• News
    • News & Views
    • Reviews
    • Highlights
  • Blogs
    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
        • Abstracts of Papers Listed by Year
  • About
    • Mission
    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
  • Bembino
    • Multi-Lingual Bembino
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention
      • Abstracts of Papers for the M-MLA Convention
  • Events
    • The Research Group Speaks: The Series
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
    • History and Design of Our Website
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
    • Scripts on Parade
    • Texts on Parade
      • Latin Documents & Cartularies
      • New Testament Leaves in Old Armenian
    • Posters on Display
    • Layout Designs
  • Donations and Contributions
    • 2019 Anniversary Appeal
    • Orders
  • Contact Us
  • Links
    • Catalogs, Metadata, and Databases: A Handlist of Links
    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

  • News
    • News & Views
    • Reviews
    • Highlights
  • Blogs
    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
        • Abstracts of Papers Listed by Year
  • About
    • Mission
    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
  • Bembino
    • Multi-Lingual Bembino
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention
      • Abstracts of Papers for the M-MLA Convention
  • Events
    • The Research Group Speaks: The Series
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
    • History and Design of Our Website
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
    • Scripts on Parade
    • Texts on Parade
      • Latin Documents & Cartularies
      • New Testament Leaves in Old Armenian
    • Posters on Display
    • Layout Designs
  • Donations and Contributions
    • 2019 Anniversary Appeal
    • Orders
  • Contact Us
  • Links
    • Catalogs, Metadata, and Databases: A Handlist of Links
    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

Log in

Archives

Featured Posts

Two Ege Leaves and Two Ege Labels in the Collection of Birgitt G. Lopez
2022 International Congress on Medieval Studies: Program
2022 Spring Symposium on “Structures of Knowledge”
Two Old Testament Leaves from ‘Otto Ege Manuscript 14’ at Smith College
Catalogs, Metadata, and Databases (Part I)
I Was Here . . .
Lead the People Forward (by Zoey Kambour)
The Curious Printing History of ‘La Science de l’Arpenteur’
A Leaf in Dallas from “Otto Ege Manuscript 14” (Lectern Bible)
How to Be Indiana Jones in the Catalog
Southern Italian Cuisine Before Columbus
Florence, Galleria degli Uffizi, Anonymous, Still Life of an Illuminated Book, German School, 15th century. Oil on Wood. Opened book with fanned pages. Image via Wikimedia, Public Domain.
Barbara Williams Ellertson and the BASIRA Project, with a Timeline
Two Vellum Leaves from a Large-Format Latin Breviary in Gothic Script
An Illustrated Leaf from the Shahnameh with a Russian Watermark
2021 International Congress on Medieval Studies Report
J. S. Wagner Collection, Leaf from Ege Manuscript 22, verso, bottom right: Ege's inscription in pencil.
Another Leaf from the Warburg Missal (‘Ege Manuscript 22’)
Hermes Trismegistus. Frontispiece image (Lyons, 1669) via Wikimedia Commons and Wellcome Images (Wellcome_L0000980).
Medieval Magic in Theory
More Leaves from a Deconstructed Sinhalese Palm-Leaf Manuscript
Private Collection, Sinhalese Palm-Leaf Manuscript, End-Leaf 01, Left.
A Sinhalese Palm-Leaf Book in Deconstructed and Reconstructed Order
Beinecke Rare Book & Manuscript Library, Otto Ege Collection, FOL Set 3, MS 40, Specimen 1: folio '1'r, Top Left. Photography Mildred Budny.
Specimens of Ege Manuscript 40 in the Ege Family Portfolio
Otto F. Ege: Fifty Original Leaves from Medieval Manuscripts, Leaf 40, Printed Label, Special Collections and University Archives, Stony Brook University Libraries.
Otto Ege Manuscript 40, Part II: Before and After Ege
rivate Collection, Koran Leaf in Ege's Famous Books in Nine Centuries, Front of Leaf. Reproduced by permission.
Otto Ege’s Portfolio of ‘Famous Books’ and ‘Ege Manuscript 53’ (Quran)
J. S. Wagner Collection, Early-Printed Missal Leaf, Verso. Rubric and Music for Holy Saturday. Reproduced by Permission.
Carmelite Missal Leaf of 1509
Private Collection, Castle Cartulary Fragment, Inserted Folded Sheet, Opened: Top Righ
Fragments of a Castle ‘Capbreu’ from Catalonia
Grapes Watermark in a Selbold Cartulary Fragment.
Selbold Cartulary Fragments
Smeltzer Collection, Subermeyer (1598), Vellum Supports Strip 2 Signature Surname.
Vellum Binding Fragments in a Parisian Printed Book of 1598
Set 1 of Ege's FOL Portfolio, Leaf 14 recto: Lamentations Initial.
Some Leaves in Set 1 of Ege’s FOL Portfolio
Church of Saint Mary, High Ongar, Essex, with 12th-Century Nave. Photograph by John Salmon (8 May 2004), Image via Wikipedia.
A Charter of 1399 from High Ongar in Essex
View to the Dorm at the End of the Congress.
2019 Congress Behind the Scenes Report
Opening of the Book of Maccabees in Otto Ege MS 19. Private Collection.
A Leaf from ‘Otto Ege Manuscript 19’ and Ege’s Workshop Practices
2020 Spring Symposium: Save the Date
At the Exhibition of "Gutenberg and After" at Princeton University in 2019, the Co-Curator Eric White stands before the Scheide Gutenberg Bible displayed at the opening of the Book of I Kings.
“Gutenberg and After” at Princeton University Library
J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Recto, Initial C for "Confitimini" of Psalm 117 (118), with scrolling foliate decoration.
A Leaf from Prime in a Large-Format Latin Breviary
J. S. Wagner Collection. Detached Manuscript Leaf with the Opening in Latin of the Penitent Psalm 4 or Psalm 37 (38) and its Illustration of King David.
The Penitent King David from a Book of Hours
Bust of the God Janus. Vatican City, Vatican Museums. Photo by Fubar Obfusco via Wikimedia Commons.
2019 M-MLA Panel Program
Coffee Break at our 2002 British Museum Colloquium. Our Director, Dáibhí Ó Cróinin, and Giles Constable. Photograph by our Associate, Geoffrey R. Russom.
Revisiting Anglo-Saxon Symposia 2002/2018
The red wax seal seen upright, with the male human head facing left. Document on paper issued at Grenoble and dated 13 February 1345 (Old Style). Image reproduced by permission
2020 ICMS Call for Papers: Seal the Real
Yale University, Beinecke Rare Book and Manuscript Library, MS 1183. Photograph courtesy Kristen Herdman.
2019 Anniversary Symposium Report: The Roads Taken
Detail of illustration.
Sanskrit and Prakrit Manuscripts
Detail of recto of leaf from an Italian Giant Bible. Photography by Mildred Budny
2019 International Congress on Medieval Studies Program Details
Thomas E. Hill stands at the entrance to the Vassar College Library. Photography by Mildred Budny
Another Visit to The Library Cafe
Leaf 41, Recto, Top Right, in the Family Album (Set Number 3) of Otto Ege's Portfolio of 'Fifty Original Leaves' (FOL). Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Mildred Budny.
More Discoveries for ‘Otto Ege Manuscript 41’
Augustine Homilies Bifolium Folio IIr detail with title and initial for Sermon XCVI. Private Collection, reproduced by permission. Photograph by Mildred Budny.
Vellum Bifolium from Augustine’s “Homilies on John”
Rosette Watermark, Private Collection. Reproduced by Permission
2019 International Congress on Medieval Studies Program
Libro de los juegos. Madrid, El Escorial, MS T.1.6, folio 17 verso, detail.
2018 International Congress on Medieval Studies Program
Poster Announcing Bembino Version 1.5 (April 2018) with border for Web display
Bembino Version 1.5 (2018)
Lower Half of the Original Verso of a Single Leaf detached from a prayerbook in Dutch made circa 1530, owned and dismembered by Otto F. Ege, with the seller's description in pencil in the lower margin. Image reproduced by permission.
A New Leaf from ‘Otto Ege Manuscript 214’?
Slice of Brie. Photograph by Coyau via Wikipedia Commons.
Say Cheese
Verso of the Leaf and Interior of the Binding, Detail: Lower Right-Hand Corner, with the Mitered Flap Unfolde
A 12th-Century Fragment of Anselm’s ‘Cur Deus Homo’
Reused Leaf from Gregory's Dialogues Book III viewed from verso (outside of reused book cover) Detail of Spine of Cover with Volume Labels. Photograph © Mildred Budny.
A Leaf from Gregory’s Dialogues Reused for Euthymius
Detail of the top of the verso of the fragmentary leaf from a 13th-century copy of Statutes for the Cistercian Order. Reproduced by permission.
Another Witness to the Cistercian Statutes of 1257
Initial d in woodcut with winged hybrid creature as an inhabitant. Photography © Mildred Budny
The ‘Foundling Hospital’ for Manuscript Fragments
Decorated opening word 'Nuper' of the Dialogues, Book III, Chapter 13, reproduced by permission
A New Leaf from ‘Otto Ege Manuscript 41’
Close-Up of The Host of 'The Library Cafe' in the Radio Studio. Photography © Mildred Budny
A Visit to The Library Café
Invitation to 'Canterbury Manuscripts' Seminar on 19 September 1994
Seminar on the Evidence of Manuscripts (September 1994)

You are browsing the Blog for Beowulf Manuscript

“Imaging Aids in the British Library” (December 1993)

September 5, 2016 in Seminars on Manuscript Evidence

Cover for Preliminary Report of the January 1994 Workshop on 'Image Processing and Manuscript Studies'A Visit
to the British Library
by the Research Group on Manuscript Evidence

15 December 1993

In preparation for the Workshop
on Image-Processing and Manuscript Studies”
at the Parker Library on 15 January 1994

in the Series of
Research Group Seminars on ‘The Evidence of Manuscripts’

The Parker Library, Corpus Christi College, Cambridge

[First published on our website on 5 September 2016]

© The British Library Board. Cotton MS Claudius A III, folio 8r. Frontispiece with Gregory the Great enthroned in a niche and reverent monks at his feet. Reproduced by permission

© The British Library Board. Cotton MS Claudius A III, folio 8r. Reproduced by permission

A 1-day visit to the British Library in December 1993 prepared for the Research Group’s January 1994 workshop on optical imaging techniques as aids for manuscript studies.

Organised by Mildred Budny and Tony Parker and held at the Parker Library, that approaching workshop on Image-Processing for Manuscript Studies” aimed to consider developments in imaging through photographic and computerised methods, as a means of gathering information and feedback about techniques of image processing, both existing and planned, with a view toward applications, capabilities, limitations, desiderata, and future potential.

Participants at the workshop would include experts in manuscript studies, conservation, photography, imaging aids, computing, radio astronomy, engineering, forensics and medical imaging.  The speakers would come from the Research Group on Manuscript Evidence, the University of Cambridge, the British Library, the University of Kentucky, the Questioned Documents Section of the Metropolitan Police Forensics Laboratory, Ipswich Hospital, and Keith & Pelling Ltd.  The other participants would come from both near and far.

Meanwhile, there were elements of information to gather and materials to prepare.

Fact-Finding, Demonstrations, and Explorations

Postcard with frontal view of The British Museum.

Viewing the Front of The British Museum via Postcard.

The Visit took place in the Manuscripts Conservation Studio of the Collection and Preservation Directorate of The British Library.  At the time, remember, The British Library (created on 1 July 1972 as a result of the British Library Act 1973) still remained in its “old” building, before the move in 1999 to the new building, specially built for the purpose, on the Euston Road, Number 96. That is, the British Library remained in the same building as The British Museum, out of which it had emerged as an entity of its own.  The Department of Western Manuscripts remained in its domicile, in the East Wing of the building (designed in Greek Revival Style by Sir Robert Smirke and completed in 1852), facing Great Russell Street and the Front Entrance.  The Manuscripts Conservation Studio occupied quarters in the Basement below.

During the years of her long-term research on manuscripts at The British Library for the Ph.D. (London 1984), Mildred Budny (a founder member and by now Director of the Research Group on Manuscript Evidence) had been a frequent visitor to the Manuscripts Conservation Studio, at Tony Parker’s invitation, to learn about new equipment, new techniques, and new discoveries as part of the conservation work on many forms of materials, manuscript and other. As a result both of such visits and meetings elsewhere, conferences included, it was “natural” to learn, for example, about the Beowulf Digitisation Project (1992–) already as it was beginning to take shape and form.

Here, thanks to that Project (and other developments), you may see, right now, here and now, how the sole surviving medieval copy (partly burnt) of Beowulf begins:

© The British Library Board. Cotton MS Vitellius A XV folio 132r. Reproduced by permission.

© The British Library Board. Cotton MS Vitellius A XV folio 132r. Reproduced by permission.

On the day, we could inspect the Real Thing, viewed with the relevant equipment, and guided by a founder of the Beowulf Digitisation Project in a formative period.  At the January Workshop on “Image-Processing for Manuscript Studies”, Kevin Kiernan also joined the presentations, although that time not in the presence of the manuscript itself, but represented by proxy, and moreover by computer transmission of images via the University of Kentucky to Cambridge. (You may take such representation for granted, nowadays, but we report an earlier stage in the worldwide transformation of the transmission of images of manuscripts, etc . . . )

© The British Library Board. Cotton MS Vitellius A XV folio 140r. Reproduced by permission.

© The British Library Board. Cotton MS Vitellius A XV folio 140r. Reproduced by permission.

© The British Library Board. Cotton MS Vitellius A XV folio 163v. Reproduced by permission.

© The British Library Board. Cotton MS Vitellius A XV folio 163v. Reproduced by permission.

© The British Library Board. Cotton MS Vitellius A XV folio 139r. Reproduced by permission.

© The British Library Board. Cotton MS Vitellius A XV folio 139r. Reproduced by permission.

*****

Report of the Visit, Now with Illustrations

'Imaging Aids' on 15 December 1993. Photography © Mildred Budny

‘Imaging Aids’ on 15 December 1993. Photography © Mildred Budny.

Front cover of the assembled booklet with the Profile of the Research Group on Manuscript Evidence and the full set of 5 Annual Reports to the Leverhulme Trust, which funded the 5-year major Research ProjectA report of this December Visit appears as an Appendix to the “Preliminary Report” of the 15 January Workshop, printed and circulated as a Booklet after its event.  A similar Report for the December Visit to the British Library appears in the Fifth, and Final, Annual Report to the Leverhulme Trust (1993–4) on the 5-year Research Project at The Parker Library on “The Archaeology of Anglo-Saxon Manuscripts” (Leverhulme Trust ref. F665).  On the series of Annual Reports, see our Publications.

We now transcribe the Report here, for you to see both on our website and in our Research Group font Bembino — our own copyright font, designed over more recent years by one of the participants of this Visit.  (You may download this font for FREE here.) You may also view the Appendix on its original page in the downloadable Booklet.  Here, we add some links and, by permission from The British Library, several images from the relevant manuscripts examined during the Visit.

*****

The “Appendix”

© The British Library Board, Cotton MS Vitellius A. XV, folio 147r. From the epic poem 'Beowulf', setting the stage impressively for the sole surviving copy of this major monument of Old English language and literature. Reproduced by permission

© The British Library Board, Cotton MS Vitellius A. XV, folio 147r. Reproduced by permission.

“Organised by Dr Budny and Mr Parker, a Research Group visit to the British Library took place in December, in preparation for the workshop at the Parker Library in January.  The meeting was attended by Dr French, Dr S.L. Keefer (Trent University, Ontario) and Mr R.M.Keefer (consultant specialist to the Alcan corporation, Canada).

“Dr Prescott demonstrated developments in the new Digitisation Project at the British Library devoted to the Beowulf manuscript.  Mr Parker surveyed the history, development, range and uses of advanced viewing aids in the Manuscripts Conservation Studio of the Collection and Preservation Directorate of the British Library, notably as applied to the Western Manuscript collection since the early 1970s.  Mr Parker demonstrated uses of microscopy, borescopy, infrared and ultra-violet lighting, fibre-optic lighting and the Video Spectral Comparator (VSC), with examples from British Library materials.

“Mr Parker and Dr Budny then conducted a joint project between the British Library and the Research Group. It was devoted to a problematic page selected by Dr Budny in Cotton MS Claudius A. iii, a collection of pontifical and other fragments mainly from Christ Church, Canterbury. Portions of the page, containing inscriptions, decoration and illustration, were examined under the VSC screen and under microscopy, using both indirect and transmitted lighting with cold fibre optic lighting and a glow-panel. Mr Parker took photographs for display in the January workshop. Dr Budny and Dr French recorded the day’s proceedings with both still and video cameras.”

*****

Test Case:  Cotton MS Claudius A III

© The British Library Board. Cotton MS Claudius A III, folio 8r. Frontispiece with Gregory the Great enthroned in a niche and reverent monks at his feet. Reproduced by permission

© The British Library Board. Cotton MS Claudius A III, folio 8r. Frontispiece with Gregory the Great enthroned in a niche and reverent monks at his feet. Reproduced by permission

A specimen selected for forensic examination involved some questioned passages on the layered, and probably altered, frontispiece image within Cotton MS Claudius A.iii.  The quest had arisen through long-term work on manuscripts and images associated with Saint Dunstan (909–988 CE), successively Abbot of Glastonbury, Exile to Flanders, and Archbishop of Canterbury. Some earlier fruits of that work — which included forensic analysis at The British Library (with Tony Parker) in October 1984, just before the opening of the British Museum / British Library exhibition for which that Oxford treasure of a manuscript had come to London — had been published regarding the layered frontispiece in “Saint Dunstan’s ‘Classbook’ and Its Frontispiece: Dunstan’s Portrait and Autograph” (1992).  This one:

Frontispiece image, with the prostrate figure of Saint Dunstan beside Christ, in Saint Dunstan's Classbook, MS. Auct. F. 4. 32, folio 1r, tenth century. Photo: © Bodleian Library, University of Oxford (2015)

Saint Dunstan’s Classbook, MS. Auct. F. 4. 32, folio 1r, tenth century. Photo: © Bodleian Library, University of Oxford (2015).

As for this “specimen” page in Cotton MS Claudius A.iii, which depicts the full-length enthroned figure of Pope Gregory the Great (plus inspiring dove) with an ecclesiastic and 2 monks at his feet, and which includes a revised inscription naming Dunstan at the top in lighter ink and thinner strokes written with a different pen (and hand), there gather several questions regarding the layers and the pigments — not least, the thickly painted black habit of the lowermost monk.  Invading its space (like some other parts of the scene), he seems to overpower the polychrome inhabited scrolling foliage which fills the rectangular frame for the frontispiece.  Might he, or his black pigment, constitute an addition to the frontispiece?

If so, it wouldn’t be the first time for an image which includes, or which an addition to the page asserts that it includes, a representation of Dunstan.  For such, as forensic analysis had already established, constitutes the complexly layered frontispiece of Saint Dunstan’s so-called Classbook, a chief treasure of the Bodleian Library. Except that in the Classbook Case, the inscription identifying as Dunstan (in the first person, no less) the “portrait” of a reverential monk facing an imposing figure (a monumental Appearing Christ) is apparently the work of Dunstan himself, along with a few added elements (retouches of sorts) for the frontispiece drawing in red pigment.

In that case, the “portrait” would be contemporary, whereas, in the Gregorian Case, it belongs to a later date and, it seems, to a center at which Dunstan came to hold sway as the culmination of his career. Perhaps the image copies or takes inspiration from an illustration dating to his own time, whether during his function as monk, as abbot, or as archbishop? Further research may illuminate the sequence of transmission. Meanwhile, the visit to the Manuscript Conservation Studio provided some forensic evidence regarding the frontispiece in Cotton MS Claudius A.iii itself.

© The British Library Board. Cotton MS Claudius A III, folio 8r, top. Reproduced by permission.

© The British Library Board. Cotton MS Claudius A III, folio 8r, top. Reproduced by permission.

© The British Library Board. Cotton MS Claudius A III, folio 8r, bottom. Reproduced by permission.

© The British Library Board. Cotton MS Claudius A III, folio 8r, bottom. Reproduced by permission.

*****

© The British Library Board. Cotton MS Claudius A III, folio 8r, middle. Reproduced by permission.

© The British Library Board. Cotton MS Claudius A III, folio 8r, middle. Reproduced by permission.

Participants

In sum:

  • Andrew Prescott
  • Tony Parker
  • Mildred Budny
  • Leslie French
  • Sarah L. Keefer
  • R.M. Keefer

All but Richard Keefer are members or Associates of the Research Group on Manuscript Evidence; he is married to one of them, and has participated in our conversations over several years about imaging issues as the Research Group was taking shape and form.

The visit to the Manuscripts Conservation Studio functioned both as a form of gathering and updating information about current techniques and their applications, in the sphere of manuscript studies and beyond, and as a way of preparing photographic materials and conducting research on selected passages for the January Workshop on “Image-Processing”.

*****

© The British Library Board. Cotton MS Vitellius A XV folio 142r. Reproduced by permission.

© The British Library Board. Cotton MS Vitellius A XV folio 142r. Reproduced by permission.

The next meeting in the Series on “The Evidence of Manuscripts” considered

Image-Processing for Manuscript Studies”
Parker Library, 15 January 1994

Most of the participants in the December Workshop gave presentations, including elements, techniques, and discoveries of that workshop.  Digital Beowulf included.

Soon after, there followed a Workshop/Visit similar to this “Imaging Aids” visit to the British Library in December.  In March, implementing a plan set into place over the course of the previous year, a team of specialists from the Chemistry Department of University College London brought expertise and equipment to examine closely:

“Pigment-Analysis of Selected Corpus Manuscripts”
Parker Library, 4 March 1994

*****

Tags: Bembino Digital Font, Beowulf Digitisation Project, Beowulf Manuscript, British Library, Cotton MS Claudius A III, Cotton MS Vitellius A.xv, digitization of manuscripts, Gregory the Great, Illustrated Old English Hexateuch, Imaging Aids, Manuscript Conservation Studio, Saint Dunstan, Saint Dunstan's 'Classbook', Seminars on Manuscript Evidence
No Comments »

2005 Congress

January 1, 2014 in Abstracts of Conference Papers, Conference Announcement, ICMS, International Congress on Medieval Studies, Kalamazoo

“Wonders of the East”
at the

40th International Congress on Medieval Studies

5‒8 May 2005

Logo of the Research Group on Manuscript Evidence (colour version)[First published on our first website on *19 April 2006, with updates here]

At the 2005 Congress, the Research Group on Manuscript Evidence sponsored one session.  This occasion marked the continuation of our return to the Congress.  As customary, various Trustees and Associates participated in diverse ways at the Congress.  Read the rest of this entry →

Tags: Beauty or Beast, Beowulf Manuscript, British Library, Cotton MS Vitellius A.xv, Female Wonders, History of Monsters, History of the Freak, Illuminated Manuscripts, Medieval manuscripts, Medieval Studies, Old English Newsletter, ShelfLife: Bulletin of the Research Group on Manuscript Evidence, Wonders of the East
No Comments »

  • Top


is proudly powered by WordPress. WordPress Themes X2 developed by ThemeKraft.