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  • News
    • News & Views
    • Reviews
    • Highlights
  • Blogs
    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
        • Abstracts of Papers Listed by Year
  • About
    • Mission
    • History
    • Activities
    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Congress Activities
      • Sponsored Conference Sessions (1993‒)
        • Panels at the M-MLA Convention
      • Co-sponsored Conference Sessions (2006‒)
    • Events
    • Seals, Matrices & Documents
    • Genealogies & Archives
  • Bembino
    • Multi-Lingual Bembino
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention
      • Abstracts of Papers for the M-MLA Convention
  • Events
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Photographic Exhibitions & Master Classes
    • Business Meetings
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
    • Scripts on Parade
    • Texts on Parade
      • Latin Documents & Cartularies
      • New Testament Leaves in Old Armenian
    • Posters on Display
    • Layout Designs
  • Donations and Contributions
    • 2019 Anniversary Appeal
    • Orders
  • Contact Us
  • Links
    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

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Featured Posts

Private Collection, Sinhalese Palm-Leaf Manuscript, End-Leaf 01, Left.
A Sinhalese Palm-Leaf Book in Deconstructed and Reconstructed Order
Beinecke Rare Book & Manuscript Library, Otto Ege Collection, FOL Set 3, MS 40, Specimen 1: folio '1'r, Top Left. Photography Mildred Budny.
Specimens of Ege Manuscript 40 in the Ege Family Portfolio
Otto F. Ege: Fifty Original Leaves from Medieval Manuscripts, Leaf 40, Printed Label, Special Collections and University Archives, Stony Brook University Libraries.
Otto Ege Manuscript 40, Part II: Before and After Ege
Private Collection, Ege's FBNC Portfolio, Aquinas Leaf, Recto, Top Right. Reproduced by Permission.
Otto Ege’s Aquinas Manuscript in Humanist Script (‘Ege Manuscript 40’)
rivate Collection, Koran Leaf in Ege's Famous Books in Nine Centuries, Front of Leaf. Reproduced by permission.
Otto Ege’s Portfolio of ‘Famous Books’ and ‘Ege Manuscript 53’ (Quran)
Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Dutch Book of Hours made for a female patron in the mid 15th century. Opening page of the Hours of the Virgin: "Here du salste opdoen mine lippen". Image via Creative Commons. At the bottom of the bordered page, an elegantly dressed woman sits before a shiny bowl- or mirror-like object, in order, perhaps, to perform skrying or to lure a unicorn.
2021 Congress Program Announced
J. S. Wagner Collection, Early-Printed Missal Leaf, Verso. Rubric and Music for Holy Saturday. Reproduced by Permission.
Carmelite Missal Leaf of 1509
Set 1 of Otto Ege's FOL Portfolio, Leaf 19 recto: Deuteronomy title and initial.
Updates for ‘Otto Ege Manuscript 19’
Private Collection, Castle Cartulary Fragment, Inserted Folded Sheet, Opened: Top Righ
Fragments of a Castle ‘Capbreu’ from Catalonia
Grapes Watermark in a Selbold Cartulary Fragment.
Selbold Cartulary Fragments
Smeltzer Collection, Subermeyer (1598), Vellum Supports Strip 2 Signature Surname.
Vellum Binding Fragments in a Parisian Printed Book of 1598
Set 1 of Ege's FOL Portfolio, Leaf 14 recto: Lamentations Initial.
Some Leaves in Set 1 of Ege’s FOL Portfolio
Church of Saint Mary, High Ongar, Essex, with 12th-Century Nave. Photograph by John Salmon (8 May 2004), Image via Wikipedia.
A Charter of 1399 from High Ongar in Essex
View to the Dorm at the End of the Congress.
2019 Congress Behind the Scenes Report
Opening of the Book of Maccabees in Otto Ege MS 19. Private Collection.
A Leaf from ‘Otto Ege Manuscript 19’ and Ege’s Workshop Practices
Private Collection, "Margaritas" fragment back side, lines 2-5.
The Pearly Gateway: A Scrap from a Latin Missal or Breviary
Preston Charter 7 Seal Face with the name Gilbertus.
Preston Take 2
The Outward-Facing Cat and a Hand of Cards. Detail from Adèle Kindt (1804–1884), The Fortune Teller (circa 1835). Antwerp, Koninklijk Museum voor Schone Kunsten. Image via Wikimedia Commons.
Keeping Up: Updates for Spring 2020
New York, Grolier Club, \*434.14\Aug\1470\Folio. Flavius Josephus, De antiquitate Judiaca and De bello Judaico, translated by Rufinus Aquileinensis, printed in Augsburg on paper by Johannn Schüsseler in 2 Parts, dated respectively 28 June 1470 and 23 August 1470, and bound together with a manuscript copy dated 1462 of Eusebius Caesariensis, Historia ecclesiastica.
2020 Spring Symposium Cancelled or Postponed
2020 Spring Symposium: Save the Date
At the Exhibition of "Gutenberg and After" at Princeton University in 2019, the Co-Curator Eric White stands before the Scheide Gutenberg Bible displayed at the opening of the Book of I Kings.
“Gutenberg and After” at Princeton University Library
Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Dutch Book of Hours made for a female patron in the mid 15th century. Opening page of the Hours of the Virgin: "Here du salste opdoen mine lippen". Image via Creative Commons. At the bottom of the bordered page, an elegantly dressed woman sits before a shiny bowl- or mirror-like object, in order, perhaps, to perform skrying or to lure a unicorn.
2020 International Congress on Medieval Studies Program Announced
J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Recto, Initial C for "Confitimini" of Psalm 117 (118), with scrolling foliate decoration.
A Leaf from Prime in a Large-Format Latin Breviary
J. S. Wagner Collection. Detached Manuscript Leaf with the Opening in Latin of the Penitent Psalm 4 or Psalm 37 (38) and its Illustration of King David.
The Penitent King David from a Book of Hours
Bust of the God Janus. Vatican City, Vatican Museums. Photo by Fubar Obfusco via Wikimedia Commons.
2019 M-MLA Panel Program
Coffee Break at our 2002 British Museum Colloquium. Our Director, Dáibhí Ó Cróinin, and Giles Constable. Photograph by our Associate, Geoffrey R. Russom.
Revisiting Anglo-Saxon Symposia 2002/2018
The red wax seal seen upright, with the male human head facing left. Document on paper issued at Grenoble and dated 13 February 1345 (Old Style). Image reproduced by permission
2020 ICMS Call for Papers: Seal the Real
Yale University, Beinecke Rare Book and Manuscript Library, MS 1183. Photograph courtesy Kristen Herdman.
2019 Anniversary Symposium Report: The Roads Taken
Heidere Diploma 2 in the Unofficial Version, with puns aplenty. The Diploma has an elaborate interlace border around the proclamation.
Heidere Diplomas & Investiture
2019 Anniversary Symposium: The Roads Taken
Detail of illustration.
Sanskrit and Prakrit Manuscripts
Poster announcing the Call for Papers for the Permanent Panels sponsored by the Research Group on Manuscript Evidence, to be held at the 2019 MMLA Convention in Chicago in November. Poster set in RGME Bembino and designed by Justin Hastings.
2019 M-MLA Call for Papers
Detail of recto of leaf from an Italian Giant Bible. Photography by Mildred Budny
2019 International Congress on Medieval Studies Program Details
Thomas E. Hill stands at the entrance to the Vassar College Library. Photography by Mildred Budny
Another Visit to The Library Cafe
Leaf 41, Recto, Top Right, in the Family Album (Set Number 3) of Otto Ege's Portfolio of 'Fifty Original Leaves' (FOL). Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Mildred Budny.
More Discoveries for ‘Otto Ege Manuscript 41’
Augustine Homilies Bifolium Folio IIr detail with title and initial for Sermon XCVI. Private Collection, reproduced by permission. Photograph by Mildred Budny.
Vellum Bifolium from Augustine’s “Homilies on John”
Gold stamp on blue cloth of the logo of the Research Group on Manuscript Evidence. Detail from the front cover of Volume II of 'The Illustrated Catalogue'
Design & Layout of “The Illustrated Catalogue”
Rosette Watermark, Private Collection. Reproduced by Permission
2019 International Congress on Medieval Studies Program
Libro de los juegos. Madrid, El Escorial, MS T.1.6, folio 17 verso, detail.
2018 International Congress on Medieval Studies Program
Poster Announcing Bembino Version 1.5 (April 2018) with border for Web display
Bembino Version 1.5 (2018)
Lower Half of the Original Verso of a Single Leaf detached from a prayerbook in Dutch made circa 1530, owned and dismembered by Otto F. Ege, with the seller's description in pencil in the lower margin. Image reproduced by permission.
A New Leaf from ‘Otto Ege Manuscript 214’?
© The British Library Board. Harley MS 628, folio 160 verso. the initial 'd' for 'Domini'.
2018 M-MLA Call for Papers
Fountain of Books outside the Main Library of the Cincinnati Public Library of Cincinnati and Hamilton County.
2017 M-MLA Panel Report
Leaf 41, Recto, Top Right, in the Family Album (Set Number 3) of Otto Ege's Portfolio of 'Fifty Original Leaves' (FOL). Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Mildred Budny.
2017 M-MLA Panel
Poster for 'In a Knotshell' (November 2012)with border
Designing Academic Posters
Opening Lines of the Book of Zachariah. Courtesy of Flora Lamson Hewlett Library, Graduate Theological Union, Berkeley, CA. Reproduced by permission.
More Discoveries for “Otto Ege Manuscript 61”
Slice of Brie. Photograph by Coyau via Wikipedia Commons.
Say Cheese
Alcove Beside Entrance to Garneau at AZO 2017. Photography © Mildred Budny.
2017 Congress Report
Duck Family at the 2007 Congress. Photography © Mildred Budny.
2017 Congress Program
Verso of the Leaf and Interior of the Binding, Detail: Lower Right-Hand Corner, with the Mitered Flap Unfolde
A 12th-Century Fragment of Anselm’s ‘Cur Deus Homo’
Reused Leaf from Gregory's Dialogues Book III viewed from verso (outside of reused book cover) Detail of Spine of Cover with Volume Labels. Photograph © Mildred Budny.
A Leaf from Gregory’s Dialogues Reused for Euthymius
Detail of the top of the verso of the fragmentary leaf from a 13th-century copy of Statutes for the Cistercian Order. Reproduced by permission.
Another Witness to the Cistercian Statutes of 1257
Initial d in woodcut with winged hybrid creature as an inhabitant. Photography © Mildred Budny
The ‘Foundling Hospital’ for Manuscript Fragments
A Reused Part-Leaf from Bede’s Homilies on the Gospels
Detail of middle right of Verso of detached leaf from the Nichomachean Ethics in Latin translation, from a manuscript dispersed by Otto Ege and now in a private collection. Reproduced by permission.
More Leaves from ‘Otto Ege Manuscript 51’
Running title for EZE on the verso of the Ezekiel leaf from 'Ege Manuscript 61'. Photography by Mildred Budny
A New Leaf from ‘Otto Ege Manuscript 61’
Decorated opening word 'Nuper' of the Dialogues, Book III, Chapter 13, reproduced by permission
A New Leaf from ‘Otto Ege Manuscript 41’
Private Collection, Leaf from Ege MS 14, with part of the A-Group of the 'Interpretation of Hebrew Names'. Photograph by Mildred Budny.
A New Leaf from ‘Otto Ege Manuscript 14’
A Reused Part-Leaf from Bede’s Homilies on the Gospels
Photography by David Immerman.
Radio Star
Close-Up of The Host of 'The Library Cafe' in the Radio Studio. Photography © Mildred Budny
A Visit to The Library Café
Booklet Page 1 of the 'Interview with our Font & Layout Designer' (2015-16)
Interview with our Font & Layout Designer
Initial I of Idem for Justinian's Novel Number 134, with bearded human facing left at the top of the stem of the letter. Photography © Mildred Budny
It’s A Wrap
The Brandon Plaque. Gold and niello. The British Museum, via Creative Commons.
Seminar on the Evidence of Manuscripts (January 1992)
© The British Library Board. Cotton MS Tiberius A III, folio 117v, top right. Reproduced by permission.
Seminar on the Evidence of Manuscripts (August 1993)
Invitation to 'Canterbury Manuscripts' Seminar on 19 September 1994
Seminar on the Evidence of Manuscripts (September 1994)
Logo of the Research Group on Manuscript Evidence in Monochrome Version
Seminar on the Evidence of Manuscripts (May 1989)
Logo of the Research Group on Manuscript Evidence (colour version)
2016 Report for CARA
Heading of Blanked out Birth certificate after adoption completed.
Lillian Vail Dymond
Initial C of 'Concede'. Detail from a leaf from 'Otto Ege Manuscript 15', the 'Beauvais Missal'. Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Lisa Fagin Davis. Reproduced by Permission
2016 Symposium on ‘Words & Deeds’
Detail with Initial G of Folio Ivb of Bifolium from a Latin Medicinal Treatise reused formerly as the cover of a binding for some other text, unknown. Reproduced by permission
Spoonful of Sugar
Detail of Leaf I, recto, column b, lines 7-12, with a view of the opening of the Acts of the Apostles, chapter 23, verse 3, with an enlarged opening initial in metallic red pigment
New Testament Leaves in Old Armenian
Decoated initial E for 'En' on the verso of the Processional Leaf from ' Ege Manuscript 8'. Photography by Mildred Budny
A New Leaf from ‘Otto Ege Manuscript 8’
Cloth bag, now empty, for the original seal to authenticate the document, which remains intact, for a transaction of about the mid 13th-century at Preston, near Ipswich, Suffolk, UK. Photograph reproduced by permission.
Full Court Preston
The Date 1538 on the Scrap, enhanced with photographic lighting. Photography © Mildred Budny
Scrap of Information
Lower half of Recto of Leaf from the Office of the Dead in a Small-Format Book of Hours. Photography © Mildred Budny
Manuscript Groupies
Detail of cross-shaft, rays of light, and blue sky or background in the illustration of the Mass of Saint Gregory. Photography © Mildred Budny
The Mass of Saint Gregory, Illustrated
Penwork extending from a decorated initial extends below the final line of text and ends in a horned animal head which looks into its direction. Photography © Mildred Budny
Lost & Foundlings

You are browsing the Blog for Budny’s Illustrated Catalogue

Design & Layout of “The Illustrated Catalogue”

October 12, 2018 in Bembino, Design, Interviews, Manuscript Studies, Parker Library, Photographic Exhibition, Reports, Uncategorized

Gold stamp on blue cloth of the logo of the Research Group on Manuscript Evidence. Detail from the front cover of Volume II of 'The Illustrated Catalogue'Continuing our series of interviews and reports, we explore the processes by which Mildred Budny’s 2-volume Insular, Angl0-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge:  An Illustrated Catalogue (“The Catalogue” or “The Illustrated Catalogue”) was designed, laid out, and typeset to camera-ready copy for its publication as a set of 2 volumes of “Text” and “Plates”.

Now we present a joint interview with the Author and the Layout Designer of “The Illustrated Catalogue”.

For information about that publication see Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge: An Illustrated Catalogue.

Our interview appears in the new Booklet describing “The Design and Layout of ‘The Illustrated Catalogue’ “.  This 16-page booklet is available freely as a pdf for quarto-size pages:

  • As a series of consecutive pages.
  • In foldable booklet form suitable for printing on 11 1/2 in. × 17 in. sheets.

Front Covers for Volumes I & II of 'Insular, Anglo-Saxon, and Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge: An Illustrated Catalogue' by Mildred Budny, with the title of the publication and the gold-stamped logo of the Research Group on Manuscript Evidence, co-publisher of the volumes

 

Some of the background for preparing this ground-breaking publication is described in the “Interview with our Font & Layout Designer” (published in print on 25 September 2016 and online on 6 October 2016), with illustrations, and downloadable here.

For the progress and development of our Research Group Publications, please see our Publications. We invite your contributions, suggestions, and feedback.

*****

Tags: Anglo-Saxon Manuscripts, Budny's Illustrated Catalogue, Manuscript Illumination, Medieval manuscripts
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Designing Academic Posters

May 29, 2017 in Announcements, Manuscript Studies

Steady on the Page

Gold stamp on blue cloth of the logo of the Research Group on Manuscript Evidence. Detail from the front cover of Volume II of 'The Illustrated Catalogue'Continuing to reflect on the values of presenting materials, whether text, image, or both, upon a page or writing surface, we have decided to proclaim the principles which guide our approach to layout of posters. You may have noticed some of them at our events, on the Posts of Pages pertaining to them, and/or in the Poster Gallery on this website.

You may know already about our views about design and layout, for example in the Illustrated Catalogue (our own design throughout, apart from the front covers and the promotional booklet), in our Style Manifesto (we are not so shy, uncommitted, or wimpy, as to call it a “Style Sheet”), and in all of our Publications.

Page 1 of the 'Style Manifesto' of the Research Group on Manuscript Evidence in the version of April 2014 (4 pages)

Version of April 2015

Principles and Principled

Now we offer a similarly clear, and polemical, description of principles which we believe should govern the processes, and products, of Designing Academic Posters. The 4-page Booklet, set in RGME Bembino, describes and illustrates the aims.

You may download our booklet in whichever form you prefer:

  • Designing Academic Posters set out in 4 individual letter-sized (or quarto) pages
  • Designing Academic Posters as Booklet laid out on 11″ × 17″ sheets for folding into a 4-page booklet in consecutive reading order

We adopted this dual form of publishing our Booklets for some earlier cases, as with the Report on some New Testament Leaves in Old Armenian.  Its 20-page Report appears both as

  • Armenian Pages set out in individual letter-sized (or quarto) pages
  • Armenian Booklet laid out on 11″ × 17″ sheets for folding into a booklet in consecutive reading order

Experience shows that some of you may prefer the second option, so we continue the provision.

Enjoy!

Examples from our Poster Gallery

2014 Poster/Program for the Colloquium on 'When the Dust Has Settled, Or, When Good Scholars Go Back . . . ', laid out in RGME Bembino

What do you think? We invite your comments. We’d be glad to improve.

Poster 2 for the 2016 'Words & Deeds' Symposium at Princeton University, with 2 images from the Otto Ege Collection, The Beinecke Rare Book and Manuscript Library, Yale University. Photography by Lisa Fagin Davis. Reproduced by permission. Poster set in RGME Bembino

And another favorite:

Poster for 'In a Knotshell' (November 2012)with border

Please let us know your favorites!  We’d be glad to hear from you!

Comments here or Contact Us.

*****

Tags: Bembino, Bembino Digital Font, Budny's Illustrated Catalogue, design layout, Research Group designs, Research Group Posters, Style Manifesto
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A Leaf from Gregory’s Dialogues Reused for Euthymius

December 24, 2016 in Manuscript Studies, Photographic Exhibition, Uncategorized

A Leaf from Gregory’s Dialogues
Reused for Binding
A Copy of
Euthymius Zigabenus’s On the Psalms

Budny Handlist 3

In our blog on Manuscript Studies (see its Contents List), Mildred Budny (see Her Page) continues to report the results of research for her Illustrated Handlist.

Here, we focus upon a leaf plucked from its 12th-century manuscript and pressed into service, with trimmed edges and mitered folds, as the vellum covering for a binding for a different text of small format.  Both texts, primary and secondary in the life of the leaf, concern religious subjects, but they emanate from authors of different dates, locations, and languages in the Latin West and the Orthodox East respectively.  The primary text represents a remnant of a text and an author familiar in some other blogposts, which consider the Dialogues, the Sermons or Homilies, and other texts by Pope Gregory the Great (pope from 590 to 694 CE).

Reused Leaf from Gregory's Dialogues Book III viewed from recto (inside of reused book cover) with text upright and with guides. Photograph © Mildred Budny.

Handlist 3, Recto

Reused Leaf from Gregory's Dialogues Book III viewed from verso (outside of reused book cover) with text upright and with guides. Photograph © Mildred Budny.

Handlist 3, Verso

Part of Gregory’s Dialogues, Book III, Chapter 7

(on Andreas, Bishop of Fondi/Fundi):
Sections 2 (Hic namque uenerabilis uir) –
8 (uel quae in conuentu)

Present measurements:
Circa 357 × 237 mm
< written area circa 266 × 133 mm >
Single column of 28 lines
in revived Caroline minuscule
without embellishments
Germany, circa 1175

Reused for some time as the vellum cover for the binding of a copy of
Euthymius Zigabenus‘s Commentary on the Psalms
in Greek or in Latin translation?
(now lost or preserved elsewhere in a location unknown)

For this secondary use, the remnants of a set of titles on the outside of the spine of the cover (the original verso of the reused leaf) remain in place, albeit abraded and fragmented, as both a pasted, inscribed paper label (orientated along the ‘horizontal’ across the spine) and an ink inscription on the reused leaf itself in Capitals (‘vertical’, with the tops of those letters turned toward the ‘front cover’).  Another, smaller and fragmentary pasted label with a broad rectangular border stands near the bottom of the broad spine of the cover and partly overlies the ‘vertical’ spine inscription.

Reused Leaf from Gregory's Dialogues Book III viewed from verso (outside of reused book cover). Photograph © Mildred Budny.

Acquired, probably by purchase (according to the Owner’s recollections), in France in the past 15 years or so, but before 2007 when I first saw and began to photograph the leaf.   This item and others in the Illustrated Handlist acquired in France at various times and by various means (purchase, gift, or exchange), came from a single source in the Département of Saône-et-Loire, from about 1999 onward.  Because the leaf does not carry indications of its original place and time of production, apart from its materials, layout, design, script, orthography, and punctuation, those unknowns must depend upon evaluations of the style of the script, lacking any forms of embellishment, such as decorated initials, which might have provided possibly more closely datable symptoms than the letters “alone”.

Read the rest of this entry →

Tags: 'Fifty Original Leaves from Medieval Manuscripts', Binding History, Bishop Andrew of Fundi, Budny's Illustrated Catalogue, Ege Manuscript 41, Euthymius Zigabenos, Fondi, Gregory the Great, Gregory's Dialogues, manuscript fragments, Manuscript Fragments Reused in Bindings, Manuscript studies, Psalter Commentary, Saki, Temple of Apollo
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A Visit to The Library Café

October 10, 2016 in Announcements, Manuscript Studies, Reports

The Library Café
and Its Host, Thomas Hill
of the Vassar College Art Library

Close-Up of The Host of 'The Library Cafe' in the Radio Studio. Photography © Mildred Budny[This post announces, and accompanies, a radio interview with our Director, Mildred Budny, describing aspects of our origins, development, purposes, and activities.  You can hear the interview, beginning with its live broadcast on Wednesday 12 October 2016 from 12:00 noon ET, or 17:00 GMT, here.]

We celebrate a visit to The Library Café and its host, Thomas Hill, Art Librarian at Vassar College.  That prime educational institution is the Alma Mater of the Director of the Research Groups.

For a while now, I (this is the Director talking) have been a fan of Tom’s series of radio interviews, and a fan of Tom, with his wide interests, generous hospitality, and fascinating conversations.  We first met, as I recall, at one of my talks at Vassar, and we have continued to talk, and I have continued to listen, over the years since then, at Vassar and elsewhere.

Here is how the Vassar College Art Library describes The Library Cafe:

The Library Café is a weekly program of table talk with scholars, artists, publishers and librarians about books, scholarship, and the formation and circulation of knowledge.

As for my View? It is breathtakingly wonderful. That’s my opinion.  Delighted to become part of it!

Read the rest of this entry →

Tags: Alum Authors Meet & Greet Event, Asterix, Benjamin Kohl, Biblioteca Apostolica Vaticana, British Library Additional MS 89000, British Library Royal MS 1 E.vi, British Museum, Budny's Illustrated Catalogue, Catalogue of Anglo-Saxon Ornamental Metalwork, Codex Amiatinus, Corbie Psalter, Cuthbert Gospel, David Wilson, Donald J. Olsen, Interviews, Julia McGrew, Linda Nochlin, Lindisfarne Gospels, Saint Dunstan, Sally V. Kiel, Sarah Tredwell, Steve Glasgow, Sutton Hoo, The Library Cafe, Thomas Hill, Vassar College, Vassar College Art Library, Vassar College Store
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Interview with Our Font & Layout Designer

October 6, 2016 in Interview, Interviews, Reports, Uncategorized

Logo of the Research Group on Manuscript Evidence (colour version)Logo of the Research Group on Manuscript Evidence in Monochrome VersionInterviews:  Number 1

Here we begin a Series of Interviews with people involved in the origins, formation, development, and life of the Research Group on Manuscript Evidence.

First comes an interview with our Font & Layout Designer, Leslie J. French.

Read the rest of this entry →

Tags: Bembino Digital Font, Budny's Illustrated Catalogue, Leslie J French, Manuscript studies, Profile of the Research Group, Research Group designs, Research Group Logo, Research Group Posters, Seminars on Manuscript Evidence, ShelfLife: Bulletin of the Research Group on Manuscript Evidence, ShelfMarks: RGMEnewsletter, Style Manifesto
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Seminar on the Evidence of Manuscripts (September 1990)

October 4, 2016 in Seminars on Manuscript Evidence

“Corpus Christi College MS 139”
A Twelfth-Century Historical Miscellany

Invitation Letter to 'Corpus Christi College, MS 139' Workshop on 28 September 1990

Invitation Letter for 28 September 1990

The Parker Library, Corpus Christi College, Cambridge
29 September 1990

In the Series of Seminars (and Workshops) on the Evidence of Manuscripts
The Parker Library, Corpus Christi College, Cambridge

Invitation Letter (with no RSVP form or slip) in pdf

The previous seminar in the series considered
Sixteenth-Century Interventions in Anglo-Saxon and Related Manuscripts
Parker Library, 22 April 1990

[First published on 3 October 2016, with an update to add the diagram of sewing patterns]

*****

The Subject

The Invitation asks for collective help in guiding the course of the research work on one of the manuscripts selected for the Research Project proposal.  It invites the selected specialists

to join us for a workshop consultation concerning our MS 139, a twelfth-century composite manuscript which includes the unique medieval copy of the Historia Regum attributed to Symeon of Durham.  It also has an erased ex-libris inscription of the Cistercian abbey of Sawley, although it may not have been made there.

At present it is undergoing conservation and research while disbound.  This has provided a unique opportunity for examining and comparing the different sections of the manuscript, some of which originated separately.  Before it will be rebound in the autumn, we wish to discuss the evidence thus revealed with a team of specialists in various disciplines.  For example, we would like to consider how the evidence modifies the existing historiography of this important manuscript.  The script and decoration may help to determine the date and place of origin of the manuscript and its components more satisfactorily.  The character of the texts included in the manuscript might have further implications worth exploring.

We would very much value your presence in these discussions.  We hope that your expert knowledge might help provide some fresh evaluations of the evidence.  In this way we hope to ensure that the research on the manuscript will be of the maximum benefit for future scholarship.

Ruins of the Chapel of Salley / Sawley Abbey, Lancashire. Photograph by Chris Heaton via Wikipedia Commons.

Ruins of the Chapel of Salley / Sawley Abbey, Lancashire. Photograph by Chris Heaton via Wikipedia Commons.

The Logistics

The time-frame for “the consultation over the disbound manuscript” was planned to begin at 11 a.m. and “to work until about 4:40 p.m.  As for logistics:

Although we are unable to reimburse fares, we will provide a buffet lunch.  We might also, depending upon availability, be able to supply overnight accommodation in College free of charge on the 27th or 28th, if you require it.

Some participants chose to stay in College for one night or the other.

*****

Participants

Invitations were, in the first instance, sent to:

Bernard Meehan, Patrick McGurk, Christopher Brooke, Christopher Norton, Anne Lawrence, Derek Baker, Tessa Webber, Ian Doyle, Alan Piper, Martin Brett, David Rollason, Simon Keynes, Julia Crick

Most of them attended.  The Research Group Archives contain correspondence relating to the preparations and the follow-up of the “consultation workshop”.

Invitation Letter to 'Corpus Christi College, MS 139' Workshop on 28 September 1990

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Tags: Binding Stitching Patterns, Budny's Illustrated Catalogue, Composite Manuscripts, Corpus Christi College Ms 139, Historia Regum, manuscript facsimiles, Manuscript Photography, Parker Library, Sawley Abbey, Seminars on Manuscript Evidence, Symeon of Durham, Technical Drawings
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Seminar on the Evidence of Manuscripts (February 1993)

September 30, 2016 in Manuscript Studies, Seminars on Manuscript Evidence, Uncategorized

“Corpus Christi College, Cambridge, MS 44:
The Corpus Canterbury Pontifical”
Parker Library, 27 February 1993

Invitation Letter Page 1 for 27 February 1993

Invitation Letter Page 1 for 27 February 1993

Invitation Letter Page 2 for 27 February 1993

Invitation Letter Page 2 for 27 February 1993

In the Series of Seminars and Workshops on “The Evidence of Manuscripts”
The Parker Library, Corpus Christi College, Cambridge

2-page Invitation in pdf, with 1-page RSVP Form.

This Workshop followed the Workshops and other Events
of the Research Group on Manuscript Evidence
in Japan in November and December 1992.

The previous Seminar held in England took place in Oxford and considered

“Research on Anglo-Saxon Manuscripts in Cambridge and Oxford”
Pembroke College, Oxford, 20 June 1992

*****

The Plan

Dated 20 January 1993, the 2-page Invitation Letter (shown here and downloadable here with the 1-page RSVP Form) provides the Menu for the Food for Thought.

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Tags: 'Canterbury at Corpus' exhibition, 'Manuscript Studies' Blog, 'Matthew Parker in Cambridge' exhibition, Andrew Prescott, Budny's Illustrated Catalogue, Canterbury Cathedral, Catherine Hall, Corpus Canterbury Pontifical, Corpus Christi College MS 146, Corpus Christi College MS 163, Corpus Christi College MS 265, Corpus CHristi College MS 267, Corpus Christi College MS 270, Corpus Christi College MS 44, Corpus Christi College MS 79, Corpus Christi College MS 81, Ely Cathedral, John Parker, Matthew Parker, Nicholas Hadgraft, Palaeographical and Textual Handbook, Parker Library, R.I. Page, Richard Cox Bishop of Ely, Richard Emms, Seminars on Manuscript Evidence
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Seminar on the Evidence of Manuscripts (March 1993)

September 25, 2016 in Manuscript Studies, Reports, Uncategorized

“Anglo-Saxon Manuscripts from Worcester”
Pembroke College, Oxford
13 March 1993

Invitation Letter for 13 March 1993

Invitation Letter for 13 March 1993

RSVP Form for 13 March 1993

RSVP Form for 13 March 1993

In the Series of Seminars on the Evidence of Manuscripts
Pembroke College, University of Oxford

Invitation in pdf.

The previous Event in the series considered

“Corpus Christi College, Cambridge, MS 44: A Workshop”
Parker Library, 27 February 1993

[First published on 26 September 2016]

This was the second of the three Seminars in the Series on “The Evidence of Manuscripts” to be held at the University of Oxford and hosted by our Associate, Professor Malcolm R. Godden.  This was the second also to be held at his College, whereas the third took place in the English Faculty.

First came the session on

“Research on Anglo-Saxon Manuscripts at Cambridge and Oxford”
Pembroke College, Oxford, 20 June 1992

Later came the session on
“King Alfred and His Legacy”
Faculty of English, University of Oxford, 20 April 1994

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Tags: Anglo-Saxon Manuscripts from Worcester, Budny's Illustrated Catalogue, Corpus Christi College MS 12, Corpus Christi College MS 146, Corpus Christi College MS 178, Corpus Christi College MS 198, Corpus Christi College MS 391, Corpus CHristi College MS 557, Corpus Christi College MS 9, Leverhulme Trust Research Project, Malcolm Godden, Old English Newsletter, Palaeographical and Textual Handbook, Pembroke College Oxford, Portiforium of Saint Wulfstan, Saint Wulfstan, Samson Pontifical, Seminars on Manuscript Evidence
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Seminar on the Evidence of Manuscripts (19 June 1993)

September 21, 2016 in Manuscript Studies, Uncategorized

“Corpus Christi College, Cambridge, MS 201”

The Parker Library, 19 June 1993

Invitation for 'Corpus MS 201' Seminar 19 June 1993In the Series of Seminars on the Evidence of Manuscripts
The Parker Library

Invitation in pdf (2 pages including RSVP Form)

The previous Seminar in the series considered

“Anglo-Saxon Manuscripts at Worcester”
(Pembroke College, Oxford, 13 March 1993)

[First published on 21 September 2016 by Mildred Budny]

This meeting cast the spotlight upon a single volume — albeit a complicated and multi-partite volume, comprising an assembly of 3 Parts from different former manuscripts.  A Triple Decker, with lots of trimmings.

Once upon a time, the margins of the book were included in the trimming process, alas.  We had a close look as experts gathered from several centres, even by proxy.

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Tags: Archbishop Wulfstan, Archbishop Wulfstan's Commonplace Book, Budny's Illustrated Catalogue, Corpus Christi College MS 190, Corpus Christi College Ms 191, Corpus Christi College MS 196, Corpus Christi College MS 201, Corpus Christi College MS 265, Cotton MS Nero A I, Cotton MS Tiberius A III, Cotton MS Vespasian A VIII, David Ganz, Grimbald of Saint-Bertin, Julia McGrew, New Minster Winchester, Palaeographical and Textual Handbook, Parker Library, Patrick Wormald, Seminars on Manuscript Evidence, Sermo Lupi ad Anglos, Stowe MS 944, The Library Cafe, Thomas Hill, Vassar College
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Seminar on the Evidence of Manuscripts (January 1992)

September 20, 2016 in Manuscript Studies, Seminars on Manuscript Evidence

“Anglo-Saxon Writing Materials and Practices”
The Parker Library
11 January 1992

Invitation Letter for Seminar on 'Anglo-Saxon Writing Materials & Practices' on 11 January 1992

Invitation Letter for 11 January 1992

RSVP Form for Seminar on 'Anglo-Saxon Writing Materials & Practices' on 11 January 1992

RSVP Form for 11 January 1992

In the Series of Seminars on “The Evidence of Manuscripts”
The Parker Library, Corpus Christi College, Cambridge

Invitation in pdf, with 1-Page Invitation Letter and 1-page RSVP Form

The previous meeting of the seminar considered

“Corpus Christi College, Cambridge, MS 383”
The Parker Library, 16 November 1991

[Published on 20 September 2016 by Mildred Budny]

The Plan

From the moment of the First Seminar in the Series, devoted to “Manuscript Illustrations as Evidence for Anglo-Saxon Life”, and taking inspiration from it, the subject for this Seminar emerged naturally, early in the Series, as part of a Research Project at the Parker Library designed to examine “The Archaeology of Anglo-Saxon Manuscripts” and to integrate expertise in a variety of disciplines.

The Brandon Plaque. 9th-century Anglo-Saxon gold and niello. The British Museum, via Creative Commons.

The Brandon Plaque. © Trustees of the British Museum.

The design of the Project flowed, in no small part, from the work for a Ph.D. dissertation (University of London, 1985) which focused on an integrated study of Anglo-Saxon manuscripts and was supervised by an archaeologist, David M. Wilson, the Director of the British Museum and author of the catalogue of Ornamental Anglo-Saxon Metalwork, 700–1100, in the British Museum (1964).  That authoritative catalogue contains some of the materials considered at the Seminar.

For the Seminar, the 1-page Invitation Letter (shown here and downloadable here, with the RSVP Form), dated 15 December 1991, lays down the cloth for the repast.

We will hold the next meeting of this seminar on Saturday, 11 January.

The subject will be:  Anglo-Saxon writing materials and practices.  We wish to look at the evidence for manuscript production in the Anglo-Saxon period, especially

1) the archaeological record of writing materials, tools, processes and book bindings;

2) the linguistic and literary evidence for writing and making manuscripts from both Old English and Latin sources; and

3) the evidence of the manuscripts themselves.

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Tags: 'Archaeology of Anglo-Saxon Manuscripts', 'The Making of England' Exhibition (1991), 2002 British Museum Colloquium, Apotropaic, Brandon Plaque, British Library Additional MS 89000, British Museum, Budny's Illustrated Catalogue, Chester-le-Street, Christine Fell, Corpus Christi College MS 183, Corpus Christi College MS 23A, Corpus Christi College MS 286, Corpus Christi College MS 389, Corpus Christi College MS 41, Ernst Kitzinger, Flixborough, Kevin Leahy, King Athelstan, Leslie Webster, Lindisfarne, Manuscript Illustrations, Medieval Writing Materials, Parker Library, Saint Cuthbert's Coffin, Saint Cuthbert's Gospel, Saint Cuthbert's Pectoral Cross, Saint Cuthbert's Relics, Scribal Portraits, Scribal Practices, Seminars on Manuscript Evidence, Stonyhurst Gospel, Thomas Julian Brown, Vivien Law
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