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      • Genealogies & Archives
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    • Sponsored Conference Sessions (1993‒)
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    • Panels at the M-MLA Convention (2016-2019)
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      • Panels at the M-MLA Convention (from 2016)
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      • 2023 Activities and 2024 Planned Activities
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      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
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        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
      • RGME Symposia: The Various Series
      • The Research Group Speaks: The Series
      • Meetings of the Friends of the Research Group on Manuscript Evidence
      • RGME Online Events
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
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    • Photographic Exhibitions & Master Classes
    • Events Archive
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      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
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    • Watermarks & the History of Paper
    • Galleries: Contents List
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    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

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Featured Posts

Episode 28. Preview of Medieval “Printing on Fabric”
2027 International Congress on Medieval Studies: Call for Papers
Episode 27. “Catalog(u)ing Collections and Materials”
2026 International Medieval Congress at Leeds: Program
Sanskrit and Prakrit Manuscripts, Continued: More Leaves for Manuscript Sample XII
2026 International Congress on Medieval Studies: Program
Episode 24. “Life with Books” (Interview with John Windle)
Announcing the Launch of RGME Bembino WP
2026 RGME Colloquium at The Grolier Club: Report
Medieval Missal Fragment as Early-Modern Cover
The Weber Leaf from Ege MS 61
"Bembino" Booklet Cover
Episode 23. “Meet RGME Bembino: Facets of a Font”
2026 RGME Colloquium on “Transformations & Renewals” at The Grolier Club
2026 Theme of the Year: “Transformations and Renewals”
A Leaf with Patchwork from the Saint Albans Bible
A Sister Leaf from a Miniature Latin Vulgate Bible
A Little Latin Vulgate Bible Manuscript Leaf in Princeton
J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.
2026 Annual Appeal
Episode 22: “Encounters with Local Saints and Their Cults”
Private Collection, Ege's FBNC Portfolio, Dante Leaf, Verso, Detail. Reproduced by Permission.
2025 RGME Autumn Colloquium on Fragments
Workshop 8: A Hybrid Book where Medieval Music Meets Early-Modern Herbal
2025 RGME Autumn Symposium on “Readers, Fakers, and Re-Creators of Books”
RGME Workshops on “The Evidence of Manuscripts, Etc.”
Episode 21. “Learning How to Look”
2025 International Congress on Medieval Studies: Program
2025 RGME Visit to Vassar College
Two Leaves in the Book of Numbers from the Chudleigh Bible
Delibovi on Glassgold on Boethius: A Blogpost
Ronald Smeltzer on “Émilie du Châtelet, Woman of Science”
2025 Spring Symposium: “Makers, Producers, and Collectors of Books”
Starters’ Orders
The Weber Leaf from the Saint Albans Bible
Workshop 4. “Manuscript Fragments Compared”
Episode 20. “Comic Book Theory for Medievalists”
Episode 19: “At the Gate: Starting the Year 2025 at its Threshold”
Favorite Recipes for Lemonade, Etc.
RGME Visit to the Lomazow Collection: Report
2024 Autumn Symposium: “At the Helm”
A Latin Vulgate Leaf of the Book of Numbers
The RGME ‘Lending Library’
Florence, Italy, Ponte Vecchio from Ponte alle Grazie. Photo: Ingo Mehling, CC BY-SA 4.0 , via Wikimedia Commons
Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections”
Jesse Hurlbut at the Bonneville Salt Flats, Utah. Photograph Jesse Hurlbut.
Episode 16: An Interview with Jesse D. Hurlbut
Kalamazoo, MI Western Michigan University, Valley III from the side. Photograph: David W. Sorenson.
2024 International Congress on Medieval Studies: Report
2024 Spring Symposium at Vassar College
2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

2026 RGME Symposium: “Teaching for the Future”

September 28, 2026 in Announcements, Manuscript Studies, RGME Symposia

SAVE THE DATE
2026 RGME Symposium

“Teaching for the Future:
Transformations and Renewals
in the Transmission of Learning”

online by Zoom and partly hybrid

Date Range (TBD)
between Wednesday 2 December through 7 December 2026
not necessarily consecutive

Sessions of 1 ½ hours (including scope for Q&A)
between 10:00 am and 5:00 pm EST (GMT-5)
with breaks

Presentations, Panels, Workshops, Roundtables

Paris, Bibliothèque nationale de France. Département des Manuscrits. Latin 10532, page 2, detail. Horæ ad usum Fratrum Prædicatorum, dites Heures de Frédéric d’Aragon. Image Public Domain via https://gallica.bnf.fr/ark:/12148/btv1b8427228j/f6.item.

[Posted on 24 September 2026]

In keeping with our 2026 Theme of “Transformations and Renewals,” for our 2026 RGME Symposium we explore perspectives and experiences in learning and teaching (and vice versa), considered across generations, subjects, and methods. At the center are the challenges and opportunities for the transmission of the past in the hands of the present, notably considering that process through written records, and taking into account our responsibilities for the future.

In a nutshell: we reflect about “Manuscripts, Books, Written Materials, and their Powers as Teachers.” We also attend to processes by which we might learn, be taught, and embark upon teaching, in cycles that might interlink in response to inspiration, encouragement, cautions, discoveries, serendipity, and choices made or revised as experience or evidence might direct.

The scope for subjects of teaching and learning can range across a multitude of periods, genres, methods, processes, purposes, and results. They span manuscripts and beyond, medieval and more, including documents, prints, arts, crafts, skills, sciences, and a multitude of approaches to the transmission of learning.

We wish to gather stories and compare notes. We will hear from young students, practicing teachers, scholars, retirees, and others in the worlds of learning, whether in the classroom or beyond. We recognize that these worlds can have wide horizons and that the learning experiences and the agencies for learning can extend across a given lifetime as well as move across lifetimes.

We take into account a wide range of approaches (in Arts and Sciences), and welcome people where they stand in their journey. Although the state of education in the present climate encounters challenges aplenty, an individual and collective dedication to teaching calls for celebration of the joys of learning, along with the processes of sharing and mentoring them.

Some questions to examine might include:

  • Experiences in learning and teaching (or vice versa), whether for career choices or life-training
  • Teaching in the classroom, teaching outside the classroom
  • Recollections of teachers and their impact(s), good or bad
  • Life lessons learned through experience and hindsight
  • Where do we go from here, from this point in time, to move forward?

Generally we seek presentations of some 20 to 25 minutes, longer presentations of some 40 minutes, responses of some 10 to 15 minutes, and comments of varied lengths for roundtable discussions and conversations. They will occupy sessions of 1 ½ hours, which include scope for Q&A. We begin to draw up the program, with sessions settling into place.

Participation is welcome and flexible: Advise, Attend, Preside, Talk, Present, Respond, Ask Questions, Give Feedback, Compare Notes. Join the Celebration!

Please let us know if you wish to participate.
Contact: director@manuscriptevidence.org or mildredbudny@gmail.com

We look forward to comparing notes, learning, and learning anew.

Registration

As the program takes shape, you may register through our Eventbrite Portal:

  • RGME Evemtbrite Collection

Paris, Bibliothèque nationale de France. Département des Manuscrits. Latin 10532, page 2. Horæ ad usum Fratrum Prædicatorum, dites Heures de Frédéric d’Aragon. Image Public Domain via https://gallica.bnf.fr/ark:/12148/btv1b8427228j/f6.item.

Note on the Image

Full-page frontispiece image of the Evangelist Matthew at work on writing his sacred text, accompanied by a youthful angel who holds open a completed, bound, book with double-columns of text and opened clasps, whilst the old man inspects his quill pen.

Book of Hours of Frederick of Aragon, King of Naples. Paris, Bibliothèque nationale de France. Département des Manuscrits. Latin 10532, page 2. Image via gallica.bnf.fr. On the manuscript, see:

  • https://archivesetmanuscrits.bnf.fr/ark:/12148/cc72250h

***************

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2026 RGME Appeal to Save our Website

September 27, 2026 in Announcements, Manuscript Studies, RGME Annual Appeal

2026 RGME Appeal
to Save our Website

As we work to restore our intellectual property, its publication, and your access, the RGME faces an urgent need to secure, preserve, and maintain its official website as its principal lifeline to its community and the world at large.

Challenges for our volunteer organization

As one of our principal publications and as the repository of many of our freely-available publications, our website was subjected this year to hijacking and ransomware. With access restored and the move to a different subscription service, 0ur response to these issues is a set of informed steps for improved management, hosting, and archiving, as part of the overall program for RGME Records Management, preservation, and access; however, we require financial support and expertise to effect these steps.

Our total goal for this need is $22,000 for the coming year. We invite you to contribute as much as you can to this worthy cause. Every donation brings us closer to this accomplishment, step by informed step. We are grateful for all support, including donations in funds and in kind.

Donations 

$50 would afford 2 hours of Intern assistance
$50 would allow an archival-quality storage box (with book-plate recording the donation)

$100 would aid image permissions for publications
$100 would cover signage for in-person events

$200 would cover the Zoom annual subscription add-ons
$200 would give the name-tags and lanyards for our in-person events

$500 would provide the annual premium for the liability insurance for our in-person events
$500 would cover the lunch for the annual Open Business Meeting

$1000 would give a set of subventions for graduate and unaffiliated speakers
$1000 would buy an iPad to facilitate in-person site visits and recordings

$1500 would provide on-call technical support for symposia
$1500 would assist the costs for conservation and preservation of original materials in the RGME Library & Archives

$2500 would remediate website deficiencies
$2500 would support printing and distribution of our booklets for events and research discoveries

Please give what you can to support this cause.

Please visit our portal:

  • Donations

We thank you for your contributions.

*************

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Episode 28. Preview of Medieval “Printing on Fabric”

August 26, 2026 in Announcements, Event Registration, Events, Interview, Manuscript Studies, Research Group Speaks (The Series)

Episode 28
Special Preview of an Exhibition

Medieval Materials:
“Printing on Fabric”
at the Newberry Library

with Suzanne Karr Schmidt

Saturday 19 September 2026
1:00–2:30 pm EST (GMT-5) by Zoom

[Posted on 26 August 2026, with updates]

Episode 28 of our online series “The Research Group Speaks” features an informal Conversation/Interview with Suzanne Karr Schmidt, George Amos Poole III Curator of Rare Books and Manuscripts at the Newberry Library, Chicago, Illinois.

Postcard view circa 1910 of the Newberry Library, Chicago. Image Public Domain via http://www.chicagopostcardmuseum.org/images/i_will/I_Will_149C_Newberry_Library_Chicago_F.png

Suzanne offers a medieval-focused preview for the exhibition of “Impressive Textiles: Printing on Fabric,” which opens at the Newberry on December 10. See:

  • Impressive Textiles: Printing on Fabric

Dec 10, 2026 – Apr 03, 2027
At the Newberry – Trienens Galleries

The scope, as described by the Newberry Library:

This exhibition takes a groundbreaking look at the little-known history of printing on fabric from the fifteenth century to the present. Some of the earliest examples were devotional images tied to the Catholic relics known as the Shroud of Turin and Veronica’s Veil. Traditionally interpreted as a metaphor for printmaking, these contact prints inspired countless fabric impressions.

Bayerisches Staatsbibliothek, Munich, Clm 5897

The objects gather artworks, books, broadsides, and maps produced and “prized as unique luxury editions of works normally printed on paper”. The substitution of fabrics for the customary paper involved great cost, often with the use of imported materials. “Impressive Textiles: Printing on Fabric also investigates the intentional choices of the printers and commissioners, some of whom were female, and shows how the origins of these lavish materials reflected the global world of the early modern textile economy.”

For our Episode, Suzanne will describe the origins of the earliest printmaking on fabric and how these extraordinary examples of devotional imagery and contact relics influenced the development of the plan for the exhibition and its global scope for a subject of worldwide interest.

The opportunity for Questions & Answers allows for feedback and discussion. The Episode will be recorded.

Another Opportunity for a Preview

Note that Suzanne will present a lecture on the subject of her exhibition in November for The Grolier Club, with
1) a book-signing for her catalogue and
2) the temporary display of printed textiles in the collection of The Grolier Club.

Lecture | Impressive Textiles: Premodern Printing on Fabric (hybrid)
With Suzanne Karr Schmidt

Tuesday, November 10 | 6:30 PM

The Grolier Club
47 East 60th Street
New York, New York 10022

First Floor Exhibition Gallery

This event is open to the public. For information and registration, see:

    • The Grolier Club

Special Focus on the Medieval for the RGME

We well remember that the idea for Episode 28 arose in conversation at The Grolier Club itself, in January 2026, when Suzanne and the RGME Director, Mildred Budny, met in person, after having worked together several years before on an online transcription project for students.

For our episode, Suzanne concentrates on the medieval background for the genre.

Information about the Episode (You Are Here)

  • https://manuscriptevidence.org/wpme/episode-28-preview-of-printing-on-fabric

Registration

See the RGME Eventbrite Collection and the Registration Portal for Episode 28

  • Episode 28. Preview of “Printing on Fabric”: Registration
  • Eventbrite Portal for RGME

Registration is free. After registration, the Zoom link will be sent to you by email a few days before the event by the RGME (not by Zoom or Eventbrite).

Voluntary Donations

We offer the option for Registration with a Voluntary Donation. Donations, which may be tax-deductible, help us to continue with our activities and sustain our mission for an organization principally powered by volunteers. Our 2026 Appeal offers cause for collective celebration.

  • 2026 Annual Appeal
  • Donations and Contributions

Future Events

  • https://manuscriptevidence.org/wpme/rgme-workshops-on-the-evidence-of-manuscripts-etc
  • https://manuscriptevidence.org/wpme/the-research-group-speaks-the-series/
  • https://manuscriptevidence.org/wpme/meetings-of-the-friends-of-the-research-group-on-manuscript–evidence/

Registration for RGME Events

  • Eventbrite Portal for RGME

Our 2026 Theme “Transformations and Renewals”

  • https://manuscriptevidence.org/wpme/2026-theme-of-the-year-transformations-and-renewals/

We look forward to welcoming you online at Episode 28 on Saturday 19th September 2026 and other events in the future!

Note on the Image

South German (Nuremberg?). Christ on the Cross with Five Saints and Two Angels Collecting the Blood, in Petride Crescentiis Libri Ruralium Commodorum, Burghausen, 1444, hand-colored woodcut on linen pasted into the manuscript, Bayerisches Staatsbibliothek, Munich, Clm 5897

 

Tags: history of printing, history of textiles, The Research Group Speaks
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Episode 27. “Catalog(u)ing Collections and Materials”

July 10, 2026 in Announcements, Early-Printed Books, History of Printing, Manuscript Studies, Research Group Episodes for The Research Group Speaks, Research Group Speaks (The Series)

“The Research Group Speaks”
Episode 27
Saturday 25 July 2026

“Catalog(u)ing Collections and Materials:
Processes, Challenges, Requests, and Opportunities”

Featuring a Report on Work
by David L. DiLaura

Part 1 in a series on
“Catalog(u)ing for Everyone”

Part 1 of a Series

[Posted on 11 July 2026]

By request, we explore the subject of catalogues and cataloguing (or catalogs and cataloging). Those of us with experience with making or using catalogues (traditional, digital) of original materials, of whatever kind (languages, genres, etc.), might wish to learn from each other’s perspectives. For example, we in the RGME continue to respond to conversations about descriptive catalogues of manuscripts, documents, printed materials, as we reflect upon “best practices,” wishes, and projects (individual, institutional, and collective).

The formats and long-term results for ‘catalogues’ and ‘catalogs’ differ, and deserve attention and respect in their own terms and for their different purposes.  ‘Catalogues’ are works of scholarship by individuals, published in printed form. ‘Catalogs’ are digital items, as the work of many individuals, and can be updated as more information becomes available. The latter can have a fragility, as with the disruptions to the British Library database.

The Plan

An informal roundtable gathers participants who engage in cataloguing materials (such as their own or others’ collections), in consulting catalogues (online, in print) and metadata describing those materials or indicating features thereof, and in pursuing research about them.

We’ll compare notes.

The Prospects

As with our series of Episodes and Symposium Sessions on “Catalogues, Metadata, and Databases,” this roundtable may well lead to a series of Episodes and Sessions. For a precedent:

  • “Catalogs, Metadata, and Databases: Part I
  • Session on “Catalogs, Metadata, and Databases, Part II” in the 2024 Spring Symposium on “Structures of Knowledge”
  • Session on “Catalogs, Metadata, and Databases, Part III” in the 2024 Autumn Symposium on “Supports for Knowledge”
  • Catalogs, Metadata, and Databases: A Handlist of Links

Card Division in the Library of Congress, Washington, D.C. Photograph circa 1900-1920. Image Public Domain.

Renewing our attention and explorations, we launch a Series on Catalog(u)es and Catalog(u)ing. It is dedicated to a subject of perennial interest — which inevitably has evolving approaches, not least as some goalposts have a habit of moving, as conditions or constraints of digital resources move forward or backward, and as research methods, approaches, and requirements might change or expand. For our series, panelists and speakers may include:

  • Mildred Budny, David DiLaura, Hannah Goeselt, Beppy Landrum Owen, and others

For the plan, we quote our Associate, Jennifer Larson:

I love the concept of “Catalog(u)ing for Anyone.” It strikes me that a key difference between institutional cataloging and individual is that the institutional kind strives to meet a set of external criteria, formats and goals, while the individual kind is by nature flexible and the goal is to meet the needs of the collector. So it is an interesting question where they connect and cross-fertilize.

Do you wish to join us and contribute your observations, perspectives, questions, and requests? Please let us know.

Read the rest of this entry →

Tags: Digital Catalogs, History of Catalogues
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2027 International Congress on Medieval Studies: Call for Papers

July 9, 2026 in Announcements, Call for Papers, Co-Sponsorships with the RGME, Conference Announcement, International Congress on Medieval Studies, Postal History at Kalamazoo

Call for Papers

Sessions Sponsored and Co-Sponsored by the RGME
at the
62nd International Congress on Medieval Studies
May 13–15, 2027

(Hybrid sessions)

Proposals due by 15 September 2026

[Posted on 10 July 2026, with updates]

Following the successful accomplishment of RGME activities at the 2026 ICMS, we announce the Call for Papers for the Sessions (Panels of Papers) to be sponsored and co-sponsored by the Research Group on Manuscript Evidence for next year’s  International Congress on Medieval Studies (ICMS).

RGME Flyer: CFP for 2027 ICMS. Flyer Design: Cortney A. Berg.

The general Call for Papers for 2027 appears on the Congress website.

  • Confex proposal portal

To find our Sessions there, search under Sponsoring Organization for RGME:

  • 2027 Sponsor list
  • Sponsor: Research Group on Manuscript Evidence

Now we present our two sessions and invite you to send your proposals for papers for them. Remember, these proposals are due by 15 September 2026, with submissions to the 2027 ICMS Confex proposal portal.

Read the rest of this entry →

Tags: #2026Kazoo, #2027icms, #ecologies, #ecologies_of_the_book, #manuscriptstudies, #postal_history, 2027 International Congress on Medieval Studies
1 Comment »

2026 International Medieval Congress at Leeds: Program

July 1, 2026 in Announcements, Conference, Conference Announcement, International Medieval Congress, Manuscript Studies

“Manuscripts at Play and as Play:
Temporalities and (Re)Configurations
as Reading Methods”

Session Sponsored
by the Research Group on Manuscript Evidence

at the 2026 International Medieval Congress
(In person or Hybrid)
6–9 July 2026

Organisers:
Michael Allman Conrad
and Mildred Budny

Session 609
Tuesday, 7 July 2026
11:15 am –12:45 pm British Summer Time (= GMT+1)

Hybrid:
Laidlaw Library, Teaching Room 2
and online for Congress Registrants

The Name of the Game

For 2026 the RGME proposes to explore the nature of play in manuscripts across time and place.  We think of manuscripts at play, as play, and in play.

With the success of our activities at the International Medieval Congress (IMC) at Leeds in 2024 and 2025, we prepare for another year responding to the “Special Thematic Strand” selected for the 2026 IMC:

  • Temporalities

Our choice of session addresses

“Manuscripts at Play and as Play:
Temporalities and (Re)Configurations
as Reading Methods”

After announcing and successfully completing our 2026 Call for Papers, we selected the programme for our session, announced here and in the

  • 2026 IMC Programme (page 160).

For information about the IMC:

  • International Medieval Congress at Leeds
  • 2026 IMC Programme
  • Call for Papers for the 2026 IMC, with the Special Thematic Strand of “Temporalities”.
  • IMC 2026 Padlet, with poster-like announcements of Calls for Papers

The Plan:
Locating Manuscripts in Their (Mobile) Temporalities

For the 2026 IMC and its Special Theme, we explore manuscripts in terms of the essence of their ‘temporalities’ (also see Temporalities) — that is, in a nutshell, “the state of existing within or having some relationship with time”, which pertains intrinsically to any physical object, just like its “spatial position”. That essence or condition, combining location with points in time, forms both centerpiece and focus-point going forward in our continuing studies of Manuscript Evidence.

Building upon the success of our activities at the annual IMC in 2024 and 2025, we extend the subject of one of our Sessions at the 2025 Congress, namely:

  • “Knowledge Games and Games of Knowledge”, organised by Michael Allman Conrad (see RGME @ 2025 IMC: Program)

2025 Leeds: “Knowledge Games and Games of Knowledge” Poster 1. Set in RGME Bembino.

For the 2026 ICMS, we seek to examine games and playful approaches of multiple kinds with regard to manuscripts. The opportunities across time range from the creation of a book to its use in the world. We observe, for example, habits of entering scribbles and sketches as spontaneous or imaginative playtime on the one hand to creating and transmitting texts about games or gaming strategies.

Read the rest of this entry →

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Sanskrit and Prakrit Manuscripts, Continued: More Leaves for Manuscript Sample XII

June 23, 2026 in Manuscript Fragments, Manuscript Studies, Photographic Exhibition

Continuing to explore the dispersal and find-places for manuscript fragments of many kinds, on parchment or paper and in a wide range of languages and genres, we note with pleasure the discoveries which may await the attention, observation, and recognition by scholars and researchers worldwide, given the opportunity to see postings online of materials of interest.

Responding to a message from a visitor to this RGME blog on Manuscript Studies, we have asked the private owner of the item in question for further information about the page (or single side of a leaf) which we posted as Manuscript Sample XII (in our own numbering, for convenience in the blogpost).

First, we reprise that posting, extracted from the set of specimens in the blogpost on

  • Sanskrit and Prakrit Manuscripts

To whit:

XII.  Manuscript Leaf on Paper
with a Bordered Rectangular Frame and Polychrome Lines of Text

The column of 6 long lines of text stands within a bordered rectangular frame comprising a nested series of bands.  The broadest band is filled with a pale reddish or orange pigment.  The lines of text alternate in color regularly between red pigment, black ink, and gold leaf laid within ink outlines.

Purchased from an online seller.

Next, with thanks to the collector for responding so swiftly, we report more information.

Measurements

Measurements: leaf, 9.5 × 14.4 cm; border, 6.0 × 10.3 cm.

Structure and Companion Pages

The page is part of a bifolium.

We are permitted to reproduce it, front and back. The polychrome sample page used for “Manuscript XII,” with gold pigment as well as red and black for the other pages, stands as the recto of Side 1 of the bifolium.

Private Collection, “Manuscript Sample XII”, bifolium: both sides. Top: Side 1. Bottom Side 2. Photograph by the Owner, Reproduced by Permission.

Do you know of other leaves from this manuscript or by the same scribal artist? Do you have information about the text, original manuscript, pattern of distribution after fragmentation, or other features?

We would be glad to learn.

Please contact us.

***********

 

 

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RGME Pop-Up Poster Exhibition for the 2026 ICMS

May 11, 2026 in Announcements, Bāḥra ḥassāb: Knowledge Transmission in Ethiopia and Eritrea From Antiquity to Modern Times, Co-Sponsorships with the RGME, International Congress on Medieval Studies, Kalamazoo, Koller-Collins Center for English Studies, POMONA, Postal History at Kalamazoo, Rossell Hope Robbins Library at the University of Rochester, Societas Magica, Theme of the Year

Posters
for RGME Activities at the
2026
International Congress on Medieval Studies
(ICMS)

[Posted on 10 May 2026]

RGME Pop-Up Poster Displays at the Congress

For the 2026 ICMS, we present a suite of posters (printed and digital) announcing and celebrating our activities. For details and schedule of these activities, see their HomePage:

  • 2026 International Congress on Medieval Studies: Program

For information about the 2026 Congress as a whole, see its website:

  • International Congress on Medieval Studies

Poster Exhibition as Precedent for the 2024 ICMS

Here we renew an approach from the 2024 International Congress on Medieval Studies, when our Congress activities formed part of our Anniversary Year, celebrating 25 years as a nonprofit educational corporation and 35 years as an international scholarly society. For 2024, our Theme for the Year was Bridges, so that, by bringing our customary set of Posters (displayed on site at Congresses before they became partly hybrid) into a Virtual Exhibition of their own online, we could offer a bridge between our customary webpost for a given Congress, our printed Posters for the in-person event and for souvenirs afterward, and for download in digital form from our website.

For that prototype Virtual Exhibition, you can still visit the

  • Home Page for our 2024 ICMS Activities
  • RGME Pop-Up Poster Exhibition for the 2024 ICMS

Poster Exhibition for the 2026 ICMS

Our website Home Page for our 2026 ICMS Activities describes each of these events in turn (in the sequence in which they are set to occur), with descriptions about their scope and aims, instructions for directions to them, and information about the programs of the individual sessions, also with the speakers’ abstracts for their presentations.

Set in RGME Bembino, the Posters celebrate the Organizers, Presenters, Presiders, and Co-Sponsorships with other institutions:

  • Societas Magica
  • P.-O.M.o.N.A.
  • Postal History at Kalamazoo
  • Rossell Hope Robbins Library & Koller-Collins Center for English
    at the University of Rochester
  • Bāḥra ḥassāb:
    Knowledge Transmission in Ethiopia and Eritrea From Antiquity to Modern Times
    at the University of Münster

For all their contributions, we give thanks.

The Posters on Display

In thanks to our co-sponsors, organizers, presenters, presiders, respondents, and Congress host, we offer posters both here for virtual display and in downloadable pdfs as souvenirs. Over the years, we have happily learned that participants take home posters to display on their office doors or the walls of their studies, and give them to their mother, department chair, and others as record. We hope that you enjoy them and the collective contributions that brought them into being.

I. RGME Business Meeting

2026 Business Meeting Poster

II. Sessions
(in order of presentation in the Congress Program)

IIa. Group Poster for 2026 RGME Sessions at the ICMS

Poster designed by Hannah Goeselt via Canva, modelled upon her Poster for the Call for Papers, and updated from that state to reflect the sessions with their assigned times and session numbers. We warmly thank Hannah for this contribution.

IIb. Posters for all RGME Sessions
at the 2026 ICMS

By request, in keeping with RGME tradition, individual sessions have their own posters. Each session has a pair of Posters, so that they might not only honor our co-sponsors and celebrate the people involved in organizing, presiding, presenting, and responding, but also illustrate the subjects with representative images.

Where our co-sponsors have logos, we include them with permission on the posters as a sign of shared collaboration.

1. “Moving the Mail”

2026 AZO Posters v2a Moving the Mail Poster 1

2026 AZO Posters v2a Moving the Mail Poster 2

2. “Magic, Manuscripts, and Material Culture”

2026 Congress Posters: Magic MSS Poster 1

2026 AZO Posters v2a Magic MSS Poster 1

2026 Congress Posters: Magic MSS Poster 2

2026 AZO Posters v2a Magic MSS Poster 2

3. “Alchemy and the Pedagogy of Learning”

2026 Congress Posters: Alchemy Poster 1

2026 AZO Posters v2a Alchemy Poster 1

2026 Congress Posters: Alchemy Poster 2

2026 AZO Posters v2a Alchemy Poster 2

4. “Chronology and Divination Beyond the Medieval West”

2026 Congress Posters: Chronology & Divination Poster 1

2026 AZO Posters v2a Chronology Divination Poster 1

2026 Congress Posters: Chronology & Divination Poster 2

2026 AZO Posters v2a Chronology Divination Poster 2

5. “Grimoires of the Greater West”

2026 Congress Posters: Grimoires Poster 1

2026 AZO Posters v2a Grimoires Poster 1

2026 Congress Posters: Grimoires Poster 2

2026 AZO Posters v2a Grimoires Poster 2

***********

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Episode 24. “Life with Books” (Interview with John Windle)

March 25, 2026 in Announcements, Event Registration, Interview, Manuscript Studies, Research Group Episodes for The Research Group Speaks

“The Research Group Speaks”

Episode 24 (Saturday 9 May 2026)
“Life with Books”
An Interview with
John Windle, Antiquarian Bookseller

For Episode 24 (rescheduled from April), we invite our friend John Windle to reflect upon his life with books and share stories about experiences with them and their readers, makers, collectors, and devotees. We plan an informal interview, with opportunities for conversation.

See:

  • John Windle, Antiquarian Bookseller
  • About John Windle
  • Sheila Markham in Conversation: Interview with John Windle for The Bookdealer (August 2010), with an Afterword of June 2017

As an indication of range, dedication, and expertise, the scope of John’s antiquarian bookshop, based in San Francisco (About), demonstrates clear focus:

We buy and sell books and manuscripts in all fields, especially medieval illuminated and text manuscripts; material on California, Hawaii, and Pacific voyages; illustrated books and fine bindings from the 15th through the 20th century; children’s books from 1750 to 1950; and fine press printing. William Blake, Mary Wollstonecraft, and Thomas Frognall Dibdin remain special interests.

We hope you will contact us for any of your book needs: restoration and repair of books and manuscripts; bibliographical information and up-to-date retail and auction prices; informal valuations to formal appraisals of single items or entire collections; auction purchases worldwide (including eBay); and of course, purchases for and sales of your own collections. We guarantee every transaction unconditionally and, as members in good standing of the ABAA, ILAB, and PBFA, we subscribe to the code of ethics endorsed by reputable antiquarian booksellers worldwide.

About the person and the life, we quote from his website (About John Windle):

John Windle was born in England in 1945. Educated at St. Ronan’s, Wellington College, the Université de Poitiers à Tours, Sussex University (B.A. hons. English and European studies), and the University of California Berkeley (Ph.D. fellowship in the library school — incomplete with honorable withdrawal), he moved to California after training with Bernard Quaritch Ltd. in London. He worked for John Howell-Books in San Francisco from 1971 to 1974, and opened his own business at 68 Post Street in partnership with Ron Randall to form Randall and Windle on April 1, 1975. That business later moved to 185 Post Street before Ron left for Santa Barbara in 1980 (where he ran Randall House until 2020) and John took the decade off to move to Venice CA, write and publish two bibliographies, travel around India studying Tibetan Buddhism and traverse America (on foot), finally reopening his shop in 1989 in San Francisco where he maintains his bookshop and gallery to this day. He has published or contributed to numerous books and articles including studies of William Blake, Mary Wollstonecraft, Thomas Frognall Dibdin, William Morris, and the Grolier Club “100 Books Famous in Children’s Literature”, along with two slim volumes of poetry from his own press. . . .

We look forward to learning more.

Read the rest of this entry →

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More Leaves from the Book of Numbers in the Chudleigh Bible

March 19, 2026 in Announcements, Manuscript Studies, Workshops on "The Evidence of Manuscripts"

More Leaves
in the Book of Numbers
from the Chudleigh Bible

in the Collection of Richard Weber

Latin Vulgate Bible
Northern France
Sant-Vaast Abbey?
Circa 1220–1230

Text written in Gothic Bookhand
Laid out in Double Columns of 56 lines
with Running Titles, Rubrication,
Text-Initials in Red and Blue,
and Marginalia within Frames

[Posted on 19 March 2026]

Collection of Richard Weber. Chudleigh Bible Leaf 42, recto, top left. Photograph by Richard Weber.

Continuing our series of posts describing discoveries for the study of manuscript fragments (see Manuscript Studies Blog: Contents List), this post augments our post introducing two leaves which belonged to the Book of Numbers in the medium-format Latin Vulgate Bible now known as the Chudleigh Bible:

  • Two Leaves in the Book of Numbers from the Chudleigh Bible

Those are leaves (which we introduced as Leaves 1 and 2) are numbered in pencil as Folios 38 and 43, apparently once the outermost leaves of a quire.

Previous blogposts have celebrated portions of the collection of manuscripts of our Associate Richard Weber. For example:

  • Portfolio 93 of Otto Ege’s Famous Books in Eight Centuries in the Collection of Richard Weber
  • The Weber Leaf from the Warburg Missal: Otto Ege Manuscript 22
  • The Weber Leaf from the Saint Albans Bible
  • Workshop 5. “Identifying Medieval Latin Bible Manuscript Fragments”
  • 2025 RGME Autumn Colloquium on Fragments

Before

We quote from our previous blogpost:

The Two Leaves [Folios 38 and 43]

We introduce a pair of non-consecutive leaves from the Book of Numbers in the Chudleigh Bible. The modern Arabic numbers written in pencil at the center directly below the columns of text label them as “38” and “43” respectively. Presumably they designate the folio numbers for them in a consecutive sequence entered before the separation of the leaves from each other.

So far we have not identified any surviving leaves which formerly stood between them or adjacent to them within the same Biblical Book.

That was then. This is now.

More Is More

Now we introduce four more leaves in the Collection of Richard Weber. Together they form a consecutive group from a former quire within the same Book of the Old Testament in the originally complete Latin Vulgate Bible. They came with an explanatory label, which describes in 7 lines of italic font some salient points about the leaves, their consecutive text (or testo consecutivo, however unidentified), features of layout, and notice of attributed origin.

Collection of Richard Weber. Seller’s Printed Label for Group of 6 Leaves (6 fogli) from the Chudleigh Bible. Photograph by Richard Weber.

Name by Association

As recap, the name of the dismembered and dispersed manuscript derives from one of its former owners, the eleventh Baron Clifford of Chudleigh. The place Chudleigh itself is an ancient wool town in Devon in Southwest England. About this Baron:

  • Charles Oswald Hugh Clifford (1887–1962), Lord Clifford of Chudleigh (Devon, England)
    See also:
  • “We Remember Charles Oswald Hugh Clifford”

The name by which the fragmented book has become known does not celebrate or refer to its origin, artistry, creativity, or accomplishment in its own right, but attaches to an imposing nomenclature by association, attachment, or latter-day ownership. Current usage gives it the claim to ascendance in referring to this book and no other.

The Numbers Game:
Numbers of Leaves; Numbered Leaves,
and the Book of Numbers

Formerly, as described in its sales catalogue descriptions while still intact, the manuscript comprised a single volume of 411 vellum leaves, with its text laid out in double columns of 56 lines each. Initials opening Books of the Bible contained historiated scenes and decorative elements; some 90 or 91 of them were historiated.

The volume as such was sold at auction in London several times first by Sotheby & Co and then by Christie’s. Its appearance on the market began at the hands of its former owner, Charles Oswald Hugh Clifford, the eleventh Lord Clifford of Chudleigh. By that ownership it acquired its modern name.

Our first interest in the manuscript arose through the gift of two leaves, generously donated to the Research Group on Manuscript Evidence by our Associate, Richard Weber. From within the Book of Numbers, they are Leaves 38 and 43, as numbered in pencil at the center of the lower margin of the rectos. Our research continues to investigate the growing evidence for surviving leaves from the original book, along with their journeys from that book to their current homes.

Our first blogpost about about survivors, in the light of the two leaves from the Book of Numbers, surveys some known cases and outlines the scholarly assessments about the probable date and place of origin of the manuscript. Those assessments center upon books or articles by art historians and manuscript scholars, and descriptions by owners, vendors, and their agents, including catalogues for auctions or a given collection. See:

  • Two Leaves in the Book of Numbers from the Chudleigh Bible

Since that blogpost, further developments were reported in some of our events:

  • our RGME Workshops on the Evidence of Manuscript, Etc.
  • our 2025 RGME Autumn Colloquium on Fragments

Here we report some updates, with thanks to Richard Weber who shares information from his collection.

I. Two Leaves from the Book of Numbers

Previously we presented Folios 38 and 43. See below for their images and an account of their textual contents. These two leaves came apparently from the front back of a quire, to judge by their features.

II. Four More Leaves from the Book of Numbers
in the Collection of Richard Weber

With permission, we reproduce images of four more leaves, accompanied by details and observations. The modern pencil numbers of the leaves stand in the center of the lower margins. We use those numbers as reference points.

Folios 39–42

These specimens comprise Leaves 2, 3, 4, 5 in an original quire apparently of 6 leaves. Our previous blogpost introduced Leaves ‘1’ and ‘2’ of the pair of leaves which comprise Folio 38 and Folio 43; formerly they stood respectively at the front and the back of the quire. Together the group has significant evidence to show about the formation and construction of the original quire, manuscript, and its binding. We celebrate the opportunity to see the unit as a whole and to learn from its evidence.

1. Folio 39

Recto

The page continues and completes Chapter IV through column a and partway through column b, then opens Chapter V in the lower part of column b, with an enlarged decorative initial L embellished with pen-line flourishing.

Collection of Richard Weber. Chudleigh Bible Leaf 39, recto. Photograph by Richard Weber.

Verso

The page completes Chapter V in column a, opens Chapter VI which it finishes partway through column b, then opens Chapter VII apparently mistakenly in the lower part of column b, as its rubricated chapter number is cancelled with a horizontal cross-stroke.

Collection of Richard Weber. Chudleigh Bible Leaf 39, verso. Photograph by Richard Weber.

Detail

Collection of Richard Weber. Chudleigh Bible Leaf 39, verso: lower. Photograph by Richard Weber.

2. Folio 40

Recto

The page completes Chapter VI in column a, opens Chapter VII in line 7 modestly with an enlarged in-line initial and the chapter number VII entered within a paraph in the inner margin, continues the chapter through the rest of the page to continue on the verso.

Collection of Richard Weber. Chudleigh Bible Leaf 40, recto with guide. Photograph by Richard Weber.

Verso

The page completes Chapter VII in column a, opens Chapter VIII in the penultimate line of that column, and opens Chapter IX in the last line of column b; these chapters open with an initial L in each case, rendered respectively in red pigment or blue pigment, with pen-line flourishing in the opposite color.

Collection of Richard Weber. Chudleigh Bible Leaf 40, verso with guide. Photograph by Richard Weber.

 

3. Folio 41

Recto

The page contains the end of Chapter IX in column a, completes its text in the first two lines of column a, and opens Chapter X directly with an initial L in red.

Collection of Richard Weber. Chudleigh Bible Leaf 41, recto with guide. Photograph by Richard Weber.

Verso

The page completes Chapter X in the upper part of column a and opens Chapter XI with a blue initial L.

Collection of Richard Weber. Chudleigh Bible Leaf 41, verso with guide. Photograph by Richard Weber.

4. Folio 42

Recto

Collection of Richard Weber. Chudleigh Bible Leaf 42, recto with guide. Photograph by Richard Weber.

Verso

Collection of Richard Weber. Chudleigh Bible Leaf 42, verso with guide. Photograph by Richard Weber.

Traces of Stitching, Ruling, Pricking,
and other Processes of Production and Use

The ability to see adjacent leaves reveals significant evidence of shared processes of production, along with various traces of use. We celebrate the ability, with thanks to the generosity and perspicacity of the collector and the quality of his photographs!

Collection of Richard Weber. Chudleigh Bible Leaf 42, recto, top left. Photograph by Richard Weber.

The Outer Limits

We review the two known leaves which once directly preceded and followed the four leaves in the Weber Collection from the Book of Numbers in the Chudleigh Bible, as reported in our previous blogpost about them and their manuscript.

  • Two Leaves in the Book of Numbers from the Chudleigh Bible

Opening of Quire (Leaf ‘1’): Folio 38

This leaf must have directly followed the opening leaf of the Book, as it starts partway within Chapter 1. That leaf would have carried the opening initial for the Book, with L for Locutusque. Its present location is unknown, but the contents of its illustrated initial have been recorded to indicate a depiction of the figures of God, Moses, and Joshua at an altar. (p. 69 and 72 note 8)

Text (recto and verso)

Numbers 1  36 [De filiis Benjamin per generationes et familias ac domos] cognationum suarum recensiti sunt nominibus singulorum a vigesimo anno et supra, omnes qui poterant ad bella procedere, 37triginta quinque millia quadringenti.
Numbers 2 1 Locutusque est Dominus ad Moysen et Aaron, dicens
Numbers 3  1 Hæ sunt generationes Aaron et Moysi in die qua locutus est Dominus ad Moysen in monte Sinai.
7 et observent quidquid ad cultum pertinet multitudinis coram taberna // culo testimonii,
Numbers 4  1 Locutusque est Dominus ad Moysen et Aaron, dicens
14 ponentque cum eo omnia vasa, quibus in ministerio ejus utuntur, id est, ignium receptacula[, fuscinulas ac tridentes, uncinos et batilla.]

Recto

Formerly Collection of Richard Weber, Leaf 1 from the Chudleigh Bible: Recto.

Verso

Formerly Collection of Richard Weber, Leaf 1 from the Chudleigh Bible: Verso.

End of Quire (Leaf ‘6’): Folio 43

Text (recto and verso)

Numbers 15 9 [dabis per singulos boves similæ tres decimas consper]sæ oleo, quod habeat medium mensuræ hin
Numbers 16 1 Ecce autem Core filius Isaar, filii Caath, filii Levi, et Dathan atque Abiron filii Eliab,
28 Et ait Moyses : In //hoc scietis quod Dominus miserit me ut facerem universa quæ cernitis, et non ex proprio ea corde protulerim :
[Possibly struck through incorrect marking for chapter 16 at]
Numbers 16 36 Locutusque est Dominus ad Moysen, dicens
Numbers 17 1 Et locutus est Dominus ad Moysen, dicens
Numbers 18 1 Dixitque Dominus ad Aaron
11 Primitias autem, quas voverint et obtulerint filii Israël, tibi dedi, et filiis tuis, ac filiabus tuis, jure perpetuo : qui mundus est [in domo tua, vescetur eis. ]

*****

Recto

Formerly Collection of Richard Weber, Leaf 2 from the Chudleigh Bible: Recto.

Verso

Formerly Collection of Richard Weber, Leaf 2 from the Chudleigh Bible: Verso.

III. A (Disconnected) Quire as Witness

Thus we advance our on-going project to study the surviving witnesses to medieval manuscript fragments. As promised in our first blogpost on the Chudleigh Bible, we encourage and cultivate the study of the leaves and their context, in the quest to identify and virtually reconstruct the former volume. This second blogpost reports more information as more leaves are revealed.

The generic characteristics of the printed label accompanying the ensemble of 6 leaves (see above), giving no indication of the text to identify a particular part of the manuscript, implies that the seller may have prepared groups of leaves, such as intact quires, to sell in themselves. If so, there might be other quires or former quires which found their way through such a dealer and might, in time, surface among various collections around the world. We look forward to more discoveries.

IV. The Book

IV.1. A Single Volume

The subject of this quest? Notice of the manuscript whilst still intact, with some black-and-white images of its illustrated elements, appeared in print for its sale by successive owners, starting with Charles Oswald Hugh Clifford, the eleventh Lord Clifford of Chudleigh.

Formerly, as described in its sales catalogue descriptions while still intact (see our previous blogpost), the manuscript comprised a single volume of 411 vellum leaves (with its text laid out in double columns of 56 lines each). Mention is made of 139 illuminated initials, some of which are historiated. Initials opening Books of the Bible contained historiated scenes and decorative elements; some 90 or 91 of them were historiated. Mention is also made of some damage to the volume, including losses of leaves.

1) Sold by Sotheby & Co, London,
7 December 1953, lot 51
(pp. 00? in catalogue)

Catalogue of fine Western and Oriental manuscripts and miniatures . . . :  which will be sold by auction by Messrs. Sotheby & Co. . . . at their large galleries 34 & 35 New Bond Street, W.1

Bought by Maggs Bros., London, for £680.

2) Sold by Sotheby & Co, London,
Wednesday, 8th July 1970 as Lot 104 (pp. 78–79 in catalogue)

Catalogue of important Western manuscripts and miniatures . . . : which will be sold by auction by Sotheby & Co. . . . at their large galleries, 34 and 35 New Bond Street, W.1 . . . ; day of sale: Wednesday, 8th July, 1970

The entry cites 139 illuminated initials, some of which are historiated. It mentions some defects, including many margins “to some extent stained” and damage to some initials, of which “5 are badly damaged and 15 slightly damaged.” Some losses were discernible, with “the first two leaves largely defective” and “a few leaves missing at the end of the Interpretations [of Hebrew Names]”.

Facing the catalogue entry, the companion page of “Illustration” shows 8 cropped images with historiated initials (sometimes two in succession on the same page), encompassing 10 initials altogether. Their locations in the manuscript are not indicated.

“The text is the normal text of a thirteenth-century Bible, i.e. the modern Vulgate with the addition of Esdras III, which is called Esdras II, the modern Estras II being called Nehemiah. Acts follows the Pauline Epistles. . . . Marginal annotations in red and plummet are fairly numerous. Many are enclosed in red cartouches.”

IV.2. Individual Leaves or Groups of Leaves

Thereafter leaves appeared in various catalogues, including these (which I have not yet seen):

  • Quaritch cat. 1147 (1991), no. 15
  • Maggs Bros, Fine Books and manuscripts, cat. 1167 (1993), no. 2
  • Sotheby’s, Western Manuscripts and Miniatures, 6 December 2005, lot 16

Sometimes the manuscript might receive notice on its own account. For example:

  • Christopher de Hamel, Scribes and Illuminators. Medieval Craftsman Series (Toronto, 1992), page 43 and plate 36.

An account especially of the illuminated components appears by Peter Kidd:

  • Peter Kidd, The McCarthy Collection, III: French Miniatures (London, 2021), no. 17 (pp. 69–73)

His companion blogpost seems to have disappeared, along with the blog as a whole:

  • Manuscript Provenance: McCarthy Catalogue, Volume III (French Illuminations).

IV.3. Some Specimens

Our previous blogpost has gathered a selective list of specimen leaves which have circulated through the marketplace on their own or in groups. To some extent, this list follows the order of the Books in the Vulgate manuscript; sometimes a catalogue listing groups into one entry a set of several leaves from the manuscript.

In time, in combination with other resources, this list might aid a full virtual reconstruction of the manuscript, not only of its illustrated leaves, but also leaves of text like the Weber/RGME leaves from within the text of the Book of Numbers.

*****

Further blogposts and/or other reports may offer more information about the manuscript and its identifiable fragments. The goal is to build towards a fuller recognition of the survivors, their characteristics, and their locations.

Do you know of other leaves from this manuscript? Do you know of other work by its scribal hands?

We look forward to hearing from you.

*****

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*****

Collection of Richard Weber. Chudleigh Bible Leaf 39, verso: lower. Photograph by Richard Weber.

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