• News
    • News & Views
    • RGME Activities for 2024 and 2025
    • Around & About with the RGME
    • Reviews
    • Highlights
  • Blogs
    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
        • Abstracts of Papers Listed by Year
  • About
    • Mission
    • Who We Are
      • Officers, Associates & Volunteers
      • RGME Committees
      • Friends of the Research Group on Manuscript Evidence
    • Policies & Statements
      • RGME Privacy Policy Statement
      • RGME Intellectual Property Statement & Agreements
    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention (from 2016)
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
    • Contact Us
  • Bembino
    • Multi-Lingual Bembino
    • RGME Bembino: Resources
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention (2016-2019)
      • Abstracts of Papers for the M-MLA Convention
      • Panels at the M-MLA Convention (from 2016)
  • Events
    • RGME Activities for 2024 and 2025
      • 2023 Activities and 2024 Planned Activities
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
      • RGME Symposia: The Various Series
      • The Research Group Speaks: The Series
      • Meetings of the Friends of the Research Group on Manuscript Evidence
      • RGME Online Events
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
    • History and Design of Our Website
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
    • Scripts on Parade
    • Texts on Parade
      • Latin Documents & Cartularies
      • New Testament Leaves in Old Armenian
    • Posters on Display
    • Layout Designs
  • Donations and Contributions
    • RGME Donor Promise
    • 2023 End-of-Year Fundraiser for our 2024 Anniversary Year
    • 2019 Anniversary Appeal
    • Orders
  • Links
    • Catalogs, Metadata, and Databases: A Handlist of Links
    • Handlist of Resources for Manuscript Studies and Fragmentology
    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

  • News
    • News & Views
    • RGME Activities for 2024 and 2025
    • Around & About with the RGME
    • Reviews
    • Highlights
  • Blogs
    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
        • Abstracts of Papers Listed by Year
  • About
    • Mission
    • Who We Are
      • Officers, Associates & Volunteers
      • RGME Committees
      • Friends of the Research Group on Manuscript Evidence
    • Policies & Statements
      • RGME Privacy Policy Statement
      • RGME Intellectual Property Statement & Agreements
    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention (from 2016)
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
    • Contact Us
  • Bembino
    • Multi-Lingual Bembino
    • RGME Bembino: Resources
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention (2016-2019)
      • Abstracts of Papers for the M-MLA Convention
      • Panels at the M-MLA Convention (from 2016)
  • Events
    • RGME Activities for 2024 and 2025
      • 2023 Activities and 2024 Planned Activities
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
      • RGME Symposia: The Various Series
      • The Research Group Speaks: The Series
      • Meetings of the Friends of the Research Group on Manuscript Evidence
      • RGME Online Events
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
    • History and Design of Our Website
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
    • Scripts on Parade
    • Texts on Parade
      • Latin Documents & Cartularies
      • New Testament Leaves in Old Armenian
    • Posters on Display
    • Layout Designs
  • Donations and Contributions
    • RGME Donor Promise
    • 2023 End-of-Year Fundraiser for our 2024 Anniversary Year
    • 2019 Anniversary Appeal
    • Orders
  • Links
    • Catalogs, Metadata, and Databases: A Handlist of Links
    • Handlist of Resources for Manuscript Studies and Fragmentology
    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

Log in

Archives

Featured Posts

2027 International Congress on Medieval Studies: Call for Papers
Episode 27. “Catalog(u)ing Collections and Materials”
2026 International Medieval Congress at Leeds: Program
Sanskrit and Prakrit Manuscripts, Continued: More Leaves for Manuscript Sample XII
2026 International Congress on Medieval Studies: Program
Episode 24. “Life with Books” (Interview with John Windle)
Announcing the Launch of RGME Bembino WP
2026 RGME Colloquium at The Grolier Club: Report
Medieval Missal Fragment as Early-Modern Cover
The Weber Leaf from Ege MS 61
"Bembino" Booklet Cover
Episode 23. “Meet RGME Bembino: Facets of a Font”
2026 RGME Colloquium on “Transformations & Renewals” at The Grolier Club
2026 Theme of the Year: “Transformations and Renewals”
A Leaf with Patchwork from the Saint Albans Bible
A Sister Leaf from a Miniature Latin Vulgate Bible
A Little Latin Vulgate Bible Manuscript Leaf in Princeton
J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.
2026 Annual Appeal
Episode 22: “Encounters with Local Saints and Their Cults”
Private Collection, Ege's FBNC Portfolio, Dante Leaf, Verso, Detail. Reproduced by Permission.
2025 RGME Autumn Colloquium on Fragments
Workshop 8: A Hybrid Book where Medieval Music Meets Early-Modern Herbal
2025 RGME Autumn Symposium on “Readers, Fakers, and Re-Creators of Books”
RGME Workshops on “The Evidence of Manuscripts, Etc.”
Episode 21. “Learning How to Look”
2025 International Congress on Medieval Studies: Program
2025 RGME Visit to Vassar College
Two Leaves in the Book of Numbers from the Chudleigh Bible
Delibovi on Glassgold on Boethius: A Blogpost
Ronald Smeltzer on “Émilie du Châtelet, Woman of Science”
2025 Spring Symposium: “Makers, Producers, and Collectors of Books”
Starters’ Orders
The Weber Leaf from the Saint Albans Bible
Workshop 4. “Manuscript Fragments Compared”
Episode 20. “Comic Book Theory for Medievalists”
Episode 19: “At the Gate: Starting the Year 2025 at its Threshold”
Favorite Recipes for Lemonade, Etc.
RGME Visit to the Lomazow Collection: Report
2024 Autumn Symposium: “At the Helm”
A Latin Vulgate Leaf of the Book of Numbers
The RGME ‘Lending Library’
Florence, Italy, Ponte Vecchio from Ponte alle Grazie. Photo: Ingo Mehling, CC BY-SA 4.0 , via Wikimedia Commons
Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections”
Jesse Hurlbut at the Bonneville Salt Flats, Utah. Photograph Jesse Hurlbut.
Episode 16: An Interview with Jesse D. Hurlbut
Kalamazoo, MI Western Michigan University, Valley III from the side. Photograph: David W. Sorenson.
2024 International Congress on Medieval Studies: Report
2024 Spring Symposium at Vassar College
2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

You are browsing the Blog for history of printing

Episode 28. Preview of Medieval “Printing on Fabric”

August 26, 2026 in Announcements, Event Registration, Events, Interview, Manuscript Studies, Research Group Speaks (The Series)

Episode 28
Special Preview of an Exhibition

Medieval Materials:
“Printing on Fabric”
at the Newberry Library

with Suzanne Karr Schmidt

Saturday 19 September 2026
1:00–2:30 pm EST (GMT-5) by Zoom

[Posted on 26 August 2026, with updates]

Episode 28 of our online series “The Research Group Speaks” features an informal Conversation/Interview with Suzanne Karr Schmidt, George Amos Poole III Curator of Rare Books and Manuscripts at the Newberry Library, Chicago, Illinois.

Postcard view circa 1910 of the Newberry Library, Chicago. Image Public Domain via http://www.chicagopostcardmuseum.org/images/i_will/I_Will_149C_Newberry_Library_Chicago_F.png

Suzanne offers a medieval-focused preview for the exhibition of “Impressive Textiles: Printing on Fabric,” which opens at the Newberry on December 10. See:

  • Impressive Textiles: Printing on Fabric

Dec 10, 2026 – Apr 03, 2027
At the Newberry – Trienens Galleries

The scope, as described by the Newberry Library:

This exhibition takes a groundbreaking look at the little-known history of printing on fabric from the fifteenth century to the present. Some of the earliest examples were devotional images tied to the Catholic relics known as the Shroud of Turin and Veronica’s Veil. Traditionally interpreted as a metaphor for printmaking, these contact prints inspired countless fabric impressions.

Bayerisches Staatsbibliothek, Munich, Clm 5897

The objects gather artworks, books, broadsides, and maps produced and “prized as unique luxury editions of works normally printed on paper”. The substitution of fabrics for the customary paper involved great cost, often with the use of imported materials. “Impressive Textiles: Printing on Fabric also investigates the intentional choices of the printers and commissioners, some of whom were female, and shows how the origins of these lavish materials reflected the global world of the early modern textile economy.”

For our Episode, Suzanne will describe the origins of the earliest printmaking on fabric and how these extraordinary examples of devotional imagery and contact relics influenced the development of the plan for the exhibition and its global scope for a subject of worldwide interest.

The opportunity for Questions & Answers allows for feedback and discussion. The Episode will be recorded.

Another Opportunity for a Preview

Note that Suzanne will present a lecture on the subject of her exhibition in November for The Grolier Club, with
1) a book-signing for her catalogue and
2) the temporary display of printed textiles in the collection of The Grolier Club.

Lecture | Impressive Textiles: Premodern Printing on Fabric (hybrid)
With Suzanne Karr Schmidt

Tuesday, November 10 | 6:30 PM

The Grolier Club
47 East 60th Street
New York, New York 10022

First Floor Exhibition Gallery

This event is open to the public. For information and registration, see:

    • The Grolier Club

Special Focus on the Medieval for the RGME

We well remember that the idea for Episode 28 arose in conversation at The Grolier Club itself, in January 2026, when Suzanne and the RGME Director, Mildred Budny, met in person, after having worked together several years before on an online transcription project for students.

For our episode, Suzanne concentrates on the medieval background for the genre.

Information about the Episode (You Are Here)

  • https://manuscriptevidence.org/wpme/episode-28-preview-of-printing-on-fabric

Registration

See the RGME Eventbrite Collection and the Registration Portal for Episode 28

  • Episode 28. Preview of “Printing on Fabric”: Registration
  • Eventbrite Portal for RGME

Registration is free. After registration, the Zoom link will be sent to you by email a few days before the event by the RGME (not by Zoom or Eventbrite).

Voluntary Donations

We offer the option for Registration with a Voluntary Donation. Donations, which may be tax-deductible, help us to continue with our activities and sustain our mission for an organization principally powered by volunteers. Our 2026 Appeal offers cause for collective celebration.

  • 2026 Annual Appeal
  • Donations and Contributions

Future Events

  • https://manuscriptevidence.org/wpme/rgme-workshops-on-the-evidence-of-manuscripts-etc
  • https://manuscriptevidence.org/wpme/the-research-group-speaks-the-series/
  • https://manuscriptevidence.org/wpme/meetings-of-the-friends-of-the-research-group-on-manuscript–evidence/

Registration for RGME Events

  • Eventbrite Portal for RGME

Our 2026 Theme “Transformations and Renewals”

  • https://manuscriptevidence.org/wpme/2026-theme-of-the-year-transformations-and-renewals/

We look forward to welcoming you online at Episode 28 on Saturday 19th September 2026 and other events in the future!

Note on the Image

South German (Nuremberg?). Christ on the Cross with Five Saints and Two Angels Collecting the Blood, in Petride Crescentiis Libri Ruralium Commodorum, Burghausen, 1444, hand-colored woodcut on linen pasted into the manuscript, Bayerisches Staatsbibliothek, Munich, Clm 5897

 

Tags: history of printing, history of textiles, The Research Group Speaks
No Comments »

Medieval Missal Fragment as Early-Modern Cover

February 28, 2026 in History of Printing, Manuscript Studies, Photographic Exhibition, Reports, Research Group Workshops, Reused Binding Fragments, Workshops on "The Evidence of Manuscripts"

A Medieval Missal Fragment
in Latin on Vellum
Reused
as the Early-Modern Binding Cover
for Erasmus Reinhold,
Prutenicae Tabulae (1585)

Mildred Budny

Reinhold (1585), Front Cover. Collector’s Photograph.

[Posted 25 February 2026, with updates]

In a Private Collection, we learn of an early-modern printed book on paper which reuses a medieval vellum binding fragment as cover for the card covers of its binding. Gladly we offer some first fruits of examining this evidence, in the process of work-in-progress process to learn about the original manuscript, the identity of its genre of book, its context, its reuse, and its fate within the printed book which ensured its survival, at least as a partial witness, to its former, intended, state.

With permission, we share the owner’s photographs of the ‘beginning, middle, and end’ of this specimen, or the ‘front, back, and side’.

I. The Printed Book

We introduce:

  • Erasmus Reinholdus, Prutenicae Tabulae Coelestium Motvem (Wittenberg, 1585)

Opening the book reveals the title page facing an originally blank page containing multiple entries, mostly in ink, in hand-written additions by different hands. Principal among them is the full-page single-column entry relating to the book and its context.

About the book itself, the work of the astronomer Erasmus Reinhold (1511–1553), a summary appears on Wikipedia (currently):

The Prutenic Tables (Latin: Tabulae prutenicae from Prutenia meaning “Prussia“, German: Prutenische oder Preußische Tafeln), were an ephemeris (astronomical tables) by the astronomer Erasmus Reinhold published in 1551 (reprinted in 1562, 1571 & 1585). They are sometimes called the Prussian Tables after Albert I, Duke of Prussia, who supported Reinhold and financed the printing. Reinhold calculated this new set of astronomical tables based on Nicolaus Copernicus‘ De revolutionibus orbium coelestium, the epochal exposition of Copernican heliocentrism published in 1543. Throughout his explanatory canons, Reinhold used as his paradigm the position of Saturn at the birth of the Duke, on 17 May 1490. With these tables, Reinhold intended to replace the Alfonsine Tables; he added redundant tables to his new tables so that compilers of almanacs familiar with the older Alfonsine Tables could perform all the steps in an analogous manner.

— Prutenic Tables

The first edition was printed in Tübingen in 1551 (see the copy for sale via Swann Galleries and an online digital facsimile of another copy via Google Books).

The edition under our consideration appeared in 1585. It was printed in Wittenburg by Matthaeus Welack (see another copy: via Swann Galleries or Swann Galleries).

At the front of the copy, the first verso (the pastedown on the inside front cover) carries a page of annotations in ink and pencil, facing the title page. At the top and bottom of the margins on both pages there gather some sellers’ or owners’ marks, codes, or notations: for example, 1R, N27, F858, 454, apparently to identify the item, such as within one or other individual collection. We note that some of these marks are crossed out or erased. A full-page single-column entry on the pastedown closes with the date ‘1632’, approaching a half-century after the printing of the book.

Reinhold (1585), Opening to Title Page. Collector’s Photograph.

Title Page

Reinhold (1585), Title Page. Collector’s Photograph.

II. The Reused Manuscript Fragment

The reused vellum fragment reveals its characteristics only partly, because the presentation as the covering of the boards of a binding for another set of contents turns one side of the vellum sheet to the back, hidden from view. As it is presented on the front cover, spine, back-cover, and turn-ins of the boards, we might glimpse parts of two columns of text on each of two pages on a single bifolium, plus some of the margins, including the intercolumns, inner columns, and original gutter.

On the cover, the text of the reused sheet stands upright with relation to the printed book. Let us start with the Front Cover of the Printed Book, move to the Spine, and turn to the Back Cover. However, be it noted, taking the original text in columns reading from left to right on a page, let us observe that the reused sheet constitutes a pair of leaves, for which the text starts with the ‘verso’ of the first leaf of the bifolium on the back cover, turns to the portion overlying spine of the volume, and moves to the ‘recto’ of the second leaf on the front cover.

Front Cover of the Printed Copy:
Side 1 of the Reused Manuscript Fragment

Here, with added ties to close the printed book, appears part of a 2-column page of text written in ink, with enlarged 2-line inset initials rendered alternately in blue or red pigment, rubrication written in red pigment for headings, and added strokes of red pigment to mark and highlight in minor text initials within the columns. Red lines set out the rulings for the lines and columns of text.

Reinhold (1585), Front Cover. Collector’s Photograph.

Spine

Reinhold (1585), Spine. Collector’s Photograph.

Back Cover
Side 2 of the Reused Manuscript Fragment

Reinhold (1585), Back Cover. Collector’s Photograph

Details

Back (Middle): Column B, Inner Margins, Gutter, and Initial of Column A

Reinhold (1585), Back Cover, Midsection. Collector’s Photograph

Front (Middle)

Reinhold (1585), Front Cover, Middle. Collector’s Photograph

*****

The Medieval Fragment

The RGME offers to the Private Collector and the wider world a preluminary report on “The Reinhold Missal Fragment.” It is available freely for download on our website.

With thanks to our Research Consultant, Leslie J. French, its preliminary findings can be summarized thus:

The two visible pages are consistent with a Roman Missal containing texts near the end of the Temporale.  Another extant missal containing exactly the sequences on these pages has not been located, so it is not yet possible to determine for which Use the original might have been constructed.  The following texts have been identified and matched against missal entries in the Usuarium database (https://usuarium.elte.hu/).

See the report:

  • Reinhold Missal Fragment

******

Would you like to join the quest to discover more about the original manuscript, and if possible to identify its producers, place of origin, and audience? Please let us know.

*********

 

 

 

Tags: Erasmus Reinhold, history of printing, Medieval Latin Missals, Medieval Manuscript Fragments, Prutenicae Tabulae Coelestium Motvem, Reused Binding Fragments
No Comments »

2026 RGME Colloquium at The Grolier Club: Report

February 27, 2026 in Announcements, Bembino, Friends of the Research Group on Manuscript Evience, Manuscript Studies, Theme of the Year, Visits to Collections

Report

2026 RGME Colloquium
at The Grolier Club

“Transformations and Renewals”
Examining and Celebrating
Treasures of the Grolier Club Library

Wednesday 11 February 2026
Hybrid, in Two Events:
Workshop
+
Roundtable

[Posted on 18 February 2026, with updates, now including a link to a Recording of the Roundtable]

New York, New York. Front entrance of The Grolier Club. Photo courtesy of The Grolier Club.

We celebrate the successful accomplishment of the 2026 RGME Colloquium at The Grolier Club of the City of New York on Wednesday 11 February. We give thanks to Jamie Elizabeth Cumby, Grolier Club Librarian who offered to give the Workshop which set the plan in motion, the contributors, the staff of the Grolier Club, RGME advisers, and members of the RGME Production Team supporting both the hybrid and in-person aspects of the pair of events.

The events comprised two parts:

1) “Show-Off-and-Tell” Workshop in the upstairs Council Room

2) “Transformations and Renewals” Roundtable with Lightning Talks, open to the public, in the downstairs Exhibition Hall.

For a description and the Program, please see:

  • 2026 RGME Colloquium at The Grolier Club

Here we celebrate the Colloquium, describe its characteristics as accomplished, and, with permission, share some photographs. For their photographs inside the Club, we credit and thank the photographers: Mildred Budny, Hannah Goeselt, Justin Hastings, and Beppy Landrum Owen.

Entering The Grolier Club (11 February 2026). Photograph by Hannah Goeselt.

The Nature of the Event

This first hybrid event for the RGME in the Year 2026 — for which we have chosen the Theme of “Transformations and Renewals” for exploration across our activities and projects — brought the RGME to The Grolier Club of the City of New York, in central Manhattan, for a curated set of hybrid events on Wednesday 11 February 2026. In keeping with the RGME’s dedication to accessibility for events reaching a wider audience, these events were designed to be available both in person and online.

We gathered a generous team of specialists, collectors, and curators of books — all Grolier Club Members and mostly RGME Associates— to examine, reflect on, and celebrate selected treasures of the Grolier Club Library. On offer: reports and conversations about research discoveries, work-in-progress, and the joys of experiencing the materials directly and also sharing their stories.

Speakers and/or Panelists

Participants offered comments and/or lightning talks. Speakers made comments at the afternoon workshop over original materials, and Panelists gave lightning talks at the early-evening roundtable:

  • Jamie Elizabeth Cumby (Grolier Club Librarian)
    “ ‘Show-Off-and Tell’: A Curated Selection from the Grolier Club Library”
  • Beppy Landrum Owen (also Oral History Project: Beppy Landrum Owen)
    “ ‘That skull had a tongue in it, and could sing once. . .’
    Lost Stories of the Making of the Bremer Presse’s 1934 (but 1935) Vesalian Icones anatomicae”
  • John T. McQuillen (Morgan Library & Museum, Associate Curator of Printed Books & Bindings)
    “Blockbooks Dismembered”
    Note:
    Watch for the coming exhibition at the Morgan later this year:

    “Late Medieval European Blockbooks: The First Printed Picture Books” (6 November 2026 to 16 May 2027)
  • Mildred Budny (Director of the Research Group on Manuscript Evidence)
    “A Medieval Missal Fragment from the Otto F. Ege Collection and its Provenance”
    Note:
    “Break-Up Books and Make-Up Books: Encountering and Reconstituting the Legacy of Otto F. Ege and Other Bibliocasts” (See 2025 RGME Autumn Colloquium on Fragments)
  • Reid Byers (Reid Byers, Author)
    “Secrets in Secrets in Secrets”
    Note:
    Reid Byers, Imaginary Books: Lost, Unfinished, and Fictive Works Found Only in Other Books (Oak Knoll Press and Le Club Fortsas, 2024)
  • Richard Kopley (Distinguished Professor of English, Emeritus, Penn State DuBois, and Author)
    “William Gowans, New York Bookman and Poe Family Boarder”
    Note:
    Richard Kopley, Edgar Allan Poe: A Life (2024)
  • Mark Samuels Lasner (Mark Samuels Lasner)
    “A Gift from William Morris to the Grolier Club”
    Note:
    Wilhelm Meinhold, Sidona the Sorceress (Kelmscott Press, 1893), translated by “Francesca Speranza” / Jane Francesca Agnes Wilde, Lady Wilde—a novel drawn from the life of the Pomeranian noblewoman Sidonia von Borcke (1548–1620), accused of witchcraft and executed.
  • Mary Crawford (Co-Curator, current exhibition at the Grolier Club; Bio)
    “From ‘By a Lady’ to Global Superstar: Curating 250 Years of Jane Austen”
    Note:
    Grolier Club Exhibition. “Paper Jane” (to 14 February 2026)
    Online exhibition. Exhibition Gallery
    Online curators’ tour. Tour of Paper Jane
    Catalogue. Catalogue

Presider/Moderator for Roundtable

  • Anna Siebach–Larson

Book-Signings at Roundtable for Grolier Authors’ Publications

  • Reid Byers, Mary Crawford, Richard Kopley, and Mark Samuels Lasner

Beppy Landrum Owen prepares for her comments at the Workshop and Lightning Talk for the Roundtable. Photograph by Mildred Budny.

I. The “Transformations and Renewals” Roundtable
in the Grolier Club Exhibition Hall
(Hybrid, Live-Streamed)
6:00 to 7:30 pm
EST (GMT-4)

Open to the public both in-person and online
Book-signings available

Overview

Friends of the Research Group on Manuscript Evidence, a Princeton-based 501(c)(3) educational organization, visited the Grolier Club for an in-person/hybrid ‘Roundtable’. In lightning talks, several Club members discussed a curated selection of books, manuscripts, and prints on the RGME’s 2026 organizational theme of “Transformations and Renewals. Open to the public, this event offered offer book-signings for Club member guides who recently published works discussed.

Panelists for the Roundtable: Mildred Budny, Beppy Landrum Owen, John T. McQuillen, Reid Byers, Richard Kopley, Mark Samuels Lasner, and Mary Crawford
Presider: Anna Siebach–Larsen

The Panelists prepare

After the Workshop (see below), our panelists gathered for the “Transformations and Renewals” Roundtable with Lightning Talks in the ground-floor Exhibition Hall.

Here we see, at the front, beneath the display screen, and between the display cases for the current exhibition, the panelists take their seats in speaking order, from right to left.

2026 RGME-Grolier Colloquium Roundtable: Left-Hand Side with Podium. Photograph by Hannah Goeselt.

The RGME Executive Director introduces the Panel

2026 RGME-Grolier Colloquium Roundtable: Right-Hand Side with Podium. Photograph by Hannah Goeselt.

The Roundtable Presider introduces the Panelists

Anna Siebach-Larsen presides over the Roundtable. Photograph/Screenshot by Justin Hastings.

II. The “Show-Off-and-Tell” Workshop
in the Grolier Club Council Room
(Hybrid, Zoom Meeting)
2:30 to 4:30 pm
EST (GMT-4)

Open to the public online;
In-person seats limited, for Grolier Members and invited RGME Guests

Overview

As a prelude to the Roundtable on “Transformations and Renewals”, Friends of the Research Group on Manuscript Evidence and Grolier Club Members had a hybrid “Show-Off-and-Tell’ Workshop to examine, up close, the original materials (as book, manuscript, print) to be discussed further at the evening Roundtable in lightning talks. The curated selections comprised favorites from the Grolier Club Library which have given rise to detailed study and discoveries for them and their contexts.

Like our pair of hybrid workshops recently over original manuscript and printed materials in Special Collections at the Princeton University Library, held by our Associate Eric White at the 2025 RGME Colloquium on Fragments (see below), this hybrid workshop took place over original materials at the Grolier Club, guided by the Librarian Jamie Cumby (see also Jamie Cumby).

We shared experiences of delight and wonder, to celebrate the joys of learning from original materials at the Club and their relatives in other collections, especially in combination, to learn more about the rich range of the Grolier Club Library, and to give thanks for responsible access to it and for its curators. Open to the public online and to an invited audience in person (limited seating), this event was designed to be accessible widely by interactive Zoom Meeting.

Speakers (in order of presentation):
Jamie Elizabeth Cumby, Beppy Landrum Owen, John T. McQuillen, Mildred Budny, Reid Byers, Richard Kopley, and Mark Samuels Lasner

Setting the stage

Reid Byers prepares for the RGME Workshop in the Council Room. Photograph by Beppy Landrum Owen.

Preparing the Projection

Setting up the projection and internet connection for the Workshop and its audiences both onsite and online. Photograph by Hannah Goeselt.

Describing the genre, challenges, and accomplishments of BlockBooks

John T. McQuillen describes characteristics of BlockBooks. Photograph by Hannah Goeselt.

The Table Laid for Display of Original Materials

Original Materials from The Grolier Club Library, laid out for display and examination. Photograph by Hannah Goeselt.

Checking details

Mark Samuels Lasner examines a Favorite Book for the RGME Workshop in the Council Room. Photograph by Beppy Landrum Owen.

Closer Looks

Mark Samuels Lasner and Jamie Elizabeth Cumby examine materials for the RGME Workshop in the Council Room. Photograph by Beppy Landrum Owen.

The Long View as the Table is Set

Participation at the RGME Workshop in the Council Room. Photograph by Beppy Landrum Owen.

Comparing Notes

Conversations following the RGME Workshop in the Council Room. Photograph by Beppy Landrum Owen.

Hybrid Access

Conforming with our two organizations’ shared commitments to hybrid access for events which take place in person, the two parts of the Colloquium were granted hybrid functionality to reach our wider audiences.

Taking into account the policies, practices, and arrangements in place for hybrid access

1) to public events at The Grolier Club and
2) for the RGME’s visits to Special Collections (since 2024),

both sponsoring organizations agreed to share the responsibilities for such access by covering one each of the two different rooms to be used for the Colloquium. Accordingly,

  • The Grolier Club provided hybrid access for the Roundtable through its Eventbrite registration and YouTube live-streaming, for which recordings become available on its YouTube channel.
  • The RGME provided hybrid access for the Workshop through our RGME Eventbrite registration and RGME Zoom Meeting.

For the Workshop, we took care to bring exactly the same RGME Production Team, to operate in-person and online, that had worked so well together for the widely-admired pair of Workshops held (in two sittings) in Special Collections at Princeton last November for the 2025 RGME Autumn Colloquium on Fragments. For this new venue for a hybrid RGME visit to original materials, we arranged to bring additional, event-specific, equipment following the technical rehearsal in January for the Workshop.

Background and Foreground:
An Approach with Grounding

The plan for hybrid access by the RGME for the Workshop at The Grolier Club was grounded on our experiences, techniques, and teamwork (on-site and online) as has been developed and honed for our series of In-Person Visits to Special Collections. These visits have progressed from collection to collection, both private and institutional, by using equipment on site and in our mobile travelling kit, adapting from venue to venue, as the approach and implementation improves resourcefully. So far:

  • RGME Visit to the Collection of Steven Lomazow, M.D., in affiliation with the Student Friends of Princeton University Library, in November 2024 (with an updated, hybrid, visit to the Collection by our Director in January 2026)
  • RGME Meeting in association with the Princeton Bibliophiles & Collectors for a Guided Tour of selected highlights from the Collection of Ronald K. Smeltzer (brought to the Princeton Public Library for an illustrated talk by Ronald Smeltzer on Émilie du Châtelet, Woman of Science) in April 2025
  • 2025 RGME Visit to Vassar College, to examine manuscript materials at the Frances Lehman Loeb Art Center and Special Collections of the Vassar College Library, in May 2025
  • RGME Visit to Special Collections at Princeton University Library, in association with the Friends of Princeton University Library, to examine a curated selection of “Fragments at Princeton” in Workshops in two sittings led by our Associate Eric White, as part of our 3-day hybrid 2025 RGME Autumn Colloquium on Fragments in November 2025
  • and now the guided Workshop, led by the Grolier Club librarian and accompanied by selections and comments by Grolier Members and RGME Associates, for the 2026 RGME Colloquium at The Grolier Club in February 2026

Poster 3 for 2025 Autumn Colloquium. Workshops on “Fragments at Princeton”

In pursuing this generous goal for hybrid events, the RGME has striven to improve its methods, techniques, and travelling ‘kit,’ albeit with limited resources, as it continues to hold visits and other events at selected locations. Likewise it takes care to listen to feedback, suggestions, and requests by both in-person and online attendees, and respond as resourcefully as possible, as it works to grow its abilities for the purpose. Thus we thank our hosts, participants, and audiences, to learn and improve together, so as to offer a worthwhile experience of engagement as best might be.

Sometimes the process encounters circumstances beyond our control, despite careful, informed, and resourceful preparations. Such was the case for some parts of the plan here. (See Hybridities and Curiosities).

We commend all those in the Grolier Club and those members of the RGME Production Team who helped consistently before, during, and after the event, to shape the collaborative hybrid process and foster its collective experience, with the aim of  a good, shared outcome.

Event Publications

The Recordings for both the Workshop and the Roundtable count as publications (or publications in progress) hosted respectively by the Grolier Club (Roundtable) and RGME (Workshop).

The RGME publications for the event, both digital and printed, including our website’s announcement and report (you are here), are set in RGME Bembino. The Posters, Program Booklet, and Colloquium Booklet can be downloaded freely as pdfs.

Program

The 4-page Program Booklet for both the afternoon Workshop and early-evening Roundtable

2026 RGME-Grolier Colloquium Poster 1. Set in RGME Bembino.

  • 2026 RGME Colloquium at the Grolier Club: Program

Posters

Both Posters for this bipartite event can be downloaded:

  • 2026 RGME Colloquium at the Grolier Club: Poster 1
  • 2026 RGME Colloquium at the Grolier Club: Poster 2

Colloquium Booklet

The 64-page illustrated Colloquium Booklet offers a guide and souvenir for the event. You may download it here, in two formats according with your printing and viewing preferences.

  • 2026 RGME Colloquium Booklet: Pages (as a series of individual pages on 8 1/2″ × 11″ sheets)
  • 2026 RGME Colloquium Booklet: Foldable Booklet (laid out for printing on 11″ × 17″ sheets, ready for folding)

The Grolier Club, View of Exhibition “Paper Jane” (to 14 February 2025). Image: Grolier Club.

*******

Recording of the Roundtable

Follow this link for the Grolier Club’s Recording for the February 11 livestream of “Transformations and Renewals: The RGME and the Treasures of the Grolier Club Library.” 
  • Transformations and Renewals: The RGME and the Treasures of the Grolier Club Library.”
Please note that the automated captions demonstrate some misrepresentations, such as by misspellings. We look forward to a corrected version, if possible.
We thank the Grolier Club for making this recording and making it available on the Club’s Vimeo account for wider access.

*******************

2026 RGME-Grolier Colloquium Poster 2. Set in RGME Bembino.

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

Join Us!

Learn about the RGME, its mission, and its activities

  • Who Are We?

Register for our Events

  • RGME Eventbrite Collection

Visit our Social Media

  • our FaceBook Page (or Facebook Page)
  • our Facebook Group
  • our X/Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Instagram Page
  • our LinkedIn Group

Join the Friends of the RGME

There is no charge to join our Friends. All are welcome. The Friends hold special meetings, competitions with prizes, and other activities, recognizing the wide range of interests among our audience, scholarly and more.

  • Friends of the RGME
  • Meetings of the Friends of the RGME

Register for our Events

  • RGME Eventbrite Collection

Donations and Contributions

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2026 Annual Appeal

We look forward to welcoming you to the special visit to the Grolier Club, whether you can attend in person or online!

 

Front of The Grolier Club. Photograph (4 April 2008) [cropped] by participant/team W. C. Minor as part of the Commons:Wikipedia Takes Manhattan project, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license, via https://commons.wikimedia.org/wiki/File:Grolier_Club.jpg.

Tags: Access to Collections, Blockbooks, Curated Workshops, Giving Thanks, Grolier Club Library, Grolier Club Members, history of printing, manuscript fragments, Manuscript studies, RGME Visits to Collections, The Grolier Club
No Comments »

Announcing the Launch of RGME Bembino WP

February 16, 2026 in Announcements, Bembino, Design, Events, Manuscript Studies, Research Group Speaks (The Series)

“Announcing the Launch
of RGME Bembino WP:

A High-Quality Font
for Word-Processing”

Launch Date: 25 March 2026

[Posted on 14 February 2026 with updates]

The full, 16-file, professional, level of our digital font RGME Bembino has been available for a while, with several updates in response to requests for more languages or features.  We are thrilled to announce the launch of BembinoWP, a 4-file subset bringing our font to the Mac and Windows Word-processing Communities at large (by request).

BembinoWP has been circulating in a provisional version over recent months, for review, feedback. and corrections. Now we launch it more widely, for all to try out and use.

Find it here:

  • Bembino WP for Word-Processing

This release enables the font to reach desk-top publishers and report-writers using widely-available text-processing tools including Microsoft Word and PowerPoint. The BembinoWP variant offers a migration path to the full version of the font for higher-quality typesetting through professional tools such as Adobe InDesign or Quark.

Watch for its official Launch on 25 March 2026. This date marks the anniversary of the very first printed text set in Bembino: a “Happy Birthday” greeting for our Director.

For the launch, the RGME offers some occasions where you could meet the font, hear from its maker and users, and join the Q&A.

Set in RGME Bembino

Read the rest of this entry →

Tags: Bembino Digital Font, history of printing, Launch Announcement, RGME Publications, The Research Group Speaks
No Comments »

2026 RGME Colloquium on “Transformations & Renewals” at The Grolier Club

January 27, 2026 in Announcements, Event Registration, Events, Friends of the Research Group on Manuscript Evience, Manuscript Studies, Visits to Collections

2026 RGME Colloquium
at The Grolier Club

“Transformations and Renewals”
Examining and Celebrating
Treasures of the Grolier Club Library

Wednesday 11 February 2026 (Hybrid, in Two Events)
Workshop + Roundtable

[Posted on 15 January 2026, with updates
Now see also the
2026 RGME Colloquium at The Grolier Club: Report]

Front Entrance of The Grolier Club. Photograph (4 April 2008) [cropped] by participant/team W. C. Minor as part of the Commons:Wikipedia Takes Manhattan project, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license., via https://commons.wikimedia.org/wiki/File:Grolier_Club.jpg.

For the Year 2026, the Research Group on Manuscript Evidence chooses the Theme of “Transformations and Renewals” for exploration across its activities and projects.

Our first hybrid event of the year brings the RGME to The Grolier Club of the City of New York, in central Manhattan, for a curated set of hybrid events on Wednesday 11 February 2026. In keeping with the RGME’s dedication to accessibility for events reaching a wider audience, these events will be available both in person and online. For registration for the different events and functionalities (in person or online), see below.

With registration beforehand (see below), the day’s events comprise:

  • a “Show-Off-and-Tell” Workshop in the afternoon
    2:30–4:30 pm EST (GMT-4)

    1) online open to the public
    2) in person privately with limited seating, open for Grolier Club Members and RGME invited guests
  • a “Transformations and Renewals” Roundtable in the early evening
    6:00–7:30 pm EST
    open to the public

    1) online and
    2) in person

We gather a team of specialists, collectors, and curators of books — all Grolier Club Members and mostly RGME Associates— to examine, reflect on, and celebrate selected treasures of the Grolier Club Library. On offer: reports and conversations about research discoveries, work-in-progress, and the joys of experiencing the materials directly and also sharing their stories. Join us!

2024 Beletsky logo of the Grolier Club of the City of New York.

Program

For information about the scope of the event, its Participants, its two parts as Workshop and Roundtable, and Registration for each part, see below. Both parts are hybrid, through the RGME for the Workshop and through the Grolier Club for the Roundtable.

The Program for both the afternoon Workshop and early-evening Roundtable can now be downloaded as a 4-page

2026 RGME-Grolier Colloquium Poster 1. Set in RGME Bembino.

Program Booklet, set in RGME Bembino.

  • 2026 RGME Colloquium at the Grolier Club: Program

Posters

Both Posters for this bipartite event can be downloaded:

  • 2026 RGME Colloquium at the Grolier Club: Poster 1
  • 2026 RGME Colloquium at the Grolier Club: Poster 2

Colloquium Booklet

We offer the 64-page illustrated Colloquium Booklet as a guide and souvenir for the event. You may download it here, in two formats according with your printing and viewing preferences.

  • 2026 RGME Colloquium Booklet: Pages (as a series of individual pages on 8 1/2″ × 11″ sheets)
  • 2026 RGME Colloquium Booklet: Foldable Booklet (laid out for printing on 11″ × 17″ sheets, ready for folding)

Speakers and Panelists

Speakers with comments at the afternoon workshop over original materials and/or with lightning talks at the early-evening roundtable:

  • Jamie Elizabeth Cumby (Grolier Club Librarian)
    “ ‘Show-Off-and Tell’: A Curated Selection from the Grolier Club Library”
  • Beppy Landrum Owen (also Oral History Project: Beppy Landrum Owen)
    “ ‘That skull had a tongue in it, and could sing once. . .’
    Lost Stories of the Making of the Bremer Presse’s 1934 (but 1935) Vesalian Icones anatomicae”
  • John T. McQuillen (Morgan Library & Museum, Associate Curator of Printed Books & Bindings)
    “Blockbooks Dismembered”
    Note:
    Watch for the coming exhibition at the Morgan later this year:

    “Late Medieval European Blockbooks: The First Printed Picture Books” (6 November 2026 to 16 May 2027)
  • Mildred Budny (Director of the Research Group on Manuscript Evidence)
    “A Medieval Missal Fragment from the Otto F. Ege Collection and its Provenance”
    Note:
    “Break-Up Books and Make-Up Books: Encountering and Reconstituting the Legacy of Otto F. Ege and Other Bibliocasts” (See 2025 RGME Autumn Colloquium on Fragments)
  • Reid Byers (Reid Byers, Author)
    “Secrets in Secrets in Secrets”
    Note:
    Reid Byers, Imaginary Books: Lost, Unfinished, and Fictive Works Found Only in Other Books (Oak Knoll Press and Le Club Fortsas, 2024)
  • Richard Kopley (Distinguished Professor of English, Emeritus, Penn State DuBois, and Author)
    “William Gowans, New York Bookman and Poe Family Boarder”
    Note:
    Richard Kopley, Edgar Allan Poe: A Life (2024)
  • Mark Samuels Lasner (Mark Samuels Lasner)
    “A Gift from William Morris to the Grolier Club”
    Note:
    Wilhelm Meinhold, Sidona the Sorceress (Kelmscott Press, 1893), translated by “Francesca Speranza” / Jane Francesca Agnes Wilde, Lady Wilde—a novel drawn from the life of the Pomeranian noblewoman Sidonia von Borcke (1548–1620), accused of witchcraft and executed.
  • Mary Crawford (Co-Curator, current exhibition at the Grolier Club; Bio)
    “From ‘By a Lady’ to Global Superstar: Curating 250 Years of Jane Austen”
    Note:
    Grolier Club Exhibition. “Paper Jane” (to 14 February 2026)
    Online exhibition. Exhibition Gallery
    Online curators’ tour. Tour of Paper Jane
    Catalogue. Catalogue

Presider/Moderator for Roundtable

  • Anna Siebach–Larson

Book-Signings at Roundtable for Grolier Authors’ Publications

  • Reid Byers, Mary Crawford, Richard Kopley, and Mark Samuels Lasner

 

We look forward to welcoming you!

The Grolier Club, View of Exhibition “Paper Jane” (to 14 February 2025). Image: Grolier Club.

Registration for the 2 Hybrid Events

We give information for
I. the evening Roundtable first,
II. then the afternoon Workshop.

I. Hybrid Roundtable in the Grolier Club Exhibition Hall
6:00 to 7:30 pm
EST (GMT-4)

Open to the public both in-person and online
Book-signings available

Registration through the Grolier Club

  • Grolier Club: Eventbrite

Overview

With Mildred Budny, Beppy Landrum Owen, John T. McQuillen, Reid Byers, Richard Kopley, Mark Samuels Lasner, and Mary Crawford

Friends of the Research Group on Manuscript Evidence, a Princeton-based 501(c)(3) educational organization, will visit the Grolier Club for an in-person/hybrid ‘Roundtable’. In lightning talks, several Club members will discuss a curated selection of books, manuscripts, and prints on the RGME’s 2026 organizational theme of “Transformations and Renewals. Open to the public, this event will be live-streamed and will offer book-signings for Club member guides who have recently published works discussed.

Registration for the Roundtable
Virtual or In-Person Attendance

Public roundtable on “Transformations and Renewals” at 6:00-7:30 pm EST (GMT-4)
[although the registration portal lists the time as “6:00-7:00”]
All are welcome to attend in both functionalities.

1) Virtual
“Transformations and Renewals” Roundtable (Virtual)

2) In-Person
“Transformations and Renewals” Roundtable (In-Person)

2026 RGME-Grolier Colloquium Poster 2. Set in RGME Bembino.

II. Hybrid “Show-Off-and-Tell” Workshop upstairs
preceding the Roundtable
2:30 to 4:30 pm EST (GMT-4)
with Break at 3:15–3:30 pm

Open to the public online;
In-person seats limited, for Grolier Members and invited RGME Guests

Registration through the RGME

  • RGME Eventbrite Collection

Overview

As a prelude to the Roundtable on “Transformations and Renewals”, Friends of the Research Group on Manuscript Evidence and Grolier Club Members will have a hybrid “Show-Off-and-Tell’ Workshop to examine, up close, the original materials (as book, manuscript, print) to be discussed further at the evening Roundtable in lightning talks. The curated selections comprise favorites from the Grolier Club Library which have given rise to detailed study and discoveries for them and their contexts.

Like our pair of hybrid workshops recently over original manuscript and printed materials in Special Collections at the Princeton University Library, held by our Associate Eric White at the 2025 RGME Colloquium on Fragments, this hybrid workshop will take place over original materials at the Grolier Club, guided by the Librarian Jamie Cumby (see also Jamie Cumby).

We gather to share experiences of delight and wonder, to celebrate the joys of learning from original materials at the Club and their relatives in other collections, especially in combination, to learn more about the rich range of the Grolier Club Library, and to give thanks for responsible access to it and for its curators. Open to the public online and to an invited audience in person (limited seating), this event will be accessible widely by interactive Zoom Meeting.

Speakers (in order of presentation):
Jamie Elizabeth Cumby, Beppy Landrum Owen, John T. McQuillen, Mildred Budny, Reid Byers, Richard Kopley, and Mark Samuels Lasner

Registration for the “Show-Off-and-Tell” Workshop
Virtual or In-Person Attendance

Hybrid Workshop at 2:30-4:30 pm EST (GMT-4)
All are welcome to attend online; space is limited in person.

1) ONLINE (Open to the public)

    • Workshop Online: Registration
      Note that, after you register, the RGME will send you the Zoom Link a day or so before the event. For security, the Zoom Link will be sent to you by the RGME, and NOT Eventbrite or Zoom.

2) IN-PERSON (Space is limited, by invitation)

    • “Show-Off-and-Tell” Workshop IN PERSON for Speakers, Grolier Members, and Invited Guests: Registration
      In case of demand, we offer a Waiting List.

Willhelm Meinhold, Sidona the Sourceress (Kelmscott Press, 1893), Opening of Book I, Chapter 1, “Of the Education of Sidonia”. Photograph courtesy of Mark Samuels Lasner.

*******************

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

Join Us!

Learn about the RGME, its mission, and its activities

  • Who Are We?

Visit our Social Media:

  • our FaceBook Page (or Facebook Page)
  • our Facebook Group
  • our X/Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Instagram Page
  • our LinkedIn Group

Join the Friends of the RGME. (There is no charge.) All are welcome. The Friends hold special meetings, competitions with prizes, and other activities, recognizing the wide range of interests among our audience, scholarly and more.

Donations and Contributions

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2026 Annual Appeal

We look forward to welcoming you to the special visit to the Grolier Club, whether you can attend in person or online!

 

Front of The Grolier Club. Photograph (4 April 2008) [cropped] by participant/team W. C. Minor as part of the Commons:Wikipedia Takes Manhattan project, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license, via https://commons.wikimedia.org/wiki/File:Grolier_Club.jpg.

Tags: Edgar Allan Poe, Exhibitions, Grolier Club Library, History of Blockbooks, history of printing, History of Provenance, Jane Austen, Kelmscott Press, Manuscript studies, Otto Ege Fragments, Responsible Access to Collections, RGME Visits to Special Collections, Transformations & Renewals, William Morris
No Comments »

2025 RGME Autumn Colloquium Program Detailed

November 6, 2025 in Announcements, Conference, Conference Announcement, RGME Colloquia

Detailed Program

2025 RGME Autumn Colloquium
of the Research Group on Manuscript Evidence

“Break-Up Books and Make-Up Books:
Encountering and Reconstructing
the Legacy of Otto F. Ege
and Other Biblioclasts”

Friday – Sunday, 21-23 November 2025
In Person, Hybrid, or Online by Zoom

Program: 1) Overview and 2) Detailed View

I. Program Overview

Program Overview itself is available also here:

  • 2025 RGME Autumn Colloquium on Fragments: Program Overview

Day 1. Friday 17 October. 9:00 am – 5:00 pm EST (GMT-5)
— NOTE TWO DIFFERENT VENUES FOR FRIDAY Morning and Afternoon —

Morning Sessions at Green Hall (accessibility information). 9:00 am – 12:00 pm
Washington Road, Princeton, New Jersey 08542

Lunch Break. 12:00–1:00 pm

Afternoon Workshops with original materials at Special Collections, Firestone Library
(accessibility information)

Choose 1 of 2 (space is limited for in-person attendance)
2 Sittings:

1) Workshop 1. 1:30–3:00 pm (arrive at Firestone Library at 1:15 pm)
2) Workshop 2. 3:30–5:00 pm (arrive at Firestone Library at 3:15 pm)

Day 2. Saturday 18 October. 9:00 am – 5:00 pm

All-day Sessions at Nassau Presbyterian Church
(see also Nassau Presbyterian Church)
61 Nassau Street, Princeton, 08542
Accessibility information.

(Note: The original portion of the present building was designed and built by Charles Steadman and dedicated in 1836.)

Day 3. Sunday 19 October at 10:30am – 12:00am

Morning Sessions online. 10:30 am – 12:00 pm

Registration

Note: If accessing the registration link by laptop or computer does not connect through to select your choice of category, please access the link through your phone. For questions, please contact:

  • director@manuscriptevidence.org or rgmesocial@gmail.com

Choices

1) ONLINE (Friday to Sunday)

    • 2025 Autumn Colloquium: Online Attendance Tickets

2) IN PERSON (Friday and Saturday)

    • 2025 RGME Colloquium IN PERSON: Tickets

3) IN PERSON WORKSHOPS 1 and 2 at Special Collections (Friday afternoon)
(Space IN PERSON is limited; the Workshops are also available ONLINE)
Choose 1. Registration is required.

    • Workshop 1 (1:30 to 3:00 pm EST=GMT-5), First Sitting
      Workshop 1 IN PERSON: Tickets
    • Workshop 2 (3:30-5:00 pm EST), Second Sitting
      Workshop 2 IN PERSON: Tickets

4) Optional Dinner (at attendees’ expense) at a local restauraut

    • Friday 21 November (7:00–9:30 pm)
      and/or
    • Saturday 22 November (7:00–9:30 pm)
    • https://www.eventbrite.com/e/2025-rgme-colloquium-optional-dinner-friday-andor-saturday-tickets-1919146451699

Colloquium Booklet

The 64-page Colloquium Booklet, with abstracts and illustrations, will be available soon. When ready, it will be downloadable as a pdf in two formats:

  • Colloquium Booklet as consecutive pages (quarto-size 8 1/2″ × 11″ sheets)
  • Colloquium Booklet as foldable booklet (11″ × 17″ sheets)

For information and updates see the Colloquium HomePage

  • 2025 RGME Autumn Colloquium on Fragments

Read the rest of this entry →

Tags: Biblioclasts, history of printing, Manuscript studies, Medieval manuscripts, Otto F. Ege
No Comments »

Workshop 8: A Hybrid Book where Medieval Music Meets Early-Modern Herbal

October 11, 2025 in Announcements, Early-Printed Books, Event Registration, Manuscript Studies, Research Group Workshops, Workshops on "The Evidence of Manuscripts"

RGME Workshops
on
“The Evidence of Manuscripts, Etc.”

Workshop 8
“Face the Music, or,
Where Manuscript Meets Print
in a Hybrid Book:

An Early-Modern German Astrological Herbal
with a Reused Binding Fragment
from a Medieval Musical Manuscript”

Sunday 26 October 2025
Online by Zoom

[Posted on 15 September 2025, with updates)

Our series of Workshops on “The Evidence of Manuscripts, Etc.” continues with an exploration of a hybrid book for Workshop 8.

The Hybrid Book

This workshop will examine a puzzling vellum fragment (or is it a set of patchwork fragments?) in a private collection. The fragment(s) come(s) from a single musical manuscript in Latin on vellum laid out in double columns with text and notation on 4-line staves. The reused medieval material forms the outer covering of a 17th-century printed book in German on laid paper.

Private Collection, Front Cover with Reused Medieval Musical Fragment on Vellum. Photograph by Mildred Budny.

The Musical Fragment and its ‘Find-Place’

For the musical fragment, we will work to decipher the visible parts of the text and music, identify the readings/lections and chants, and, if possible (given the fragmentary nature), determine the probable genre of original manuscript, such as lectionary, breviary, antiphonary, or missal. Perhaps, over time, we might find other survivors from the same despoiled medieval manuscript.

Narrowing down its possible origin—or location in the early 17th century or later when it came to be reused as a binding cover–might aid the quest to determine the circumstances of its reuse and whence other parts of it might have been disseminated, whether as reused binding materials or otherwise.

For the workshop, we will examine the features of the printed book. It includes multiple woodcut illustrations and occasional marginalia in forms of annotations demonstrating attention of several kinds to the contents of the herbal.

What brought this medieval musical fragment and early modern printed book together? Even if we might never know all the answers, won’t it be fun to question how and why? There is a story here.

We love the puzzles, and give thanks to the collector for lending the book to the RGME for study and teaching and for sharing it with our audience in this workshop and beyond.

Information

People who be participating at the workshop to offer observations, reflections, and suggestions about the composite volume include (in alphabetical order):

Phillip Bernhardt–House

Mildred Budny

Natalia Fay

Leslie French (represented by a report on the musical manuscript fragment)

Beppy Landrum Owen

David Porreca

David W. Sorenson (with some specimens of herbals mentioning astrological influences)

And others.

At our 2024 Spring Symposium at Vassar College, Natalia delightfully described her work for her exhibition on herbals then on display in the Art Library. She shares the poster and brochure for the exhibition with us, as she returns to our events in this workshop to report on her continuing interests in plants, books, manuscripts, and their transmission.

  • Natalia Fay, Botanicals Thesis Poster
  • Natalia Fay, Arcane Botanicals Program

The Manuscript Fragments

The visible portions of the manuscript appear, with only one side facing and the other side hidden, on the outer sides of the front and back covers, spine, and fore-edges of the binding.

Their text and music on four-line staves stand upright on the volume. Written in Gothic script, the parallel lines of music and text have some elements in red and blue pigments. There are ten lines on the front cover and on the spine, but the back cover has an additional line of music at the bottom, amounting to 10 1/2 lines on this portion. Each portion of the fragment shows a single column, or part of one. At the right on the back cover, the right-hand side of the fragment extends beyond the column with an expanse of outer margin from its original extent.

Sections open with 2-line initials which span the full height of the paired lines of music-and-text, for which the staves separate their horizontal course. One initial comprises a blue capital I (front cover, line 7). Three band-like initials comprise decorative forms in black ink with a vertical twist at the left-hand side; red pigment fills the centers of their twists (front cover, lines 2 and 6; back cover, line 2).

1. Front Cover

Private Collection, Front Cover with Reused Medieval Musical Fragment on Vellum. Photograph by Mildred Budny.

2. Back Cover

Private Collection. Musical Manuscript Fragment, Back Cover with ruler.

Spine

Private Collection. Hybrid book with Musical Manuscript Fragment, Spine View.

The Printed Book

The printed text comprises the German Kreutterbuch (“Book of Herbs”), an astrological herbal, by Bartholomaeus Carrichter (1510–1574), in an early edition printed in Strasbourg in Alsace in 1606. The author, who wrote under the pseudonym of Philomusus Anonymus, was physician to Ferdinand I (1503–1564), Holy Roman Emperor from 1556, and his son Maximilian II, Holy Roman Emperor from 1564 to 1576. The first edition of his Kreutterbuch was printed in Strasbourg in 1517 by Chistian Muller. For later editions, the physician, poet, and alchemist Michael Toxites (1515–1581), whose birth-name was Johann Michael Schütz, added some material to Carrichter’s work and edited it.

One of various versions of the illustrated genre by different authors (see, for example the Kreutterbuch desz Hocgelehrten und Weitberuhmten Herrn D. Petri Andreae Matthioli . . . ), this book combines information about plants, use, and lore with astrological considerations.

Title Page

A catalogue description of the volume characteristically derives from information on the title page:

Philomusus Anonymous [Bartholomaeus Carrichter (1510–1574)], Horn des Heyls menschlicher Blödigkeit, oder Kreütterbuch, darinn die Kreütter des Teutschenlands auss dem Liecht der Natur nach rechter Art der himmelischen Einfliessungen beschriben / durch Philomusum Anonymum [Bartholomäus Carrichter], with a foreword by Michael Toxites, born Johann Michael Schütz (1514–1581), (Strassbourg: Anton Bertram, DCVI/1606).

An inscription in light black ink at the foot of the title page gives the initials “G. S.” Perhaps they refer to an owner.

Private Collection, Kreutterbuch, title page. Photograph by Mildred Budny.

For the first edition of 1576, printed in Straßburg, see an online digital facsimile of a copy in Augsburg, Staats- und Stadtbibliothek. For an edition of 1619 also printed by A. Bertram, see the copy in the Wellcome Collection.

Like the 1619 edition, this folio volume has 10 unnumbered pages, 180 numbered pages, and 5 unnumbered leaves, with a woodcut title page and outline illustrations. Interspersed within the columns of text, the book has 58 outline illustrations depicting the herbs which it describes. For example, borage (Borago officinalis) or starflower:

Private Collection, Carrichter’s Kreutterbuch (Strasbourg, 1604). Borage. Photography by Mildred Budny.

Up close:

Private Collection, Carrichter’s Kreutterbuch (Strasbourg, 1604). Borage. Photography by Mildred Budny.

For comparison: Borage ‘In The Wild’

Borago officinalis. Photograph by By Christian Orlandi (12 April 2025) – Own work, CC BY-SA 4.0. Image via Wikimedia Commons via https://commons.wikimedia.org/wiki/File:Borago_officinalis_(2025).jpg.

Some marginal annotations in brown ink amplify or comment upon passages.

Private Collection, Carrichter’s Kreutterbuch (Strasbourg, 1604). Textual opening with marginal Annotations. Photography by Mildred Budny.

*****

Registration for the Workshop

We invite you to join the quest.

  • https://www.eventbrite.com/e/workshop-8-a-hybrid-book-with-astrological-herbal-and-medieval-missal-tickets-1340074201009

*****

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

Visit our Social Media:

  • Leave your comments or questions below
  • Contact Us

Visit our Social Media:

  • our Facebook Page
  • our Facebook Group
  • our X/Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Instagram Page
  • our LinkedIn Group

Join the Friends of the RGME.

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2025 Annual Appeal

*************

Tags: astrological herbals, Bartholomaeus Carrichter, Early modern printing, history of herbals, history of printing, Kreutterbuch, manuscript fragments, Manuscript Fragments Reused in Bindings, Manuscript studies, medieval musical manuscripts, Michael Toxites
No Comments »

Episode 23. “Meet RGME Bembino: Facets of a Font”

September 1, 2025 in Bembino, Book, Design, Event Registration, Manuscript Studies, Research Group Episodes for The Research Group Speaks, Research Group Speaks (The Series)

“The Research Group Speaks”
Episode 23

“Meet RGME Bembino:
Facets of a Font”
A Conversation

Saturday 21 February 2026
1:00–2:30 pm EST (GMT-5) by Zoom

[Posted on 31 August 2025, with updates]

As the series wherein “The Research Group Speaks” unfolds, we respond to suggestions and requests. For information about the series, please see:

  • “The Research Group Speaks”: The Series

The Plan

Join us for an informal conversation with the RGME Font-Designer, the RGME Director, an author, a graphic designer, and others who use our copyright multi-faceted multi-lingual digital font Bembino for scholarly or literary work, quality book-layout, and everyday use.

Years in the making, and responsive to requests (such as recently for Elvish),  Bembino is freely available for use whether commercial or non-commercial. It is FREE for download on our RGME website. It continues to develop, and we welcome feedback.

Meet the Font

For our Episode, we gather experts to report on their experience with the font, its use, its abilities, and its beauty.

  • Leslie J. French (see the Interview with our Font and Layout Designer)
  • Mildred Budny (Mildred Budny: Her Page)
  • Reid Byers, author of Imaginary Books (Oak Knoll Press, 2024) — the first full-length book to be set in RGME Bembino
  • Matthew Young, designer of Reid Byer’s book and exhibition catalogue of Imaginary Books

Reid Byers, Imaginary Books (set in RGME Bembino)

  • Reid Byers, Imaginary Books: Lost, Unfinished, and Fictive Works Found Only in Other Books”

Front Cover: Imaginary Books by Reid Byers (Oak Knoll Press, 2024), via https://reidbyers.com/?page_id=147; see https://www.oakknoll.com/pages/books/141071.

Poster announcing Bembino Version 1.6 (January 2019)

Information

  • Bembino
  • Multi-Lingual Bembino
  • Runes for Bembino
  • More Fonts for Bembino: Devanāgarī (Hindi) and Tibetan (High-Uchen Script)
  • Bembino WP for Word
  • Bembino: Handlist of Resources

Registration

  • Episode 23. Meet RGME Bembino: Registration
Cover page for 'Multi-Lingual Bembino' demonstrating specimens from a wide range of languages typeset in Bembino

Multi-Lingual Bembino Booklet Cover

Flyer

Downloadable as a 1-page pdf here:

  • Episode 23. RGME Bembino: Flyer

Episode 23. RGME Bembino: Poster, Set in RGME Bembino.

About the Font Bembino

  • Bembino (https://manuscriptevidence.org/wpme/bembino)
  • Multi-Lingual Bembino (https://manuscriptevidence.org/wpme/multi-lingual-bembino)
  • Bembino WP for Word (https://manuscriptevidence.org/wpme/bembino-wp-for-word/)
  • Bembino: Handlist of Resources (https://manuscriptevidence.org/wpme/rgme-bembino-resources/)

Permission for Use

Note that RGME Bembino is FREE.
The copyright for the Bembino font programs belongs to the RGME, which grants an automatic free license for use in typeset publications, including both scholarly and commercial material.

It Tracks

Keep track of the series as it unfolds:

  • “The Research Group Speaks”: The Series

We welcome suggestions and requests.

*****

Tags: Bembino WP for Word, digital fonts, Font Design, graphic design, History of Design, history of printing, Imaginary Books, Multi-Lingual Bembino, RGME Bembino, The Research Group Speaks
No Comments »

2025 RGME Autumn Colloquium on Fragments

June 27, 2025 in Announcements, Koller-Collins Center for English Studies, Manuscript Studies, Princeton Bibliophiles & Collectors, Rossell Hope Robbins Library at the University of Rochester, Visits to Collections

2025 RGME Autumn Colloquium
on Fragments

“Break-Up Books
and Make-Up Books:

Encountering and Reconstructing
the Legacy of Otto F. Ege
and Other Biblioclasts
“

Friday to Sunday 21–23 November 2025
Hybrid and partly Online
Hybrid: In Person at Princeton and Online (Friday and Saturday)
Online: Zoom (Sunday)

*****

Colloquium Sponsors, Co-Sponsors, and Affiliates

Research Group on Manuscript Evidence

Princeton University Special Collections
The Friends of the Princeton University Library
Student Friends of the Princeton University Library
Princeton Bibliophiles & Collectors
Department of Art & Archaeology, Princeton University

Rossell Hope Robbins Library
and Koller-Collins Center for English Studies
at the University of Rochester

Bibliographical Society of America

Celia M. Chazelle
Barbara Hanselman
Barbara A. Shailor

[Your Name Here]

*****

[First posted on 5 January 2025, with updates. Now revised on 20 June 2025, 20 August 2025, 5 September 2025, and 29 October 2025, with changes in plan, co-sponsorship, host, and venues.]

Venue: In-Person, Hybrid, and Online

After an imposed change in venue from our initial plans, the Colloquium goes forward in online format, as planned from the beginning, with an in-person/hybrid component.  Its dates remain the same, from Friday to Sunday 21–23 November. The changes allow us to turn to a new host, for which we give thanks. For the earlier version, see

  • https://manuscriptevidence.org/wpme/2025-rgme-autumn-colloquium-at-the-university-of-waterloo/.

Online sessions will take place on Friday to Sunday. Sessions and Workshops will be hybrid on Friday and Saturday, with venues in different locations at Princeton University and nearby.

On Friday afternoon, our Associate Eric White, Curator of Rare Books, will hold a special set of Workshops on Fragments at Princeton in Special Collections at Firestone Library of the Princeton University Library. These workshops and reports on original materials return to a tradition of the RGME with Symposia and other events at Princeton University, before the Covid Pandemic. For example:

  • 2014 Seminar on Manuscripts and Their Photographs
  • 2019 Anniversary Symposium Program
  • 2020 Spring Symposium: Save the Date

For the 2025 Colloquium, searching for an appropriate location for other parts of the Colloquium beside the Workshops at Special Collections on the Friday afternoon, we explored collaboration with colleagues and organizations for other venues in Princeton to enable a Friday morning session and the Saturday sessions, all in hybrid format. Step by step, with assistance from the Friends of the Princeton University Library and the Department of Art & Archaeology, which had co-sponsored many of our Symposia before the Covid Pandemic. We give thanks for the generous responses to foster the plan for a ‘home’ for this Colloquium.

In such a way, people who travel to Princeton for the Friday workshops and related celebrations might also participate in other in-person sessions on both Friday and Saturday, leaving one session on Sunday to take place in online format only. With this news, some participants and attendees prepared to come to Princeton for the event IN PERSON.

With help of many kinds, we are able to report a collaborative event worthy of the initial plan to which many participants responded so enthusiastically (albeit for a different host which changed its mind). Reviving and transforming the plan has, we hope, been worthy of the complex, multi-faceted subject of fragments which reaches widely into very many aspects of manuscript and related studies, the history of collecting, and the recovery and transmission of written sources from the past. For this collaboration, we give thanks.

Read the rest of this entry →

Tags: Biblioclasts, Biblioclasts' Portfolios, Early modern printing, Fragmentology, History of Music, history of printing, manuscript fragments, Manuscript Fragments Reused in Bindings, Manuscript studies, Medieval manuscripts, Medieval Music Manuscripts, Otto F. Ege, Scrapbooks and Albums
No Comments »

The Curious Printing History of ‘La Science de l’Arpenteur’

December 1, 2021 in Manuscript Studies, Research Group Speaks (The Series), Uncategorized

The Research Group Speaks
Episode 5

The Curious, Possibly Unique, Printing History
of Editions (1766–1813)
of La Science de l’Arpenteur
by Dupain de Montesson

Ronald K. Smeltzer

Dupain de Montesson, Le spectacle de la campagne and La science de l’arpenteur (1777), First Title-page, Vignette. Ronald K. Smeltzer Collection. Photograph Ronald K. Smeltzer, reproduced by permission.

[Posted on 1 December 2021, with updates]

For Episode 5 in our series (23 January 2022), Ronald K. Smeltzer (Ronald K. Smeltzer, Ph.D.) examines a telling case of multiple editions, issued with variations in printing methods, of an eighteenth-century treatise in French on methods of surveying.  The technique of surveying has a long and venerable tradition, with a varied series of books on the subject from late-antiquity onward.

The Plan

Direct, detailed examination of the editions, all in octavo format, of La science de l’arpenteur by Louis Charles Dupain de Montesson reveals multiple changes and adaptations that illuminate its extraordinary printing history.  Early editions were printed all engraved including signatures of the leaves.  Some of the later changes to the text and to the book design were a direct result of the French Revolution.  Assembling examples of all the known editions has taken twenty years.  The process attests to the value of direct inspection.  This presentation describes the results.

Read the rest of this entry →

Tags: Dupain de Montesson, French Revolution, history of printing, History of surveying, Intaglio printing, La science de l'arpenteur, Le spectacle de la campagne, Letterpress Printing, The Research Group Speaks
No Comments »

« Older Entries
  • Top
©2024 Research Group on Manuscript Evidence.


is proudly powered by WordPress. WordPress Themes X2 developed by ThemeKraft.