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      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
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        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
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        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
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      • No Snap Decisions: Challenges of Manuscript Photography
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Sanskrit and Prakrit Manuscripts, Continued: More Leaves for Manuscript Sample XII?
2026 International Congress on Medieval Studies: Program
Episode 24. “Life with Books” (Interview with John Windle)
Announcing the Launch of RGME Bembino WP
2026 RGME Colloquium at The Grolier Club: Report
Medieval Missal Fragment as Early-Modern Cover
The Weber Leaf from Ege MS 61
"Bembino" Booklet Cover
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2026 RGME Colloquium on “Transformations & Renewals” at The Grolier Club
2026 Theme of the Year: “Transformations and Renewals”
A Leaf with Patchwork from the Saint Albans Bible
A Sister Leaf from a Miniature Latin Vulgate Bible
A Little Latin Vulgate Bible Manuscript Leaf in Princeton
J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.
2026 Annual Appeal
Episode 22: “Encounters with Local Saints and Their Cults”
Private Collection, Ege's FBNC Portfolio, Dante Leaf, Verso, Detail. Reproduced by Permission.
2025 RGME Autumn Colloquium on Fragments
Workshop 8: A Hybrid Book where Medieval Music Meets Early-Modern Herbal
2025 RGME Autumn Symposium on “Readers, Fakers, and Re-Creators of Books”
RGME Workshops on “The Evidence of Manuscripts, Etc.”
2025 International Medieval Congress at Leeds: RGME Program
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2025 International Congress on Medieval Studies: Program
2025 RGME Visit to Vassar College
Two Leaves in the Book of Numbers from the Chudleigh Bible
Delibovi on Glassgold on Boethius: A Blogpost
Ronald Smeltzer on “Émilie du Châtelet, Woman of Science”
2025 Spring Symposium: “Makers, Producers, and Collectors of Books”
Starters’ Orders
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2024 Anniversary Symposium: The Booklet
Jesse Hurlbut at the Bonneville Salt Flats, Utah. Photograph Jesse Hurlbut.
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To Whom Do Manuscripts Belong?
Kalamazoo, MI Western Michigan University, Valley III from the side. Photograph: David W. Sorenson.
2024 International Congress on Medieval Studies: Report
2024 Spring Symposium at Vassar College
Puente de San Martín: Bridge with reflection over the River Targus, Toledo, Spain.
2024 Grant for “Between Past and Future” Project from The Gladys Krieble Delmas Foundation Research Libraries Program
2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

You are browsing the Blog for Bembino Digital Font

Announcing the Launch of RGME Bembino WP

February 16, 2026 in Announcements, Bembino, Design, Events, Manuscript Studies, Research Group Speaks (The Series)

“Announcing the Launch
of RGME Bembino WP:

A High-Quality Font
for Word-Processing”

Launch Date: 25 March 2026

[Posted on 14 February 2026 with updates]

The full, 16-file, professional, level of our digital font RGME Bembino has been available for a while, with several updates in response to requests for more languages or features.  We are thrilled to announce the launch of BembinoWP, a 4-file subset bringing our font to the Mac and Windows Word-processing Communities at large (by request).

BembinoWP has been circulating in a provisional version over recent months, for review, feedback. and corrections. Now we launch it more widely, for all to try out and use.

Find it here:

  • Bembino WP for Word-Processing

This release enables the font to reach desk-top publishers and report-writers using widely-available text-processing tools including Microsoft Word and PowerPoint. The BembinoWP variant offers a migration path to the full version of the font for higher-quality typesetting through professional tools such as Adobe InDesign or Quark.

Watch for its official Launch on 25 March 2026. This date marks the anniversary of the very first printed text set in Bembino: a “Happy Birthday” greeting for our Director.

For the launch, the RGME offers some occasions where you could meet the font, hear from its maker and users, and join the Q&A.

Set in RGME Bembino

Read the rest of this entry →

Tags: Bembino Digital Font, history of printing, Launch Announcement, RGME Publications, The Research Group Speaks
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More Fonts for Bembino: Devanāgarī (Hindi) and Tibetan (High-Uchen Script)

May 6, 2024 in Announcements, Bembino, Manuscript Studies

Fonts for Tibetan
(High Uchen-Style)
and Hindi
(Devanāgarī)
for our
Multi-Lingual Font Bembino

[Posted on 5 May 2024, with updates]

By request, work continues on improvements for our copyright multi-lingual font Bembino. Step by step, fonts for more languages are added.  Now we turn to Devanāgarī (Hindi) and Tibetan (High-Uchen Script).

By September 2023, specimens of these fonts in Bembino were ready to show for comment.  Now, after some RGME online and hybrid activities have been accomplished (October 2023 and January, February, and April 2024, with more in May and June), we show the specimens for your review.  Please let us know what you think!

[P.S.  Meanwhile, another request, by our RGME Associate Reid Byers, has led also to work on Elvish for J.R.R. Tolkin‘s creation Tengwar. Coming soon!]

Multi-Lingual Bembino

Poster Announcing Bembino Version 1.5 (April 2018) with border for Web display

Poster Announcing Bembino Version 1.5

Our copyright font is freely available for download and use for non-commercial and commercial use alike.  You might download the font, and its companion Booklet, here:

  • Bembino Version 1.5 (2018).

That booklet and the font itself (now in Version 1.5) are freely available via Bembino.  The “Bembino” Booklet describes and illustrates the font.

Another Booklet showing “Examples of Our Font in Multiple Languages” appeared in March 2018, with an updated Version 1.1 (June 2018).

  • Multi-Lingual Bembino (2018)

This booklet contains examples of some of the wide range of languages that can be typeset using the Research Group on Manuscript Evidence ‘Bembino’ font.

The Specimen Text

Cover page for 'Multi-Lingual Bembino' demonstrating specimens from a wide range of languages typeset in Bembino

Multi-Lingual Bembino Booklet Cover

The chosen text is the same for all examples in the booklet for Multi-Lingual Bembino.

The Specimen Text comes from: Exodus chapter 20 verses 1–17, one of the sets of the ‘Ten Commandments’ in the Old Testament.

The languages are listed in alphabetical order by their English name (so ‘Welsh’ rather than ‘Cymraeg’).  The set of languages presented is not exhaustive. Many of the languages that use basic Latin are omitted, as are the languages for some of the former Russian Federation countries that use Cyrillic.

*****

The new, on-going, work provides fonts for more cases.

After creating fonts for Japanese, Ethiopic, and Arabic, the direction to South Asia seemed worth pursuing. Requests arrived, and work began.

Hindi: Devanāgarī

Devanāgarī is a left-to-right writing system used in the Indian subcontinent.  “The Devanāgarī script, composed of 48 primary characters, including 14 vowels and 34 consonants, is the fourth most widely adopted writing system in the world, being used for more than 120 languages.” (See Devanāgarī.)

Our Bembino Specimen is set for Hindi, “the fourth most-spoken language in the world, after Mandarin, Spanish and English”.

The background for the work to produce such a font for Bembino extended across several years.  We owe the quest to comments offered by Harry Blair, responding to Bembino as a multi-lingual digital font in use for a variety of purposes.

For example (6 February 2019):

I was thinking that if Leslie had done Japanese and Ethiopic and Arabic (much harder than Devanāgarī, it seemed to me), then South Asia might be an interesting direction to take. Simpler than Western languages in that there’s only one case (no upper and lower), but more complex with all the conjuncts. Plus the vowels sometimes shift around consonants, sometimes preceding them in writing while following them in speaking.”

1.  Most of the conjuncts in common use are like ligatures in Western scripts: 2 letters joined in such a way that it’s easy to grasp what the separate letters are.  This Wikibooks table shows them (<https://en.wikibooks.org/wiki/Hindi/Consonant_combinations>). BTW the small diagonal appendage to each letter in the first column just indicates that the letter is by itself with no following vowel.

2. There’s a much smaller set of conjuncts commonly used that yield an entirely different form, listed at the bottom of the WikiBooks table as “special cases”.

Taking up the case, our Font Designer reported (5 February 2019):

I checked the latest version (11.0) of Unicode and they haven’t done anything to address the issues with Devanāgarī.

Here is my understanding of the issue, ignoring all the vehement rhetoric.

Basically, similar to Arabic, Devanagari has a ‘core’ of about 50 letter shapes (consonants and vowels) but when they co-occur there are combined forms that must be used.  It’s as though the fi, ffi, fl etc. ligatures were *mandatory* to set English.  There are about 1,000+ of these ‘ligatures’ needed correctly to set Devanagari.  Unicode contains only 128 glyphs for Devanagari, including punctuation and numerals!  Now, it is true that some of the ‘missing’ glyphs can be formed from the basic letters + overprints. Think of European accents, and the core ‘a’ used to form á, ä, à etc., but without having separate codepoints for â, ä and so on.  But there are still some combinations that need different shapes (like ffi) not just overprints.

There is no space in Unicode to add those different shapes.  They could be added through special font tables (like I did for the joined-up Ethiopic numerals), and there are specific tables in OpenType (the format I use for Bembino) to support them.  But building those tables requires an expert knowledge of Devanagari typesetting.  There are some sites on the Web that can help, but if I made a mistake I would never know.

Having said that, I’m willing to take on the challenge if I can get some help checking what I produce, similar to that Augustine [Dickinson] did with the Ethiopic [by asking for diacritics for Ge’ez among the languages of Ethiopia].

[Note: Our Associate Augustine Dickinson is now the Acting RGME WebMaster, as of 1 July 2023.]

With some suggestions for the specimen forms (such as more contrast between thick and thin strokes), a revised version of Devanāgarī for Bembino is now available upon request, before the next version of Bembino as a whole appears.

Bembino for Hindi and Tibetan

Now, a poster-style page shows the Bembino fonts so far for Hindi and Tibetan.

The Specimen Text

The chosen text is the same for all examples in the booklet for Multi-Lingual Bembino.  As described above, the Specimen Text comes from: Exodus chapter 20 verses 1–17, one of the sets of the ‘Ten Commandments’ in the Old Testament.

Fonts for Hindi and Tibetan for Multi-Lingual Bembino in Specimen Text.

Tibetan

Tibetan script is a segmental writing system, written from left to right.  The alphabet has thirty basic letters for consonants.  Syllables are separated by a tsek (་), and spaces are not used to divide words.  Because many Tibetan words are monosyllabic, the mark can function as if a space between words.  (See, for example, The Tibetan Writing System.)

When I [Mildred Budny, Editor-in-Chief of RGME Publications] asked our Font Designer about the choice of script for Tibetan, High-Uchen Style, he said: “I think it is beautiful”.

Here is a specimen of the script in manuscript form.  I show the specimen, and add parts of the companion description (metadata) which comes with the image in its digital facsimile available freely online.

Photograph: Ms. Sarah Walsh.

Notes on the Image

Image via Wikimedia Commons under CC 4.0 license, via https://commons.wikimedia.org/wiki/File:Isha_Upanishad_Verses_1_to_3,_Shukla_Yajurveda,_Sanskrit,_Devanagari.jpg

Information given at that source:

“Language: Sanskrit

“Script: Devanagari

“Script style: pre-14th century (Northern / Western)

“Isha Upanishad, verses 1–2, partially 3

“The thick text is the Upanishad scripture, the small text in the margins and edges are an unknown scholar’s notes and comments in the typical Hindu style of a minor bhasya.

“The photo above is of a 2D artwork of a text that is over 2,000 years old, from a manuscript that was produced decades before 1923. Therefore Wikimedia Commons PD-Art licensing guidelines apply. Any rights I have as a photographer is herewith donated to wikimedia commons under CC 4.0 license.

“The early Upanishads (Upanisad, Upanisat) are scriptures of Hinduism. Variously dated by scholars to have been composed between 900 BCE to about 200 BCE, these texts are in Sanskrit language and embedded within a layer of the Vedas. They contain a mixture of philosophy and mystical speculations, many set in the form of dialogues or pedagogic style. Their central teachings include the concepts of Atman (soul, self) and Brahman (metaphysical reality).

“These manuscripts are preserved at the Lalchand Research Library, Ancient Indian Manuscript Collection, DAV College Digital Library Initiative, Chandigarh India, in association with SP Lohia and Indorama Charitable Trust. The texts are over 2000 years old, the re-copying into this particular manuscript is dated to a pre-1867 reproduction (exact date unknown). The manuscript shows significant stain marks, decay and damage on the sides and its edges.”

*****

Suggestion Box

Do you have suggestions, questions, or requests for Bembino?

Please leave your comments here, Contact Us, or visit

  • our FaceBook Page
  • our Facebook Group
  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
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Donations and contributions, in funds or in kind, are welcome and easy to give.  Given our low overheads, your donations have direct impact on our work and the furtherance of our mission.  For our Section 501(c)(3) nonprofit educational organization, your donations may be tax-deductible to the fullest extent permitted by law.  Thank you for your support!

  • Contributions and Donations
  • 2024 Anniversary Appeal

We look forward to hearing from you.

*****

 

Tags: Bembino Digital Font, Book of Exodus, Devanāgarī, Elvish, Ethiopic Script, Exodus 20:1-17, Ge'ez diacritics, Hindi, Isha Upanishad, Lalchand Research Library, Multi-Lingual Bembino, RGME Font Design, Sanskrit, Specimen Text, Tengwar, Tibetan, Tibetan High-Uchan Script
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RGME Pop-UP Poster Exhibition for the 2024 ICMS

May 4, 2024 in Bembino, Business Meeting, Conference, Conference Announcement, Events, Exhibition, ICMS, International Congress on Medieval Studies, Kalamazoo, POMONA, Postal History at Kalamazoo, Reception

RGME Posters on Display
for the
2024 International Congress on Medieval Studies (ICMS)

9–11 May in hybrid format

[Posted on 3 May 2024]

Our Pop-Up Poster Display for the 2024 ICMS

As the 2024 International Congress on Medieval Studies approaches (9–11 May in partly hybrid format), we unveil our Posters for all our events at this Congress. Our Congress activities form part of our Anniversary Year, celebrating 25 years as a nonprofit educational corporation and 35 years as an international scholarly society. For this year, our Theme is Bridges. Besides considering the nature of bridges, both natural and man-made, and exploring their challenges and opportunities, we take the liberty of creating some new ones — as with this Pop-Up Poster Session or Exhibition for the 2024 Congress.

Natural Owachomo Bridge, Natural Bridges Natural Monument, San Juan County, Utah. Image via Laban712 on en, Public domain, via Wikimedia Commons.

This Virtual Exhibition marks a new development for our evolving tradition of Posters for our different Events, comprising Conference Sessions, Symposia, Colloquia, Seminars, Workshops, Receptions, and more. Here, by bringing the set of Posters into an exhibition of their own, we offer a bridge between our webpost for the Congress; our printed Posters for the in-person event and for souvenirs afterward; and for download in digital form from our website.

Our website Home Page for our 2024 ICMS Activities describes each of these events in turn, with descriptions about their scope and aims, instructions for directions to them, and information about the programs of the individual sessions, also with the speakers’ abstracts for their presentations.

The directions include options to register for online access to scheduled in-person events — some Sessions and our Open Business Meeting — through our RGME Eventbrite Collection (at no charge), so as to provide a fully hybrid approach to the Congress.  Similarly, for a scheduled online Session, we have arranged for an in-person approach by reserving a room on campus for in-person attendees of the Congress.

See:

  • 2024 International Congress on Medieval Studies: Program

In a Nutshell

Now, the Posters present, in a nutshell, information about each session of papers or meeting, including updated details which did not emerge in time for the published Congress Program, but which our 2024 RGME @ ICMS HomePage has been able to report through revisions as the news reached us.

The RGME tradition for its sessions and other events at the ICMS has been to prepare Posters announcing, promoting, and celebrating the people participating in creating them; providing evocative illustrations encapsulating or, as it were, commenting upon them; and given concise information about the event and its logistics of time, place, and modes of arrival.

Over the years, the RGME Director, Mildred Budny (also Editor-in-Chief of Publications), has prepared the Posters for our ICMS activities (as for other Events), with the inspiration of images generously provided by our Associates and others, notably including David W. Sorenson, and with the help of the RGME Font and Layout Designer, using the RGME copyright digital font Bembino and RGME principles for our Publications, set out according to our Style Manifesto and our specifications for Designing Academic Posters.

Usually, the Director would bring the Posters to the ICMS for unveiling at the Congress, in printed copies displayed in various places (as a group upon general poster boards or individually at the door or on the wall of the session or meeting itself.

2014 ICMS

Adelaide Bennett stands beside the RGME Posters on display for the 2014 ICMS. Photography by Mildred Budny.

2015 ICMS

Derek Shank stands beside the RGME Poster Display for the 2025 ICMS. Photography by Mildred Budny.

Fit to Print, Free to Keep

Each year, we bring printed copies to display on walls, doors, and boards, where permitted, and also to give to speakers, contributors, and others wishing souvenirs.  We offer them also in digital form, to be downloaded free of charge on our website.  The links for these downloads are indicated in the HomePage for the event (or in other locations on our website).

Online Exhibition

Until now, our habit has been to place the Posters, once they are ready, within the HomePage for the event.  Thus usually occurs at a late stage in the preparations for the year’s Congress, once the final details have settled into place and most of our other tasks of preparation have taken precedence.

This year, in order to allow the Posters to stand alongside each other to tell their stories in unison, we present a curated Gallery or Pop-Up Poster Exhibition for your enjoyment.

The Posters tell in a nutshell the information you might need and wish to know about the event itself, how and where to find it, who is featured in its presentation, and what feature image or images might evoke its essence.

The information includes updated information which the Congress Program does not have, as some logistics evolved after the publication of the Congress Program, and as some details do not have a place in its structure.

Two-By-Two as Pairs or Diptychs

Paris, Louvre Museum, Ivory consular diptych of Areobindus, Byzantium, 506 AD. Image Public domain, via Wikimedia Commons.

Paris, Louvre Museum, Ivory consular diptych of Areobindus, Byzantium, 506 AD. Image Public domain, via Wikimedia Commons.s

Note that, in recent years, we design the posters for individual Sessions as Pairs, to be viewed as Diptychs, in matching sets similar to the facing pages of an opened book.

In a given Pair, one Poster displays the names of the people responsible for the Session or Roundtable. The other exhibits a feature image or two.

While they share identifying elements, each poster in the pair reports information unique to it, so that the two posters provide more information than can one alone. Together they report a concise comprehensive indication of the ensemble which the event represents, encompassing people, a place, a time, and a focus for consideration.

Meetings

Anniversary Reception

2024 Anniversary Reception at the ICMS: Poster.

Open Business Meeting

2024 RGME Business Meeting Poster

2024 RGME Business Meeting Poster

Sessions and a Roundtable

“Alchemical Manuscripts, Printed Books, and Materials”

Poster 1

2024 ICMS Alchemical Session Poster 1

2024 ICMS Alchemical Session Poster 1

Poster 2

2024 ICMS Alchemical Session Poster 2

2024 ICMS Alchemical Session Poster 2

2. “Retrospect and Prospect”

Poster 1

2024 ICMS "Retrospect and Prospects" Session: Poster 1

2024 ICMS “Retrospect and Prospects” Session: Poster 1

Poster 2

2024 ICMS "Retrospect and Prospects" Session: Poster 2

2024 ICMS “Retrospect and Prospects” Session: Poster 2

3. “Letters, Couriers, and Post Offices:
Mail in the Medieval World”

Poster 1

2024 ICMS Postal Session: Poster 1

2024 ICMS Postal Session: Poster 1

Poster 2

2024 ICMS Postal Session: Poster 2

2024 ICMS Postal Session: Poster 2

*****

Suggestion Box

Do you like this Pop-Up Exhibition? Would you like to see more of them?

Please Contact Us or visit

  • our FaceBook Page
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  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our LinkedIn Group
  • our Blog on Manuscript Studies and its Contents List

Donations and contributions, in funds or in kind, are welcome and easy to give.  Given our low overheads, your donations have direct impact on our work and the furtherance of our mission.  For our Section 501(c)(3) nonprofit educational organization, your donations may be tax-deductible to the fullest extent permitted by law.  Thank you for your support!

  • Contributions and Donations
  • 2024 Anniversary Appeal

We look forward to hearing from you.

*****

Update on 8 May 2026:

Now see our next installment in this series:

  • RGME Pop-Up Poster Exhibition for the 2026 ICMS

*******

 

Tags: 2024 ICMS, 2024 International Congress on Medieval Studies, Anniversary Reception, Bembino, Bembino Digital Font, Business Meeting, Designing Academic Posters, POMONA, Pop-Up Exhibition, Postal History at Kalamazoo, Poster Exhibition, RGME Posters, RGME Publications, Societas Magica, Style Manifesto
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Keeping Up: Updates for Spring 2020

April 4, 2020 in Abstracts of Conference Papers, Announcements, Bembino, Business Meeting, Conference, Conference Announcement, ICMS, Index of Medieval Art, International Congress on Medieval Studies, Kalamazoo, Manuscript Studies, Princeton University, Societas Magica

Keeping Up:

Updates for Spring 2020

Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Dutch Book of Hours made for a female patron in the mid 15th century. Opening page of the Hours of the Virgin: "Here du salste opdoen mine lippen". Image via Creative Commons. At the bottom of the bordered page, an elegantly dressed woman sits before a shiny bowl- or mirror-like object, in order, perhaps, to perform skrying or to lure a unicorn.

Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Scrying, Perchance? Image via Creative Commons.

This Spring, the cancellation of 2 of our major events planned for this year, and intended to take place in mid-March and mid-May, produces perforce a redirection of energies and activities.  Call it “Regrouping”.

We report updates.

1.  Our 2020 Spring Symposium:  “From Cover to Cover”

Planned for 13–14 March at Princeton University
But Cancelled or Postponed

As preparations were proceeding apace, the event was cancelled by Princeton University — along with other events — on 9 March, in response to growing concerns for the spread of COVID-19 on a global scale.  Although at short notice, it was possible swiftly to cancel reservations for the venue, catering, and other services before participants had begun their journeys.

What We Planned

  • 2020 Spring Symposium: Save the Date
2020 Symposium "From Cover to Cover" Poster 2

2020 Symposium Poster 2

We aimed to consider, “From Cover to Cover”, activities dedicated to manuscripts, early printed materials, and beyond, from collecting and cataloguing to deciphering and beholding.  We prepared to gather specialists, teachers, students, and others engaged or interested in activities such as “Collecting, Curating, Conserving, Cataloguing, Deciphering, Reading, Reconsidering, Editing, Teaching, Displaying, Accessing, Beholding, and More”.

The focus was designed to center primarily upon medieval and early modern materials, both Western and non-Western.  The presentations would include reports of discoveries, work-in-progress, cumulative research, and collaborative projects by specialists from multiple centers, including independent scholars and younger scholars.

Included were workshops over original materials in manuscript and early print, a demonstration of materials and processes for medieval scripts, discussions about databases devoted to manuscripts and rare books, and sessions addressing multiple activities approaching medieval, early modern, and other textual resources.  Subjects would span a wide range geographically and chronologically, and take care to attend to the material and bibiographical evidence.

What We Can Do

There are requests for rescheduling the Symposium, or parts thereof, when conditions might permit.

Meanwhile, we can publish the Symposium Booklet.  At the time of cancellation, it had come close to completion for printing and distributing at the event and then afterward, as is our custom.  For example:

  • 2019 Anniversary Symposium on “The Roads Taken”
  • 2016 Symposium on ‘Words & Deeds”
  • 2014 Symposium on “Recollections of the Past”
  • 2013 Symposium on “Identity & Authenticity”

For all these and our other Booklets (see our Publications), the Research Group on Manuscript Evidence is the nonprofit publisher and distributor.  The design and layout conform with our Style Manifesto and employ our own digital font Bembino .

Florence, Galleria degli Uffizi, Anonymous, Still Life of an Illuminated Book, German School, 15th century. Oil on Wood. Opened book with fanned pages. Image via Wikimedia, Public Domain.

Florence, Galleria degli Uffizi, Anonymous, Still Life of an Illuminated Book, German School, 15th century. Image via Wikimedia, Public Domain.

The new 44-page Symposium Booklet contains the 2020 Symposium Program, Abstracts of the Papers and Masterclasses, and a set of accompanying Illustrations (some published for the first time).  The Booklet includes corrections and revisions offered by several of the authors as we completed the layout and editing, after the cancellation of the event.

It is the longest so far of all our Symposium Booklets. The 2019 Booklet for “The Roads Taken” has 28 pages, and the 2016 Booklet for “Words & Deeds” has 24 pages.  Only the Booklet for our multi-lingual digital font Bembino is longer, at 56 pages, including all the font tables for the different styles and languages. That Booklet and the font itself (now in Version 1.6) are freely available for download and use (commercial use included).  Here:  Bembino .

Our illustrated 2020 Spring Symposium Booklet is likewise freely available for download. As with other cases, for your convenience, we make it available in 2 versions, which may suit different printing arrangements, as wished.  The versions are:

  • printable in consecutive quarto-sized pages (8 1/2″ × 11″)
    2020 Spring Symposium Booklet as Consecutive Pages
  • printable as double sheets (11″ × 17″) which can be folded into the booklet, nesting the bifolia within each other
    — a design which does not require staples for closure and perusal
    2020 Spring Symposium as a Foldable Booklet

We thank our hosts, sponsors, contributors, owners and donors of images, editor, copy-editor, and layout designer. The publication is our gift to all who aimed to participate in the event and to follow its ‘ripples’ after the accomplishment of the Symposium. We offer it as a ‘souvenir’ of what our contributors, and the spirit of generous participation, intended for the event.

While we may explore plans to reschedule the event, or its parts, in some way or ways, the Booklet stands as a place-holder, and as a vivid glimpse of what could be and, indeed, can be. The gathering energy and enthusiasm for the event, as the weeks and days advanced toward it, remain a testimony to the constructive collective spirit which inspired it.

2020 Symposium "From Cover to Cover" Poster 1

2020 Symposium Poster 1

_____

With these observations, I am reminded of the Motto which I chose, years ago, for the 2-volume Illustrated Catalogue, co-published by the Research Group on Manuscript Evidence.

For Books are not absolutely dead things,
but doe contain a potencie of life in them
to be active as that soule was whose progeny they are;
nay, they do preserve as in a violl the purest efficacie and extraction
of the living intellect that bred them.

John Milton, Aeropagitica (1644)

Perhaps same as it ever was.

_____

Cover Page for Sorenson (2020 Spring Symposium Paper as Draft for Comment), with an array of illustrations and the title "Introduction to Indian Manuscripts"

Cover Page for Sorenson (2020 Spring Symposium Paper as Draft for Comment)

P. S.  Already one of our speakers, David W. Sorenson, has provided a draft version of his intended Symposium Paper for feedback. It expands the Abstract which appears in the 2020 Spring Symposium Booklet.

The paper provides “A Quick Introduction to Indian Manuscripts for the Non-Specialist”, with examples and illustrations.

With permission, we offer here his pdf.

Please contact us with your questions or suggestions.  (Contact details below.)

*****

2.  Our Activities at the 55th International Congress on Medieval Studies

Planned for 7–10 May at Kalamazoo
But Cancelled or Postponed

On 17 March, this year’s International Congress on Medieval Studies in May was cancelled, and with it all the activities which we were to sponsor and co-sponsor there, including Sessions and other meetings.  The Congress organizers declared that “We invite the organizers of sponsored . . . sessions approved for the 2020 Congress to re-propose them for the 2021 congress.  If proposed, they will be approved automatically”.

Unlike some organizations, who have declared this intention to re-present for the 2121 Congress, we do not know automatically if such a course would be appropriate for us, or for each and every one of our sessions.  Time will tell.

2019 Anniversary Reception Invitation. set in RGME digital font Bembino.

2019 Anniversary Reception Invitation.

Poster for our Session co-sponsored with the Societas Magica on "Celtic Magic Texts", organized by Phillip A. Bernhardt-House and sponsored by both the Research Group on Manuscript Evidence amd the Societas Magica at the 2018 International Congress on Medieval Studies. Poster set in RGME Bembino.

2018 Poster

The cancellation came in time before all reservations for the journey had been set into place.  Because our customary year-long preparations for the Congress had not reached the last weeks of its approach, we had not yet prepared the customary Posters for our Sessions or the Invitations to the Reception and Business Meeting, nor had the Agenda for that Meeting yet been drawn up.  Posters for previous Congresses show the standards.

However, we did in place have a series of posts on our website (You Are Here) announcing the plans for our 2020 Congress Activities, in stages with updates:

  • the Call for Papers for our approved Sessions, with descriptions of their aims and with selected Images (poster-worthy when the time would come) to exemplify their subjects and scope
  • the 2020 Congress Program, with the authors and titles of the selected Papers for each Session — including a permitted extra Session, given the strength of the responses to the Call, for our proposed Session “Seal the Real”
  • the 2020 Congress Program Announced, with the times and rooms assigned by the Congress Committee for our Program Activities, and with some of the Abstracts for the Papers.

In keeping with custom, we had begun, one by one (starting with the New Year), to post the Abstracts, as a foretaste for the presentations and discussions to come.

The cancellation of the Congress brought these stages to a halt, for a while, during which time we turned to other tasks — including the on-going follow-up from the cancellation or postponement of our Spring Symposium, and the completion of its Booklet.

Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Dutch Book of Hours made for a female patron in the mid 15th century. Opening page of the Hours of the Virgin: "Here du salste opdoen mine lippen". Image via Creative Commons. At the bottom of the bordered page, an elegantly dressed woman sits before a shiny bowl- or mirror-like object, in order, perhaps, to perform skrying or to lure a unicorn.

Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. mage via Creative Commons.

What We Planned

  • 2020 International Congress on Medieval Studies Program Announced

We prepared for 5 Sessions with Papers, an Open Business Meeting, and a Reception.

These resemble the numbers and sorts of our activities in recent years at the Annual Congress.  For example:

  • 2019 Congress
  • 2018 Congress
  • 2017 Congress
  • 2016 Congress
  • 2015 Congress

This year’s plans also involved our 2 co-sponsors in recent years for Sessions and/or Receptions.

A.  Sessions

We prepared for 5 Sessions this year.

3 Sessions Sponsored by the Research Group on Manuscript Evidence

1–2. Seal the Real: Documentary Records, Seals & Authentications

organized by Mildred Budny

Part I.  Signed & Sealed
Part II.  × Marks the Spot

3. Prologues in Medieval Texts of Magic, Astrology, and Prophecy

organized by Vajra Regan

Logo of the Societas Magica, reproduced by permission

Logo of the Societas Magica

2 Sessions Co-Sponsored with the Societas Magica
in the 16th year of this collaboration

4–5. Revealing the Unknown

organized by Sanne de Laat and László Sándor Chardonnens

Part I.  Scryers and Scrying in the Middle Ages and Early Modern Period
Part II.   Sortilège, Bibliomancy, and Divination

B.  2020 Open Business Meeting of the Research Group on Manuscript Evidence

1-Page Agendas customarily provided at the time.  This year we send it out already.  (See below.)

C.  Reception co-sponsored with the Index of Medieval Art at Princeton University
in the 3rd year of this collaboration

_____

P. S.  Part of Mildred Budny’s on-going research on the subject of seals and signatures, which would have figured in her Response to Session II of our “Seals” Sessions, now appears on our blog, Manuscript Studies, presenting Preston Take 2.  (See the Contents List for the blog, as more discoveries await publication.)

_____

P. P. S.  It is not lost on us that some of our planned Sessions for 2020 were to consider aspects of the history of divinatory skills across time and place.  But when we collectively chose these, as well as other subjects, last year for our sponsored and co-sponsored Sessions this year, it was not easy to guess then that this year’s Sessions would not take place, after all, at their appointed time and place.

Adèle Kindt (1804–1884), The Fortune Teller (circa 1835). Antwerp, Koninklijk Museum voor Schone Kunsten. Image via Wikimedia Commons. A young lady, brightly lit and beautifully dressed, looks outward as an older woman, beneath a dark hood, holds a set of cards and stares at them with intent.

Adèle Kindt (1804–1884), The Fortune Teller (circa 1835). Antwerp, Koninklijk Museum voor Schone Kunsten. Image via Wikimedia Commons.

What We Can Do

A.  Abstracts for the 2020 Congress Papers

Detail of opened book with schematic text. Photography © Mildred BudnyOur custom is to post on our website the Abstracts for the Papers of our Sessions at the Congress.  (See our Abstracts for Congress Papers.)  This year is no different.

In the winter of 2019–2020, we had begun to post the 2020 Abstracts, one by one, as is our custom.  They are linked to our announced Program: 2020 Congress Program Announced. The Abstracts function as a foretaste of the ‘Menu’ of the Sessions, and can provide a record of their subjects, aims, and scope of the presentations.

Already in earlier years (as with the 2016 Congress and the 2014 Congress), as a sign of appreciation, we chose to adopt the tradition of posting Abstracts even when a contributor was unable to travel to the Congress and to present the paper in person.  The publication of such Abstracts states that, although proposed, accepted, and scheduled within the Session and Congress Program, the paper was not, in the event, presented.

Before March 2020, only once before, in more than 30 years of activities in many centers in the United States and elsewhere (see our Events and Congress Activities), has the Research Group had to cancel an event itself.  That case was only 1 Session among 7 sponsored and co-sponsored Sessions at the 48th International Congress on Medieval Studies in May 2013.

This year, after the cancellation of both our 2020 Spring Symposium (see above) and the 2020 Congress, we first turned to completing the Symposium Booklet, and then to completing the posting of the 2020 Abstracts.

Those tasks are now accomplished.  For these Congress Abstracts, see

  • 2020 Congress Program Announced and Abstracts of Congress Papers Listed by Year.

For the Symposium Booklet, see

  • 2020 Spring Symposium: Save the Date

Thus we honor the intentions of our participants and their readiness to contribute to our events.

Next, we might turn to contemplating further activities, and perhaps rescheduling some of these ones.

[Update:  In the summer and autumn of 2020, we advance with planning to hold the same Sessions, albeit with a few changes, at the 2021 Congress.  See the 2021 Congress Program in Progress.]

B.  Agenda for the 2020 Business Meeting

Meeting to be rescheduled:  Time and Place to be Determined

The Annual Agendas for our Open Business Meetings, customarily held at the International Congress on Medieval Studies, remain available for consultation.

  • 2019 Agenda
  • 2018 Agenda
  • 2017 Agenda
  • 2016 Agenda
  • 2015 Agenda

These 1-page statements serve as concise Reports for our Activities, Plans, and Desiderata.  After the Meetings, the Abstracts are available for download on our website.  Some of them remain among the most popular downloads here.

Normally, the Agenda is presented at the Meeting.  This year, we send it out ahead of time.  It incorporates the updates of Spring 2020 and their constructive measures.

  • 2020 Agenda

It is not yet clear when this year’s Meeting, which had to be postponed, will take place.  Under present circumstances, we may contemplate a virtual meeting, say via online conferencing in some form.

Please let us know if you wish to participate in the Meeting.  We invite your comments, questions, and suggestions.  (See below.)

C. More

We thank all our contributors to the 2020 events.  The continuing momentum for such activities is a tribute to you all.

Please Contact Us with your questions and suggestions, for example to items on our  2020 Agenda.

For updates, please visit this site, our News & Views, and our Facebook Page .

For our nonprofit educational mission, with tax-exempt status, your donations in funds and/or in kind (expertise, materials, time) are welcome. Join us!

Tags: 'Manuscript Studies' Blog, 2020 Congress, 2020 Symposium, Bembino, Bembino Digital Font, Business Meeting, Early Printing, History of Documents, Manuscript studies, Medieval Studies, Seals and Signatures, Style Manifesto
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The Plot Thickens

June 7, 2019 in Manuscript Studies, Reports

A New Leaf Found at the University of Pennsylvania
from the
“Kurdian/Chicago New Testament Praxapostolos[?]
in Old Armenian”

The “Find-Place” of this Fragment
is a Surprise
also for Our Research on “Otto Ege Manuscripts”

[In our series of blogposts on Manuscript Studies, Mildred Budny (see Her Page) reports the unexpected discovery of another leaf from the same dismembered manuscript with portions of the New Testament in Old Armenian featured in an earlier blogpost, published on 28 September 2015, with an illustrated Report available for download.  Now we prepare for an updated, downloadable Report by describing the New Find and its location.]

Cover for the Report on 'Two Detached Manuscript Leaves containing New Testament Texts in Old Armenian' by Leslie J. French for the Research Group on Manuscript Evidence, with a detail of Leaf I verso, column a lines 10-12, with the opening of Acts 23:12

Cover for “Two Detached Manuscript Leaves containing New Testament Texts in Old Armenian” (2015).

First the Report So Far. As part of the process of exhibiting images from manuscripts, documents, and other written materials — for example in our Galleries of Scripts on Parade and Texts on Parade, and in our Reports on Manuscript Studies — we offered a Report on ‘Two Detached Manuscript Leaves containing New Testament Texts in Old Armenian’ by our Associate, Leslie J. French.  The Report focuses upon the evidence of some New Leaves (as they came into our view), considering their materials, layout, text, apparatus, and language, with reference to the knowable features of other remnants of the manuscript, particularly the Chicago Leaf, and some relatives among other representatives of New Testament texts in Old Armenian written in bolorgir script and accompanied in the margins by the Euthalian apparatus.

The Report booklet is available for download in 2 versions. They respect options for printing which might be available to you.

  • ArmenianPages set out in individual letter-sized (or quarto) pages
  • ArmenianBooklet laid out on 11″ × 17″ sheets for folding into a 20-page booklet in consecutive reading order

Specifically for that Report, Armenian characters in both lower case and upper case were added to the multi-lingual digital font Bembino of the Research Group on Manuscript Evidence.  For information about the font and its current version, free for download and use, see Bembino.  A booklet demonstrates specimens in multiple languages, Armenian included, of the appearance on the page of Multi-Lingual Bembino.

Booklet ‘On Demand’

Old Armenian "New Leaf I", Verso. Fragment with part of the Acts of the Apostles (to Acts 23:19)

Folio Ir of Armenian New Testament fragment. Acts of the Apostles

This Report is available below for download as PDF. In the form of a booklet, it presents its materials laid out in the official font of the Research Group on Manuscript Evidence, Bembino, a multilingual digital font (which you see on this website), and in accordance with the principles of our Style Manifesto. Such an approach resembles the presentation of our Newsletter ShelfMarks in booklet form, likewise available freely for download — as are the Style Manifesto and the descriptive booklet, with specimens, for Bembino. The font itself is also FREE for download here (now in Version 1.3).

The Report examines and illustrates two detached leaves in Old Armenian which came to our attention when preparing their presentation among other specimens in various languages in our Gallery of Scripts on Parade. Then, identifying the passages of text and the elements of textual apparatus on the leaves proceeded hand in hand with an exploration of the available evidence, or records, for other parts of the same manuscript dispersed in several collections. Designing Armenian characters, lowercase and uppercase, for Bembino (in its next version, still in progress, responding to requests) allowed for the collation of the texts in full, as an aid to decipherment for readers who may be unfamiliar with the language or the medieval script forms. And so the booklet took shape.

The Manuscript in Question

These leaves, now in several collections, both private and institutional, preserve parts of dismembered manuscript in Old Armenian written in bolorgir minuscule script of the 15th or 16th century CE. The remnants contain parts of the New Testament (some observers say a Lectionary), plus a Prayer (or its opening line) and a Scribal Colophon (of unknown contents), now dispersed in parts among several collections worldwide.

Read the rest of this entry →

Tags: Bembino Digital Font, Dawson's Bookshop, Goodspeed Manuscript Collection, Manuscript studies, Medieval Manuscript Fragments, New Testament Manuscripts, Old Armenian, University of Pennsylvania Libraries
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Bembino Version 1.5 (2018)

April 18, 2018 in Announcements, Bembino, Manuscript Studies, Uncategorized

The Newest Version of Bembino (Version 1.5)

Poster Announcing Bembino Version 1.5 (April 2018) with border for Web display

Poster Announcing Bembino Version 1.5

Years in the making, through consultation with scholars, students, and readers in a wide range of fields, Bembino is designed to allow multiple languages to live in harmony on the same page.

We offer Bembino Version 1.5 (2018), together with an updated version of the companion Booklet.

Available FREELY for download here.

Enjoy!

Would you like further elements? Please Contact-Us .

****

Tags: Bembino, Bembino Digital Font
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2017 Zodiac Cards Promotional Offer

August 19, 2017 in Bembino, Uncategorized

An Exclusive Set of Greeting Cards
Especially Designed
Birthdays and Year-Round Included

Greetings!

mbd logoCelebrating the new version of our copyright font Bembino, now with its especially requested Zodiac and Astrological Signs (and other elements), we have been given generous permission for a special Promotional Offer for the Greeting Cards designed expressly by Milly Budny Designs.

Wishing to use the font, and experiencing its creation from the Get Go (see our Director’s Memoirs, in progress), the artist/creator/designer of Milly Budny Designs especially requested the zodiac and astrological signs for that font.  She says that she loves celebrating birthdays, friendships, and celebrations in general as well as particular.  Cards, real cards — the kind that you can have and hold (no offense to any other kinds) — can have a good place in these recollections and celebrations.

You might have noticed that a recurrent hashtag on the Research Group’s Facebook Page is this: #notgoingpaperlessanytimesoon (no offense to vellum and parchment).  There is something special about having the object with greetings to hold in your hands, to display on your mantlepiece, and to enjoy years later, if you keep them, as you look upon the records of your friendships.  (I speak as someone engaged in this very activity this year, with some soft tears of recollection and happiness.  To be commended as a record.)

About the Design

The request for the zodiac signs in Bembino sought to blend all the design for the text on the cards into a complementary whole.  After all, those are the principles and the practices of our multilingual font Bembino, designed for different languages and styles of text to “live in harmony on one page”.  Why not apply them to everything that we design?  Indeed, why not.  Love it when it works.

And so, approaching the 2017 Total Solar Eclipse (on 21 August) and the Autumnal Equinox (on 22 September), we celebrate the seasons with reasons and greetings.  By special and generous arrangement with the designer (see Her Page), all profits from this promotion will be donated to the Research Group on Manuscript Evidence.

Every Birthday Has A Card

Which is your sign?  Every one has its place here.

Zodiac Cards Poster for Full Zodiac Covers with border

Year Round Greetings Included

The designs recognize every Birthday Sign.  They also celebrate the full set of signs in a universal Greeting Card. Thus, they feature the individual Birthday Signs and also embrace the full set of Signs in a year-round Greeting Card.  Something for everyone, and for every time of the year!

Which do you choose?  One or more?  Maybe a full set, for all your Friends and Family and many Occasions, Birthdays and Best Wishes Opportunities included?

Zodiac Cards Poster Interiors with border

Order Form

A Special Offer deserves a Special Offer. The 5″ × 7″ cards are printed on 110 lb card stock, plus envelope (32 bond).  The artist selects and ensures quality-control, so that you can expect well-printed cards.  Good greetings deserve good expressions, don’t you think?

Usually, the cards sell for $4.00 apiece, plus (where applicable) shipping and handling, and (in New Jersey, our home base) sales tax.

For this celebratory Promotion, their special price is $3.00 apiece, or $30 per dozen — in any mix of birthdays and/or all-year greetings.  Remember, the profits go to our organization!

Details here:
2017 Promotional Order Form

Zodiac Cards Promotional Order Form August 2017 with border

The Designs, By Design

The set of zodiac signs in our font Bembino were designed by special request for the astrological signs. With those additions to the font, the cards were designed as a full suite by Milly Budny Designs.

Bembino-booklet-cover with border

Information about ordering the them can be found on their Zodiac Cards Form for the Research Group. Also, you might contact director@manuscriptevidence.org.

By arrangement, all the profits from this promotional offer — and not only some part of the proceeds for the sales — will be donated to the Research Group on Manuscript Evidence, a recognized 501(c)(3) nonprofit organization.

Our Home Page describes our Mission for educational purposes. Also, your Contributions and Donations are easy to offer, both in funds and in kind.

There are many ways to help us, as an organization powered by volunteers. Because the organization does not have buildings, paid staff, and a large infrastructure, your donations may directly support our organizational running costs and minimal fund-raising expenses, and mainly our program activities. Lean but not Mean!

This collaborative generosity has led, among other gains, to the Promotional Offer for the especially designed Zodiac Cards. We thank the designer for contributing their sets to our cause.  Here we see them from the outside, Front-and-Back.  Pretty, don’t you think?

Zodiac Cards Poster Interiors with border

Enjoy!  Please contact us with your questions, requests, and suggestions. We look forward to your orders. Sign on!

*****

Tags: Bembino Digital Font, Zodiac Cards
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Designing Academic Posters

May 29, 2017 in Announcements, Manuscript Studies

Steady on the Page

Gold stamp on blue cloth of the logo of the Research Group on Manuscript Evidence. Detail from the front cover of Volume II of 'The Illustrated Catalogue'Continuing to reflect on the values of presenting materials, whether text, image, or both, upon a page or writing surface, we have decided to proclaim the principles which guide our approach to layout of posters. You may have noticed some of them at our events, on the Posts of Pages pertaining to them, and/or in the Poster Gallery on this website.

You may know already about our views about design and layout, for example in the Illustrated Catalogue (our own design throughout, apart from the front covers and the promotional booklet), in our Style Manifesto (we are not so shy, uncommitted, or wimpy, as to call it a “Style Sheet”), and in all of our Publications.

Page 1 of the 'Style Manifesto' of the Research Group on Manuscript Evidence in the version of April 2014 (4 pages)

Version of April 2015

Principles and Principled

Now we offer a similarly clear, and polemical, description of principles which we believe should govern the processes, and products, of Designing Academic Posters. The 4-page Booklet, set in RGME Bembino, describes and illustrates the aims.

You may download our booklet in whichever form you prefer:

  • Designing Academic Posters set out in 4 individual letter-sized (or quarto) pages
  • Designing Academic Posters as Booklet laid out on 11″ × 17″ sheets for folding into a 4-page booklet in consecutive reading order

We adopted this dual form of publishing our Booklets for some earlier cases, as with the Report on some New Testament Leaves in Old Armenian.  Its 20-page Report appears both as

  • Armenian Pages set out in individual letter-sized (or quarto) pages
  • Armenian Booklet laid out on 11″ × 17″ sheets for folding into a booklet in consecutive reading order

Experience shows that some of you may prefer the second option, so we continue the provision.

Enjoy!

Examples from our Poster Gallery

2014 Poster/Program for the Colloquium on 'When the Dust Has Settled, Or, When Good Scholars Go Back . . . ', laid out in RGME Bembino

What do you think? We invite your comments. We’d be glad to improve.

Poster 2 for the 2016 'Words & Deeds' Symposium at Princeton University, with 2 images from the Otto Ege Collection, The Beinecke Rare Book and Manuscript Library, Yale University. Photography by Lisa Fagin Davis. Reproduced by permission. Poster set in RGME Bembino

And another favorite:

Poster for 'In a Knotshell' (November 2012)with border

Please let us know your favorites!  We’d be glad to hear from you!

Comments here or Contact Us.

*****

Tags: Bembino, Bembino Digital Font, Budny's Illustrated Catalogue, design layout, Research Group designs, Research Group Posters, Style Manifesto
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Interview with Our Font & Layout Designer

October 6, 2016 in Interview, Interviews, Reports, Uncategorized

Logo of the Research Group on Manuscript Evidence (colour version)Logo of the Research Group on Manuscript Evidence in Monochrome VersionInterviews:  Number 1

Here we begin a Series of Interviews with people involved in the origins, formation, development, and life of the Research Group on Manuscript Evidence.

First comes an interview with our Font & Layout Designer, Leslie J. French.

Read the rest of this entry →

Tags: Bembino Digital Font, Budny's Illustrated Catalogue, Leslie J French, Manuscript studies, Profile of the Research Group, Research Group designs, Research Group Logo, Research Group Posters, Seminars on Manuscript Evidence, ShelfLife: Bulletin of the Research Group on Manuscript Evidence, ShelfMarks: RGMEnewsletter, Style Manifesto
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Seminar on the Evidence of Manuscripts (August 1993)

September 11, 2016 in Seminars on Manuscript Evidence, Uncategorized

“British Library, Cotton MS Tiberius A.iii:
An Eleventh-Century Miscellany of Latin and Old English Texts
Owned by Christ Church, Canterbury”

The British Library, 9 August 1993

© The British Library Board, Cotton MS Tiberius A III, folio 117v. Frontispiece for the 'Rule' of Saint Benedict, showing Benedict and his Monks.

© The British Library Board, Cotton MS Tiberius A III, folio 117v

In the Series of Seminars on the Evidence of Manuscripts
The British Library, London

Invitation in pdf (3 pages including RSVP Form)

The previous Seminar in the series considered

“Corpus Christi College MS 201:
An Eleventh-Century Collection of Homiletic, Legal, and Other Texts”

in Latin and Old English
(Parker Library, 19 June 1993)

[First published on 11 September 2016 by Mildred Budny]

For the first time in this Series of Seminars and other forms of scholarly meetings, a Workshop took place at the British Library, London.  Customarily they were held at the Parker Library at Corpus Christi College in the University of Cambridge.  Already sessions in the Series had taken place in Oxford (20 June 1992 and 13 March 1993) and in Tokyo (November and December 1993).  Now the Series turned to the British Library, as the subject and the opportunity invited.

Invitation to Workshop on "Cotton MS Tiberius A.iii" at the British Library on 9 August 1993, Page 1

Invitation Letter Page 1

Invitation to Workshop on 'Cotton MS Tiberius A III' at the British Library on 9 August 1993.

Invitation Letter Page 2

Invitation to Workshop on 'Cotton MS Tiberius A III' at the British Library on 9 August 1993. RSVP Form.

RSVP Form

Organised by Mildred Budny, Malcolm Godden, and Andrew Prescott — all of whom issued the 2-page Invitation Letter — the Workshop at the British Library was designed to gather specialists and students, including some from abroad (Germany, The Netherlands, the United States), who would be attending the 6th biannual conference of the International Society of Anglo-Saxonists (ISAS). That conference took place on 1–7 August at Wadham College, Oxford.

Therefore we planned for “a Saturday before / after ISAS”, and entertained the possibility of holding the event in “Cambridge, Oxford, London”.  These logistical considerations are recorded at the head of a 1-page planning outline in the set of 3 undated pages of pencil notes by Mildred Budny within the file for this event in the Research Group Archives.

The selected Saturday suited the speakers whom we hoped to hear and a number of participants whom we hoped to include.  The stage was set.

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Tags: Abingdon Chronicle, Anglo-Saxon Chronicle, Ælfric's Colloquy, Ælfric's Grammar, Bembino Digital Font, Biblioteka Narodowa MS I. 3311, British Library Cotton MS Claudius B.iv, Christ Church Canterbury, Cotton Collection, Cotton MS Claudius B IV, Cotton MS Faustina B III, Cotton MS Galba E IV, Cotton Tiberius A VI, Franciscus Junius, Interlinear glosses, John Obadiah Westwood, Manuscript Miscellany, Manuscript studies, Monasteriales indicia, Old English glosses, pre-photographic reproduction, Regula Sancti Benedicti, Regularis Concordia, Research Group designs, Royal MS 1 E vI, Saint Augustine's Abbey Canterbury, Seminars on Manuscript Evidence, The British Library
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