precedents, and customs, for the Workshop Booklet.

Then, after the Research Project was completed and the Research Group moved to the New World, our scholarly Events mainly focused upon Symposia for some years.  As our Annual Series of Symposia on “The Transmission of the Bible” gathered momentum, their Programs, with brief Abstracts of the Papers, grew from single or double-sided pages (1995, 1996, and 1997), and took the form of short booklets, as here:

  • 1998 Symposium exterior
    1998 Symposium interior
  • 1999 Symposium exterior
    1999 Symposium interior
  • 2000 Symposium exterior
    2000 Symposium interior

Those folded and unstapled booklets comprise either a double-sided 4-page unit (1 quarto sheet folded in half as a bifolium) or a menu-like tryptich (1 legal-size sheet folded in three) with wings to open and close at will.  Each case was issued in printed form at the event and circulated afterward also in printed form.  In this respect, the Symposium Booklets differ from the 1994 Imaging Seminar Report, which emerged after the event — indeed like the Annual Reports of our events overall (1990–1994).  The 1994 “Preliminary Report” takes the form of 6 double-sided sheets folded into 12 pages as a small-format booklet (A5), although it also circulated as full-page sheets (A3).

Cover Page for 2002 British Museum Colloquium Program Booklet, with Abstracts of Papers, compiled and edited by Mildred Budny, and laid out and printed by the Research Group on Manuscript Evidence.2016 Symposium Program Booklet Cover Page with borderA longer booklet accompanied our 2002 Colloquium at the British Museum. That case stands within The New Series of our Seminars, Workshops, Colloquia & Symposia.

Within the New Series, the Booklets have become a regular, but not necessarily invariable, feature, while illustrations enter their pages more and more, through generous donations of images for the purposes.  Our experience in designing, laying out, and typesetting our Illustrated Bulletin ShelfLife (2006–) prepared the way for the illustrated Booklets as a way of life.

Each case was issued in printed form at the event and circulated afterward also in printed form, until we acquired a website and the site could accommodate them. Our tradition is to “launch” the publication of the booklet in its printed form at the event itself. Then we may post it on the website and circulate it elsewhere.

More recent, and illustrated, examples of the booklets employ our copyright font Bembino. Issued in print at the event, as is the custom, they now appear on our site in downloadable form:

  • 2013 Symposium on “Identity and Authenticity”
  • 2014 Symposium on “Recollections of the Past”
  • 2014 Colloquium on “When the Dust has Settled”
  • 2015 Congress (“Predicting the Past”)
  • 2016 Symposium on “Words & Deeds”
  • 2016 Congress (“Crusading” and “Mirror”)

See also our list of Publications.  The “Imaging” Booklet joins their company.

Read the rest of this entry →

Tags: Bembino Digital Font, British Library, Corpus Christi College MS 111, Corpus Christi College MS 12, Corpus Christi College MS 173, Corpus Christi College MS 197B, Corpus Christi College MS 201, Corpus Christi College MS 23, Corpus Christi College MS 422, Corpus Christi College MS 44, Cotton MS Claudius A III, Cotton MS Otho C VI, Cotton MS Vitellius A.xv, DScriptorium, Electronic Beowulf, Imaging Aids, Manuscript studies, Parker Library, RGME Program Booklets, RGME Publications, RGME Webmaster
No Comments »

  • Top
©2024 Research Group on Manuscript Evidence.


is proudly powered by WordPress. WordPress Themes X2 developed by ThemeKraft.