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        • 2019 Anniversary Symposium Registration
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        • The Illustrated Catalogue (1997)
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2025 Spring Symposium: “Makers, Producers, and Collectors of Books”

March 12, 2025 in Conference, Conference Announcement, Event Registration, Manuscript Studies, RGME Symposia

2025 RGME Spring Symposium

“Makers, Producers,
and Collectors of Books:
From Author/Artist/Artisan
to Library”

Friday to Sunday, 28–30 March 2025

(Online by Zoom)

Part 1 of 2 in the Pair of
2025 Spring & Autumn Symposia
dedicated to “Agents and Agencies”

London, Welcome Collection, 45097i, image via Public Domain Mark https://wellcomecollection.org/works/g7kj7b2f/images?id=kkakxfdz

[Posted on 10 March 2025, with updates]

Following the extraordinary success of our 2024 Spring and Autumn Symposia, the central events during our 2024 Anniversary Year having the Theme of “Bridges”, we turn to our 2025 pair of symposia under this year’s Theme of “Thresholds and Communities”.

About the theme, see:

  • Episode 20. “At the Gate”
  • RGME Theme for 2025: “Thresholds and Communities”

2025 Spring and Autumn Symposia:
“Agents and Agencies”
Parts 1 and 2

For the plan for the pair, see:

  • 2025 Spring and Autumn Symposia “Agents and Agencies”

The 2025 Symposia explore the subject of Agents and Agencies regarding books.

As Part 1 of 2, the Spring Symposium (28–30 March 2025) addresses:

“Makers, Producers, and Collectors of Books:
From Author/Artist/Artisan to Library”

Friday to Sunday, 28–30 March 2025

As Part 2 of 2, the Autumn Symposium (17–19 October 2025) considers:

“Readers, Fakers, and Re-Creators of Books:
From Page to Marketplace and Beyond”

Friday to Sunday 17–19 October 2025

Making

Paris, Bibliothèque nationale de France. Bibliothèque de l’Arsenal, Ms-638 réserve, fol.17v. Image Public Domain via https://gallica.bnf.fr/ark:/12148/btv1b55008559f/f38.item.

For the two Symposia, we examine aspects of “Agents and Agencies” for books, mainly by human forces. These aspects can range from the processes whereby the initial inspiration comes to take shape on the pages of manuscripts or printed books, combining words as well as images (including the image of the words themselves). Once created, the books enter the world by various agents/agencies, then perhaps to experience or encounter additional ones which might transform them or re-create them decisively.

We propose to explore these factors, in multiple cases and approaches giving recognition to their variety, impact, and significance in the history of books as they pass through time to the present and beyond. Without being limited to a particular period, genre, or type of agent/agency, we might examine a wide range of phenomena, their challenges, and their delights.

RGME tradition produces illustrated Program Booklets for the Symposia, with participants’ abstracts and selected accompanying illustrations, to grant insider-glimpses for our audience (at the event and after) not necessarily familiar with the wide range of subjects and materials under discussion.  A recent example can be downloaded from the RGME website:

  • 2024 Autumn Symposium Booklet “At the Helm”

2025 Spring Symposium Poster 1

Posters

We offer posters for this event.

They are laid out in RGME Bembino, our own multi-lingual digital font. (See RGME Bembino.)

We circulate the printed version in both quarto (8 1/2″ × 11″) and larger size (11″×17″).

The poster can be downloaded in digital form. You are welcome to circulate them.

  • Spring Symposium Poster 1: Save-the-Date
  • Spring Symposium Poster 2: Announcement

2025 Spring Symposium Poster 2

Program

There are 7 Sessions. They will provide presentations, conversations, roundtable discussions, and the opportunity for interactive Q&A.

Program Overview

Edgar Allan Poe (1848) Daguerrotype taken by W.S. Hartshorn, Providence, Rhode Island, November, 1848. Public Domain via Wikimedia Commons.

Day 1. Friday 28 March 2025

Session 1
1:30 – 3:00 pm EDT (GMT-4)
“Books Come to Life, Part I: Authorship”

Break
3:00 to 3:30 pm EDT

Session 2.
3:30-5:00 pm EDT
“Books Come to Life, Part II: Artistry from the Creator’s Perspective”

Day 2. Saturday 29 March

Session 3
9:00-10:30 am EDT
“Life, Death, Afterlife, and Rebirth of Books”

Break
10:30 – 11:00 am

Session 4
11:00 am – 12:30 pm
“Picture This: Books into Being”

Lunch Break
12:30-1:30 pm

Session 5
1:30-3:00
“Books and Written Records as Repositories of Knowledge and Wonder”

Neuchâtel, Musée d’Art et d’Histoire de Neuchâtel, Les automates Jaquet-Droz Automata: The Writer. Photograph by Rama (2005), via the Creative Commons Attribution-Share Alike 2.0 France license.

Break
3:00-3:30 pm

Session 6
3:30-5:00 pm
Roundtable Discussion
“Agents and Agents: Processes, Products, and Inspiration”

Day 3. Sunday 30 March

Session 7
10:30 am – 12:00 noon
“Writing Materials as Agents and Agencies”

Concluding Remarks
“From Spring Forward to Autumn Back Again:
A Preview of Part 2 on “Agents and Agencies”

Detailed Program

For details, with speakers and titles, see the 8-page illustrated Program Booklet.

It is available in 2 versions, according with your preferences for printing and viewing.

1) As consecutive pages (8 1/2 by 11 in. sheets)

  • 2025 Spring Symposium: Program (Pages)

2) As a foldable booklet (11″ by 17″ sheets)

  • 2025 Spring Symposium: Program (Foldable Booklet)

Soon we will issue the 2025 Spring Symposium Booklet with Abstracts.

For registration for the symposium, see below.

Participants

Speakers, Panelists, and Presiders include (in alphabetical order):

Phillip Bernhardt–House (Independent Scholar)
Mildred Budny (Research Group on Manuscript Evidence)
Hannah Goeselt (RGME and Massachusetts Historical Society)
Justin Hastings (Independent Scholar)
Antony Henk (University of Bochum)
Michael Ian Hensley (University of Hamburg)
Eve Kahn (Independent Scholar)
Michael Allman Conrad (University of Saint-Gallen)
Richard Kopley (Penn State University DuBois Emeritus)
Laura Morreale (Independent Scholar)
Beppy Landrum Owen (Rollins College)
Jaclyn Reed (Independent Scholar)
Anna Siebach–Larsen (University of Rochester)
David W. Sorenson (Allen G. Berman, Numismatist)
Maro Vandorou (Visual Artist)
N. Kıvılcım Yavuz (University of Leeds)

Subjects range from antiquity to the present day, as represented by manuscripts, printed books, and other media.

Examples include (in proposed program order):

  • Richard Kopley‘s introduction to his ground-breaking new book, published in March:
    Edgar Allan Poe: A Life (University of Virginia Press, 2025)
  • Maro Vandorou, book-artist and visual artist, in conversation with Beppy Landrum Owen
    about her projects, from the gleam in the eye to the words gleaming on the page (see her website: Atelier Vandorou)
  • Justin Hastings‘ cumulative reflections on the contested authorship of
    “The Whitby Life of Gregory the Great“
  • Beppy Landrum Owen‘s haunting exploration of
    “Life After Life: Tales from the Making of the Icones Anatomicae”
  • Eve Kahn‘s continuing discoveries about the life and work of “The Irish American Imagemaker:
    Anna Frances Levins (1876-1941)”
  • Mildred Budny, “Last or Best Resort: When Authors Turn Publishers/Producers”
  • Michael Ian Hensley, “Sold and Traded, Dismembered and Hidden:
    The Many Fates of Medieval Ethiopian and Eritrean Libraries”
  • Laura Morreale on her Pop-Up Exhibition on the Riant Collection at the Houghton Library:
    The Crusades Come to Cambridge
  • Michael Allman Conrad, “Mechanized Inspiration from Raymond Lull to ChatGPT”
  • Hannah Goeselt, “Discoverability and the Pre-Modern Manuscripts of the Massachusetts Historical Society“
  • David W. Sorenson, “When Watermarks Tell Tall Tales:
    Watermarks in Exotic Destinations and Why They Can Be Unreliable”

Registration

To register for the Symposium, please visit the RGME Eventbrite Collection.

  • 2025 RGME Spring Symposium: Tickets

Advance registration for the Autumn Symposium (17–19 October 2025):

  • 2025 Autumn Symposium: Tickets

Optional Donation

  • Registration with Optional Donation: Voluntary donations for the RGME are welcome. Your donations , which may be tax-deductible, support our mission, work, and activities, for our Section 501(c)(3) nonprofit educational corporation endowed with few few resources, but powered mainly by volunteers and by your volunteer donations or contributions in kind.
  • See RGME Contributions and Donations
  • 2025 Annual Appeal

Images as Inspiration:
Agents and Agencies

As food for thought, we offer some images as reference points for the range of agents and agencies at work in the realms of books.

In the Study, Surrounded by Books

I. Evangelist as Scribe

Paris, Bibliothèque nationale de France. Bibliothèque de l’Arsenal, Ms-638 réserve, fol.17v. Evangelist Matthew as scribe. Book of Hours in Latin, 15th century. Image Public Domain via https://gallica.bnf.fr/ark:/12148/btv1b55008559f/f38.item.

Paris, Bibliothèque nationale de France. Bibliothèque de l’Arsenal, Ms-638 réserve, fol.17v. Book of Hours in Latin, 15th century. Saint Matthew writing at his desk accompanied by his symbol the angel, in an illustration above the text of Matthew 2:1-3 (stellam eius) enclosed within a border containing branches, foliage, flowers, and birds. Image via https://iiif.biblissima.fr/collections/manifest/0418e3c989d996266c02656f7390b8283b440ead

See also:

  • https://archivesetmanuscrits.bnf.fr/ark:/12148/cc79846r
  • https://gallica.bnf.fr/ark:/12148/btv1b55008559f/f38.item

II. Scholar/Practitioner/Alchemist as Scribe

In visual representations, the author or scribe seated at the task of writing may occupy a larger study than the previous illustration and have secular rather than divine assistants, as well as more and larger books. Such is the case in some early-modern views of an alchemist at work.

View 1

London, Welcome Collection, Painting by a follower of Thomas Wijck/Wyck (circa 1616 – 1677). Interior with an alchemist-type scholar seated at a large table and desk. Oil on canvas within frame. Wellcome Collection 45097i, image via Public Domain Mark https://wellcomecollection.org/works/g7kj7b2f/images?id=kkakxfdz

Note on the Image

London, Wellcome Collection. Oil on canvas within frame. Painting by a follower of Thomas Wijck/Wyck (circa 1616 – 1677). Interior with window and curtains at the left, drapery hanging at the top, and an alchemist-type scholar seated at work writing at a desk beside a central table piled with unrolled papers and large books opened and closed. Behind them is a globe; at the right another person sits at a table among chemical apparatus. In the foreground appear large books, a jar, and other apparatus. Given their size, central position, and the light shining upon them, the written materials on the table seem to be the principal subjects of attention.

Wellcome Collection 45097i, image via Public Domain Mark: https://wellcomecollection.org/works/g7kj7b2f/images?id=kkakxfdz .  See also: Interior with an alchemist seated at a table, writing.

View 2

London, Wellcome Collection 36093i. An alchemist peacefully writing in a room strewn with papers. Engraving by V.A.L. Texier after F. Giani after T. Wyck. Wellcome Collection. Source: Wellcome Collection; Public Domain Mark.

Note on the Image

London, Wellcome Collection, Victor André Louis Texier (1777–1864) after Felice Giani (1760–1823) after Thomas Wijck/Wyck (ca. 1616–1677). “An alchemist peacefully writing in a room strewn with papers (L’alchymiste en méditation) (n.d.).” .

Intaglio on paper. Wellcome Collection 36093i, image via Public Domain Mark
https://wellcomecollection.org/works/y873ctep/images?id=wsxqstpc

**********

The Series of RGME Symposia

  • RGME Symposia: The Various Series.
  • 2019 Anniversary Symposium Report: The Roads Taken
  • 2022 Spring and Autumn Symposia
    1. “Structures of Knowledge”
    2. “Supports for Knowledge” (Autumn)
  1. 2023 Spring and Autumn Symposia on “Materials and Access”
    1. 2023 Spring Symposium “From the Ground Up”
    2. 2023 Autumn Symposium “Between Earth and Sky”
  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut
  • 2024 Spring and Autumn Symposia on “Between Past and Future”
  1. 2024 Spring Symposium at Vassar College:
    “Between Past and Future:
    Building Bridges between Special Collections and Teaching for the Liberal Arts”
  2. 2024 Autumn Symposium
    “At the Helm: Spotlight on Special Collections as Teaching Events”

In 2024, the RGME Symposia returned to the in-person format with our 2024 Spring Symposium, having online participation as well, in hybrid form.

Now we welcome you to the 2025 Spring and Autumn Symposia on “Agents and Agencies”

More Information

Watch this space for more information as it unfolds. This site serves as the ‘Home Page’ for the Symposium. Here you can find updates.

*****

2025 RGME Events, with the Theme of “Thresholds and Communities”

Other Events are planned for the Year. See:

  • 2025 and 2026 Activities
  • 2025 Annual Appeal
  • “The Research Group Speaks”: The Series
  • 2025 International Congress on Medieval Studies: Program
  • 2025 International Medieval Congress at Leeds: Program

Suggestion Box

Please Contact Us or visit

  • our FaceBook Page
  • our Facebook Group
  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Instagram Profile rgme94
  • our Blog on Manuscript Studies and its Contents List

Donations and contributions, in funds or in kind, are welcome and easy to give.

  • See Contributions and Donations.

We look forward to hearing from you.

*****

Neuchâtel, Musée d’Art et d’Histoire de Neuchâtel. Jaquet-Droz Automata: Draughtsman, Musician, and Writer. Photograph: Rama (2005) via Creative Commons Attribution-Share Alike 2.0 France.

*****

Tags: Agents and Agencies for Books, Anna Frances Levins, Atelier Vandorou, Book History, Booklists, ChatGPT, Edgar Allan Poe, Ethiopian Manuscripts, History of Paper, Icones Anatomar, Manuscript studies, Massachusetts Historical Society, Raymond Lull, RGME Spring Symposium, RGME Symposia, Riant Collection, Whitby Life of Gregory the Great
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2023 Spring Symposium: “From the Ground Up”

January 12, 2023 in Conference, Conference Announcement, Manuscript Studies, RGME Symposia

Photograph of the stems and white blooms of Snowdrops emerging from a patch of bare ground in the sunlight. Photograph Ⓒ Mildred Budny.

“From the Ground Up”. Photograph Ⓒ Mildred Budny.

2023 Spring Symposium
“From the Ground Up”

Part 1 of 2 in the
2023 Spring and Autumn Symposia
on “Materials & Access”

[Posted on 12 January 2023 , with updates]

With its chosen Theme of “Materials & Access” for the Year 2023, the Research Group prepares a pair of Symposia, continuing its expanded pattern of paired day-long virtual Spring and Autumn Symposia launched in 2022.   Until then, RGME Symposia had occurred on occasion at one per year, sometimes annually and sometimes at intervals.  Whereas previously they occurred in person, at various centers (like the 2020 Spring Symposium, which had to be cancelled on account of lockdown for Covid), the Symposia in 2022 and 2023 take place online by Zoom.

This year, the Spring and Autumn Symposia will take place by Zoom on:

  • Saturday, 25 March 2023
  • Saturday 21 October 2023 (“The Sweetest Day” 2023)

And There’s More

In a further expansion, the 2023 Spring Symposium will be preceded by a half-day Pre-Symposium which presents a series of Lightning Talks.  They will emerge from the Call for Proposals, issued on 10 January 2023, with a deadline of 12 February 2023.

  • 2023 Pre-Symposium Call for Papers: “Intrepid Borders” Lightning Talks.

Following that deadline, the Program of Talks for the Pre-Symposium has been selected and is now announced.

  • 2023 ‘Pre-Symposium’ on “Intrepid Borders”

The New Ensemble:  Pre-Symposium and Symposium

This year, with the Theme of “Materials and Access”, we not only prepare a pair of Symposia, but also extend the Spring Symposium with an accompanying ‘Pre-Symposium’ of Lightning Talks on the afternoon before. Selected through a Call for Proposals, these Talks explore the challenges of “Intrepid Borders: Marginalia in Medieval and Early Modern Books”. The plan for such sessions, their subject, the Call for Proposals, and the selected Program for the Lightning Talks are due to the initiative, enthusiasm, and organizational expertise of Jessica L. Savage and her co-organizers Katharine C. Chandler and Jenifer Larson. The fresh combination of exploratory Lightning Talks on Friday and the invited Symposium Presentations on Saturday opens our Symposia more widely.

The extended Symposium presents new and cumulative work, with reports of discoveries, work-in-progress, and collaborative projects. Some build upon work presented for the Symposia in 2022 (2022 Spring Symposium on “Structures of Knowledge” and 2022 Autumn Symposium on “Supports for Knowledge”).

We consider evidence from the medieval to modern periods and across a wide geographical, historical, and cultural range, both Western (Europe and North America) and non-Western (Ethiopia, Yemen, and Western India). From multiple centers, the Symposium plus Pre-Symposium gathers specialists, teachers, students, collectors, and others engaged or interested in activities relating to manuscripts, printed books, other media, and mixtures of them.

Program Booklet

To accompany the event and celebrate its contributors, we publish a combined Pre-Symposium/Symposium Program Booklet, with Abstracts of Presentations and companion Images.  See below for information how to receive a copy in print or by download on this site.

*****

2023 half-day Pre-Symposium and full-day Symposium (online)

I.   “Pre-Symposium of Lightning Talks” on Friday afternoon 24 March 2023

“Intrepid Borders:
Marginalia in Medieval Manuscripts and Early Modern Books”

A Virtual Lightning Talks / Half-Day Symposium
of the Research Group on Manuscript Evidence

Co-Organized by Katharine C. Chandler, Jennifer Larson, and Jessica L. Savage

2023 RGME ‘Pre-Symposium’ on “Intrepid Borders”

Registration for this event is required, and can be made through its portal:

  • https://www.eventbrite.com/e/intrepid-borders-pre-symposium-for-2023-spring-symposium-tickets-512253994487

Baltimore, Walters Art Museum, MS. W.148, folio 33v, bottom. Image via Creative Commons.

II.   Symposium on Saturday 25 March 2023

“From the Ground Up”

Following the models of the 2022 Spring and Autumn Symposia, the 2023 Spring and Autumn Symposia will showcase some of our ongoing series of subjects, as well as introduce new ones.  We explore challenges and opportunities for approaching and accessing materials of many kinds in the history, production, transmission, study, and display of manuscripts and books, across time and place.

Registration for this event can be made through its portal:

  • 2023 RGME Spring Symposium “From the Ground Up”

Speakers, Respondents, Presiders, and Moderators (in alphabetical order):

  • Linde M. Brocato, Mildred Budny, Katharine C. Chandler, Hannah Goeselt, Justin Hastings, Zoey Kambour, Atria A. Larson, Jennifer Larson, Ann Pascoe-van Zyl, Ronald Patkus, Jaclyn Reed, David W. Sorenson, and others.

Occasion:

This Symposium occurs on 25 March, a day for, among other celebrations, the liturgical Feast of the Annunciation.  (See below.)  This manuscript image represents the decisive event with a rich interior, landscape exterior and inhabited foliage in the margins, and bookish features such as a speech scroll and an opened book on a table at the back.

Within a foliate border, the verse of Psalm 50:17 (Domine labia mea aperies et os meum annuntiatbit laudem tuam) fits between a framed image of the Annunciation above, with an opened book on a lectern and and inscribed unrolled scroll. The foliate border includes an ‘inhabited’ scrolling stem at the right, with angels, humans, and birds; and a garden scene below, where human couples play musical instruments and backgammon.

Baltimore, The Walters Art Museum, MS M.269, folio 16r. Book of Hours, France, circa 1460. Image courtesy The Walters Art Museum by CC0 License via https://www.thedigitalwalters.org/Data/WaltersManuscripts/html/W269/.

Program

Saturday 25 March 2023

9:30 am – 5:00 pm EDT (GMT-4) online by Zoom
with registration through Eventbrite
via 2023 RGME Spring Symposium “From the Ground Up”

Session 1.  “Laying the Groundwork”
9:30 – 11:00 am EDT (GMT -4)

Welcome and Introduction

Mildred Budny (Director, Research Group on Manuscript Evidence)

Opening Keynote Presentation

Linde M. Brocato (Cataloging & Metadata Librarian, University of Miami Libraries)
“Grounding the Work, Making the Book”

Presider:  Mildred Budny

Coffee Break
11:15 – 11:30 am EDT

Session 2.  “The Lay of the Land”
11:30 am – 1:00 pm EDT

Presider:  Jennifer Larson (Department of Classics, Kent State University)

Ann Pascoe-Van Zyl (School of English, Trinity College, Dublin)
“Landscape and the Mind in Exile: Four Old English Elegies”

Justin Hastings (The John Dickinson Writings Project, University of Delaware)
“The Horatian Ground of John Dickinson’s Farmer Persona”

Hannah Goeselt (Library and Information Science (MS): Cultural Heritage Informatics, Simmons University, Boston)
      and
Zoey Kambour (Post Graduate Fellow in European & American Art at the Jordan Schnitzer Museum of Art at the    University of Oregon)
“Where Are We Now?  Informal Updates since Last Year’s RGME Symposia”

Lunch Break
1:00 – 1:45 pm EDT

Session 3.  “Materials & Margins”
1:45 – 3:15 pm EDT

Presider:  Jaclyn Reed (Department of English and Writing Studies, University of Western Ontario)

Atria A. Larson (Associate Professor of Medieval Christianity, Saint Louis University)
“Gallery of Glosses:
An NEH-Funded Digital Humanities Project that Cultivates Scholarly Attention to Manuscript Margins”

David W. Sorenson (Allen G. Berman, Professional Numismatist)
“Examples of Paleography and Paper in dated Jain Manuscripts of the 15th through 19th Centuries”

Private Collection, Jain manuscript on paper, dated Vikrama Samvat (VS) 1552 = AD 1496 by colophon.

Private Collection, Jain manuscript on paper, dated Vikrama Samvat (VS) 1552 = AD 1496 by colophon.

Tea Break
3:15 – 3:30 pm EDT

Session 4.  “The Living Library (Part III):
Manuscripts & Collections as Sources for Teaching & Research”
3:30 – 5:00 pm EDT

Presider:  Justin Hastings

Ronald Patkus (Head of Special Collections
          and Adjunct Associate Professor of History on the Frederick Weyerhaeuser Chair, Vassar College)
“Nicholas B. Scheetz’s Medieval and Renaissance Manuscripts at Vassar:
A Teaching Collection for a Teaching Collection”

Katharine C. Chandler (Special Collections and Serials Cataloger, University of Arkansas Libraries)
“Sister Manuscripts from the Carthusian Monastery of Chartreuse de Champmol”

Concluding Remarks:

Mildred Budny (Director, Research Group on Manuscript Evidence)
“Material Grounds for  Teaching, Study, and Varieties of Access”

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In keeping with the 2023 Theme of “Materials & Access” and the focus of attention in the Spring Symposium “From the Ground Up”, we may celebrate the emergence of fresh shoots and blooms as Winter turns to Spring, and the earth revives its cycle of growth and renewal.

We note that the date selected for this Spring Symposium, 25 March, represents the celebration of, among other things, the Feast of the Annunciation in the Christian liturgical calendar and the occurrence of the spring (or vernal) equinox (see also March equinox.

Image of illumination of earth by the sun on the Spring or Autumn Equinox (Vernal and Autumnal)

Depiction of the llumination of Earth by the Sun on the Spring or Autumn Equinox (Vernal and Autumnal) Image by Przemyslaw “Blueshade” Idzkiewicz via cc-by-sa license.

This is the second time that a RGME Spring Symposium included the date of 25 March in its events stretching over more than one day.  See the 2012 Symposium on “Words and Deeds” Report for our Symposium on 25–26 March 2016 at Princeton University.

We thank the contributors and advisers for help in organizing this event, as well as its new companion the Pre-Symposium.

  • 2023 RGME ‘Pre-Symposium’ on “Intrepid Borders”
  • 2023-spring-symposium-from-the-ground-up (You are Here)

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Registration

Registration for the Pre-Symposium and the Spring Symposium is required for each event.

Registration for these events can be made through their portals:

  • “Intrepid Borders” Pre-Symposium for 2023 Spring Symposium
  • 2023 RGME Spring Symposium “From the Ground Up”
Photograph of the stems and white blooms of Snowdrops emerging from a patch of bare ground in the sunlight. Photograph Ⓒ Mildred Budny.

The blooms of Snowdrops emerging “From the Ground Up”. Photograph Ⓒ Mildred Budny.

The Program Booklet

Printed copies of the 2023 Spring Symposium Program Booklet can be distributed on request to participants and others.  If you wish a printed copy, please contact please contact [email protected] and provide your mailing address.

The digital version can be downloaded freely here.  We provide two formats, or ‘flavors’, of the digital Program Booklet, in consecutive pages and as a foldable booklet.  The choice depends upon your printing facilities and preferences.  Experience shows that the choice can be helpful.

  • Consecutive Pages (quarto size, or 8 1/2″ × 11″ sheets)
    consecutive pages
  • Foldable Booklet (11″ × 17″ sheets), to be folded in half, producing a nested group of bifolia
    foldable booklet

Please note that some images are included in the booklet through the License or Contract stipulating their reproduction for this publication alone.  We ask you to respect these conditions.

We thank the contributors, private collectors, and institutions for the images and the permission to reproduce them.  We wish also to extend thanks to these individuals, for their extra efforts in this quest:  Ágnes Kelecsényi and Judit Jabloknay of the Library of the Hungarian Academy of Sciences; and Graham Fereday and Gary Stringer of the Digital Humanities – Library and Culture Services of the University of Exeter; Exeter Cathedral Library.

Thanks also are due to the authors, photographers, owners and providers of photographs, organizers, compilers, editors, copy-editors, images and permissions researcher, typesetter, layout designer, proof-readers, printer, web-editor, and others.

That most of these tasks required for producing and publishing the booklet are carried out — and to the level of proficiency manifested on the pages — by one or two volunteers is a tribute to the collegial collaboration and dedication of our nonprofit educational organization, which has no paid staff whatsoever, and which has a shoestring budget.  That budget is itself the product almost entirely of the generosity of volunteer donations, year by year.

These results can be accomplished mostly because of the pro-bono donations by so many contributors, who help to make the events possible, and for whom we give steady thanks.

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2023 RGME Events

Other Events are planned for the Year.  See

  • “The Research Group Speaks”: The Series
  • 2023 International Congress on Medieval Studies: Program for Thursday 11 to Saturday 13 May 2023
  • 2023 Autumn Symposium “Between Earth and Sky”
    Registration here: 2023 Autumn Symposium Tickets for Saturday 21 October 2023 by Zoom
Philosophy personified as female figure, wearing headveil and mantle, holding at both sides a raised book and a foliate-topped scepter. Frontispiece figure for Boethius' Consolation of Philosophy.

Trinity College, Cambridge, MS O.3.7, fol. 1r, top. Philosophy Personified, with book and scepter. Frontispiece figure for Boethius’ Consolation of Philosophy. Image via CC 4.0 International License, via https://mss-cat.trin.cam.ac.uk/Manuscript/O.3.7. Image cropped here to detail (unchanged otherwise).

Suggestion Box

Please Contact Us or visit:

  • our FaceBook Page
  • our Twitter Feed (@rgme_mss)
  • our Blog on Manuscript Studies and its Contents List

Donations and contributions, in funds or in kind, are welcome and easy to give.  See Contributions and Donations.

We look forward to hearing from you.

*****

"Centered". Photograph Ⓒ 2014 Mildred Budny. Image of Dew at the center of Sedum.

“Centered”. Photograph Ⓒ 2014 Mildred Budny.

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Tags: Annunciation, Chartreuse de Champmol, Early Books, Glossing Glosses, History of Paper, Jain Manuscripts, John Dickinson, Manuscript Decoration, Manuscript Illustration, Manuscript studies, Manuscripts at Vassar College, Materials & Access, Nicholas B Sheetz Collection, Old English Elegies, Palaeography, RGME Symposia
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Barbara Heritage on Charlotte Brontë’s Fair Copy of “Shirley”

November 18, 2022 in Uncategorized

The Research Group Speaks
Episode 10
Saturday 18 February 2023 online
1:00–2:30 pm EST (GMT-5) by Zoom

“Stages of Composition:
Charlotte Brontë’s Fair-Copy Manuscript for Shirley“

Barbara Heritage

London, National Portrait Gallery, Chalk drawing (1850) of Charlotte Charlotte Brontë (Mrs A.B. Nicholls) by George Richmond (1809-1898). Image Public Domain via Wikimedia Commons.

[Posted on 18 November 2022]

For Episode 10 in the online series of The Research Group Speaks, Barbara Heritage of the Rare Book School at the University of Virginia will talk about her cumulative work on benefits of examining the material evidence for the processes of creation by a major English author in shaping the text for a next novel.  Please note that registration is required (see below).

The Subject for the Episode

Barbara will examine aspects of the work — and evidence for work-in-progress — in the writings of Charlotte Brontë (1816–1855) at a significant period in her life, after the successful publication of her first novel and after the deaths of the last of her living siblings.  On Charlotte’s life, see, for example, the Oxford Dictionary of National Biography:

  • Brontë [married name Nicholls]. Charlotte [pseud. Currer Bell].

The RGME Episode with Barbara Heritage showcases a study of the author at work, based upon material evidence in the structure of the manuscript itself intended for the printing.

Title and Abstract

Stages of Composition:
Charlotte Brontë’s Fair-Copy Manuscript for Shirley

 Barbara Heritage

Barbara’s Abstract for her presentation:

On 8 September 1849, James Taylor traveled from London to Haworth, Yorkshire, to collect the manuscript of Charlotte Brontë’s novel, Shirley, for publication.  His firm, Smith, Elder and Co., had been anxiously awaiting the completion of the book for nearly a year.  Readers both in England and abroad were eager to read the next work by “Currer Bell”, whose first published novel, Jane Eyre (1847), had proved surprisingly popular.

The manuscript, which now resides in the British Library (Add MS 43479), includes numerous excisions to its 896 leaves.  Its three volumes have been characterized by some as a confused “text of grief” written during the loss of Brontë’s siblings — and by another as proof of self-censorship and even “symptoms of a writing disorder or disease.”  A close codicological study of the manuscript offers an alternative reading by drawing on the correlation of paper stocks and varying pagination, providing new material-based evidence for how Brontë strategically and deliberately revised — and even expanded — her manuscript after serving as the primary caregiver for her siblings.

The First page of the First Edition of ‘Shirley’ by Charlotte Brontë (1849). Image Public Domain via Wikimedia Commons.

Materials, Handwriting & Their Evidence

Some other manuscripts, letters, and other materials produced by Charlotte Brontë are available for viewing online (in full or in part).  See, for example:

  • Fair copy manuscript of Charlotte Brontë’s Jane Eyre (London, British Library, Add MS 43474-43476)
  • Earliest known writings of Charlotte Brontë
  • Charlotte Brontë’s journal (Haworth, Brontë Parsonage Museum, Bonnell 98)
  • Brontë treasures saved for the nation (from the Blavatnik Honresfield Library)

Barbara’s Publications on Charlotte Brontë and Related Subjects

More of Barbara’s work on the subject and its context appears, for example, here:

  • Barbara Heritage, “Stages of Composition: An Analysis of Charlotte Brontë’s Fair-Copy Manuscript of ‘Shirley,’ ” in Studies in Bibliography (2022). (See Studies in Bibliography.) Accepted and forth-coming peer-reviewed article.
  • Barbara Heritage and Ruth-Ellen St. Onge, Building the Book from the Ancient World to the Present Day: How Manuscript, Printed, and Digital Texts Are Made. Illustrated from the Teaching Collections of Rare Book School (Ann Arbor, Michigan: The Legacy Press, distributed by the University of Virginia Press, 2022).
    — online exhibition viewable as Building the Book from the Ancient World to the Present Day.
  • Barbara Heritage, “Reading the Writing Desk: Charlotte Brontë’s Instruments and Authorial Craft”, in Romantic Women and their Books, a special issue of Studies in Romanticism, Volume 60, Number 4 (Winter 2021), pp. 503–522 — available here via Project Muse (by subscription).  Peer-reviewed article.
  • —, “Charlotte Brontë’s ‘Chinese Fac-similes’: A Comparative Approach to Interpreting the Materials of Authorial Labour and Artistic Process”, in Charlotte Brontë, Embodiment and the Material World, edited by Justine Pizzo and Eleanor Houghton.  Palgrave Studies in Nineteenth-Century Writing and Culture (Cham, Switzerland:  Palgrave Macmillan, 2020), 207–232 — available here by subscription.
  • The Scale of Genius: Charlotte Brontë’s Miniature Archive (Middletown, Ohio: Miniature Book Society, 2019). An essay and documentary transcription published in the form of a miniature book.
  • —, The Archeology of the Book”, in Charlotte Brontë: The Lost Manuscripts. (Keighley, United Kingdom: The Brontë Society, 2018), 22–69.  A commission from the Brontë Society.
  • —, Brontë and the Bookmakers: Jane Eyre in the Nineteenth-Century Marketplace (Ph. D. Dissertation, University of Virginia, 2014).
  • —, “Authors and Bookmakers: Jane Eyre in the Marketplace,” in The Papers of the Bibliographical Society of America, 106:4 (2012), 449–85 available here by subscription.  Peer-reviewed article.
  • —, “The Shapes Jane Eyre Takes: Ephemeral Responses to the Book and Its Themes,” RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage, 9.1 (2008), 58–66.  Invited submission.

Worth the visit!

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The offices of Smith, Elder & Co. at No. 15 Waterloo Place in London, from The House of Smith Elder (1904) by Philip Norman (1832-1941). Image Public Domain.

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Registration for the Episode

Episode 10 in the online series of “The Research Group Speaks” is planned for Saturday 18 February 2023, via Zoom, at 1 pm EST (GMT – 5) for about 1 1/2 hours, with discussion and Q&A.  You are welcome to join us.

If you wish to attend, please register here:

  • The Research Group Speaks 10. Barbara Heritage: Charlotte Brontë’s Shirley

If you have questions or issues with the registration process, please contact [email protected].

Future Episodes

Future Episodes are planned.  See

  • “The Research Group Speaks”: The Series.

Suggestion Box

Please leave your Comments or questions here, Contact Us, or visit

  • our FaceBook Page
  • our Twitter Feed (@rgme_mss)
  • our Blog on Manuscript Studies and its Contents List

Donations and contributions, in funds or in kind, are welcome and easy to give.  See Contributions and Donations.

We look forward to hearing from you.

Lisbon, Museu Nacional de Arte Antiga: The mid 15th-century Saint Vincent Panels, attributed to Nuno Gonçalves. Image (https://upload.wikimedia.org/wikipedia/commons/3/3a/Nuno_Gon%C3%A7alves._Paineis_de_S%C3%A3o_Vicente_de_Fora.jpg) via Creative Commons.

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Tags: Author's Fair Copy, Authorial revisions, Brontë siblings, Charlotte Brontë, Codicology, History of Paper, Manuscript studies, Manuscripts, Shirley (Novel), Stages of Composition, The Research Group Speaks
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Program for 2022 Autumn Symposium on “Supports for Knowledge”

October 6, 2022 in Announcements, Conference Announcement, Manuscript Studies, Uncategorized

2022 RGME Spring and Autumn Symposia
on “Structured Knowledge”

© British Library Board, London, British Library, Add. MS 1546, folio 262v, detail. Opening of the Book of Sapientia (“Wisdom”).

2 of 2: 2022 Autumn Symposium
“Supports for Knowledge”
Saturday, 15 October 2022

Symposium Program
9:00 am – 5:30 pm EDT
Online via Zoom

Sessions with Presentations and Discussion (“Q&A”)
Breaks for Coffee, Lunch, and Tea
Closing Keynote Presentation and Concluding Remarks

For Registration see below

[Posted on 5 October, with updates]

On the pair of Symposia, see 2022 Spring and Autumn Symposia
On Part 1 of this pair, see 2022 Spring Symposium on “Structures of Knowledge”
On Part 2, see 2022 Autumn Symposium on “Supports for Knowledge”

Here we present the Program for Part 2 on “Supports for Knowledge”, held on Saturday 15 October 2022 by Zoom
— Registration is required, with a limited number of places (see below).

The Program Booklet (in preparation) will present the Program and Abstracts of the Presentations and Responses, with multiple Illustrations.  In accordance with our tradition of Program Booklets for our Symposia and some other events (see our Publications, it will be issued in printed form as well as digital form, with a downloadable pdf.

Timetable

Session 1.    9:00–10:30 am EDT
Brief Introduction to the Symposium and Welcome
“Teaching with (and through) Manuscripts, Part II”
Q&A

Break.          10:30–10:45 am

Session 2.   10:45 am – 12:15 pm
“Catalogs, Metadata, and Databases, Continued (Part III)”
Q&A

Lunch Break.   12:15–1:15 pm

–– During the Break.  12:30–12:50 pm

Presentation (at the time when the Speaker could attend)

David W. Sorenson (Allen Berman, Numismatist)
“A Jain Manuscript of the Seventeenth Century on Imported Watermarked Paper: An Early, Dated, Witness to Imported Paper Stocks in Indian Manuscripts”
As a contribution to our series on the “History and Uses of Paper”

Session 3.    1:15–2:45 pm
“The Living Library (Part II)”
Q&A

Break.          2:45–3:00 pm

Session 4.   3:00–4:30 pm
“Hybrid Books (Part I)”
Q&A

Break.         4:30–4:45 pm

Session 5.   4:45–5:30 pm EDT
“Books and Their Structures”
Closing Keynote Presentation and Concluding Remarks

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Sessions

Session 1.  “Teaching with (and through) Manuscripts, Part II”
— continuing the series begun at the Spring Symposium on “Structures of Knowledge”

Presider

David Porreca (Department of Classical Studies, University of Waterloo)

Speakers

Caley McCarthy (Research Associate and Project Manager, Environments of Change, University of Waterloo)
and
Andrew Moore (Research Fellow, Environments of Change, and Associate Director, DRAGEN Lab, University of Waterloo)
“Collaborative Pedagogy with Medieval Manuscripts in a Digital Lab”

William H. Campbell (Director, Center for the Digital Text, University of Pittsburgh-Greensburg)
Amber McAlister (Assistant Professor, History & Architecture, University of Pittsburgh-Greensburg)
and
Connor Chinoy (Student at the University of Pittsburgh-Greensburg and member of the “History of the Book” class)
“Books in the Flesh: An Interdisciplinary Undergraduate Class with Medieval Manuscripts”

Q&A

*****

Mid-Morning Break

*****

Session 2.  “Catalogs, Metadata, and Databases, Continued (Part III)”
— continuing our series
This is Part III in our series on these subjects, building upon Parts I and II, and leading to further Parts in 2023

  • our Roundtable in February on Catalogs, Metadata, and Databases, Part I and
  • the Session on “Catalogs, Metadata, and Databases, Part II” in the Spring Symposium

See the Links of Interest (Catalogs , Metadata, and Databases: A Handlist of Links)
— for which suggestions and additions are welcome.

Presider

Jessica L. Savage (Art History Specialist, Index of Medieval Art)

Speakers

Jessica L. Savage
“Cataloguing Manuscript Iconography between Digital Covers at the Index of Medieval Art”

Barbara Williams Ellertson (The BASIRA Project and Research Group on Manuscript Evidence)
“A Painter, a Printer, and a Search for Shared Exemplars”

Katharine C. Chandler (Special Collections and Serials Cataloger, University of Arkansas Libraries)
“Manuscripts from Print: The Schwenkfelders and their Dangerous Books”

Respondent

David Porreca (Department of Classics, University of Waterloo)
“My $0.02 Worth”

Moderator for the Questions-and-Answers

Derek Shank (Research Group on Manuscript Evidence)

Q&A

*****

Lunch Break

Perhaps — TBD — during part of the Break
Presentation (from about 12:15–12:35 pm), if the Speaker might attend, depending on short-notice work timetables:

David W. Sorenson (Allan Berman, Numismatist)
“A Jain MS of the Seventeenth Century on Imported Watermarked Paper:  An Early, Dated, Witness to Imported Paper Stocks in Indian Manuscripts”

*****

Session 3.  “The Living Library (Part II)”

— continuing the series begun at the Spring Symposium on “Structures of Knowledge”

Presider

Jaclyn Reed (Department of English and Writing Studies, University of Western Ontario)

Speakers

Christine E. Bachman (Department of Art & Art History, University of Colorado at Boulder)
“Unbound, Dispersed, Resewn:  The Flexible Codex in Eighth-Century Northwestern Europe”

Zoey Kambour (Post Graduate Fellow in European & American Art at the Jordan Schnitzer Museum of Art at the University of Oregon)
“Textual Interaction Through Artistic Expression:  The Marginal Drawings in the Decretales Libri V of Pope Gregory IX (University of Oregon MS 027)”

David Porreca (Department of Classical Studies, University of Waterloo)
“The Warburg Institute Library:   Where Idiosyncracy Meets User-Friendliness”

Respondent

Thomas E Hill (Art Librarian, Vassar College)
“Some Early Background to Warburg’s Project in Post-Wunderkammer Systematic Catalogues of the European Baroque and Enlightenment Periods”

Le Parc Abbey, Theological Volume, Part B and added Part-Leaf between folios 103–104 (or folios "7"–"8").

Private Collection, Le Parc Abbey, Theological Volume, Part B and added Part-Leaf (or Bookmark) between folios 103–104. Photography Mildred Budny.

Q&A

*****

Mid-Afternoon Break

*****

Session 4.  “Hybrid Books (Part I)”

— beginning a series for which more sessions are planned

Presider

Justin Hastings (University of Delaware)

Speakers

Hannah Goeselt (Library and Information Science (MS): Cultural Heritage Informatics, Simmons University, Boston)
“Structures of Art and Scripture in Otto Ege’s ‘Cambridge Bible’ (Ege Manuscript 6)”

Jennifer Larson (Department of Classics, Kent State University)
“Printed and Scribed:  A Collector’s View of Hybrid Books”

Linde M. Brocato (Cataloging & Metadata Librarian, University of Miami Libraries)
“Paths of Access and Horizons of Expectation, II:  From Book-In-Hand to Catalog(ues)”

N. Kıvılcım Yavuz (Lecturer in Medieval Studies and Digital Humanities, School of History, University of Leeds)
“Bound With:  Towards a Typology of Hybrid Codices”

Q&A

*****

Tea Break

*****

Session 5. “Books and Their Structures”

Presider

Mildred Budny (Director, Research Group on Manuscript Evidence)

Closing Keynote Presentation

Linde M. Brocato (Cataloging & Metadata Librarian, University of Miami Libraries)
“Hybrid Books: Fragments and Compilatio, Structure and Heuristic in Richard Twiss’s Farrago”

Discussion & Brief Concluding Remarks

Mildred Budny
“Structured Knowledge, Structures of Knowledge, and Supports for Knowledge:  A Framework for the Year”

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Closing Keynote Presentation

“Hybrid Books:
Fragments and Compilatio, Structure and Heuristic in
Richard Twiss’ Farrago“

In the group of artists’ books from the Ruth and Marvin Shackner Archive of Concrete Poetry purchased by the University of Miami Special Collections, there is an extraordinary volume, sold by a vendor as late 19th century, anonymous, and an artist’s book avant la lettre.  Careful analysis for bibliographical cataloging revealed the error in all these assertions.

In this presentation, I will lay out both the process of that analysis, and its results, along with reflections on hybrid books of various kinds.  My reflections will encompass the kinds of structured information that make their way into databases, and structuring codes of cataloging and bibliography, all of which are necessary but not sufficient for our understanding and convivencia with books , which are always already hybrid.  In these reflections, I will bring together many of the strands of thinking we have all worked to weave together in the symposium.

Richard Twiss, Farrago, held in the Unversity of Miami Special Collections, Artists’ Books Collection. Sidelong View. Photograph Linde M. Brocato.

Glimpses of the volume comprising Farrago compiled by the writer, traveler, chess-player, and would-be paper manufacturer Richard Twiss (1749–1821) can be seen in our blogpost called “I Was Here”, with photographs by Linde M. Brocato.

Concluding Remarks

Mildred Budny
“Structured Knowledge, Structures of Knowledge, and Supports for Knowledge: A Framework for the Year”

© British Library Board, London, British Library, Cotton MS Cleopatra C. viii, folio 36r, top: Sapientia in her Temple. Prudentius, Psychomachia, in a Canterbury copy of the late tenth or early eleventh century.

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To register for the Symposium, visit 2022 Autumn Symposium Registration. Places are limited.

Questions? Contact [email protected].

*****

Suggestion Box

Do you have suggestions for subjects for our events, or offers to participate? Please let us know.

If you wish to join our events, please contact [email protected].

For updates, watch this space, and visit:

  • 2022 Spring and Autumn Symposia
  • The Research Group Speaks: The Series;
  • our FaceBook Page and
  • our Twitter Feed (@rgme_mss).

Please leave your Comments below, Contact Us, and visit our FaceBook Page and Twitter Feed (@rgme_mss).  We look forward to hearing from you

We invite you to donate to our nonprofit educational mission. Donations may be tax-deductible. We welcome donations in funds and in kind:

  • Contributions and Donations .

Floral Motif as Lower Border in a Book of Hours. Photography Mildred Budny.

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Tags: Catalogs & Metadata & Databases, Decretals of Pope Gregory IX, DRAGEN Lab, Fragmentology, History of Paper, Hybrid Books, Index of Medieval Art, Jain Manuscripts, Les Enluminures, Medieval Manuscript Fragments, Medieval manuscripts, Miniature Books, Otto Ege Manuscript 8, Otto Ege Manuscripts, RGME Symposia, Richard Twiss's Farrago, Schwenkfelder Books, Structured Knowledge, Teaching with and through Knowledge, Teaching with Manuscripts, The Living Library, University of Oregon MS 027, Warburg Institute Library, Watermarked Paper, Watermarks
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2022 Spring Symposium on “Structures of Knowledge”

March 15, 2022 in Abstracts of Conference Papers, Conference, Conference Announcement, Uncategorized

2022 RGME Spring and Autumn Symposia
on “Structured Knowledge”

1 of 2: Spring Symposium
“Structures of Knowledge”
Saturday, 2 April 2022 (Online)

2020 Spring Symposium "From Cover to Cover" Poster 2

2020 Spring Symposium Poster 2

[Posted on 15 March 2022, with updates]

In 2022, the Research Group returns to our series of Symposia (formerly held in person). The series underwent an interruption with the cancelled 2020 Spring Symposium, “From Cover to Cover”. See its record in the illustrated Program Booklet, with Abstracts of the planned presentations and workshops. Its core and its promise inspire this renewal.

This year, each Symposium in the pair is designed as a one-day event, with sessions and workshops of about 1 and 1/2 hours, giving scope for discussion. The Spring Symposium will be held online by Zoom. (The Autumn Symposium would be held online, but, conditions permitting, it might be hybrid, that is, partly in person, as well as online.) See 2022 Spring and Autumn Symposia.

  1. Structures of Knowledge (Spring)
  2. Structures for Knowledge (Autumn)

These events, by request, flow in addition to — and partly from — our other activities during the year:

1) Continuing Episodes in the online series of The Research Group Speaks (2021–)

  • https://manuscriptevidence.org/wpme/the-research-group-speaks-the-series/
  • Catalogs, Metadata, and Databases (Part I)

2) Our four sponsored and c0-sponsored Congress Sessions at the 57th International Congress on Medieval Studies (online) in May

  • https://manuscriptevidence.org/wpme/2022-international-congress-on-medieval-studies-program
    (Abstracts of the Papers are included).

Structured Knowledge (Parts I and II)

The interlinked pair of Spring and Autumn Symposia examine themes of Structured Knowledge.

Some proposed presentations at these Symposia offer refreshed materials which had been planned for the cancelled 2020 Spring Symposium.

  • See https://manuscriptevidence.org/wpme/2020-spring-symposium-save-the-date, with a published Program Booklet including illustrations and Abstracts.
The Spring Symposium is dedicated to “Structures of Knowledge”. The Autumn Symposium considers “Supports for Knowledge”. Sessions include approaches to databases and library catalogs; specific case studies and projects; issues relating to reproductions and display, research and teaching, and more.

Part I: Spring Symposium (Saturday, 2 April 2022)
on “Structures of Knowledge”

Note: If you wish to register for the Symposium, please contact [email protected].

Eugene, Oregon, University of Oregon, Knight Library, MS 027, folio 25r. Manicle as outstretched paw, with cuff. Photography Zoey Kambour.

Presenters, Respondents, and Presiders for the Spring Symposium include (in alphabetical order): Phillip A. Bernhardt-House, Linde M. Brocato, Mildred Budny, Katharine C. Chandler, Barbara Williams Ellertson, Howard German, Hannah Goeselt, Thomas E. Hill, Eric. J. Johnson, Zoey Kambour, David Porreca, Jessica L. Savage, Derek Shank, Ronald Smeltzer, and David W. Sorenson.

As the Program evolves, adapting to changes in some speakers’ plans or requirements, we thank all the speakers who responded willingly to such changes, even at short notice, for example by expanding an intended “Response” to a “Presentation”, or the reverse, so as to keep to the time-allotments of the Sessions. We also thank the Presiders for their help in monitoring each of the Sessions during the course of the Symposium.
We acknowledge, with thanks, the renewed sponsorship of the Symposia this year by Barbara A. Shailor.

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Tags: Advertisements in Early Scientific Publications, BASIRA Project, Book Arts, CANTUS Chant, Decretals of Gregory IX, Esoterica, Fragmentarium Database, Gobelin Tapestries, History of Cataloging, History of Paper, Library Catalogues, Lima (OH) Public Library Staff Loan Assistance Fund, Louise Ege, Manuscript studies, Otto Ege Collection, Otto Ege Manuscript 6, Otto F. Ege, Shahnameh, Structured Knowledge, Structures of Knowledge, Tale of Cupid and Psyche, The Ohio State University, University of Oregon MS 027, Vassar College Library, Warburg Institute Library
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2022 International Congress on Medieval Studies: Program

November 23, 2021 in Ibero-Medieval Association of North America, International Congress on Medieval Studies, Kalamazoo, Societas Magica, Uncategorized

2022 Congress Activities
Sponsored and Co-Sponsored by the RGME

at the 57th International Congress on Medieval Studies
Online
Monday, May 9 – Saturday, May 14, 2022

Le Parc Abbey, Theological Volume, Part B: Detail of Vellum Leaf.

Private Collection, Le Parc Abbey, Theological Volume, Part B: Detail of Vellum Leaf. Photography Mildred Budny.

Posted on 22 November 2021, with updates

Following the close of the 2022 Congress Preparations: Call for Papers, then the selection of proposals and arrangement of sequence of papers within the sessions, for the submission of their programs to the Congress Committee, we announce the Programs for our Sessions at the 2022 ICMS online in May 2021. As in previous years, we plan to hold a Business Meeting at the Congress.

All activities are to take place online, like 2021. See our 2021 Congress Report.

When appropriate, we can report the assignment of the scheduling of Sessions within the Congress Program overall.  Meanwhile, we publish the Abstracts of the Papers and Responses, as the authors might be willing. Note that the Abstracts for Congress Sessions are Indexed on our website by Author (in progress for 2022) and by Year (2022 included).

Now that [4 February 2022] the Congress Program has become available (see its website), we can post the assigned days and times for our activities, along with the assigned Numbers for the Sessions.  All our activities are scheduled for Wednesday and Friday, 11 and 13 May 2022.  Times are in Eastern Daylight Time.

Wednesday 11 May 2022

  • Session 173 (1 pm).  Medieval Writing Materials:   Processes, Products, and Case-Studies
  • Open Business Meeting (3 pm).  All are welcome.
  • Session 193 (7 pm).  Alter(n)ative Alphabets in the Iberian Middle Ages (co-sponsored with IMANA)|

Friday 13 May 2022

  • Session 310 (1 pm).  The Iconography of Medieval Magic (co-sponsored with the Societas Magica)
  • Session 324 (3 pm).  Pressing Politics:
         Interactions between Authors and Printers in the 15th and 16th Centuries

In due course, sometime in March, registration for the online Congress will commence.  After the close of the Congress, recorded content will be available to registrants from Monday, May 16, through Saturday, May 28.

Watch this space for updates. Read the rest of this entry →

Tags: Aljamiado, Business Meeting, Divinatory Games, Hernán Núñez, History of Divination, History of Documents, History of Magic, History of Paper, Ibero-Medieval Association of North America, International Congress on Medieval Studies, Italian Paper, Libro del juego delas suertes, Manuscript studies, Marsilio Ficino, Medieval Writing Materials, Merchants of Venice, Morisco Manuscripts, Morisco Spells, Polish Coronation Sword, Societas Magica, Szczerbiec, The Lay of the Mantle, Venetian Documents
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2022 Congress Preparations

July 16, 2021 in Announcements, Conference, Conference Announcement, Ibero-Medieval Association of North America, IMANA, International Congress on Medieval Studies, Kalamazoo, Societas Magica

Call for Papers (CFP) for Sessions
Sponsored or Co-Sponsored by the RGME

at the 57th International Congress on Medieval Studies (Online)
Monday, May 9, through Saturday, May 14, 2022

CFP Deadline:  15 September 2021
[Deadline for Session Programs:  1 October 2021]

Le Parc Abbey, Theological Volume, Part B: Detail of Vellum Leaf.

Private Collection, Le Parc Abbey, Theological Volume, Part B: Detail of Vellum Leaf. Photography Mildred Budny.

[Update on 22 September 2021:
Following the close of the CFP on 15 September, we can welcome the received proposals for papers, observe their strength and range, and prepare the programs for each session.  With the selection of proposed papers accomplished, it comes time to arrange their sequence within the given Sessions, assign the Presiders for them, and submit the programs to the Congress Committee by 1 October 2021.

When appropriate, we can announce the Programs, report the assignment of their scheduling within the Congress Program overall, and publish the Abstracts of the Papers and Responses, as the authors might be willing. The Congress Program will become available in due course, and registration for the online Congress might commence.

Update on 1 October 2021:
At the close of the deadline for submission of the programs to the Congress, we report that each of our Sessions has three or four Papers; three sessions also have Responses; and we plan to hold a Business Meeting at the Congress, as in previous years.  All these activities are to take place online.]

[Posted on 15 July 2021]

After accomplishing the 2021 ICMS Online, with 5 Sponsored and Co-Sponsored Sessions, plus our Open Business Meeting, we produced the 2021 Congress Report, as we turned to preparations for the 2022 Congress.  We proposed Sessions, and received answers in stages.

Through the Confex system for the 2022 International Congress on Medieval Studies, we have learned that all but one of our proposed sessions have been accepted.

One of the accepted sessions resumes a series (“Medieval Writing Materials”) which a rejection for the 2015 Congress disrupted.  That rejection interfered with the momentum of our series of sessions on the subject at the 2011–2016 Congresses.  (See Sponsored Sessions.)  The interval between then and now is a long time to wait.  We had to turn to other subjects, as the momentum for their own action not only gathered to produce the proposals to sponsor or co-sponsor them, but also found favor by the Congress Committee, so that it could become possible to move to the phase of the Call for Papers for them. With the Pre-Congress Business Meeting in May 2021, as we prepared for this year’s Congress, we aimed to resume that series, as well as to explore other sessions as their subjects and proponents might direct.

So, we can resume the series on Medieval Writing Materials for 2022.  But a new rejection of another subject for the Congress leads us to reconsider our approach to its current momentum.  This time, learning from experience, we could choose what to do, but elsewhere, before long, with the subject not accepted this time around, rather than waiting for some other year — or decade — at the Congress.

And so, now, we announce the Call for Papers for the 2022 Congress.

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Tags: Ars Notaria, History of Alphabets, History of Magic, History of Paper, History of Paper Manufacture, History of Watermarks, Manuscript studies, Medieval Studies, Medieval Writing Materials
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2019 Anniversary Symposium: The Roads Taken

March 29, 2019 in Anniversary, Announcements, Conference, Conference Announcement, Manuscript Studies

The Roads Taken, Or, The Obstacle Course

Challenges and Opportunities for
Assessing the Origins, Travels, and Arrivals
of Manuscripts and Early Printed Materials

2019 Anniversary Symposium
of the Research Group on Manuscript Evidence

Princeton University
Friday 26 and Saturday 27 April 2019

Co-Sponsored by The Bibliographical Society of America

Rejoined Pieces of a Leaf from a Book of Hours. Private Collection, reproduced by permission.

Rejoined Pieces of a Leaf from a Book of Hours. Private Collection.

Sponsors

Department of Art & Archaeology, Princeton University

The Index of Medieval Art at Princeton University

James Marrow and Emily Rose

Celia Chazelle

Barbara A. Shailor

The Schoenberg Institute for Manuscript Studies

The Plan

In 2019 the Research Group on Manuscript [and Other] Evidence celebrates 20 years as a nonprofit educational corporation based in Princeton, and 30 years as an international scholarly society founded at the Parker Library of Corpus Christi College, Cambridge.  Across the years, we have engaged in multiple events in many places, over multiple manuscripts and other original sources, and on a broad range of subjects.  We celebrate our friends, colleagues, hosts, donors, volunteers, and subjects of study.

As part of these celebrations, we announce our Anniversary Symposium at Princeton University, host of many of our events over the years.  This event takes place on Friday afternoon 26 April and Saturday 27 April 2019.

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Tags: Book of Hours, Early Printing, History of Paper, manuscript fragments, Manuscript Fragments Reused in Bindings, Manuscript studies, Medieval Writing Materials
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More Leaves from ‘Otto Ege Manuscript 51’

August 10, 2016 in Manuscript Studies, Photographic Exhibition

Detached Leaves from Otto Ege’s
Erfurt Manuscript of
Aristotle’s Nichomachean Ethics
in Latin Translation on Paper

Detail of Recto of detached leaf from the Nichomachean Ethics in Latin translation, from a manuscript dispersed by Otto Ege and now in a private collection. Reproduced by permission.Continuing our series on Manuscript Studies, Mildred Budny newly identifies 2 detached leaves, in separate collections, from a paper manuscript dispersed by Otto F. Ege (1888–1951).  Containing parts of the text of Aristotle’s Nichomachean Ethics in medieval Latin translation, the leaves formerly belonged to a copy prepared at Erfurt in Thuringia in Germany, and dated by colophon to 1365 C.E.

Detached leaves from this book were distributed, in part, through one or another of Ege’s series of Portfolio editions of individual specimen leaves extracted from manuscripts and printed books.  Earlier blogposts have examined cases from Ege’s Portfolios of Fifty Original Leaves (1930–1950) and Famous Bibles (1938 and 1949).  They report the discoveries of a New Leaf respectively from Ege Manuscript 41, from Ege Manuscript 8, from Ege Manuscript 61, and from Ege Manuscript 14.  Now it is the turn of “Ege Manuscript 51” and the Portfolios of Original Leaves from Famous Books (1923 and 1949), in which its Aristotelian specimens normally appeared as their Leaf Number 2.

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Tags: 'Fifty Original Leaves from Medieval Manuscripts', 'Original Leaves from Famous Bibles', 'Original Leaves from Famous Books in Eight Centuries', 'Original Leaves from Famous Books in Nine Centuries', Aristotle, Beauvais Missal, Beinecke Rare Book and Manuscript Library, Briquet Filigranes, Briquet Number 5726, Burgunsius Pisanus, Erfurt, Germany, History of Paper, History of Watermarks, Johannes Gutenberg, Kent State University Special Collections and Archives, Lisa Fagin Davis, Manicula, Manuscript Road Trip, Martin Luther, Nichomachean Ethics, Nurenberg Chronicles, Otto Ege, Otto Ege MS 51, Otto F. Ege, Robert Grosseteste, Royal MS 6 E V, The British Library, University of Erfurt, Vladimir Nabokov, Wilhelm von Mörbeke, Wilton Processional
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Doctor Who-Done-It

June 24, 2016 in Conference, Events, International Congress on Medieval Studies, Kalamazoo, Reception, Reports

Behind the Scenes
at the 2016 International Congress on Medieval Studies

Who Done It? We Did Good!

(With the Useful Discovery that Our Director Apparently Drives a Tardis)

Our Director continues the Reports for our Activities at the 51st International Congress on Medieval Studies, starting with the 2016 Congress Report.

Now, as a second installment for the Report, for the first time in our history, we tell about some experiences Behind the Scenes.  With Thanks, Naming Names.

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Tags: Archaeology of Manuscripts, Bembino Digital Font, Center for Medieval and Early Modern Studies at the University of Florida, History of Magic, History of Paper, Index of Christian Art, Manuscript studies, Manuscripts & Early Printed Books, Medieval Writing Materials, Pont Neuf, Societas Magica
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