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    • Activities
      • Events
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        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention (from 2016)
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
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    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
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    • Kalamazoo Archive
    • Panels at the M-MLA Convention (2016-2019)
      • Abstracts of Papers for the M-MLA Convention
      • Panels at the M-MLA Convention (from 2016)
  • Events
    • RGME Activities for 2024 and 2025
      • 2023 Activities and 2024 Planned Activities
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
      • RGME Symposia: The Various Series
      • The Research Group Speaks: The Series
      • Meetings of the Friends of the Research Group on Manuscript Evidence
      • RGME Online Events
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
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Announcing the Launch of RGME Bembino WP
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2026 RGME Colloquium on “Transformations & Renewals” at The Grolier Club
2026 Theme of the Year: “Transformations and Renewals”
A Leaf with Patchwork from the Saint Albans Bible
A Sister Leaf from a Miniature Latin Vulgate Bible
A Little Latin Vulgate Bible Manuscript Leaf in Princeton
J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.
2026 Annual Appeal
Episode 22: “Encounters with Local Saints and Their Cults”
Private Collection, Ege's FBNC Portfolio, Dante Leaf, Verso, Detail. Reproduced by Permission.
2025 RGME Autumn Colloquium on Fragments
Workshop 8: A Hybrid Book where Medieval Music Meets Early-Modern Herbal
2025 RGME Autumn Symposium on “Readers, Fakers, and Re-Creators of Books”
RGME Workshops on “The Evidence of Manuscripts, Etc.”
2025 International Medieval Congress at Leeds: RGME Program
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Starters’ Orders
The Weber Leaf from the Saint Albans Bible
Workshop 4. “Manuscript Fragments Compared”
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Favorite Recipes for Lemonade, Etc.
RGME Visit to the Lomazow Collection: Report
2024 Autumn Symposium: “At the Helm”
A Latin Vulgate Leaf of the Book of Numbers
The RGME ‘Lending Library’
Florence, Italy, Ponte Vecchio from Ponte alle Grazie. Photo: Ingo Mehling, CC BY-SA 4.0 , via Wikimedia Commons
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2024 Anniversary Symposium: The Booklet
Jesse Hurlbut at the Bonneville Salt Flats, Utah. Photograph Jesse Hurlbut.
Episode 16: An Interview with Jesse D. Hurlbut
To Whom Do Manuscripts Belong?
Kalamazoo, MI Western Michigan University, Valley III from the side. Photograph: David W. Sorenson.
2024 International Congress on Medieval Studies: Report
2024 Spring Symposium at Vassar College
Puente de San Martín: Bridge with reflection over the River Targus, Toledo, Spain.
2024 Grant for “Between Past and Future” Project from The Gladys Krieble Delmas Foundation Research Libraries Program
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Theme of the Year for the RGME

December 22, 2025 in Manuscript Studies, Theme of the Year

Theme for the Year for the RGME:
Journey of a Tradition

Papilio Machaeol: Old World Swallowtail, female, Dorsal side. Photograph (9 May 2016, Normandy) by Entomolo, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons.

[Posted on 12 December 2025]

For the Year 2026, the Research Group on Manuscript Evidence chooses the Theme of “Transformations and Renewals” for exploration as part of its activities and projects. This choice stands within our tradition (since 2022) of a theme to guide and inspire the interconnected subjects and interwoven strands of activities and projects for the year.

On this choice and its aims, scope, and activities, see:

  • Transformations and Renewals: RGME Theme for the Year 2026.

Here, as we approach the Year 2026, we survey this tradition and its choices with successes and growth for individual years.

RGME Themes for the Year (since 2023)

Milan, Casa Campanini, Entry Gate, designed by Alfredo Campanini (1873–1926). Photograph by Giovanni Dall’Orto (26 February 2008), Share Alike 1.0, via Wikimedia Commons.

Last year, the RGME chose the Theme of “Thresholds and Communities”, which our multiple activities developed in a variety of ways.

The choice emerged in conversations reflecting upon the strong benefits of the previous year’s choice, “Bridges” as an overarching theme for 2024 and its year’s funded Project “Between Past and Future”, designed for “Building Bridges between Special Collections and Teaching for the Liberal Arts”.

For 2023, our Theme of “Materials and Access” drew guidance and inspiration through the funded 2023 Project on the “RGME Library & Archives” and the Spring and Autumn Symposia on “Materials and Access”.

For our first Theme for the Year in 2022, “Structured Knowledge” (chosen by our new Editorial Committee), the year’s activities explored such subjects as “Catalogues, Metadata, and Databases” in RGME Episodes and our 2022 Spring and Autumn Symposia on Structures for and Supports of Knowledge.

2025
“Thresholds and Communities”

  • Thresholds and Communities
  • Episode 19 “At the Gate”

“Agents and Agencies”

2025 Spring Symposium Poster, Set in RGME Bembino.

2024
“Bridges”

  • Bridges for Our Anniversary Year 2024

For example:

2024 RGME Spring Symposium at Vassar College

2024 RGME Inaugural Session at the International Medieval Congress at Leeds

RGME @ 2024 IMC at Leeds: Poster 2 set in RGME Bembino, with border.

2023
“Materials and Access”

2023 Spring and Autumn Symposia

  • 2023 Spring Symposium. “From the Ground Up”
  • 2023 Autumn Symposium. “Between Earth and Sky”
2023 Spring Pre-Symposium/Symposium Booklet Front Cover with photograph of snowdrops flowers rising from the earth.

2023 Spring Pre-Symposium/Symposium Booklet Front Cover.

2022
“Structured Knowledge”

See our 2022 Spring and Autumn Symposia:

  1. “Structures of Knowledge” (Spring)
  2. “Supports for Knowledge” (Autumn)

2022 Autumn Symposium Program Booklet, Front Cover (Page 1)

**********

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  • Leave your comments or questions below
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  • Donations and Contributions
  • 2026 Annual Appeal

*****************

Tags: RGME Symposia, RGME Theme for the Year, Thematic Directions
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2026 Annual Appeal

November 7, 2025 in Manuscript Studies, RGME Annual Appeal

2026 Annual Appeal
for Donations
to Support
our Mission and Activities

[Posted on 7 November 2025]

We invite you to join our 2026 Annual Appeal, as the Research Group rounds out the extraordinarily successful year of accomplishments for 2025 (see below), and prepares for the future. That we were able to accomplish so much in 2025, in the face of many significant setbacks for funding and swift shifts in plans to host our activities, attests to the strength and vigor of the volunteers and donors (individual and institutional).

They all, in collegial collaboration, have made it possible to maintain course for our activities, to produce so many events both hybrid and online, to gather to learn about discoveries for research and the progress on work-in-progress, and to celebrate the delights of learning more about the marvels of books and their stories transmitted across the centuries. This momentum carries our plans forward to 2026, with activities already planned and more to come.

We turn to you to help us to maintain momentum and share the quest. Please donate what you can. For our small, deducated, nonprofit organization powered principally by volunteers, every donation can make a difference.

Ways to Donate Online and Other Ways

Ways to contribute?

There are many ways to help: Funds, Goods, Expertise, Time. All can help our work and mission.

For suggestions, see:

  • Contributions & Donations
  • Donations

1) Via Mightycause:

  • Donate to RGME
  • RGME 2026 Annual Appeal via Mightycause

2) Via Paypal, Venmo, ApplePay, Pay Later, or Debit or Credit Card:


Suggestions or Feedback?

Please leave your Comments or questions below, Contact Us, or visit

  • our FaceBook Page
  • our Facebook Group
  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our LinkedIn Group
  • our Instagram presence(@rgme94)
  • our Blog on Manuscript Studies and its Contents List

A Community of Scholars,
Teachers, Students, Friends,
and Admirers of Books

We thank you for your support.

Please  join our community and join our cause.

******

Summary of Activities So Far

Building on the momentum and enthusiasm for this year’s accomplishments, we prepare more for 2026.

Activities in Progress and Accomplished in 2025

In 2025 we had:

Two Symposia dedicated to “Agents and Agencies” in the realms of books

  • 2025 Spring and Autumn Symposia

More Episodes for our online series “The Research Group Speaks”

  • “The Research Group Speaks”: The Series

More RGME Workshops on “The Evidence of Manuscripts, Etc.”

  • RGME Workshops on “The Evidence of Manuscripts, Etc.”

More Meetings of the Friends of the Research Group on Manuscript Evidence

  • Meetings of the Friends of the RGME

Logo (2024) of the Friends of the Research Group on Manuscript Evidence

Steps toward the preparation of a Cookbook of Favorite Recipes of the Friends of the RGME

  • For example, entries for Favorite Recipes for Lemonade, Etc.

Poster 2. 2025 Autumn Colloquium. Poster set in RGME Bembino.

Multiple conference sessions, sponsored and co-sponsored, at

1) the International Congress on Medieval Studies at Kalamazoo
RGME Activities at the 2025 International Congress on Medieval Studies

2) the International Medieval Congress at Leeds
RGME Activities at the 2025 International Medieval Congress at Leeds

By request, a special Autumn Colloquium on Fragments, in hybrid form, which had to move abruptly from the first host institution to a welcome instead at Princeton

  • 2025 RGME Autumn Colloquium on Fragments

Onward to 2026

Our website reports activities and projects as they unfold for the Year 2026, when our Theme centers upon “Transformation and Renewal”. Join us to see how they may unfold.

Please donate what you can to keep our organization on course, in the face of widespread challenges for funding. We are grateful for your support.

1) Via Mightycause:

  • Donate to RGME
  • RGME 2026 Annual Appeal via Mightycause

2) Via Paypal, Venmo, ApplePay, Pay Later, or Debit or Credit Card:


Information and Suggestions
for Donations in Funds and Contributions in Kind

  • Contributions & Donations
  • Donations

Many thanks!

J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.

J. S. Wagner Collection, Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.

*****

 

Tags: Friends of the Reaearch Group on Manuscript Evidence, Manuscript studies, RGME Annual Appeal, RGME Symposia, RGME Workshops on the Evidence of MSS Etc., The Research Group Speaks
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2025 RGME Autumn Symposium on “Readers, Fakers, and Re-Creators of Books”

August 24, 2025 in Announcements, Conference, Conference Announcement, Event Registration, Manuscript Studies, Visits to Collections

2025
RGME Autumn Symposium

Part 2 of 2 in the 2025 Symposia on
“Agents and Agencies
in the Shaping
or Re-Shaping of Books”

“Readers, Fakers, and Re-Creators of Books:
From Page to Marketplace and Beyond”

Online Format
(Friday to Sunday 17–19 October)

[Posted on 20 August 2025, with updates]

Cambridge, Massachusetts, Harvard University, Houghton Library, MS Typ 947, recto. Image via https://iiif.lib.harvard.edu/manifests/view/drs:6517512$1i.

The RGME continues with its integrated pair of 2025 Spring and Autumn Symposia, as Parts 1 and 2 for the year. The 2025 Autumn Symposium in October takes shape as Part 2 of 2. For Part 1 of 2, which took place in March, see:

  • 2025 Spring Symposium on “Makers, Producers, and Collectors of Books”

For the predecessors in 2023 and 2024, see:

  • 2023 Spring and Autumn Symposia,
    with the year’s Theme of “Structures of Knowledge”
  • 2023 Pre-Symposium on “Intrepid Borders”
  • 2023 Spring Symposium “From the Ground Up”
  • 2023 Autumn Symposium “Between Earth and Sky”
  • 2024 Spring and Autumn Symposia”,
    with the year’s Theme of “Bridges”
  • 2024 Spring Symposium at Vassar College
  • 2024 Autumn Symposium

In 2025, they respond to our Theme for the Year:

  • “Thresholds and Communities”
  • Episode 19. “At the Gate”

Our Spring Symposium as Part 1 of 2 for 2025 took place successfully in online format in March.

  • 2025 Spring Symposium on “Makers, Producers, and Collectors of Books”

We thank our contributors, organizers, advisers, sponsors, and hosts.

British Library, Royal MS 14 E. v, vol. 1, fol. 3r. Image Public Domain via Wikimedia Commons.

The Interlinked Pair
of 2025 Symposia

Following the momentum of activities and enthusiasm in our 2024 Anniversary Year, the pair will draw upon the customary informal, but structured, approach of our events, symposia included.  These symposia will take place online or in partly hybrid format.

“Agents & Agencies” for 2025

As principal focus, our 2025 Symposia consider the myriad aspects and impact of agents and agencies (human and other) in the creation, dissemination, use, abuse, re-creation, safe-guarding, and enjoyment of books across time and place.

I. Spring Symposium (Part I of 2)

“Makers, Producers, and Collectors of Books:
From Author/Artist/Artisan to Library”

Friday to Sunday
28–30 March 2025 by Zoom

  • 2025 Spring Symposium on “Makers, Producers, and Collectors of Books”

This event explored the genesis and gestation of books, from first thoughts to processes of production leading to the finished product, and then to their owners and users.

For example, for the first stages, we could consider the author alone in his or her study, putting pen to page or thought to written word. Around him might, naturally, whether close at hand or in his memory or imagination, stand other books as examples or sources of inspiration, imitation, or perhaps plagarism.

The work of composing, copying, revising, and producing draft, fair, or final copies of the texts (with images where and as indicated) could be undertaken by more than one author, artist, and/or artisan. If so, would they work in tandem, sequence, or competition? Well, that might depend.

As the work progresses, there arrive further stages which create the issue or publication of the book, which then may enter the world in processes of dissemination, instruction, and incorporation within an individual or collective collection — or, it might be, from collection to collection, in one shape or another. The changed shapes could, of course, pertain to the book itself and/or the ownership.

British Library, Royal MS 14 E. 1, vol. 1, fol. 3r. Image Public Domain via Wikimedia Commons.

Note on the Image. Frontispiece/headpiece for the first volume of the Speculum Historiale (or Miroir historial) by Vincent of Beauvais (1184/1194 – c. 1264) in the Old French translation by Jean de Vignay (circa 1282/1285 – c. 1350). Bruges, circa c. 1478–1480, for Edward IV (1442–1483, king from 1461–1470 and again from 1471-1483). On this page, at the front of Vincent’s text, above its opening columns of script, the author sits as scribe in a book-furnished study, framed within an architectural arcade and set within an elaborate border containing the king’s arms below.

See more:

  • 2025 Spring Symposium on “Makers, Producers, and Collectors of Books”

*****

II. Autumn Symposium (Part 2 of 2)

“Readers, Fakers, and Re-Creators of Books:
From Page to Marketplace and Beyond”

Friday to Sunday, 17–19 October 2025
 Online by Zoom

In the Autumn Symposium, we follow up the explorations of the Spring Symposium as we turn to consider the ‘afterlives’ of books once they reach their audience, whether through the marketplace or other modes of presentation and distribution. Such conditions may acquire a life of their own, as readers, annotators, users, owners, thieves, despoilers, and others had or took a hand in shaping or reshaping their destinies — that is, of the books, those agents, and book history.

As examples, we may point to readers who would reshape the pages by placing their comments, revisions, scribbles, or sketches upon them. So, too, forgers as well as plagarists might appropriate others’ work as their own, say by reshaping its structure, grafting on other pieces, or extracting parts to re-assemble and redistribute in other forms for their own purposes. And then there are outright hoaxes, by which inventions purport to represent an activity or creation which exists only or principally by that newly implemented form.

Appropriation of others’ work might also occur, for example, as leaves or scraps of books were extracted, cut into further pieces, perhaps refolded, and reused as coverings or parts of bindings for other texts (manuscript or printed), or for other repurposed materials. Call it recycling for the sake of the materials themselves, put to different uses.

A different form of reuse concerns the fragmentation of books for the purpose of extracting leaves or part-leaves to serve as specimens of script, decoration, illustration, and/or graphic design. That approach forms the subject of our 2025 Autumn Colloquium on Fragments. See:

  • the 2025 RGME Autumn Colloquium on Fragments, taking place in November partly at Special Collections at Firestone Library at Princeton University.

Picking up the pieces of such fragmentation, that event is designed to showcase the legacy of such despoilers or ‘biblioclasts’ who dispersed the fragments of manuscripts and printed books far and wide and to celebrate the many initiatives to study and, in some measure, reconstruct the traces of that legacy. It considers such phenomena within the larger context of the ‘afterlives’ of books in many other forms as well.

The rôles of forgers, fakers, and frauds as agents in the production, re-creation, and distribution of books looms large in the history of books, perhaps from time immemorial. Our Symposium sets their activities or accomplishments into the context of “Agents and Agencies” as we examine the broad setting of books overall.

Speakers, Presiders, and Respondents

Participants who may speak, preside, or respond include (in alphabetical order):

Mildred Budny
Reid Byers
Meghan Constantinou
Jamie Cumby
Hannah Goeselt
Justin Hastings
Eve Kahn
Jennifer Larson
Steven Lomazow
Jack Lynch
Irene Malfatto
Beppy Landrum Owen
Anna Siebach–Larsen
David W. Sorenson
Janie Wright
N. Kıvılcım Yavuz

And others.

Program Overview (online by Zoom)

Day 1. Friday 17 October at  1:30 – 5:00 pm EDT (GMT -4)

Day 2. Saturday 18 October at 9:30 am – 5:00 pm EDT (GMT -4)

Day 3. Sunday 19 October at 10:30am – 12:00am EDT (GMT -4)

Program of Sessions

  • 2025 Autumn Symposium on 17–19 October: Program

Poster

The 2025 Autumn Symposium Poster is available for download. You are welcome to copies to circulate, keep as souvenirs, and show your friends.

  • 2025 RGME Autumn Symposium Poster

Symposium Booklet

We publish the 40-page illustrated Symposium Booklet, available in two formats for printing.

  • Consecutive pages (8 1/2″ × 11″)
  • Foldable booklet (11″ × 17″ sheets)

We give thanks to the contributors, photographers, collectors, advisors, editor, layout designer, and others who created the collective booklet.

British Library, Royal MS 14 E. v, vol. 1, fol. 3r. Image Public Domain via Wikimedia Commons.

Thanks

We give thanks to the speakers, respondents, advisers, back-up support, and participants for contributing to the symposium and its 2025 series of Spring and Autumn Symposia.

*****

Registration

  • https://www.eventbrite.com/e/2025-rgme-autumn-symposium-tickets-1236732924469

Registration is free. We encourage you to Pay What You Can by the option for Registration with a Voluntary Donation.

This year, the RGME has undergone setbacks with grants and funding, so that we ask your help. Any amount will give encouragement and contribute to recovering momentum. We thank you for your support.

Donations, which may be tax-deductible, help us to continue with our activities and sustain our mission for an organization principally powered by volunteers.

  • 2025 Annual Appeal
  • Donations and Contributions

Please note that, after registration, the Zoom link will be sent as an email from the RGME a few days before the event. For security reasons, we do not distribute tickets or links through Eventbrite or Zoom.

To register for other RGME events, please visit the RGME Registration Collection.

  • RGME Events

For our activities planned for 2025, see:

  • 2024 Activities and 2025 Planned Activities

*****

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

How to Join our Community

Visit our Social Media:

  • our FaceBook Page
  • our Facebook Group
  • our X/Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Instagram Page
  • our LinkedIn Group

Join the Friends of the RGME.

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2025 Annual Appeal

*****

Cambridge, Massachusetts, Harvard University, Houghton Library, MS Typ 947, ‘verso’. Images via https://iiif.lib.harvard.edu/manifests/view/drs:6517512$1i.

Tags: Fakers and Forgers, History of Manuscripts, Manuscript Readers, Manuscript studies, Recreators of Manuscripts, RGME Symposia
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2025 Spring Symposium: “Makers, Producers, and Collectors of Books”

March 12, 2025 in Conference, Conference Announcement, Event Registration, Manuscript Studies, RGME Symposia

2025 RGME Spring Symposium

“Makers, Producers,
and Collectors of Books:
From Author/Artist/Artisan
to Library”

Friday to Sunday, 28–30 March 2025

(Online by Zoom)

Part 1 of 2 in the Pair of
2025 Spring & Autumn Symposia
dedicated to “Agents and Agencies”

London, Welcome Collection, 45097i, image via Public Domain Mark https://wellcomecollection.org/works/g7kj7b2f/images?id=kkakxfdz

[Posted on 10 March 2025, with updates]

Following the extraordinary success of our 2024 Spring and Autumn Symposia, the central events during our 2024 Anniversary Year having the Theme of “Bridges”, we turn to our 2025 pair of symposia under this year’s Theme of “Thresholds and Communities”.

About the theme, see:

  • Episode 20. “At the Gate”
  • RGME Theme for 2025: “Thresholds and Communities”

2025 Spring and Autumn Symposia:
“Agents and Agencies”
Parts 1 and 2

For the plan for the pair, see:

  • 2025 Spring and Autumn Symposia “Agents and Agencies”

The 2025 Symposia explore the subject of Agents and Agencies regarding books.

As Part 1 of 2, the Spring Symposium (28–30 March 2025) addresses:

“Makers, Producers, and Collectors of Books:
From Author/Artist/Artisan to Library”

Friday to Sunday, 28–30 March 2025

As Part 2 of 2, the Autumn Symposium (17–19 October 2025) considers:

“Readers, Fakers, and Re-Creators of Books:
From Page to Marketplace and Beyond”

Friday to Sunday 17–19 October 2025

Making

Paris, Bibliothèque nationale de France. Bibliothèque de l’Arsenal, Ms-638 réserve, fol.17v. Image Public Domain via https://gallica.bnf.fr/ark:/12148/btv1b55008559f/f38.item.

For the two Symposia, we examine aspects of “Agents and Agencies” for books, mainly by human forces. These aspects can range from the processes whereby the initial inspiration comes to take shape on the pages of manuscripts or printed books, combining words as well as images (including the image of the words themselves). Once created, the books enter the world by various agents/agencies, then perhaps to experience or encounter additional ones which might transform them or re-create them decisively.

We propose to explore these factors, in multiple cases and approaches giving recognition to their variety, impact, and significance in the history of books as they pass through time to the present and beyond. Without being limited to a particular period, genre, or type of agent/agency, we might examine a wide range of phenomena, their challenges, and their delights.

RGME tradition produces illustrated Program Booklets for the Symposia, with participants’ abstracts and selected accompanying illustrations, to grant insider-glimpses for our audience (at the event and after) not necessarily familiar with the wide range of subjects and materials under discussion.  A recent example can be downloaded from the RGME website:

  • 2024 Autumn Symposium Booklet “At the Helm”

2025 Spring Symposium Poster 1

Posters

We offer posters for this event.

They are laid out in RGME Bembino, our own multi-lingual digital font. (See RGME Bembino.)

We circulate the printed version in both quarto (8 1/2″ × 11″) and larger size (11″×17″).

The poster can be downloaded in digital form. You are welcome to circulate them.

  • Spring Symposium Poster 1: Save-the-Date
  • Spring Symposium Poster 2: Announcement

2025 Spring Symposium Poster 2

Program

There are 7 Sessions. They will provide presentations, conversations, roundtable discussions, and the opportunity for interactive Q&A.

Program Overview

Edgar Allan Poe (1848) Daguerrotype taken by W.S. Hartshorn, Providence, Rhode Island, November, 1848. Public Domain via Wikimedia Commons.

Day 1. Friday 28 March 2025

Session 1
1:30 – 3:00 pm EDT (GMT-4)
“Books Come to Life, Part I: Authorship”

Break
3:00 to 3:30 pm EDT

Session 2.
3:30-5:00 pm EDT
“Books Come to Life, Part II: Artistry from the Creator’s Perspective”

Day 2. Saturday 29 March

Session 3
9:00-10:30 am EDT
“Life, Death, Afterlife, and Rebirth of Books”

Break
10:30 – 11:00 am

Session 4
11:00 am – 12:30 pm
“Picture This: Books into Being”

Lunch Break
12:30-1:30 pm

Session 5
1:30-3:00
“Books and Written Records as Repositories of Knowledge and Wonder”

Neuchâtel, Musée d’Art et d’Histoire de Neuchâtel, Les automates Jaquet-Droz Automata: The Writer. Photograph by Rama (2005), via the Creative Commons Attribution-Share Alike 2.0 France license.

Break
3:00-3:30 pm

Session 6
3:30-5:00 pm
Roundtable Discussion
“Agents and Agents: Processes, Products, and Inspiration”

Day 3. Sunday 30 March

Session 7
10:30 am – 12:00 noon
“Writing Materials as Agents and Agencies”

Concluding Remarks
“From Spring Forward to Autumn Back Again:
A Preview of Part 2 on “Agents and Agencies”

Detailed Program

For details, with speakers and titles, see the 8-page illustrated Program Booklet.

It is available in 2 versions, according with your preferences for printing and viewing.

1) As consecutive pages (8 1/2 by 11 in. sheets)

  • 2025 Spring Symposium: Program (Pages)

2) As a foldable booklet (11″ by 17″ sheets)

  • 2025 Spring Symposium: Program (Foldable Booklet)

Soon we will issue the 2025 Spring Symposium Booklet with Abstracts.

For registration for the symposium, see below.

Participants

Speakers, Panelists, and Presiders include (in alphabetical order):

Phillip Bernhardt–House (Independent Scholar)
Mildred Budny (Research Group on Manuscript Evidence)
Hannah Goeselt (RGME and Massachusetts Historical Society)
Justin Hastings (Independent Scholar)
Antony Henk (University of Bochum)
Michael Ian Hensley (University of Hamburg)
Eve Kahn (Independent Scholar)
Michael Allman Conrad (University of Saint-Gallen)
Richard Kopley (Penn State University DuBois Emeritus)
Laura Morreale (Independent Scholar)
Beppy Landrum Owen (Rollins College)
Jaclyn Reed (Independent Scholar)
Anna Siebach–Larsen (University of Rochester)
David W. Sorenson (Allen G. Berman, Numismatist)
Maro Vandorou (Visual Artist)
N. Kıvılcım Yavuz (University of Leeds)

Subjects range from antiquity to the present day, as represented by manuscripts, printed books, and other media.

Examples include (in proposed program order):

  • Richard Kopley‘s introduction to his ground-breaking new book, published in March:
    Edgar Allan Poe: A Life (University of Virginia Press, 2025)
  • Maro Vandorou, book-artist and visual artist, in conversation with Beppy Landrum Owen
    about her projects, from the gleam in the eye to the words gleaming on the page (see her website: Atelier Vandorou)
  • Justin Hastings‘ cumulative reflections on the contested authorship of
    “The Whitby Life of Gregory the Great“
  • Beppy Landrum Owen‘s haunting exploration of
    “Life After Life: Tales from the Making of the Icones Anatomicae”
  • Eve Kahn‘s continuing discoveries about the life and work of “The Irish American Imagemaker:
    Anna Frances Levins (1876-1941)”
  • Mildred Budny, “Last or Best Resort: When Authors Turn Publishers/Producers”
  • Michael Ian Hensley, “Sold and Traded, Dismembered and Hidden:
    The Many Fates of Medieval Ethiopian and Eritrean Libraries”
  • Laura Morreale on her Pop-Up Exhibition on the Riant Collection at the Houghton Library:
    The Crusades Come to Cambridge
  • Michael Allman Conrad, “Mechanized Inspiration from Raymond Lull to ChatGPT”
  • Hannah Goeselt, “Discoverability and the Pre-Modern Manuscripts of the Massachusetts Historical Society“
  • David W. Sorenson, “When Watermarks Tell Tall Tales:
    Watermarks in Exotic Destinations and Why They Can Be Unreliable”

Registration

To register for the Symposium, please visit the RGME Eventbrite Collection.

  • 2025 RGME Spring Symposium: Tickets

Advance registration for the Autumn Symposium (17–19 October 2025):

  • 2025 Autumn Symposium: Tickets

Optional Donation

  • Registration with Optional Donation: Voluntary donations for the RGME are welcome. Your donations , which may be tax-deductible, support our mission, work, and activities, for our Section 501(c)(3) nonprofit educational corporation endowed with few few resources, but powered mainly by volunteers and by your volunteer donations or contributions in kind.
  • See RGME Contributions and Donations
  • 2025 Annual Appeal

Images as Inspiration:
Agents and Agencies

As food for thought, we offer some images as reference points for the range of agents and agencies at work in the realms of books.

In the Study, Surrounded by Books

I. Evangelist as Scribe

Paris, Bibliothèque nationale de France. Bibliothèque de l’Arsenal, Ms-638 réserve, fol.17v. Evangelist Matthew as scribe. Book of Hours in Latin, 15th century. Image Public Domain via https://gallica.bnf.fr/ark:/12148/btv1b55008559f/f38.item.

Paris, Bibliothèque nationale de France. Bibliothèque de l’Arsenal, Ms-638 réserve, fol.17v. Book of Hours in Latin, 15th century. Saint Matthew writing at his desk accompanied by his symbol the angel, in an illustration above the text of Matthew 2:1-3 (stellam eius) enclosed within a border containing branches, foliage, flowers, and birds. Image via https://iiif.biblissima.fr/collections/manifest/0418e3c989d996266c02656f7390b8283b440ead

See also:

  • https://archivesetmanuscrits.bnf.fr/ark:/12148/cc79846r
  • https://gallica.bnf.fr/ark:/12148/btv1b55008559f/f38.item

II. Scholar/Practitioner/Alchemist as Scribe

In visual representations, the author or scribe seated at the task of writing may occupy a larger study than the previous illustration and have secular rather than divine assistants, as well as more and larger books. Such is the case in some early-modern views of an alchemist at work.

View 1

London, Welcome Collection, Painting by a follower of Thomas Wijck/Wyck (circa 1616 – 1677). Interior with an alchemist-type scholar seated at a large table and desk. Oil on canvas within frame. Wellcome Collection 45097i, image via Public Domain Mark https://wellcomecollection.org/works/g7kj7b2f/images?id=kkakxfdz

Note on the Image

London, Wellcome Collection. Oil on canvas within frame. Painting by a follower of Thomas Wijck/Wyck (circa 1616 – 1677). Interior with window and curtains at the left, drapery hanging at the top, and an alchemist-type scholar seated at work writing at a desk beside a central table piled with unrolled papers and large books opened and closed. Behind them is a globe; at the right another person sits at a table among chemical apparatus. In the foreground appear large books, a jar, and other apparatus. Given their size, central position, and the light shining upon them, the written materials on the table seem to be the principal subjects of attention.

Wellcome Collection 45097i, image via Public Domain Mark: https://wellcomecollection.org/works/g7kj7b2f/images?id=kkakxfdz .  See also: Interior with an alchemist seated at a table, writing.

View 2

London, Wellcome Collection 36093i. An alchemist peacefully writing in a room strewn with papers. Engraving by V.A.L. Texier after F. Giani after T. Wyck. Wellcome Collection. Source: Wellcome Collection; Public Domain Mark.

Note on the Image

London, Wellcome Collection, Victor André Louis Texier (1777–1864) after Felice Giani (1760–1823) after Thomas Wijck/Wyck (ca. 1616–1677). “An alchemist peacefully writing in a room strewn with papers (L’alchymiste en méditation) (n.d.).” .

Intaglio on paper. Wellcome Collection 36093i, image via Public Domain Mark
https://wellcomecollection.org/works/y873ctep/images?id=wsxqstpc

**********

The Series of RGME Symposia

  • RGME Symposia: The Various Series.
  • 2019 Anniversary Symposium Report: The Roads Taken
  • 2022 Spring and Autumn Symposia
    1. “Structures of Knowledge”
    2. “Supports for Knowledge” (Autumn)
  1. 2023 Spring and Autumn Symposia on “Materials and Access”
    1. 2023 Spring Symposium “From the Ground Up”
    2. 2023 Autumn Symposium “Between Earth and Sky”
  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut
  • 2024 Spring and Autumn Symposia on “Between Past and Future”
  1. 2024 Spring Symposium at Vassar College:
    “Between Past and Future:
    Building Bridges between Special Collections and Teaching for the Liberal Arts”
  2. 2024 Autumn Symposium
    “At the Helm: Spotlight on Special Collections as Teaching Events”

In 2024, the RGME Symposia returned to the in-person format with our 2024 Spring Symposium, having online participation as well, in hybrid form.

Now we welcome you to the 2025 Spring and Autumn Symposia on “Agents and Agencies”

More Information

Watch this space for more information as it unfolds. This site serves as the ‘Home Page’ for the Symposium. Here you can find updates.

*****

2025 RGME Events, with the Theme of “Thresholds and Communities”

Other Events are planned for the Year. See:

  • 2025 and 2026 Activities
  • 2025 Annual Appeal
  • “The Research Group Speaks”: The Series
  • 2025 International Congress on Medieval Studies: Program
  • 2025 International Medieval Congress at Leeds: Program

Suggestion Box

Please Contact Us or visit

  • our FaceBook Page
  • our Facebook Group
  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Instagram Profile rgme94
  • our Blog on Manuscript Studies and its Contents List

Donations and contributions, in funds or in kind, are welcome and easy to give.

  • See Contributions and Donations.

We look forward to hearing from you.

*****

Neuchâtel, Musée d’Art et d’Histoire de Neuchâtel. Jaquet-Droz Automata: Draughtsman, Musician, and Writer. Photograph: Rama (2005) via Creative Commons Attribution-Share Alike 2.0 France.

*****

Tags: Agents and Agencies for Books, Anna Frances Levins, Atelier Vandorou, Book History, Booklists, ChatGPT, Edgar Allan Poe, Ethiopian Manuscripts, History of Paper, Icones Anatomar, Manuscript studies, Massachusetts Historical Society, Raymond Lull, RGME Spring Symposium, RGME Symposia, Riant Collection, Whitby Life of Gregory the Great
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2025 Spring and Autumn Symposia

December 31, 2024 in Announcements, Conference Announcement, Manuscript Studies, RGME Symposia

2025
RGME Spring & Autumn Symposia

Agents and Agencies
in the Shaping
or Re-Shaping of Books

[Posted on 30 December 2024]

As in 2023 and 2024, for 2025 the RGME prepares an integrated pair of Spring and Autumn Symposia (as Parts 1 and 2 for the year). For those predecessors, see:

  • 2023 Spring and Autumn Symposia,
    with the year’s Theme of “Structures of Knowledge”
  • 2024 Spring and Autumn Symposia”,
    with the year’s Theme of “Bridges”

This year, they respond to our Theme for the Year, “Thresholds and Communities”.

First Steps

London, British Museum. Door-sill carved as a carpet. From Room I, door c, the North Palace of Ashurbanipal II at Nineveh. Photograph (2014) Osama Shukir Muhammed Amin FRCP(Glasg), CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons.

First, in January 2025, to set the stage, our first Episode for the year for our online series “The Research Group Speaks” explores the theme of “Thresholds and Communities” and describes the year’s planned projects and activities. Their centerpiece is the pair of Spring and Autumn Symposia. For this episode and the theme, see:

  • Episode 19. “At the Gate”

This event and other activities through the year prepare the ground, follow-up, and follow-though for the Spring and Autumn Symposia.

The Interlinked Pair
of Symposia

British Library, Royal MS 14 E. v, vol. 1, fol. 3r. Image Public Domain via Wikimedia Commons.

Following the momentum of activities and enthusiasm in our 2024 Anniversary Year, the pair will draw upon the customary informal, but structured, approach of our events, symposia included.

These Symposia will take place online (like both our 2023 Symposia and our 2024 Autumn Symposium). Perhaps parts of them will also occur in-person (like our three-day 2024 Spring Symposium at Vassar College in hybrid format and our 2025 Autumn Colloquium at the University of Waterloo planned for hybrid format).

The dates and titles for these Symposia have been set. Details of their Programs are taking shape, as we continue to make preparations.

Agents & Agencies

As principal focus, our 2025 Symposia consider the myriad aspects and impact of agents and agencies (human and other) in the creation, dissemination, use, abuse, re-creation, safe-guarding, and enjoyment of books across time and place.

I. Spring Symposium (Part I of 2)

“Makers, Producers, and Collectors of Books:
From Author/Artist/Artisan to Library”

Friday to Sunday
28–30 March 2025 by Zoom

We explore the genesis and gestation of books, from first thoughts to processes of production leading to the finished product, and then to their owners and users.

For example, for the first stages, we might consider the author alone in his or her study, putting pen to page or thought to written word. Around him might, naturally, whether close at hand or in his memory or imagination, stand other books as examples or sources of inspiration, imitation, or perhaps plagarism.

British Library, Royal MS 14 E. 1, vol. 1, fol. 3r. Image Public Domain via Wikimedia Commons.

Note on the Image. Frontispiece/headpiece for the first volume of the Speculum Historiale (or Miroir historial) by Vincent of Beauvais (1184/1194 – c. 1264) in the Old French translation by Jean de Vignay (circa 1282/1285 – c. 1350). Bruges, circa c. 1478–1480, for Edward IV (1442–1483, king from 1461–1470 and again from 1471-1483). On this page, at the front of Vincent’s text, above its opening columns of script, the author sits as scribe in a book-furnished study, framed within an architectural arcade and set within an elaborate border containing the king’s arms below.

The work of composing, copying, revising, and producing draft, fair, or final copies of the texts (with images where and as indicated) could be undertaken by more than one author, artist, and/or artisan. If so, would they work in tandem, sequence, or competition? Well, that might depend.

Aachen, Schatzkammer, Aachen Gospels, fol. 13r. The Four Evangelists at Work. Circa 820. Image via Karolingischer Buchmaler um 820, Public domain, via Wikimedia Commons.

As the work progresses, there arrive further stages which create the issue or publication of the book, which then may enter the world in processes of dissemination, instruction, and incorporation within an individual or collective collection — or, it might be, from collection to collection, in one shape or another. The changed shapes could, of course, pertain to the book itself and/or the ownership.

In the image below, we draw attention to the large, closed volume being held diagonally by a figure at far right, as he faces toward the king at the center. Given its context within the book and its historical setting, that very volume would contain as its frontispiece the image which we see here. Designed and engraved by Sébastien Le Clerc (1637—1714), the scene depicts an idealized visit by the king, Louis XIV of France (1638–1715, ruled from 1643), to the Académie Royale des Sciences founded in 1666.

Sébastien Leclerc I, Engraving on paper. King Louis XIV visits the Académie Royale des Sciences in an idealized view. Image Public Domain.

Note on the Image. Engraving on paper by Sébastien Leclerc I (1637–1714), 1671. Within a large room overlooking the gardens and containing a multitude of specimens, scientific apparatus, and other materials for study, Louis XIV (1638–1715, King of France from 1643) visits his Royal Academie des Sciences in an idealized view. Image Public Domain.

Various large-scale publications by this Academy employ Le Clerc’s image as their monumental frontispiece. Among them would be one held in this image by its author, as identifiable from images during his lifetime.

*****

II. Autumn Symposium (Part 2 of 2)

“Readers, Fakers, and Re-Creators of Books:
From Page to Marketplace and Beyond”

Friday to Sunday, 17–19 October 2025 by Zoom

In the Autumn Symposium, we follow up the explorations of the Spring Symposium as we turn to consider the ‘afterlives’ of books once they reach their audience, whether through the marketplace or other modes of presentation and distribution. Such conditions may acquire a life of their own, as readers, annotators, users, owners, thieves, despoilers, and others had or took a hand in shaping or reshaping their destinies — that is, of the books, those agents, and book history.

As examples, we may point to readers who would reshape the pages by placing their comments, revisions, scribbles, or sketches upon them. So, too, forgers as well as plagarists might appropriate others’ work as their own, say by reshaping its structure, grafting on other pieces, or extracting parts to re-assemble and redistribute in other forms for their own purposes. Such might occur, for example, as leaves or scraps were extracted, cut into further pieces, perhaps refolded, and reused as coverings or parts of bindings for other texts (manuscript or printed), or for other repurposed materials.

Justinian Wrapper folded from back with flap.

Budny Handlist 7: Medieval Leaf reused as Folder. seen from Back with Flap and Tie. Photograph by Mildred Budny.

A different form of reuse concerns the fragmentation of books for the purpose of extracting leaves or part-leaves to serve as specimens of script, decoration, illustration, and/or graphic design.

The 2025 RGME Autumn Colloquium at the University of Waterloo in November 2025 is designed, picking up the pieces, to showcase the legacy of such despoilers or ‘biblioclasts’ who dispersed the fragments of manuscripts and printed books far and wide. The 2025 RGME Autumn Symposium considers such phenomena within the larger context of the ‘afterlives’ of books in many other forms as well.

New Acquisitions Exhibition at the Beinecke Rare Book and Manuscript Library in November 2016: View of Some Parts of "Otto Ege Manuscript 14".

“A Long Shot”. New Acquisitions Exhibition at the Beinecke Rare Book and Manuscript Library in November 2016: View of Some Parts of “Otto Ege Manuscript 14”.

The rôles of forgers, fakers, and frauds as agents in the production, re-creation, and distribution of books looms large in the history of books, perhaps from time immemorial. Our Symposium sets their activities or accomplishments into the context of “Agents and Agencies” as we examine the broad setting of books overall.

*****

Watch this space as the plans take shape.

For our activities planned for 2025, see:

  • 2024 Activities and 2025 Planned Activities

*****

Registration

To register for each symposium or both, please visit the RGME Registration Collection.

  • RGME Events

Registration is free. We encourage you to make a volunteer donation when you register, to help support our nonprofit educational corporation powered principally by volunteers.

After you register, the Zoom Link for the online event or the online functionality of a hybrid event will be sent to you before the event.

Eventbrite Registration

  • Episode 19. “At the Gate: RGME Activities for 2025”

Thank you for joining us!

*****

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

How to Join our Community

Visit our Social Media:

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Join the Friends of the RGME.

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
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*****

Christine de Pizan, La cité des dames, in the copy in Paris, Bibliothèque nationale de France, Département des Manuscrits, Français 1179, folio 3 recto. Image Public Domain via gallica.bnf.fr.

*****

 

Tags: "Thresholds and Communities", Books as Agents, Manuscript studies, RGME Symposia, The Agency of Books
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2024 Anniversary Symposium: The Booklet

February 28, 2024 in Anniversary, Announcements, Manuscript Studies, RGME Symposia

“Manuscript (HE)ART”
Symposium Booklet

for the
2024 Anniversary Symposium
in Thanks to Jesse Hurlbut
(24 February 2024)

Co-Organized
by Katharine C. Chandler and Jessica L. Savage

[Posted on 27 February 2024]

The 64-page illustrated 2024 Anniversary Symposium Booklet is now available for our 2024 Anniversary Symposium “Manuscript (HE)ART” held online on 24 February 2024.

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program
  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Plan

You may download it as a pdf in two versions, depending upon your printer, paper stock, and preferences.

1) as consecutive pages for 8 1/2 in. x 11 in. sheets (quarto or letter)

2) as a foldable booklet for 11 in. x 17 in. sheets (tabloid, ledger, or B size) to fold in half

If you wish a copy of the printed version, please contact director@manuscriptevidence.org.

For the event, on the day, we circulated a Preview of the Booklet, with Authors’ Corrections, as a pdf.

Now we issue the Booklet, with a few more corrections, both in print and pdf, for wider circulation. It offers a souvenir of the occasion, with the Program, Abstracts for the presentations, companion Illustrations, the Speakers’ Bios, and a few Notices, including a list of “Contributions to Digital Humanities” by Jesse D. Hurlbut.

2024 Anniversary Symposium Booklet: Front Cover

*****

Coming Attractions

Watch for our next events.

2023 and 2024 Activities

2024 Spring Symposium at Vassar College

2024 International Congress on Medieval Studies: Program

And more!

For updates, please visit

  • News
  • our FaceBook Page
  • our Facebook Group
  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Blog on Manuscript Studies and its Contents List

Donations and contributions, in funds or in kind, are welcome and easy to give.

  • See Contributions and Donations.

We look forward to hearing from you.

*****

Tags: RGME Anniversary, RGME Anniversary Symposium, RGME Symposia
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2024 Autumn Symposium: “At the Helm”

February 19, 2024 in Anniversary, Conference, Conference Announcement, RGME Symposia

2024 Autumn Symposium
“At the Helm:
Spotlight on Special Collections
as Teaching Events”

Friday and Saturday, 25–26 October 2024 by Zoom

[Posted on 19 February 2024, with updates first including the Symposium Program, Posters, and Symposium Booklet with Program, Abstracts, and Images, and then reporting the issue of the corrected Symposium Booklet after the event, in more than one stage, as refinements came forward]

London, The British Library , Yates Thompson MS 36, fol. 65r, detail. Dante Alighieri, Divina Comedia, Canto 1, Purgatorio. Northern Italy, 15th century.

Part 2 (of 2) in the series of

2024 Spring and Autumn Symposia
on “Bridges”

To follow up from

Part 1 (of 2)
2024 Spring Symposium at Vassar College

“Between Past and Future:
Building Bridges between Special Collections and
Teaching for the Liberal Arts”

“Study on a Medieval Bridge” at Amares , Braga District, Portugal. Image by Pedro Nuno Caetano (2019) via Wikimedia Commons via Creative Commons 2.0 Generic.

[Posted on 18 February 2024, with updates]

This event forms a pair with the Spring Symposium (Part 1) in the 2024 RGME Anniversary Year, for which our Theme is “Bridges”.

  • “Bridges” for our 2024 Anniversary Year

By request, as its momentum and enthusiasm develops, this Symposium has extended its span, from one day to two full days.

Part 1 in April

Part 1 is planned in hybrid format, with access in person and online.  It was held over three days in April, from 18 Friday to 22 Sunday 2024.  Its Title tells its purpose, focus, and mission:

“Between Past and Future:
Building Bridges between Special Collections
and Teaching for the Liberal Arts”

  • Spring Symposium ‘Home Page’
    2024 Spring Symposium at Vassar College
  • Report
    2024 Spring Symposium at Vassar College: Report

Part 2 in October

Part 2, to be held online for two full days in October, provides an integrated follow-up for the Spring Symposium centered upon Vassar.

This time, taking charge on the Bridge of a nautical vessel of passage (Bridge, Wheelhouse, or Pilothouse; Bridge or Pilothouse), we focus on selected cases to examine such teaching practices and resources at work.

“At the Helm:
Spotlight on Special Collections as Teaching Events”

Friday and Saturday 24–25 October 2024
by Zoom

Friday 9:45 am – 5:00 pm EDT (GMT-4)
Saturday 9:00 am – 5:15 pm EDT

In keeping with our tradition – informal, but structured – for our RGME Symposia (as with our 2023 Spring and Autumn Symposia), we offer presenters the opportunity, with minimal preparation, to showcase collections (private and public) in virtual visits guided by curators or collectors, in the company of teachers and students on-site and online.

Our goal here is to channel the purposeful momentum for the 2024 Spring Symposium at Vassar College in a simpler follow-up demonstrating the mission in action of teaching with the material evidence in Special Collections.  Whilst the Spring Symposium focuses (but not exclusively) on the Medieval and Renaissance periods, the Autumn Symposium welcomes a wide variety of periods, cultures, and genres of material.

Poster 2 for RGME 2024 Autumn Symposium. Set in RGME Bembino. Image: Coventry Patmore, Amelia: an idyll (1878), title page, illuminated by Bertha Patmore. Mark Samuels Lasner Collection, University of Delaware Library, Museums and Press.

The poster is available to download. Please circulate and display it, if you wish.

  • Poster 2 for RGME 2024 Autumn Symposium

For more information and to register, see below.

Read the rest of this entry →

Tags: Archives and Special Collections Library of Vassar College, Edgar William Pyke Collection of Coins, History of Bridges, Mark Samuels Lasner Collection, RGME Anniversary Year, RGME Library & Archives, RGME Symposia, Special Collections, Special Collections of Ellis Library University of Missouri, Teaching Events, Virtual Visits to Collections
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2024 Spring and Autumn Symposia plus Anniversary Symposium

February 4, 2024 in Uncategorized

2024 Spring and Autumn Symposia
on “Bridges”

Plus a special Anniversary Symposium
on “Manuscript (He)art”

“Study on a Medieval Bridge” at Amares, Braga District, Portugal. Image by Pedro Nuno Caetano (2019) via Wikimedia Commons via Creative Commons 2.0 Generic.

[Posted on 4 February 2023, with updates]

The Research Group prepares a pair of Spring and Autumn Symposia in our Anniversary Year of 2024, continuing the paired pattern which, reviving our tradition of individual Symposia in some years, we launched in 2022 and developed further for 2023.

Add-Ons On Occasion

Last year, we added a half-day Pre-Symposium to the Spring Symposium, with a full-day Symposium in both Spring and Autumn.  The result was a 1½-day event on 24–25 March (Pre-Symposium + Spring Symposium) and a 1-day event on 21 October (Autumn Symposium).  The March Event and the October Event each have an illustrated Symposium Booklet, available for download.  (See below.)

2024 RGME Events

For activities planned overall for this Anniversary Year for the RGME, with the year’s theme of “Bridges”, see:

  • RGME 2023 and 2024 Activities.
  • “Bridges” for our 2024 Anniversary Year

They include episodes for “The Research Group Speaks”, conference sessions at two international congresses for medieval studies (at Kalamazoo and Leeds), anniversary celebrations, and three Symposia.

Of these, the first is an exceptional Anniversary Symposium in thanks to our First WebMaster upon his retirement.

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut, RGME WebMaster Emeritus

The next form a linked pair as Part 1 and Part 2

  • 2024 Spring Symposium at Vassar College
  • 2024 Autumn Symposium “At the Helm”

2024 Anniversary Symposium (Online)

Save-the-Date Poster for 2024 Anniversary Symposium in Thanks to Jesse Hurlbut. Poster set in RGME Bembino.

This year, we add a one-day Anniversary Symposium to start the series of three Symposia for the year.  It is designed to express thanks to the First WebMaster of the RGME upon his retirement, Jesse D. Hurlbut.

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

Co-organized by Katharine C. Chandler and Jessica L. Savage (co-organizers, with Jennifer Larson, of the 2023 Pre-Symposium), this event gathers former students, colleagues, and friends to consider subjects of interest to Jesse and to which he has contributed, including medieval manuscript studies, digital access to them, and the promotion of online communities for their study and enjoyment.

This event will take place online on Saturday 24 February by Zoom.  You may register to attend this Symposium through our Eventbrite portal.

See our selection:

  • RGME Eventbrite Collection

For this event:

  • 2024 Anniversary Symposium “Manuscript Heart” Tickets

Registration is free; we welcome Voluntary Donations to help to support our nonprofit mission for our organization powered mainly by volunteers and dependent mostly upon donations.  See also

  • Donations and Contributions

2024 Spring and Autumn Symposia
on “Bridges”

This exceptional series has two parts. It represents a year-long project which focuses attention

“Between Past and Future:
RGME Spring & Autumn Symposia in 2024
for Teaching in the Liberal Arts with Original Sources,
at Vassar College and Beyond”

At center stage, the perspectives on the theme of the Spring Symposium at Vassar College present a coherent, multi-disciplinary, and multi-generational scholarly program in a sequence of teaching events with expertise and materials in multiple centers. They stand poised, as proclaimed by its title, “Between Past and Future: Building Bridges between Special Collections and Teaching for the Liberal Arts”.

The Autumn Symposium carries it forward with a selection of virtual visits placed “At the Helm:  Spotlight on Special Collections as Teaching Events”. The informal style accords with our proven approach for online events as roundtables, interviews, conversations, master classes, and workshops. Thus, we might channel the purposeful momentum for the Spring Symposium in its central event in a simpler follow-up with participants including representation from Vassar, whether present or alums.

Part 1 (of 2).
2024 Spring Symposium at Vassar College

“Between Past and Future:
Building Bridges between Special Collections
and Teaching for the Liberal Arts”

(3-Day, Hybrid, In Person and Online)

Friday to Sunday 19–21 April 2024

Poster 1: Save-the-Date for 2024 Spring Symposium at Vassar.

Poster 1: Save-the-Date for 2024 Spring Symposium at Vassar.

For this Symposium, organized by both the RGME and Special Collections (The Catherine Pelton Durrell ’25 Archives and Special Collections Library) at Vassar College, we celebrate the rôles which Special Collections can fulfill as part of teaching in institutions dedicated to the Liberal Arts — among other valuable fields of study.

The Symposium showcases initiatives and developments in various centers, both at Vassar College and elsewhere. Notable at Vassar for 2024 are:

  •  A new Catalogue of the Medieval and Early Modern books or fragments in both Special Collections and the Frances Lehman Loeb Art Center, and
  • A companion exhibition at the Art Center to showcase examples of their riches in “Books in the Middle Ages and the Renaissance”

Also, the RGME celebrates its Anniversary Year with the Theme of “Bridges”.

  • “Bridges” for our 2024 Anniversary Year.

The Spring Symposium will, in part, celebrate the acquisition of the Nicholas B. Scheetz Collection of Medieval and Renaissance Manuscripts.  The Symposium presents reports, observations, and discoveries in multiple fields, including descriptions of work-in-progress, collaborative projects, wish-lists or challenges, and new opportunities.

Information:

  • 2024 Spring Symposium at Vassar College

You may register here:

  • RGME Eventbrite Collection

For this event , there is a registration fee.

Registration is free for students, and it is waived for invited Speakers at the Symposium.

To attend In Person

  • 2024 Spring Symposium at Vassar College: In Person Tickets

To attend Online

  • 2024 Spring Symposium at Vassar College: Online Tickets
Poster 1: Save-the-Date for 2024 Spring Symposium at Vassar.

Poster 1: Save-the-Date for 2024 Spring Symposium at Vassar.

Part 2 (of 2).
2024 Autumn Symposium (One-Day, Online)

“At the Helm:
Spotlight on Special Collections
as Teaching Events”

Saturday 22 October 2024 by Zoom

The perspectives on the theme of the Spring Symposium at Vassar present a coherent, multi-disciplinary, and multi-generational scholarly program in a sequence of teaching events with expertise and materials in multiple centers. They stand poised , as proclaimed by its title, “Between Past and Future: Building Bridges between Special Collections and Teaching for the Liberal Arts”. 

The Autumn Symposium carries it forward with a selection of virtual visits placed “At the Helm:  Spotlight on Special Collections as Teaching Events”. They allow presenters the opportunity, with minimal preparation, to showcase collections (public and private) in virtual visits guided by curators, in the company of teachers and students on-site and online. The informal style accords with our proven approach for online events as roundtables, interviews, conversations, master classes, and workshops. Thus, we might channel the purposeful momentum for the Spring Symposium by a simpler follow-up.

Information

  • 2024 Autumn Symposium “At the Helm”

To register, see our selection:

  • RGME Eventbrite Collection

Our Series of Symposia

  • RGME Symposia: The Various Series (1995–), in person or online.

2024 RGME Events

“Study on a Medieval Bridge” at Amares, Braga District, Portugal. Image by Pedro Nuno Caetano (2019) via Wikimedia Commons via Creative Commons 2.0 Generic.

For activities planned for our Anniversary Year, with the theme of “Bridges”, see:

  • RGME 2023 and 2024 Activities.
  • “Bridges” for our 2024 Anniversary Year

They include episodes for “The Research Group Speaks”, conference sessions at two international congresses for medieval studies (at Kalamazoo and Leeds), anniversary celebrations, and two symposia.

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut, RGME WebMaster Emeritus
  • 2024 Spring Symposium at Vassar College

Suggestion Box

Please Contact Us or visit

  • our FaceBook Page
  • our Twitter Feed (@rgme_mss)
  • our Blog on Manuscript Studies and its Contents List

Donations and contributions, in funds or in kind, are welcome and easy to give.  See

  • Contributions and Donations.

We look forward to hearing from you.

*****

Tags: Anniversary Symposium, Autumn Symposium, History of Bridges, RGME Symposia, Special Collections, Spring Symposium, Teaching for the Liberal Arts, Teaching with Special Collections
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2024 Anniversary Symposium in Thanks to Jesse Hurlbut: The Plan

October 18, 2023 in Manuscript Studies, RGME Symposia, Uncategorized

Manuscript (HE)ART

An RGME Anniversary Symposium
in Thanks to Jesse Hurlbut
(RGME WebMaster Emeritus)

Co-Organized by
Katharine C. Chandler and Jessica L. Savage

Saturday 24 February 2024 online by Zoom
10:00 am – 3:30 pm EST (GMT-5)

Announcement Part 2: The Plan

[Posted on 18 October 2023]

After announcing the Program for this Symposium, we describe its Plan.

For the Program and information about registering for this event, see:

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program.

Meet our First WebMaster

Jesse Hurlbut and the Château de Chambord in 2023. Photograph by Patricia Stevenson.

An accomplished medievalist , manuscript historian, photographer, blogger, and scholar of French language and literature (See Jesse Hurlbut: Curriculum Vitae), Jesse has generously served as our first WebMaster (2004–2023).

He generously offered to give the RGME a website (which we did not have), selected the domain name, created the design in consultation not only once but twice (first in Drupal, then in WordPress), expanded its facilities and storage capacity, upgraded the site,  secured it after a widespread spam attack, and continued to maintain our website across the years, from supporting the hosting of the site to sustaining the domain name itself.

A couple of photographs register aspects of Jesse’s spirited engagement with the material heritage of the past in manuscript and other forms. We have gladly come to know aspects of that engagement, directly and indirectly, while engaging in study and observing ripples of his influence across a range of fields.

First (below), as shown after he had won a manuscript fragment in a drawing by a bookseller at the International Congress on Medieval Studies in 2014. On the way out of the building (Valley III) which housed both the main reception for the Congress and the book exhibits, he paused to show me his new leaf. His expression speaks volumes.

Jesse Hurlbut holds his newly won manuscript leaf at the Kalamazoo Congress on 10 May 2014. (Photography by Mildred Budny)

Jesse Hurlbut holds his newly won manuscript leaf at the Kalamazoo Congress on 10 May 2014. (Photography by Mildred Budny)

Second (top right, at the head of this post), on a trip to France, at the Château de Chambord, as expressed in a photograph which he posted on his birthday in 2023.

Symposium as Thank-Offering

When Jesse announced his plan to retire as WebMaster, with months of generous advance notice so that we might figure out how to replace his multiple roles in running our website and keeping it in operation by the subscriptions for hosting the site and for securing the domain name.

And so, by conferring among ourselves and asking advice beyond the RGME, there was formed the RGME Website Advisory Committee, to guide and oversee these responsibilities, which support the ability to edit and update the public-facing structure of the website, in the hands of the WebEditor (our Director).  An Acting WebMaster volunteered to step in during the continuing transition period, while the RGME might seek the resources to fund and sustain the maintenance of our site longterm.

The RGME also sought some way, which might be appropriate and feasible, given our sets of resources and capabilities, to show our thanks to our first WebMaster. We wished to express our gratitude, both individual and collective, for the extraordinary donation which he has made over the years for our work, communications, online presence, and publications – many of which are visible or downloadable on our site.

And so emerged the plan for this Symposium, which stands outside our customary series, but which draws upon the habits, skills, and network of contacts giving shape to those events and others increasingly over the past several years in response to online opportunities.  The plan for a Symposium, its title, scope, and date was shaped, in stages, by the two co-organizers, in consultation. Prospective speakers and presiders responded generously, and the plan came into being.

Then we could inform Jesse about the plan, its purpose, its scope, its participants, its date, its Save-the-Date Poster, and an announcement of the event.  He made some suggestions, which deftly improve the forms or formulas of expression of our heartfelt plan for thanksgiving.  For these suggestions, too, we give thanks.

The Plan for the Symposium

The Symposium has two halves or sessions.  Each is the domain of one of the two co-organizers, Jessica L. Savage and Katharine C. Chandler.

1) Le monde en fleurs: Visualizing the Natural World of Late Medieval France

This considers visualizations as seen through the art and manuscripts of medieval France “in flower” and especially over the fifteenth and early sixteenth centuries.

2) Medieval Manuscripts in the Social Media Public Sphere

This session will be focused on connections, crowdsourcing, and community-building through social media with medieval manuscripts.

The first is the domain of Jessica Savage.  The second is that of Katharine Chandler.

In their words:

In gratitude for Jesse’s service to the field and this Research Group, we are thrilled to gather the speakers listed below for a Symposium to express thanks for his contributions to the world of manuscript studies.

The morning session, “Le monde en fleurs: Visualizing the Natural World of Late Medieval France,” will focus on the art and manuscripts of medieval France “in flower” and especially over the fifteenth and early sixteenth centuries. Contributions include papers on French literature, women’s books, symbolism of the floral, animal, and monstrous, and highlights in the codicology and patronage of medieval and Renaissance manuscripts.

An afternoon of five presentations will dive into the topic “Medieval Manuscripts in the Social Media Public Sphere,” focused on connections, crowdsourcing, and community-building through social media with medieval manuscripts, including the digitization and imaging of manuscripts. The contributions close with a special response paper on Jesse Hurlbut’s websites and a Roundtable for the afternoon presenters, including our invited guest Jesse Hurlbut, to engage in scholarly dialogue.

Speakers and Presiders

Participants in the proceedings of the event include (in alphabetical order):

Renate Blumenfeld-Kosinski
Mildred Budny
Haleigh Burgon
Katharine C. Chandler
Joyce Coleman
Thomas E. Hill
S.C. Kaplan
Laura Morreale
Johan Oosterman
Samantha Pious
Tina-Marie Ranalli
Jessica L. Savage
Anna Siebach-Larsen
N. Kıvılcım Yavuz

Our invited guest, Jesse D. Hurlbut will also offer comments as part of the afternoon Roundtable.

For their titles, the sequence of presentations, and information about registration for the event, see

  •  2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

The Save-the-Date describes the Plan and display an emblematic image chosen to express the hearty and heartfelt theme.  (You may download it here.)

Save-the-Date Poster for 2024 Anniversary Symposium in Thanks to Jesse Hurlbut. Poster set in RGME Bembino.

The Symposium Booklet

Published for the event, the 64-page illustrated 2024 Anniversary Symposium Booklet is available freely as a pdf on our website. See 2024 Anniversary Symposium: The Booklet.

You may download it in two versions, depending upon your printer, paper stock, and preferences.

1) as consecutive pages for 8 1/2 in. x 11 in. sheets (quarto or letter)

2) as a foldable booklet for 11 in. x 17 in. sheets (tabloid, ledger, or B size) to fold in half

If you wish a copy of the printed version, please contact director@manuscriptevidence.org.

Image as Emblem

There the image appears labelled as “Dragon Heart”.  Note its combination of hearts (three hearts within one) with a pair of dragon-like creatures who climb one of the concentric rings of a diagram.

We love the choices. “Close to our heart”, we can say.

The ‘inhabited’ image belongs to a page in a Libellus enigmatum (“Little Enigmatic Book”) of circa 1521 by François Demoulins de Rochefort (born circa 1470–1480 – died 1526).  The page is Paris, Bibliothèque nationale de France, Département des Manuscrits, MS Latin 8775, folio 3r.

For information about the manuscript, see

  • https://archivesetmanuscrits.bnf.fr/ark:/12148/cc68091z.

 

Paris, Bibliothèque nationale de France, Département des manuscrits, MS Latin 8775. fol. 3r. François Demoulins de Rochefort, Libellus enigmatum. Circa 1515, Paris or Val de Loire. Image Public Domain.

You can ‘turn the pages’ of the digital facsimile via gallica.bnf.fr/ark:12148/cc68091z, with other ‘inhabited’ images populated with a variety of creatures, from dragons in the circles to eagles, a swan, and a rooster at the bottom.

Ce manuscrit célèbre la “triade Angoulême”. Il comporte trois peintures au contenu allégorique et divinatoire, formées de la même façon, avec un coeur en contenant trois plus petits. Autour d’eux s’enroulent des cercles concentriques comportant des inscriptions en latin des saintes Ecritures, au contenu réputé magique. Au-dessous se trouvent des animaux, respectivement un aigle et ses deux aiglons (Louise de Savoie), un cygne (Marguerite d’Angoulême) et un coq (François Ier).

— https://archivesetmanuscrits.bnf.fr/ark:/12148/cc68091z.

*****

An Innovative Event as Forerunner

Baltimore , Walters Art Museum, MS. W.148, folio 33v, bottom right, with fighting creatures. Image via Creative Commons.

This Symposium’s co-organizers, Jessica Savage and Katharine Chandler, co-organized their first event for the RGME last year with an innovative approach to our series of Symposia.

Following the set of Surveys for the RGME conducted by Jessica Savage in 2022, a subject was identified, a Call for Proposals was issued, the program was selected, and thus was born the successful Pre-Symposium for the 2023 Spring Symposium, with a half-day online event of “Lightning Talks” on Intrepid Borders.  See:

  • “Intrepid Borders: Marginalia in Medieval and Early Modern Books”
  • 2023 Spring Symposium “From the Ground Up”.

The illustrated Booklet for the Spring Symposium and Pre-Symposium can be downloaded from there.

With this “informed and supportive” model (in Jessica’s words), characteristic of the RGME, the wish to show our collective thanks to Jesse could find expression.  The responses to the plan demonstrate that the shared wish to give thanks not only for his contributions to the RGME as WebMaster, but also to the wider world of manuscript studies and their online manifestations.

*****

Anniversary Celebrations for 2024

For 2024, in our Anniversary Year, the Theme for the Research Group on Manuscript Evidence (RGME) is “Bridges”.  See

  • Bridges for our Anniversary Year.

This Anniversary Symposium, as an expression of thanks to Jesse Hurlbut, RGME WebMaster Emeritus, is the first of the RGME Symposia for the year.

We hope to welcome you to the event.

Questions or Comments?

Save-the-Date Poster for 2024 Anniversary Symposium in Thanks to Jesse Hurlbut.

If you have questions about the Symposium, please contact

  • rgmesymposia@gmail.com.

Please reach out to us, if you wish, in these ways:

  • Leave your Comments below
  • Contact Us
  • Visit our FaceBook Page
  • Join the conversation on our Twitter Feed (@rgme_mss)
  • Check out our Blog on Manuscript Studies and its Contents List

We look forward to hearing from you.

*****

Tags: Anniversary Symposium, Jesse Hurlbut, Liber Enigmatum, MANUSCRIPT (HE)ART Symposium, RGME Symposia
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2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

October 18, 2023 in Announcements, Conference, Conference Announcement, Event Registration, Manuscript Studies, RGME Symposia, Uncategorized

“MANUSCRIPT (HE)ART”

An RGME Anniversary Symposium
in Thanks to Jesse Hurlbut
(RGME WebMaster Emeritus)

Co-Organized by
Katharine C. Chandler and Jessica L. Savage

Saturday 24 February 2024 online by Zoom
10:00 am – 4:00 pm EST (GMT-5)

Announcement Part 1: The Program

[Posted on 18 October 2023, with updates]

We announce the 2024 RGME Anniversary Symposium, as an expression of thanks to our RGME WebMaster Emeritus, Jesse Hurlbut, upon his retirement. This Symposium is the first in our Symposia for 2024, when the RGME celebrates an anniversary of 35 years as an international scholarly society founded in England, and 25 years as a nonprofit educational corporation based in Princeton, New Jersey.

Jesse’s contributions to the RGME as Associate and WebMaster date from 2005, a few years after our incorporation in 1999 as a 501(c)(3) nonprofit organization.  The generosity of his contributions to the RGME and many others in fields of manuscript and other studies across the years lead us, in the company of some of his former students and colleagues, to offer this Symposium in thanks.

For the background for this Symposium, see the companion post to this one:

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Plan

The First WebMaster of the RGME

An accomplished medievalist, manuscript historian, photographer, blogger, and scholar of French language and literature, Jesse Hurlbut generously served as the first WebMaster of the Research Group on Manuscript Evidence (2005–2023). Following Jesse’s retirement on 30 June 2023, we wish to offer this event in thanks, to examine subjects related to his interests, work, and teaching in the world of manuscript studies. The Symposium brings together former students, colleagues, and friends to share their work and work-in-progress in various subjects or projects which his work, teaching, and example may have helped to inspire or refine.

Jesse Hurlbut and the Château de Chambord in 2023. Photograph by Patricia Stevenson.

The Purpose

Our Save-the-Date Poster expresses the plan in word and image for an Anniversary Symposium full of “MANUSCRIPT (HE)ART”.  (You may download it here.)

Save-the-Date Poster for 2024 Anniversary Symposium in Thanks to Jesse Hurlbut. Poster set in RGME Bembino.

Read the rest of this entry →

Tags: 2023 Autumn Symposium Progam, Anniversary Symposium, Giving Thanks, Jesse Hurlbut, Manuscript studies, Medieval manuscripts, RGME Symposia
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