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        • 2019 Anniversary Symposium Registration Open
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2026 RGME Colloquium on “Transformations & Renewals” at The Grolier Club

January 27, 2026 in Announcements, Event Registration, Events, Friends of the Research Group on Manuscript Evience, Manuscript Studies, Visits to Collections

2026 RGME Colloquium
at The Grolier Club

“Transformations and Renewals”
Examining and Celebrating
Treasures of the Grolier Club Library

Wednesday 11 February 2026 (Hybrid, in Two Events)
Workshop + Roundtable

[Posted on 15 January 2026, with updates
Now see also the
2026 RGME Colloquium at The Grolier Club: Report]

Front Entrance of The Grolier Club. Photograph (4 April 2008) [cropped] by participant/team W. C. Minor as part of the Commons:Wikipedia Takes Manhattan project, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license., via https://commons.wikimedia.org/wiki/File:Grolier_Club.jpg.

For the Year 2026, the Research Group on Manuscript Evidence chooses the Theme of “Transformations and Renewals” for exploration across its activities and projects.

Our first hybrid event of the year brings the RGME to The Grolier Club of the City of New York, in central Manhattan, for a curated set of hybrid events on Wednesday 11 February 2026. In keeping with the RGME’s dedication to accessibility for events reaching a wider audience, these events will be available both in person and online. For registration for the different events and functionalities (in person or online), see below.

With registration beforehand (see below), the day’s events comprise:

  • a “Show-Off-and-Tell” Workshop in the afternoon
    2:30–4:30 pm EST (GMT-4)

    1) online open to the public
    2) in person privately with limited seating, open for Grolier Club Members and RGME invited guests
  • a “Transformations and Renewals” Roundtable in the early evening
    6:00–7:30 pm EST
    open to the public

    1) online and
    2) in person

We gather a team of specialists, collectors, and curators of books — all Grolier Club Members and mostly RGME Associates— to examine, reflect on, and celebrate selected treasures of the Grolier Club Library. On offer: reports and conversations about research discoveries, work-in-progress, and the joys of experiencing the materials directly and also sharing their stories. Join us!

2024 Beletsky logo of the Grolier Club of the City of New York.

Program

For information about the scope of the event, its Participants, its two parts as Workshop and Roundtable, and Registration for each part, see below. Both parts are hybrid, through the RGME for the Workshop and through the Grolier Club for the Roundtable.

The Program for both the afternoon Workshop and early-evening Roundtable can now be downloaded as a 4-page

2026 RGME-Grolier Colloquium Poster 1. Set in RGME Bembino.

Program Booklet, set in RGME Bembino.

  • 2026 RGME Colloquium at the Grolier Club: Program

Posters

Both Posters for this bipartite event can be downloaded:

  • 2026 RGME Colloquium at the Grolier Club: Poster 1
  • 2026 RGME Colloquium at the Grolier Club: Poster 2

Colloquium Booklet

We offer the 64-page illustrated Colloquium Booklet as a guide and souvenir for the event. You may download it here, in two formats according with your printing and viewing preferences.

  • 2026 RGME Colloquium Booklet: Pages (as a series of individual pages on 8 1/2″ × 11″ sheets)
  • 2026 RGME Colloquium Booklet: Foldable Booklet (laid out for printing on 11″ × 17″ sheets, ready for folding)

Speakers and Panelists

Speakers with comments at the afternoon workshop over original materials and/or with lightning talks at the early-evening roundtable:

  • Jamie Elizabeth Cumby (Grolier Club Librarian)
    “ ‘Show-Off-and Tell’: A Curated Selection from the Grolier Club Library”
  • Beppy Landrum Owen (also Oral History Project: Beppy Landrum Owen)
    “ ‘That skull had a tongue in it, and could sing once. . .’
    Lost Stories of the Making of the Bremer Presse’s 1934 (but 1935) Vesalian Icones anatomicae”
  • John T. McQuillen (Morgan Library & Museum, Associate Curator of Printed Books & Bindings)
    “Blockbooks Dismembered”
    Note:
    Watch for the coming exhibition at the Morgan later this year:

    “Late Medieval European Blockbooks: The First Printed Picture Books” (6 November 2026 to 16 May 2027)
  • Mildred Budny (Director of the Research Group on Manuscript Evidence)
    “A Medieval Missal Fragment from the Otto F. Ege Collection and its Provenance”
    Note:
    “Break-Up Books and Make-Up Books: Encountering and Reconstituting the Legacy of Otto F. Ege and Other Bibliocasts” (See 2025 RGME Autumn Colloquium on Fragments)
  • Reid Byers (Reid Byers, Author)
    “Secrets in Secrets in Secrets”
    Note:
    Reid Byers, Imaginary Books: Lost, Unfinished, and Fictive Works Found Only in Other Books (Oak Knoll Press and Le Club Fortsas, 2024)
  • Richard Kopley (Distinguished Professor of English, Emeritus, Penn State DuBois, and Author)
    “William Gowans, New York Bookman and Poe Family Boarder”
    Note:
    Richard Kopley, Edgar Allan Poe: A Life (2024)
  • Mark Samuels Lasner (Mark Samuels Lasner)
    “A Gift from William Morris to the Grolier Club”
    Note:
    Wilhelm Meinhold, Sidona the Sorceress (Kelmscott Press, 1893), translated by “Francesca Speranza” / Jane Francesca Agnes Wilde, Lady Wilde—a novel drawn from the life of the Pomeranian noblewoman Sidonia von Borcke (1548–1620), accused of witchcraft and executed.
  • Mary Crawford (Co-Curator, current exhibition at the Grolier Club; Bio)
    “From ‘By a Lady’ to Global Superstar: Curating 250 Years of Jane Austen”
    Note:
    Grolier Club Exhibition. “Paper Jane” (to 14 February 2026)
    Online exhibition. Exhibition Gallery
    Online curators’ tour. Tour of Paper Jane
    Catalogue. Catalogue

Presider/Moderator for Roundtable

  • Anna Siebach–Larson

Book-Signings at Roundtable for Grolier Authors’ Publications

  • Reid Byers, Mary Crawford, Richard Kopley, and Mark Samuels Lasner

 

We look forward to welcoming you!

The Grolier Club, View of Exhibition “Paper Jane” (to 14 February 2025). Image: Grolier Club.

Registration for the 2 Hybrid Events

We give information for
I. the evening Roundtable first,
II. then the afternoon Workshop.

I. Hybrid Roundtable in the Grolier Club Exhibition Hall
6:00 to 7:30 pm
EST (GMT-4)

Open to the public both in-person and online
Book-signings available

Registration through the Grolier Club

  • Grolier Club: Eventbrite

Overview

With Mildred Budny, Beppy Landrum Owen, John T. McQuillen, Reid Byers, Richard Kopley, Mark Samuels Lasner, and Mary Crawford

Friends of the Research Group on Manuscript Evidence, a Princeton-based 501(c)(3) educational organization, will visit the Grolier Club for an in-person/hybrid ‘Roundtable’. In lightning talks, several Club members will discuss a curated selection of books, manuscripts, and prints on the RGME’s 2026 organizational theme of “Transformations and Renewals. Open to the public, this event will be live-streamed and will offer book-signings for Club member guides who have recently published works discussed.

Registration for the Roundtable
Virtual or In-Person Attendance

Public roundtable on “Transformations and Renewals” at 6:00-7:30 pm EST (GMT-4)
[although the registration portal lists the time as “6:00-7:00”]
All are welcome to attend in both functionalities.

1) Virtual
“Transformations and Renewals” Roundtable (Virtual)

2) In-Person
“Transformations and Renewals” Roundtable (In-Person)

2026 RGME-Grolier Colloquium Poster 2. Set in RGME Bembino.

II. Hybrid “Show-Off-and-Tell” Workshop upstairs
preceding the Roundtable
2:30 to 4:30 pm EST (GMT-4)
with Break at 3:15–3:30 pm

Open to the public online;
In-person seats limited, for Grolier Members and invited RGME Guests

Registration through the RGME

  • RGME Eventbrite Collection

Overview

As a prelude to the Roundtable on “Transformations and Renewals”, Friends of the Research Group on Manuscript Evidence and Grolier Club Members will have a hybrid “Show-Off-and-Tell’ Workshop to examine, up close, the original materials (as book, manuscript, print) to be discussed further at the evening Roundtable in lightning talks. The curated selections comprise favorites from the Grolier Club Library which have given rise to detailed study and discoveries for them and their contexts.

Like our pair of hybrid workshops recently over original manuscript and printed materials in Special Collections at the Princeton University Library, held by our Associate Eric White at the 2025 RGME Colloquium on Fragments, this hybrid workshop will take place over original materials at the Grolier Club, guided by the Librarian Jamie Cumby (see also Jamie Cumby).

We gather to share experiences of delight and wonder, to celebrate the joys of learning from original materials at the Club and their relatives in other collections, especially in combination, to learn more about the rich range of the Grolier Club Library, and to give thanks for responsible access to it and for its curators. Open to the public online and to an invited audience in person (limited seating), this event will be accessible widely by interactive Zoom Meeting.

Speakers (in order of presentation):
Jamie Elizabeth Cumby, Beppy Landrum Owen, John T. McQuillen, Mildred Budny, Reid Byers, Richard Kopley, and Mark Samuels Lasner

Registration for the “Show-Off-and-Tell” Workshop
Virtual or In-Person Attendance

Hybrid Workshop at 2:30-4:30 pm EST (GMT-4)
All are welcome to attend online; space is limited in person.

1) ONLINE (Open to the public)

    • Workshop Online: Registration
      Note that, after you register, the RGME will send you the Zoom Link a day or so before the event. For security, the Zoom Link will be sent to you by the RGME, and NOT Eventbrite or Zoom.

2) IN-PERSON (Space is limited, by invitation)

    • “Show-Off-and-Tell” Workshop IN PERSON for Speakers, Grolier Members, and Invited Guests: Registration
      In case of demand, we offer a Waiting List.

Willhelm Meinhold, Sidona the Sourceress (Kelmscott Press, 1893), Opening of Book I, Chapter 1, “Of the Education of Sidonia”. Photograph courtesy of Mark Samuels Lasner.

*******************

Questions? Suggestions?

  • Leave your comments or questions below
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Learn about the RGME, its mission, and its activities

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Visit our Social Media:

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Join the Friends of the RGME. (There is no charge.) All are welcome. The Friends hold special meetings, competitions with prizes, and other activities, recognizing the wide range of interests among our audience, scholarly and more.

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Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2026 Annual Appeal

We look forward to welcoming you to the special visit to the Grolier Club, whether you can attend in person or online!

 

Front of The Grolier Club. Photograph (4 April 2008) [cropped] by participant/team W. C. Minor as part of the Commons:Wikipedia Takes Manhattan project, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license, via https://commons.wikimedia.org/wiki/File:Grolier_Club.jpg.

Tags: Edgar Allan Poe, Exhibitions, Grolier Club Library, History of Blockbooks, history of printing, History of Provenance, Jane Austen, Kelmscott Press, Manuscript studies, Otto Ege Fragments, Responsible Access to Collections, RGME Visits to Special Collections, Transformations & Renewals, William Morris
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2025 Spring Symposium: “Makers, Producers, and Collectors of Books”

March 12, 2025 in Conference, Conference Announcement, Event Registration, Manuscript Studies, RGME Symposia

2025 RGME Spring Symposium

“Makers, Producers,
and Collectors of Books:
From Author/Artist/Artisan
to Library”

Friday to Sunday, 28–30 March 2025

(Online by Zoom)

Part 1 of 2 in the Pair of
2025 Spring & Autumn Symposia
dedicated to “Agents and Agencies”

London, Welcome Collection, 45097i, image via Public Domain Mark https://wellcomecollection.org/works/g7kj7b2f/images?id=kkakxfdz

[Posted on 10 March 2025, with updates]

Following the extraordinary success of our 2024 Spring and Autumn Symposia, the central events during our 2024 Anniversary Year having the Theme of “Bridges”, we turn to our 2025 pair of symposia under this year’s Theme of “Thresholds and Communities”.

About the theme, see:

  • Episode 20. “At the Gate”
  • RGME Theme for 2025: “Thresholds and Communities”

2025 Spring and Autumn Symposia:
“Agents and Agencies”
Parts 1 and 2

For the plan for the pair, see:

  • 2025 Spring and Autumn Symposia “Agents and Agencies”

The 2025 Symposia explore the subject of Agents and Agencies regarding books.

As Part 1 of 2, the Spring Symposium (28–30 March 2025) addresses:

“Makers, Producers, and Collectors of Books:
From Author/Artist/Artisan to Library”

Friday to Sunday, 28–30 March 2025

As Part 2 of 2, the Autumn Symposium (17–19 October 2025) considers:

“Readers, Fakers, and Re-Creators of Books:
From Page to Marketplace and Beyond”

Friday to Sunday 17–19 October 2025

Making

Paris, Bibliothèque nationale de France. Bibliothèque de l’Arsenal, Ms-638 réserve, fol.17v. Image Public Domain via https://gallica.bnf.fr/ark:/12148/btv1b55008559f/f38.item.

For the two Symposia, we examine aspects of “Agents and Agencies” for books, mainly by human forces. These aspects can range from the processes whereby the initial inspiration comes to take shape on the pages of manuscripts or printed books, combining words as well as images (including the image of the words themselves). Once created, the books enter the world by various agents/agencies, then perhaps to experience or encounter additional ones which might transform them or re-create them decisively.

We propose to explore these factors, in multiple cases and approaches giving recognition to their variety, impact, and significance in the history of books as they pass through time to the present and beyond. Without being limited to a particular period, genre, or type of agent/agency, we might examine a wide range of phenomena, their challenges, and their delights.

RGME tradition produces illustrated Program Booklets for the Symposia, with participants’ abstracts and selected accompanying illustrations, to grant insider-glimpses for our audience (at the event and after) not necessarily familiar with the wide range of subjects and materials under discussion.  A recent example can be downloaded from the RGME website:

  • 2024 Autumn Symposium Booklet “At the Helm”

2025 Spring Symposium Poster 1

Posters

We offer posters for this event.

They are laid out in RGME Bembino, our own multi-lingual digital font. (See RGME Bembino.)

We circulate the printed version in both quarto (8 1/2″ × 11″) and larger size (11″×17″).

The poster can be downloaded in digital form. You are welcome to circulate them.

  • Spring Symposium Poster 1: Save-the-Date
  • Spring Symposium Poster 2: Announcement

2025 Spring Symposium Poster 2

Program

There are 7 Sessions. They will provide presentations, conversations, roundtable discussions, and the opportunity for interactive Q&A.

Program Overview

Edgar Allan Poe (1848) Daguerrotype taken by W.S. Hartshorn, Providence, Rhode Island, November, 1848. Public Domain via Wikimedia Commons.

Day 1. Friday 28 March 2025

Session 1
1:30 – 3:00 pm EDT (GMT-4)
“Books Come to Life, Part I: Authorship”

Break
3:00 to 3:30 pm EDT

Session 2.
3:30-5:00 pm EDT
“Books Come to Life, Part II: Artistry from the Creator’s Perspective”

Day 2. Saturday 29 March

Session 3
9:00-10:30 am EDT
“Life, Death, Afterlife, and Rebirth of Books”

Break
10:30 – 11:00 am

Session 4
11:00 am – 12:30 pm
“Picture This: Books into Being”

Lunch Break
12:30-1:30 pm

Session 5
1:30-3:00
“Books and Written Records as Repositories of Knowledge and Wonder”

Neuchâtel, Musée d’Art et d’Histoire de Neuchâtel, Les automates Jaquet-Droz Automata: The Writer. Photograph by Rama (2005), via the Creative Commons Attribution-Share Alike 2.0 France license.

Break
3:00-3:30 pm

Session 6
3:30-5:00 pm
Roundtable Discussion
“Agents and Agents: Processes, Products, and Inspiration”

Day 3. Sunday 30 March

Session 7
10:30 am – 12:00 noon
“Writing Materials as Agents and Agencies”

Concluding Remarks
“From Spring Forward to Autumn Back Again:
A Preview of Part 2 on “Agents and Agencies”

Detailed Program

For details, with speakers and titles, see the 8-page illustrated Program Booklet.

It is available in 2 versions, according with your preferences for printing and viewing.

1) As consecutive pages (8 1/2 by 11 in. sheets)

  • 2025 Spring Symposium: Program (Pages)

2) As a foldable booklet (11″ by 17″ sheets)

  • 2025 Spring Symposium: Program (Foldable Booklet)

Soon we will issue the 2025 Spring Symposium Booklet with Abstracts.

For registration for the symposium, see below.

Participants

Speakers, Panelists, and Presiders include (in alphabetical order):

Phillip Bernhardt–House (Independent Scholar)
Mildred Budny (Research Group on Manuscript Evidence)
Hannah Goeselt (RGME and Massachusetts Historical Society)
Justin Hastings (Independent Scholar)
Antony Henk (University of Bochum)
Michael Ian Hensley (University of Hamburg)
Eve Kahn (Independent Scholar)
Michael Allman Conrad (University of Saint-Gallen)
Richard Kopley (Penn State University DuBois Emeritus)
Laura Morreale (Independent Scholar)
Beppy Landrum Owen (Rollins College)
Jaclyn Reed (Independent Scholar)
Anna Siebach–Larsen (University of Rochester)
David W. Sorenson (Allen G. Berman, Numismatist)
Maro Vandorou (Visual Artist)
N. Kıvılcım Yavuz (University of Leeds)

Subjects range from antiquity to the present day, as represented by manuscripts, printed books, and other media.

Examples include (in proposed program order):

  • Richard Kopley‘s introduction to his ground-breaking new book, published in March:
    Edgar Allan Poe: A Life (University of Virginia Press, 2025)
  • Maro Vandorou, book-artist and visual artist, in conversation with Beppy Landrum Owen
    about her projects, from the gleam in the eye to the words gleaming on the page (see her website: Atelier Vandorou)
  • Justin Hastings‘ cumulative reflections on the contested authorship of
    “The Whitby Life of Gregory the Great“
  • Beppy Landrum Owen‘s haunting exploration of
    “Life After Life: Tales from the Making of the Icones Anatomicae”
  • Eve Kahn‘s continuing discoveries about the life and work of “The Irish American Imagemaker:
    Anna Frances Levins (1876-1941)”
  • Mildred Budny, “Last or Best Resort: When Authors Turn Publishers/Producers”
  • Michael Ian Hensley, “Sold and Traded, Dismembered and Hidden:
    The Many Fates of Medieval Ethiopian and Eritrean Libraries”
  • Laura Morreale on her Pop-Up Exhibition on the Riant Collection at the Houghton Library:
    The Crusades Come to Cambridge
  • Michael Allman Conrad, “Mechanized Inspiration from Raymond Lull to ChatGPT”
  • Hannah Goeselt, “Discoverability and the Pre-Modern Manuscripts of the Massachusetts Historical Society“
  • David W. Sorenson, “When Watermarks Tell Tall Tales:
    Watermarks in Exotic Destinations and Why They Can Be Unreliable”

Registration

To register for the Symposium, please visit the RGME Eventbrite Collection.

  • 2025 RGME Spring Symposium: Tickets

Advance registration for the Autumn Symposium (17–19 October 2025):

  • 2025 Autumn Symposium: Tickets

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  • Registration with Optional Donation: Voluntary donations for the RGME are welcome. Your donations , which may be tax-deductible, support our mission, work, and activities, for our Section 501(c)(3) nonprofit educational corporation endowed with few few resources, but powered mainly by volunteers and by your volunteer donations or contributions in kind.
  • See RGME Contributions and Donations
  • 2025 Annual Appeal

Images as Inspiration:
Agents and Agencies

As food for thought, we offer some images as reference points for the range of agents and agencies at work in the realms of books.

In the Study, Surrounded by Books

I. Evangelist as Scribe

Paris, Bibliothèque nationale de France. Bibliothèque de l’Arsenal, Ms-638 réserve, fol.17v. Evangelist Matthew as scribe. Book of Hours in Latin, 15th century. Image Public Domain via https://gallica.bnf.fr/ark:/12148/btv1b55008559f/f38.item.

Paris, Bibliothèque nationale de France. Bibliothèque de l’Arsenal, Ms-638 réserve, fol.17v. Book of Hours in Latin, 15th century. Saint Matthew writing at his desk accompanied by his symbol the angel, in an illustration above the text of Matthew 2:1-3 (stellam eius) enclosed within a border containing branches, foliage, flowers, and birds. Image via https://iiif.biblissima.fr/collections/manifest/0418e3c989d996266c02656f7390b8283b440ead

See also:

  • https://archivesetmanuscrits.bnf.fr/ark:/12148/cc79846r
  • https://gallica.bnf.fr/ark:/12148/btv1b55008559f/f38.item

II. Scholar/Practitioner/Alchemist as Scribe

In visual representations, the author or scribe seated at the task of writing may occupy a larger study than the previous illustration and have secular rather than divine assistants, as well as more and larger books. Such is the case in some early-modern views of an alchemist at work.

View 1

London, Welcome Collection, Painting by a follower of Thomas Wijck/Wyck (circa 1616 – 1677). Interior with an alchemist-type scholar seated at a large table and desk. Oil on canvas within frame. Wellcome Collection 45097i, image via Public Domain Mark https://wellcomecollection.org/works/g7kj7b2f/images?id=kkakxfdz

Note on the Image

London, Wellcome Collection. Oil on canvas within frame. Painting by a follower of Thomas Wijck/Wyck (circa 1616 – 1677). Interior with window and curtains at the left, drapery hanging at the top, and an alchemist-type scholar seated at work writing at a desk beside a central table piled with unrolled papers and large books opened and closed. Behind them is a globe; at the right another person sits at a table among chemical apparatus. In the foreground appear large books, a jar, and other apparatus. Given their size, central position, and the light shining upon them, the written materials on the table seem to be the principal subjects of attention.

Wellcome Collection 45097i, image via Public Domain Mark: https://wellcomecollection.org/works/g7kj7b2f/images?id=kkakxfdz .  See also: Interior with an alchemist seated at a table, writing.

View 2

London, Wellcome Collection 36093i. An alchemist peacefully writing in a room strewn with papers. Engraving by V.A.L. Texier after F. Giani after T. Wyck. Wellcome Collection. Source: Wellcome Collection; Public Domain Mark.

Note on the Image

London, Wellcome Collection, Victor André Louis Texier (1777–1864) after Felice Giani (1760–1823) after Thomas Wijck/Wyck (ca. 1616–1677). “An alchemist peacefully writing in a room strewn with papers (L’alchymiste en méditation) (n.d.).” .

Intaglio on paper. Wellcome Collection 36093i, image via Public Domain Mark
https://wellcomecollection.org/works/y873ctep/images?id=wsxqstpc

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The Series of RGME Symposia

  • RGME Symposia: The Various Series.
  • 2019 Anniversary Symposium Report: The Roads Taken
  • 2022 Spring and Autumn Symposia
    1. “Structures of Knowledge”
    2. “Supports for Knowledge” (Autumn)
  1. 2023 Spring and Autumn Symposia on “Materials and Access”
    1. 2023 Spring Symposium “From the Ground Up”
    2. 2023 Autumn Symposium “Between Earth and Sky”
  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut
  • 2024 Spring and Autumn Symposia on “Between Past and Future”
  1. 2024 Spring Symposium at Vassar College:
    “Between Past and Future:
    Building Bridges between Special Collections and Teaching for the Liberal Arts”
  2. 2024 Autumn Symposium
    “At the Helm: Spotlight on Special Collections as Teaching Events”

In 2024, the RGME Symposia returned to the in-person format with our 2024 Spring Symposium, having online participation as well, in hybrid form.

Now we welcome you to the 2025 Spring and Autumn Symposia on “Agents and Agencies”

More Information

Watch this space for more information as it unfolds. This site serves as the ‘Home Page’ for the Symposium. Here you can find updates.

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2025 RGME Events, with the Theme of “Thresholds and Communities”

Other Events are planned for the Year. See:

  • 2025 and 2026 Activities
  • 2025 Annual Appeal
  • “The Research Group Speaks”: The Series
  • 2025 International Congress on Medieval Studies: Program
  • 2025 International Medieval Congress at Leeds: Program

Suggestion Box

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We look forward to hearing from you.

*****

Neuchâtel, Musée d’Art et d’Histoire de Neuchâtel. Jaquet-Droz Automata: Draughtsman, Musician, and Writer. Photograph: Rama (2005) via Creative Commons Attribution-Share Alike 2.0 France.

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Tags: Agents and Agencies for Books, Anna Frances Levins, Atelier Vandorou, Book History, Booklists, ChatGPT, Edgar Allan Poe, Ethiopian Manuscripts, History of Paper, Icones Anatomar, Manuscript studies, Massachusetts Historical Society, Raymond Lull, RGME Spring Symposium, RGME Symposia, Riant Collection, Whitby Life of Gregory the Great
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