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  • News
    • News & Views
    • Reviews
    • Highlights
  • Blogs
    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
        • Abstracts of Papers Listed by Year
  • About
    • Mission
    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
  • Bembino
    • Multi-Lingual Bembino
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention
      • Abstracts of Papers for the M-MLA Convention
  • Events
    • The Research Group Speaks: The Series
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
    • History and Design of Our Website
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
    • Scripts on Parade
    • Texts on Parade
      • Latin Documents & Cartularies
      • New Testament Leaves in Old Armenian
    • Posters on Display
    • Layout Designs
  • Donations and Contributions
    • 2019 Anniversary Appeal
    • Orders
  • Contact Us
  • Links
    • Catalogs, Metadata, and Databases: A Handlist of Links
    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

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Portfolio 93 of Ege’s “Famous Books in Eight Centuries” in the Collection of Richard Weber
A Leaf from ‘Otto Ege Manuscript 214’ in the Collection of Richard Weber
Two Ege Leaves and Two Ege Labels in the Collection of Birgitt G. Lopez
2022 International Congress on Medieval Studies: Program
2022 Spring Symposium on “Structures of Knowledge”
Two Old Testament Leaves from ‘Otto Ege Manuscript 14’ at Smith College
Catalogs, Metadata, and Databases (Part I)
I Was Here . . .
Lead the People Forward (by Zoey Kambour)
The Curious Printing History of ‘La Science de l’Arpenteur’
A Leaf in Dallas from “Otto Ege Manuscript 14” (Lectern Bible)
How to Be Indiana Jones in the Catalog
Southern Italian Cuisine Before Columbus
Florence, Galleria degli Uffizi, Anonymous, Still Life of an Illuminated Book, German School, 15th century. Oil on Wood. Opened book with fanned pages. Image via Wikimedia, Public Domain.
Barbara Williams Ellertson and the BASIRA Project, with a Timeline
Two Vellum Leaves from a Large-Format Latin Breviary in Gothic Script
An Illustrated Leaf from the Shahnameh with a Russian Watermark
2021 International Congress on Medieval Studies Report
J. S. Wagner Collection, Leaf from Ege Manuscript 22, verso, bottom right: Ege's inscription in pencil.
Another Leaf from the Warburg Missal (‘Ege Manuscript 22’)
Hermes Trismegistus. Frontispiece image (Lyons, 1669) via Wikimedia Commons and Wellcome Images (Wellcome_L0000980).
Medieval Magic in Theory
More Leaves from a Deconstructed Sinhalese Palm-Leaf Manuscript
Private Collection, Sinhalese Palm-Leaf Manuscript, End-Leaf 01, Left.
A Sinhalese Palm-Leaf Book in Deconstructed and Reconstructed Order
Beinecke Rare Book & Manuscript Library, Otto Ege Collection, FOL Set 3, MS 40, Specimen 1: folio '1'r, Top Left. Photography Mildred Budny.
Specimens of Ege Manuscript 40 in the Ege Family Portfolio
Otto F. Ege: Fifty Original Leaves from Medieval Manuscripts, Leaf 40, Printed Label, Special Collections and University Archives, Stony Brook University Libraries.
Otto Ege Manuscript 40, Part II: Before and After Ege
rivate Collection, Koran Leaf in Ege's Famous Books in Nine Centuries, Front of Leaf. Reproduced by permission.
Otto Ege’s Portfolio of ‘Famous Books’ and ‘Ege Manuscript 53’ (Quran)
J. S. Wagner Collection, Early-Printed Missal Leaf, Verso. Rubric and Music for Holy Saturday. Reproduced by Permission.
Carmelite Missal Leaf of 1509
Private Collection, Castle Cartulary Fragment, Inserted Folded Sheet, Opened: Top Righ
Fragments of a Castle ‘Capbreu’ from Catalonia
Grapes Watermark in a Selbold Cartulary Fragment.
Selbold Cartulary Fragments
Smeltzer Collection, Subermeyer (1598), Vellum Supports Strip 2 Signature Surname.
Vellum Binding Fragments in a Parisian Printed Book of 1598
Set 1 of Ege's FOL Portfolio, Leaf 14 recto: Lamentations Initial.
Some Leaves in Set 1 of Ege’s FOL Portfolio
Church of Saint Mary, High Ongar, Essex, with 12th-Century Nave. Photograph by John Salmon (8 May 2004), Image via Wikipedia.
A Charter of 1399 from High Ongar in Essex
View to the Dorm at the End of the Congress.
2019 Congress Behind the Scenes Report
Opening of the Book of Maccabees in Otto Ege MS 19. Private Collection.
A Leaf from ‘Otto Ege Manuscript 19’ and Ege’s Workshop Practices
2020 Spring Symposium: Save the Date
At the Exhibition of "Gutenberg and After" at Princeton University in 2019, the Co-Curator Eric White stands before the Scheide Gutenberg Bible displayed at the opening of the Book of I Kings.
“Gutenberg and After” at Princeton University Library
J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Recto, Initial C for "Confitimini" of Psalm 117 (118), with scrolling foliate decoration.
A Leaf from Prime in a Large-Format Latin Breviary
J. S. Wagner Collection. Detached Manuscript Leaf with the Opening in Latin of the Penitent Psalm 4 or Psalm 37 (38) and its Illustration of King David.
The Penitent King David from a Book of Hours
Bust of the God Janus. Vatican City, Vatican Museums. Photo by Fubar Obfusco via Wikimedia Commons.
2019 M-MLA Panel Program
Coffee Break at our 2002 British Museum Colloquium. Our Director, Dáibhí Ó Cróinin, and Giles Constable. Photograph by our Associate, Geoffrey R. Russom.
Revisiting Anglo-Saxon Symposia 2002/2018
The red wax seal seen upright, with the male human head facing left. Document on paper issued at Grenoble and dated 13 February 1345 (Old Style). Image reproduced by permission
2020 ICMS Call for Papers: Seal the Real
Yale University, Beinecke Rare Book and Manuscript Library, MS 1183. Photograph courtesy Kristen Herdman.
2019 Anniversary Symposium Report: The Roads Taken
Detail of illustration.
Sanskrit and Prakrit Manuscripts
Detail of recto of leaf from an Italian Giant Bible. Photography by Mildred Budny
2019 International Congress on Medieval Studies Program Details
Thomas E. Hill stands at the entrance to the Vassar College Library. Photography by Mildred Budny
Another Visit to The Library Cafe
Leaf 41, Recto, Top Right, in the Family Album (Set Number 3) of Otto Ege's Portfolio of 'Fifty Original Leaves' (FOL). Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Mildred Budny.
More Discoveries for ‘Otto Ege Manuscript 41’
Augustine Homilies Bifolium Folio IIr detail with title and initial for Sermon XCVI. Private Collection, reproduced by permission. Photograph by Mildred Budny.
Vellum Bifolium from Augustine’s “Homilies on John”
Rosette Watermark, Private Collection. Reproduced by Permission
2019 International Congress on Medieval Studies Program
Libro de los juegos. Madrid, El Escorial, MS T.1.6, folio 17 verso, detail.
2018 International Congress on Medieval Studies Program
Poster Announcing Bembino Version 1.5 (April 2018) with border for Web display
Bembino Version 1.5 (2018)
Lower Half of the Original Verso of a Single Leaf detached from a prayerbook in Dutch made circa 1530, owned and dismembered by Otto F. Ege, with the seller's description in pencil in the lower margin. Image reproduced by permission.
A New Leaf from ‘Otto Ege Manuscript 214’?
Slice of Brie. Photograph by Coyau via Wikipedia Commons.
Say Cheese
Verso of the Leaf and Interior of the Binding, Detail: Lower Right-Hand Corner, with the Mitered Flap Unfolde
A 12th-Century Fragment of Anselm’s ‘Cur Deus Homo’
Reused Leaf from Gregory's Dialogues Book III viewed from verso (outside of reused book cover) Detail of Spine of Cover with Volume Labels. Photograph © Mildred Budny.
A Leaf from Gregory’s Dialogues Reused for Euthymius
Detail of the top of the verso of the fragmentary leaf from a 13th-century copy of Statutes for the Cistercian Order. Reproduced by permission.
Another Witness to the Cistercian Statutes of 1257
Initial d in woodcut with winged hybrid creature as an inhabitant. Photography © Mildred Budny
The ‘Foundling Hospital’ for Manuscript Fragments
Decorated opening word 'Nuper' of the Dialogues, Book III, Chapter 13, reproduced by permission
A New Leaf from ‘Otto Ege Manuscript 41’
Close-Up of The Host of 'The Library Cafe' in the Radio Studio. Photography © Mildred Budny
A Visit to The Library Café
Invitation to 'Canterbury Manuscripts' Seminar on 19 September 1994
Seminar on the Evidence of Manuscripts (September 1994)

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Heidere Diplomas & Investiture

July 24, 2019 in Design, Events, Manuscript Studies, Parties, Uncategorized

Celebration of Collegiality

Our tradition over the years in the Research Group on Manuscript Evidence, from our earliest days, is to thank people who have contributed to our mission and activities by inviting them to join our group of Honorary Invited Associates.  Our Associates belong to different walks of life, both educational and beyond in the wider world, as their accomplishments and interests amply demonstrate.

The Associates in Early Years, Listed on Our Letterhead

At first

Kauf von Erythromycin

, we listed our Associates on our Letterhead —once we had chosen our name, selected our official Font, designed our Logo, laid out our official Letterhead, and accomplished related tasks — as shown, for example, in some Invitation Letters to the Seminars and Workshops during our years as a group emerging from our innovative Research Project at The Parker Library of Corpus Christi College, Cambridge . (The process of our design choices, letterhead included, are considered in the Interview with Our Font and Layout Designer .)

An example of our Letterhead in Action, Associates Included (12 November 1993):

Invitation Letter Page 1 for Workshop on 'Corpus Christi College MS 41' on 11 December 1993

Invitation Letter on RGME Letterhead for Workshop on 11 December 1993

Moving our principal base to the New World in October 1994, we continued to follow this practice.  The Invitations to Symposia and other Events, however, took the forms of Posters, Save the Date Announcements, and Booklets, beyond the Letterhead practices.

Poster 2 for 219 Anniversary Symposium, with symposium information and 2 images of cropped initials, from 12th-century Latin manuscripts, from the Princeton University Art Museum.

Associates Now, Listed on our Website, Once We Had One (2007–)

With the arrival of our website — thanks to the generous donation of our Associate and WebMaster, Jesse Hurlbut — in its first, Drupal, version (2007–2014) and then in its revised, expanded, and updated WordPress version (2014–), it became possible to list online (if they permitted) our  Officers, Associates, and Volunteers .

To start with, we listed names, with locations or affiliations, as before, tout court.  Then, encouraged by our Associate Ioana Georgescu, given the extra facilities of the WordPress site (2014–), we added links and pictures (as our Associates agreed), so as to enliven the list of Names with ‘attributes’ and with ‘appearances’.

A Special Case, Diplomas Included

Between those stages, there arose a new and special case when we invited James Heidere to become an Associate of the Research Group.  He accepted the invitation, and asked for a Diploma.

Responding to his convivial style, we made sure to provide a Diploma worthy of framing and displaying among his other Diplomas, while we also thought that a larger version might be worthy of the competition.   Also, with one large-size version, why not make two?  And so, and lo.

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Tags: design layout, Interlace, Research Group designs
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Designing Academic Posters

May 29, 2017 in Announcements, Manuscript Studies

Steady on the Page

Gold stamp on blue cloth of the logo of the Research Group on Manuscript Evidence. Detail from the front cover of Volume II of 'The Illustrated Catalogue'Continuing to reflect on the values of presenting materials, whether text, image, or both, upon a page or writing surface, we have decided to proclaim the principles which guide our approach to layout of posters. You may have noticed some of them at our events, on the Posts of Pages pertaining to them, and/or in the Poster Gallery on this website.

You may know already about our views about design and layout, for example in the Illustrated Catalogue (our own design throughout, apart from the front covers and the promotional booklet), in our Style Manifesto (we are not so shy, uncommitted, or wimpy, as to call it a “Style Sheet”), and in all of our Publications.

Page 1 of the 'Style Manifesto' of the Research Group on Manuscript Evidence in the version of April 2014 (4 pages)

Version of April 2015

Principles and Principled

Now we offer a similarly clear, and polemical, description of principles which we believe should govern the processes, and products, of Designing Academic Posters. The 4-page Booklet, set in RGME Bembino, describes and illustrates the aims.

You may download our booklet in whichever form you prefer:

  • Designing Academic Posters set out in 4 individual letter-sized (or quarto) pages
  • Designing Academic Posters as Booklet laid out on 11″ × 17″ sheets for folding into a 4-page booklet in consecutive reading order

We adopted this dual form of publishing our Booklets for some earlier cases

koupit-pilulky.com

, as with the Report on some New Testament Leaves in Old Armenian.  Its 20-page Report appears both as

  • Armenian Pages set out in individual letter-sized (or quarto) pages
  • Armenian Booklet laid out on 11″ × 17″ sheets for folding into a booklet in consecutive reading order

Experience shows that some of you may prefer the second option, so we continue the provision.

Enjoy!

Examples from our Poster Gallery

2014 Poster/Program for the Colloquium on 'When the Dust Has Settled, Or, When Good Scholars Go Back . . . ', laid out in RGME Bembino

What do you think? We invite your comments. We’d be glad to improve.

Poster 2 for the 2016 'Words & Deeds' Symposium at Princeton University, with 2 images from the Otto Ege Collection, The Beinecke Rare Book and Manuscript Library, Yale University. Photography by Lisa Fagin Davis. Reproduced by permission. Poster set in RGME Bembino

And another favorite:

Poster for 'In a Knotshell' (November 2012)with border

Please let us know your favorites!  We’d be glad to hear from you!

Comments here or Contact Us.

*****

Tags: Bembino, Bembino Digital Font, Budny's Illustrated Catalogue, design layout, Research Group designs, Research Group Posters, Style Manifesto
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Interview with Our Font & Layout Designer

October 6, 2016 in Interview, Interviews, Reports, Uncategorized

Logo of the Research Group on Manuscript Evidence (colour version)Logo of the Research Group on Manuscript Evidence in Monochrome VersionInterviews:  Number 1

Here we begin a Series of Interviews with people involved in the origins, formation, development, and life of the Research Group on Manuscript Evidence.

First comes an interview with our Font & Layout Designer, Leslie J. French.

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Tags: Bembino Digital Font, Budny's Illustrated Catalogue, Leslie J French, Manuscript studies, Profile of the Research Group, Research Group designs, Research Group Logo, Research Group Posters, Seminars on Manuscript Evidence, ShelfLife: Bulletin of the Research Group on Manuscript Evidence, ShelfMarks: RGMEnewsletter, Style Manifesto
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Seminar on the Evidence of Manuscripts (August 1993)

September 11, 2016 in Seminars on Manuscript Evidence, Uncategorized

“British Library, Cotton MS Tiberius A.iii:
An Eleventh-Century Miscellany of Latin and Old English Texts
Owned by Christ Church, Canterbury”

The British Library, 9 August 1993

© The British Library Board, Cotton MS Tiberius A III, folio 117v. Frontispiece for the 'Rule' of Saint Benedict, showing Benedict and his Monks.

© The British Library Board, Cotton MS Tiberius A III, folio 117v

In the Series of Seminars on the Evidence of Manuscripts
The British Library, London

Invitation in pdf (3 pages including RSVP Form)

The previous Seminar in the series considered

“Corpus Christi College MS 201:
An Eleventh-Century Collection of Homiletic, Legal, and Other Texts”

in Latin and Old English
(Parker Library, 19 June 1993)

[First published on 11 September 2016 by Mildred Budny]

For the first time in this Series of Seminars and other forms of scholarly meetings, a Workshop took place at the British Library, London.  Customarily they were held at the Parker Library at Corpus Christi College in the University of Cambridge.  Already sessions in the Series had taken place in Oxford (20 June 1992 and 13 March 1993) and in Tokyo (November and December 1993).  Now the Series turned to the British Library, as the subject and the opportunity invited.

Invitation to Workshop on "Cotton MS Tiberius A.iii" at the British Library on 9 August 1993, Page 1

Invitation Letter Page 1

Invitation to Workshop on 'Cotton MS Tiberius A III' at the British Library on 9 August 1993.

Invitation Letter Page 2

Invitation to Workshop on 'Cotton MS Tiberius A III' at the British Library on 9 August 1993. RSVP Form.

RSVP Form

Organised by Mildred Budny, Malcolm Godden, and Andrew Prescott — all of whom issued the 2-page Invitation Letter — the Workshop at the British Library was designed to gather specialists and students, including some from abroad (Germany, The Netherlands, the United States), who would be attending the 6th biannual conference of the International Society of Anglo-Saxonists (ISAS). That conference took place on 1–7 August at Wadham College, Oxford.

Therefore we planned for “a Saturday before / after ISAS”, and entertained the possibility of holding the event in “Cambridge, Oxford, London”.  These logistical considerations are recorded at the head of a 1-page planning outline in the set of 3 undated pages of pencil notes by Mildred Budny within the file for this event in the Research Group Archives.

The selected Saturday suited the speakers whom we hoped to hear and a number of participants whom we hoped to include.  The stage was set.

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Tags: Abingdon Chronicle, Anglo-Saxon Chronicle, Ælfric's Colloquy, Ælfric's Grammar, Bembino Digital Font, Biblioteka Narodowa MS I. 3311, British Library Cotton MS Claudius B.iv, Christ Church Canterbury, Cotton Collection, Cotton MS Claudius B IV, Cotton MS Faustina B III, Cotton MS Galba E IV, Cotton Tiberius A VI, Franciscus Junius, Interlinear glosses, John Obadiah Westwood, Manuscript Miscellany, Manuscript studies, Monasteriales indicia, Old English glosses, pre-photographic reproduction, Regula Sancti Benedicti, Regularis Concordia, Research Group designs, Royal MS 1 E vI, Saint Augustine's Abbey Canterbury, Seminars on Manuscript Evidence, The British Library
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