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  • News
    • News & Views
    • Reviews
    • Highlights
  • Blogs
    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
        • Abstracts of Papers Listed by Year
  • About
    • Mission
    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
  • Bembino
    • Multi-Lingual Bembino
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention
      • Abstracts of Papers for the M-MLA Convention
  • Events
    • The Research Group Speaks: The Series
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
    • History and Design of Our Website
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
    • Scripts on Parade
    • Texts on Parade
      • Latin Documents & Cartularies
      • New Testament Leaves in Old Armenian
    • Posters on Display
    • Layout Designs
  • Donations and Contributions
    • 2019 Anniversary Appeal
    • Orders
  • Contact Us
  • Links
    • Catalogs, Metadata, and Databases: A Handlist of Links
    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

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Style Manifesto

May 8, 2015 in Bembino

Red Version of the 'Seal of Approval' logo for the Style Manifesto of the Research Group on Manuscript EvidenceIn its Style Manifesto, the Research Group on Manuscript Evidence defines the principles of its approach to publications. Foremost is the principle that form and content must be appropriate for function and audience.

A New, Illustrated Version with Our Font Bembino

Page 1 of the 'Style Manifesto' of the Research Group on Manuscript Evidence in the version of April 2014 (4 pages)

Opening Page in the New Version (May 2015)

As the Research Group launches its new, updated official website in May 2015, it issues the new version of its Style Manifesto.  Circulated as a booklet, it is available here.

It now takes the form of a 4-page booklet, laid out in our own multilingual font Bembino.  The Style Manifesto describes, demonstrates, and illustrates our continuing dedication to the principled, unified approach to our Publications.

These principles pertain, of course, also to the reproduction of images, including photographs of manuscripts and other forms of material evidence. In the new booklet, the horizontal pair of half-page plates present 2 views of the same late-medieval manuscript page (subject of our blogpost on The Mass of Saint Gregory, Illustrated), un-cropped and un-retouched.  These views represent photographs taken with the same lighting but different backgrounds, and with both a scale ruler and a color guide in view.

Such practices can supply guides to convey the integrity of the object and to aid the viewer to assess the accuracy, or otherwise, of images as presented variably in print or on screen.  They may encourage consideration of the specific circumstances and choices governing any given photograph, which might represent only some aspects of the original which other choices could supplement, just as different snapshots or portraits may reveal different aspects of the same sitter.  This position fosters the integrated approach which the Research Group seeks to promote.

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Tags: Bembino, Budny's Illustrated Catalogue, Corpus Christi College MS 326, design layout, Manuscript Photography, Mass of Saint Gregory, publication guidelines, RGME Program Booklets, ShelfLife: Bulletin of the Research Group on Manuscript Evidence, ShelfMarks: RGMEnewsletter, Style Manifesto
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Image-Processing and Manuscript Studies (January 1994)

January 1, 2014 in Events, Manuscript Studies, Photographic Exhibition, Reports

Cover for Preliminary Report of the January 1994 Workshop on 'Image Processing and Manuscript Studies'A one-day Workshop held
at the Parker Library of Corpus Christi College, Cambridge,
by the Research Group on Manuscript Evidence

15 January 1994

In the Series of Research Group Seminars on ‘The Evidence of Manuscripts’
The Parker Library, Corpus Christi College, Cambridge

[First published on 13 October 2015 from our Archives, with updates]

This workshop focused upon optical imaging techniques as aids for manuscript studies.  It considered developments in imaging through photographic and computerised methods, as it provided a forum for information and feedback about techniques of image processing, both existing and planned:  applications, capabilities, limitations, desiderata, and future potential.  Participants included experts in manuscript studies, conservation, photography, imaging aids, computing, radio astronomy, engineering, forensics and medical imaging.

Our First Event Report in Booklet Form

Front cover of the assembled booklet with the Profile of the Research Group on Manuscript Evidence and the full set of 5 Annual Reports to the Leverhulme Trust, which funded the 5-year major Research ProjectA ‘Preliminary Report’ of the proceedings of the Workshop was prepared and printed by the Research Group as a small-format Booklet soon after the event.

Following the move of our principal base to the United States later that year, not to the destination expected, but to Princeton, we thought that the Booklet had disappeared.  Describing the event for our upgraded website (in October 2015), we had to rely on the corrected proof-copy, transcribed here.  More recently, from another section of our Archives, the printed copy of the Booklet has emerged, and we publish it as well in downloadable form.

It represents the first of our printed Booklets for any of our events.  It followed the model of our Annual Reports for the Research Project, composed principally by Mildred Budny and circulated in printed copies both individually and as a collected group, as described among our Publications).  Those reports summarised our Seminars and Workshops, along with accounts of our other activities and the research work itself.

It also followed the model of the Exhibition Booklets for the exhibitions at the Parker Library of “Canterbury at Corpus” (1991) and “Matthew Parker in Cambridge” (1993), although those are illustrated with our photographs from Parker Library materials. Both were printed in-house and circulated at the events, as well as afterward. Both were reprinted, but in quarto format, in the Old English Newsletter, 24:4 (Summer 1991), Appendix A (= pages A-1–A-7) and 27:1 (Fall 1993), Apendix A (A-1–A-8); the latter issue is available online in the OEN Archives, but not yet the former. In their original design, these Exhibition Booklets emanated in A3 format as a group of single sheets stapled twice along the left-hand side; the 1991 Exhibition Booklet, with text and photographs by Mildred Budny, was also prepared as an A5 booklet of folded and nested leaves with the pages of text and image reduced to half-size in photocopying. Similar layout in small-format booklets came to pertain also to the Annual Reports. Such forms of in-house design, layout, and publication by the Research Group on Manuscript Evidence prepared precedents, and customs, for the Workshop Booklet.

Then, after the Research Project was completed and the Research Group moved to the New World, our scholarly Events mainly focused upon Symposia for some years.  As our Annual Series of Symposia on “The Transmission of the Bible” gathered momentum, their Programs, with brief Abstracts of the Papers, grew from single or double-sided pages (1995, 1996, and 1997), and took the form of short booklets, as here:

  • 1998 Symposium exterior
    1998 Symposium interior
  • 1999 Symposium exterior
    1999 Symposium interior
  • 2000 Symposium exterior
    2000 Symposium interior

Those folded and unstapled booklets comprise either a double-sided 4-page unit (1 quarto sheet folded in half as a bifolium) or a menu-like tryptich (1 legal-size sheet folded in three) with wings to open and close at will.  Each case was issued in printed form at the event and circulated afterward also in printed form.  In this respect, the Symposium Booklets differ from the 1994 Imaging Seminar Report, which emerged after the event — indeed like the Annual Reports of our events overall (1990–1994).  The 1994 “Preliminary Report” takes the form of 6 double-sided sheets folded into 12 pages as a small-format booklet (A5), although it also circulated as full-page sheets (A3).

Cover Page for 2002 British Museum Colloquium Program Booklet, with Abstracts of Papers, compiled and edited by Mildred Budny, and laid out and printed by the Research Group on Manuscript Evidence.2016 Symposium Program Booklet Cover Page with borderA longer booklet accompanied our 2002 Colloquium at the British Museum. That case stands within The New Series of our Seminars, Workshops, Colloquia & Symposia.

Within the New Series, the Booklets have become a regular, but not necessarily invariable, feature, while illustrations enter their pages more and more, through generous donations of images for the purposes.  Our experience in designing, laying out, and typesetting our Illustrated Bulletin ShelfLife (2006–) prepared the way for the illustrated Booklets as a way of life.

Each case was issued in printed form at the event and circulated afterward also in printed form, until we acquired a website and the site could accommodate them. Our tradition is to “launch” the publication of the booklet in its printed form at the event itself. Then we may post it on the website and circulate it elsewhere.

More recent, and illustrated, examples of the booklets employ our copyright font Bembino. Issued in print at the event, as is the custom, they now appear on our site in downloadable form:

  • 2013 Symposium on “Identity and Authenticity”
  • 2014 Symposium on “Recollections of the Past”
  • 2014 Colloquium on “When the Dust has Settled”
  • 2015 Congress (“Predicting the Past”)
  • 2016 Symposium on “Words & Deeds”
  • 2016 Congress (“Crusading” and “Mirror”)

See also our list of Publications.  The “Imaging” Booklet joins their company.

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Tags: Bembino Digital Font, British Library, Corpus Christi College MS 111, Corpus Christi College MS 12, Corpus Christi College MS 173, Corpus Christi College MS 197B, Corpus Christi College MS 201, Corpus Christi College MS 23, Corpus Christi College MS 422, Corpus Christi College MS 44, Cotton MS Claudius A III, Cotton MS Otho C VI, Cotton MS Vitellius A.xv, DScriptorium, Electronic Beowulf, Imaging Aids, Manuscript studies, Parker Library, RGME Program Booklets, RGME Publications, RGME Webmaster
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