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      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
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        • 2019 Anniversary Symposium Registration
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        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
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Kalamazoo, MI Western Michigan University, Valley III from the side. Photograph: David W. Sorenson.
2024 International Congress on Medieval Studies: Report
2024 Spring Symposium at Vassar College
Puente de San Martín: Bridge with reflection over the River Targus, Toledo, Spain.
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2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

You are browsing the Blog for Spring Symposium

2024 Spring and Autumn Symposia plus Anniversary Symposium

February 4, 2024 in Uncategorized

2024 Spring and Autumn Symposia
on “Bridges”

Plus a special Anniversary Symposium
on “Manuscript (He)art”

“Study on a Medieval Bridge” at Amares, Braga District, Portugal. Image by Pedro Nuno Caetano (2019) via Wikimedia Commons via Creative Commons 2.0 Generic.

[Posted on 4 February 2023, with updates]

The Research Group prepares a pair of Spring and Autumn Symposia in our Anniversary Year of 2024, continuing the paired pattern which, reviving our tradition of individual Symposia in some years, we launched in 2022 and developed further for 2023.

Add-Ons On Occasion

Last year, we added a half-day Pre-Symposium to the Spring Symposium, with a full-day Symposium in both Spring and Autumn.  The result was a 1½-day event on 24–25 March (Pre-Symposium + Spring Symposium) and a 1-day event on 21 October (Autumn Symposium).  The March Event and the October Event each have an illustrated Symposium Booklet, available for download.  (See below.)

2024 RGME Events

For activities planned overall for this Anniversary Year for the RGME, with the year’s theme of “Bridges”, see:

  • RGME 2023 and 2024 Activities.
  • “Bridges” for our 2024 Anniversary Year

They include episodes for “The Research Group Speaks”, conference sessions at two international congresses for medieval studies (at Kalamazoo and Leeds), anniversary celebrations, and three Symposia.

Of these, the first is an exceptional Anniversary Symposium in thanks to our First WebMaster upon his retirement.

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut, RGME WebMaster Emeritus

The next form a linked pair as Part 1 and Part 2

  • 2024 Spring Symposium at Vassar College
  • 2024 Autumn Symposium “At the Helm”

2024 Anniversary Symposium (Online)

Save-the-Date Poster for 2024 Anniversary Symposium in Thanks to Jesse Hurlbut. Poster set in RGME Bembino.

This year, we add a one-day Anniversary Symposium to start the series of three Symposia for the year.  It is designed to express thanks to the First WebMaster of the RGME upon his retirement, Jesse D. Hurlbut.

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

Co-organized by Katharine C. Chandler and Jessica L. Savage (co-organizers, with Jennifer Larson, of the 2023 Pre-Symposium), this event gathers former students, colleagues, and friends to consider subjects of interest to Jesse and to which he has contributed, including medieval manuscript studies, digital access to them, and the promotion of online communities for their study and enjoyment.

This event will take place online on Saturday 24 February by Zoom.  You may register to attend this Symposium through our Eventbrite portal.

See our selection:

  • RGME Eventbrite Collection

For this event:

  • 2024 Anniversary Symposium “Manuscript Heart” Tickets

Registration is free; we welcome Voluntary Donations to help to support our nonprofit mission for our organization powered mainly by volunteers and dependent mostly upon donations.  See also

  • Donations and Contributions

2024 Spring and Autumn Symposia
on “Bridges”

This exceptional series has two parts. It represents a year-long project which focuses attention

“Between Past and Future:
RGME Spring & Autumn Symposia in 2024
for Teaching in the Liberal Arts with Original Sources,
at Vassar College and Beyond”

At center stage, the perspectives on the theme of the Spring Symposium at Vassar College present a coherent, multi-disciplinary, and multi-generational scholarly program in a sequence of teaching events with expertise and materials in multiple centers. They stand poised, as proclaimed by its title, “Between Past and Future: Building Bridges between Special Collections and Teaching for the Liberal Arts”.

The Autumn Symposium carries it forward with a selection of virtual visits placed “At the Helm:  Spotlight on Special Collections as Teaching Events”. The informal style accords with our proven approach for online events as roundtables, interviews, conversations, master classes, and workshops. Thus, we might channel the purposeful momentum for the Spring Symposium in its central event in a simpler follow-up with participants including representation from Vassar, whether present or alums.

Part 1 (of 2).
2024 Spring Symposium at Vassar College

“Between Past and Future:
Building Bridges between Special Collections
and Teaching for the Liberal Arts”

(3-Day, Hybrid, In Person and Online)

Friday to Sunday 19–21 April 2024

Poster 1: Save-the-Date for 2024 Spring Symposium at Vassar.

Poster 1: Save-the-Date for 2024 Spring Symposium at Vassar.

For this Symposium, organized by both the RGME and Special Collections (The Catherine Pelton Durrell ’25 Archives and Special Collections Library) at Vassar College, we celebrate the rôles which Special Collections can fulfill as part of teaching in institutions dedicated to the Liberal Arts — among other valuable fields of study.

The Symposium showcases initiatives and developments in various centers, both at Vassar College and elsewhere. Notable at Vassar for 2024 are:

  •  A new Catalogue of the Medieval and Early Modern books or fragments in both Special Collections and the Frances Lehman Loeb Art Center, and
  • A companion exhibition at the Art Center to showcase examples of their riches in “Books in the Middle Ages and the Renaissance”

Also, the RGME celebrates its Anniversary Year with the Theme of “Bridges”.

  • “Bridges” for our 2024 Anniversary Year.

The Spring Symposium will, in part, celebrate the acquisition of the Nicholas B. Scheetz Collection of Medieval and Renaissance Manuscripts.  The Symposium presents reports, observations, and discoveries in multiple fields, including descriptions of work-in-progress, collaborative projects, wish-lists or challenges, and new opportunities.

Information:

  • 2024 Spring Symposium at Vassar College

You may register here:

  • RGME Eventbrite Collection

For this event , there is a registration fee.

Registration is free for students, and it is waived for invited Speakers at the Symposium.

To attend In Person

  • 2024 Spring Symposium at Vassar College: In Person Tickets

To attend Online

  • 2024 Spring Symposium at Vassar College: Online Tickets
Poster 1: Save-the-Date for 2024 Spring Symposium at Vassar.

Poster 1: Save-the-Date for 2024 Spring Symposium at Vassar.

Part 2 (of 2).
2024 Autumn Symposium (One-Day, Online)

“At the Helm:
Spotlight on Special Collections
as Teaching Events”

Saturday 22 October 2024 by Zoom

The perspectives on the theme of the Spring Symposium at Vassar present a coherent, multi-disciplinary, and multi-generational scholarly program in a sequence of teaching events with expertise and materials in multiple centers. They stand poised , as proclaimed by its title, “Between Past and Future: Building Bridges between Special Collections and Teaching for the Liberal Arts”. 

The Autumn Symposium carries it forward with a selection of virtual visits placed “At the Helm:  Spotlight on Special Collections as Teaching Events”. They allow presenters the opportunity, with minimal preparation, to showcase collections (public and private) in virtual visits guided by curators, in the company of teachers and students on-site and online. The informal style accords with our proven approach for online events as roundtables, interviews, conversations, master classes, and workshops. Thus, we might channel the purposeful momentum for the Spring Symposium by a simpler follow-up.

Information

  • 2024 Autumn Symposium “At the Helm”

To register, see our selection:

  • RGME Eventbrite Collection

Our Series of Symposia

  • RGME Symposia: The Various Series (1995–), in person or online.

2024 RGME Events

“Study on a Medieval Bridge” at Amares, Braga District, Portugal. Image by Pedro Nuno Caetano (2019) via Wikimedia Commons via Creative Commons 2.0 Generic.

For activities planned for our Anniversary Year, with the theme of “Bridges”, see:

  • RGME 2023 and 2024 Activities.
  • “Bridges” for our 2024 Anniversary Year

They include episodes for “The Research Group Speaks”, conference sessions at two international congresses for medieval studies (at Kalamazoo and Leeds), anniversary celebrations, and two symposia.

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut, RGME WebMaster Emeritus
  • 2024 Spring Symposium at Vassar College

Suggestion Box

Please Contact Us or visit

  • our FaceBook Page
  • our Twitter Feed (@rgme_mss)
  • our Blog on Manuscript Studies and its Contents List

Donations and contributions, in funds or in kind, are welcome and easy to give.  See

  • Contributions and Donations.

We look forward to hearing from you.

*****

Tags: Anniversary Symposium, Autumn Symposium, History of Bridges, RGME Symposia, Special Collections, Spring Symposium, Teaching for the Liberal Arts, Teaching with Special Collections
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2020 Spring Symposium: Save the Date

February 15, 2020 in Announcements, Conference, Conference Announcement, Events, Index of Medieval Art, Princeton University, Reception, Uncategorized

New York, Grolier Club, \*434.14\Aug\1470\Folio. Flavius Josephus, De antiquitate Judiaca and De bello Judaico, translated by Rufinus Aquileinensis, printed in Augsburg on paper by Johannn Schüsseler in 2 Parts, dated respectively 28 June 1470 and 23 August 1470, and bound together with a manuscript copy dated 1462 of Eusebius Caesariensis, Historia ecclesiastica.

New York, Grolier Club, *434.14Aug1470Folio.

“From Cover to Cover”

Activities Devoted to Manuscripts, Early Printed Books & Beyond
From Collecting & Cataloguing to Deciphering & Beholding

2020  Spring Symposium
of the Research Group on Manuscript Evidence

Princeton University
Friday & Saturday 13–14 March 2020

 

Update 5 April 2020

The Symposium Booklet, with illustrations and Abstracts of Papers, is now published and available for download.
See Keeping Up: Updates for Spring 2020.

The Abstract of one paper in the 2020 Symposium Booklet has been expanded to a Draft Paper, available for Feedback:

  • “A Quick Introduction to Indian Manuscripts for the Non-Specialist”, with examples and illustrations,
    downloadable here.

Update 9 March 2020

This event is now cancelled, as Princeton University and other institutions respond to current health concerns, and take precautions regarding travel and meetings of various kinds in person.
The Symposium might be rescheduled, conditions permitting.  

Meanwhile, the Research Group aims to complete the Symposium Booklet and distribute it to contributors, registrants, and others, as a souvenir of our speakers’ good intentions.  Already, as a sign of appreciation, we have adopted the custom of posting on our website the abstracts of contributors who become unable to attend to present in person (as with the 2018 Congress, among others).

This time, under wider — even global — circumstances affecting the ensemble as a whole, we wish to show appreciation for the remarkable enthusiasm and dedication for the collaborative event demonstrated by our hosts, sponsors, speakers, moderators, and others.  This knowledge is something to remember with satisfaction, gratitude, and praise.

The publication could, perhaps, give a token to show for our shared efforts, and to demonstrate something of the spirit of dedication and focus which prepared to assemble for the event itself.

This aim might help to ease some of the disappointment over cancellation, while the cancellation itself might ease some uncertainties about travel at present.

P. S.  Only once before, in more than 30 years of activities in many centers in the United States and elsewhere (see our Events and Congress Activities}, has the Research Group had to cancel an event.  It, however, was only 1 Session among 7 sponsored and co-sponsored Sessions at the 48th International Congress on Medieval Studies in May 2013, when the Session organizer and 2 presenters were unable to travel to the Congress.  We honored their intentions to contribute by continuing to record their abstracts and the statement of purpose of the Session on this  website.

Similar solidarity pertains to our record of this intended 2020 Spring Symposium.  A summary of this Update appears in its own post.

Here we preserve the description of the event in the updated version just before the decision to cancel this Symposium, among many gatherings at Princeton University and elsewhere at the beginning of the week in which the Symposium was planned to take place.

*****

What We Planned

Saint Andrew. Oil on Canvas. Artus Wollfort (1581–1641). Private Collection, Public Domain. Via Wikipedia Commons.

Saint Andrew. Oil on Canvas. Artus Wollfort (1581–1641). Private Collection, Public Domain. Via Wikipedia Commons.

We announce the next Symposium of the Research Group on Manuscript Evidence, to be held at Princeton University on Friday afternoon and Saturday, 13–14 March 2020. This event follows from, and builds upon, our earlier events, including our 2019 Anniversary Symposium, also held at Princeton University.

Our subject this time: “From Cover to Cover”.   Some say, “That Covers It”.  (We might well agree.)

Such activities include Collecting, Curating, Conserving, Cataloguing, Deciphering, Editing, Reading, Teaching, Translating, Displaying, Accessing, Beholding, Reconsidering, and More.  Cover to Cover.

Naturally, these activities need not necessarily occur in that order, and often they appear in combination.

In addition we consider activities dedicated to manuscripts, early printed books, and beyond, in terms (as is our custom) of both media and chronology.  As often, we consider medieval manuscripts and early printed books from Western Europe, but also— as usual — we examine materials from other cultures, languages, and time-frames.

This recognition of the processes (necessarily integrated) infuses the collection of presentations and conversations which our Symposium aims to gather.  In a nutshell:  Food for Thought, Refreshments included.

For which ability, we have Sponsors, Hosts, Trustees, Associates, Contributors, and Volunteers heartily to thank.

Sponsors

Research Group on Manuscript Evidence

Department of Art & Archaeology, Princeton University

The Index of Medieval Art at Princeton University

Program in Medieval Studies, Princeton University

James Marrow and Emily Rose

Barbara A. Shailor

Celia Chazelle

The Schoenberg Institute for Manuscript Studies

The Bibliographical Society of America

Vassar College

On the Road

Poster 1 for 2019 Anniversary Symposium, with symposium information with images of manuscript and early printed pages..

Poster 1 for 2019 Symposium

Poster 2 for 219 Anniversary Symposium, with symposium information and 2 images of cropped initials, from 12th-century Latin manuscripts, from the Princeton University Art Museum.

Poster 2 for 2019 Symposium

Following upon, and building upon, the success of our Anniversary Symposium last year, we prepare the 2020 Spring Symposium.  Its date is now set, as is the Schedule.  (See below.)

For our 2019 Anniversary Symposium, see its Report and its freely downloadable 2019 Anniversary Symposium Booklet.  Like the Booklet, the 2 Posters (seen here) illustrate examples of manuscripts (Western and non-Western) showcased in the Symposium, its papers, and its workshops.

All these publications, as customary, are set in our very own copyright multilingual font Bembino , and designed and laid out according with our Style Manifesto.  This font is freely available through our website, for your use – whether individual, nonprofit, or commercial.

Both the font, and its descriptive Booklet, are downloadable here .  We have also prepared a booklet showing its abilities in setting multiple languages, both Western and non-Western.  See Multi-Lingual Bembino . Plus our Style Manifesto .

Cover Story

Now we turn to our 2020 Spring Symposium.  Please register (details below).

Poster 1 for the 2022 Spring Symposium.

Gladly we list the Sponsors, Speakers, and Moderators.

Speakers and Moderators (in alphabetical order)

Philadelphia, University of Pennsylvania Libraries, Lawrence J. Schoenberg Collection, MS LJS 101, folio 1v. Opening of Boethius's translation of Aristotle's "Peri erimenias" within a collection of secular and classical texts, France, possibly at the Abbey of Fleury (Saint-Benoît-sur-Loire), 9th–11th centuries. Photograph courtesy OPenn.

Philadelphia, University of Pennsylvania Libraries, Lawrence J. Schoenberg Collection, MS LJS 101, folio 1v. Photograph courtesy OPenn.

Paris, Bibliothèque nationale de France, MS latin 190, folio 1r. Opening page of the Commentarii notarum tironiarum, with an enlarged initial decorated with interlace and foliate ornament. Image via gallica.bnf.fr.

Paris, Bibliothèque nationale de France, MS latin 190, folio 1r. Photograph via gallica.bnf.fr.

Christine E. Bachman (Art History Department, University of Delaware and Graduate Student Fellow 2019–2020, Schoenberg Institute for Manuscript Studies, University of Pennsylvania)

Mildred Budny (Director, Research Group on Manuscript Evidence, Princeton)

Raymond Clemens (Curator, Early Books and Manuscripts, Beinecke Rare Book and Manuscript Library, Yale University, New Haven)

Meghan Constantinou (Librarian, The Grolier Club, New York, New York)

Barbara Williams Ellertson (Books as Symbols in Renaissance Art and Research Group on Manuscript Evidence)

Lynley Anne Herbert (Curator of Manuscripts and Rare Books, The Walters Art Museum, Baltimore, Maryland)

Carson Koepke (Program in Medieval Studies, Yale University)

Laura Light (Director and Senior Specialist, Text Manuscripts, Les Enluminures)

John T. McQuillen (Associate Curator, Printed Books & Bindings, The Morgan Library & Museum, New York, New York)

Bernard Maisner (Bernard Maisner and Bernard Maisner, Master Calligrapher)

New York, Morgan Library & Museum, PML 7, folio P2r. Blockbook of Apocalypsis Sancti Johannis, printed in Germany circa 1468. Revelation 15:1, with hand-colored illustration.

New York, Morgan Library & Museum, PML 7, folio P2r. Blockbook of Apocalypsis Sancti Johannis, printed in Germany circa 1468. Revelation 15:1, with hand-colored illustration.

Sabrina Minuzzi (Researcher in Early Modern History, Marie Skłodowska-Curie Fellow, Ca’ Foscari University of Venice)

Ronald D. Patkus (Associate Director of the Libraries for Special Collections and Vassar Head of Special Collections, Vassar College, Poughkeepsie, New York)

Pamela Patton (Director, Index of Medieval Art at Princeton University)

Lynn Ransom (Curator of Programs, The Schoenberg Institute for Manuscript Studies, University of Pennsylvania Libraries)

Helmut Reimitz (Professor of History and Director, Program in Medieval Studies, Princeton University)

Jessica L. Savage (Art History Specialist, Index of Medieval Art)

Barbara A. Shailor (Department of Classics, Yale University, and President, Bibliographical Society of America)

       David W. Sorenson (Independent, Quincy, Massachusetts)

Kelly Tuttle (Project Cataloger, Manuscripts of the Muslim World, University of Pennsylvania Libraries)

Eric White (Curator of Rare Books and Acting Curator of Manuscripts, Special Collections, Firestone Library, Princeton University)

Princeton University Library, Rare Books and Special Collections, William H. Scheide Library, 53.8. Latin Bible in double columns of 49 lines, printed in Strasbourg by Johann Mentelin, not after 1460 CE.

Princeton University Library, Rare Books and Special Collections, William H. Scheide Library, 53.8. Latin Bible (printed in Strasbourg by Johann Mentelin, not after 1460 CE.) Photograph courtesy Princeton University Library, Rare Books and Special Collections.

The Aim

In a nutshell.

2020 Spring Symposium Announcement, describing the scope of the event, listing the Sponsors, and citing the link to the registration form.

2020 Spring Symposium Announcement, describing the scope of the event, listing the Sponsors, and citing the link to the registration form.

The Plan

Day 1

Friday 13 March: Classes, Workshops, Discussion, and a Reception

1) 12:00–1:00, 12:00–1:30, or 12:00–2:00pm (By Invitation)
Seminar Room of the Index of Medieval Art

“Comparing Notes about Databases:  Past, Present & Futures”
An Informal Discussion

2–3) 1:00–2:45 pm or 3:00–4:45 pm
Classes on Site at Firestone Library (Registration Required and Space Limited)

For registration for these classes and the symposium, see below.

“Material Evidence: A Workshop with 15th-Century Manuscripts and Incunabules”

Classes given (twice) by Eric White, Curator of Rare Books, Princeton University Library, in the Large Classroom of Floor C (Rare Books and Special Collections) at Firestone Library

Please gather in the Lobby at the entrance to Firestone Library, for special escorted access to Floor C, where there are lockable lockers (free) for your coats and cases, before entry to Special Collections.

2) Class 1:  Meet at 1:00 for 1:15–2:45 pm

3) Class 2 (repeated):  Meet at 3:00 for 3:15–4:45 pm

or

4) Session 3:00–5:00 pm
106 McCormick Hall

“Materials, Processes & Products:  A Workshop”

This workshop offers presentations by Bernard Maisner on “The Materials and Methods of Medieval & Renaissance Manuscript Gold-Illumination Techniques” and by David W. Sorenson on “An Introduction to Indian Manuscripts for the Non-Specialist”, along with curated displays of original materials in private collections and demonstrations of results from their close study.

5) Reception

5:00–7:00 pm
Lobby outside 106 McCormick Hall

Florence, Galleria degli Uffizi, Anonymous, Still Life, German school of the XVI century, circa 1510, oil on wood, 70.2 × 65 cm. Opened book with fanned leaves showing pages of text and music set out in double columns and adorned with decorated initials and illustrations. Image via Wikimedia, public domain.

Florence, Galleria degli Uffizi, Anonymous, Still Life of an Illuminated Book, German school of the XVI century, circa 1510. Opened book with fanned leaves. Image via Wikimedia, public domain.

Day 2

Saturday 14 March:  Sessions, Refreshments, and Reception

106 McCormick Hall and its Lobby

6) 10:00 am – 5:30 pm

Sessions, Coffee Breaks, Lunch, and Discussion

7) Reception (5:30–7:00 pm)

2020 Symposium "From Cover to Cover" Poster 2

2020 Symposium Poster 2

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The Schedule

The Schedule is available here.

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Registration

Please register for the Symposium.  We offer the Registration form as a downloadable pdf .

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Maps and Directions

Here.

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Please Contact us with questions and suggestions.

Watch this space and visit our FaceBook Page for updates.

Floral Motif as Lower Border in a Book of Hours. Photography Mildred Budny.

We invite you to donate to our nonprofit educational mission. Donations may be tax-deductible. We welcome donations in funds and in kind: Contributions and Donations .

Please join us at the symposium, open to all.  You can register here .

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Tags: Early Printing, manuscript fragments, Manuscript Illumination, Manuscript studies, Medieval Manuscript Fragments, Medieval Studies, Medieval Writing Materials, Spring Symposium
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