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      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
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  • About
    • Mission
    • Who We Are
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    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention (from 2016)
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
    • Contact Us
  • Bembino
    • Multi-Lingual Bembino
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    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
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    • Kalamazoo Archive
    • Panels at the M-MLA Convention (2016-2019)
      • Abstracts of Papers for the M-MLA Convention
      • Panels at the M-MLA Convention (from 2016)
  • Events
    • RGME Activities for 2024 and 2025
      • 2023 Activities and 2024 Planned Activities
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
      • RGME Symposia: The Various Series
      • The Research Group Speaks: The Series
      • Meetings of the Friends of the Research Group on Manuscript Evidence
      • RGME Online Events
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
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    • Photographic Exhibitions & Master Classes
    • Events Archive
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    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
    • History and Design of Our Website
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
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    • Texts on Parade
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    • Seals, Seal-Matrices & Documents

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Archives

Featured Posts

2027 International Congress on Medieval Studies: Call for Papers
Episode 27. “Catalog(u)ing Collections and Materials”
2026 International Medieval Congress at Leeds: Program
Sanskrit and Prakrit Manuscripts, Continued: More Leaves for Manuscript Sample XII
2026 International Congress on Medieval Studies: Program
Episode 24. “Life with Books” (Interview with John Windle)
Announcing the Launch of RGME Bembino WP
2026 RGME Colloquium at The Grolier Club: Report
Medieval Missal Fragment as Early-Modern Cover
The Weber Leaf from Ege MS 61
"Bembino" Booklet Cover
Episode 23. “Meet RGME Bembino: Facets of a Font”
2026 RGME Colloquium on “Transformations & Renewals” at The Grolier Club
2026 Theme of the Year: “Transformations and Renewals”
A Leaf with Patchwork from the Saint Albans Bible
A Sister Leaf from a Miniature Latin Vulgate Bible
A Little Latin Vulgate Bible Manuscript Leaf in Princeton
J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.
2026 Annual Appeal
Episode 22: “Encounters with Local Saints and Their Cults”
Private Collection, Ege's FBNC Portfolio, Dante Leaf, Verso, Detail. Reproduced by Permission.
2025 RGME Autumn Colloquium on Fragments
Workshop 8: A Hybrid Book where Medieval Music Meets Early-Modern Herbal
2025 RGME Autumn Symposium on “Readers, Fakers, and Re-Creators of Books”
RGME Workshops on “The Evidence of Manuscripts, Etc.”
Episode 21. “Learning How to Look”
2025 International Congress on Medieval Studies: Program
2025 RGME Visit to Vassar College
Two Leaves in the Book of Numbers from the Chudleigh Bible
Delibovi on Glassgold on Boethius: A Blogpost
Ronald Smeltzer on “Émilie du Châtelet, Woman of Science”
2025 Spring Symposium: “Makers, Producers, and Collectors of Books”
Starters’ Orders
The Weber Leaf from the Saint Albans Bible
Workshop 4. “Manuscript Fragments Compared”
Episode 20. “Comic Book Theory for Medievalists”
Episode 19: “At the Gate: Starting the Year 2025 at its Threshold”
Favorite Recipes for Lemonade, Etc.
RGME Visit to the Lomazow Collection: Report
2024 Autumn Symposium: “At the Helm”
A Latin Vulgate Leaf of the Book of Numbers
The RGME ‘Lending Library’
Florence, Italy, Ponte Vecchio from Ponte alle Grazie. Photo: Ingo Mehling, CC BY-SA 4.0 , via Wikimedia Commons
Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections”
Jesse Hurlbut at the Bonneville Salt Flats, Utah. Photograph Jesse Hurlbut.
Episode 16: An Interview with Jesse D. Hurlbut
Kalamazoo, MI Western Michigan University, Valley III from the side. Photograph: David W. Sorenson.
2024 International Congress on Medieval Studies: Report
2024 Spring Symposium at Vassar College
2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

The Weber Leaf from Ege MS 61

February 21, 2026 in Announcements, Manuscript Studies

The Weber Leaf
from
Otto Ege MS 61

Small-Format Latin Vulgate Bible
Laid out in 2 columns of 32 lines
in Gothic Bookhand
with embellishments in red, blue, and purple pigments

Formerly part of Otto Ege Manuscript 61 (Gwara, Handlist 61)
Southern France, circa 1325

Mark 5:42 ([illi mandu-/]care) –
6:1 (Et egressus . . . ) – 6:38 (Quot panes ha[/-betis ite])

[Posted on 21 February 2026]

Collection of Richard Weber, Leaf from Otto Ege MS 61: Recto, top. Photograph by Richard Weber.

A leaf in the Collection of Richard Weber from Otto Ege MS 61 presents part of the Gospel of Mark, by laying out the text in brown ink in two columns and employing embellishments in red, blue, and purple pigments. The polychrome elements comprise the running title in both upper margins of recto and verso, the inset 1-line chapter numeral (VI for Mark 6:1) on the recto, the corresponding 2-line inset chapter initial E for Et, and its extended vertical bar of J-shaped segments rising above and below its rounded letter to edge the full length of the column finished by pen-flourishing in upper, lower, and inner margins.

Continuing our series of blogposts on leaves from that manuscript, found in a variety of locations, we present images and a description of this leaf, set into context. We thank our Associate, Richard, for the images and permission to study and reproduce them.

For our earlier posts on this fragmented manuscript, see especially:

  • A New Leaf from Otto Ege Manuscript 61 (Budny Handlist 7)
  • More Discoveries for Otto Ege Manuscript 61

Familiar features of this manuscript include the J-bar segments and delicate pen-work. For example:

Second Page of the Book of Zachariah. Courtesy of Flora Lamson Hewlett Library, Graduate Theological Union, Berkeley, CA. Reproduced by permission.

Second Page of the Book of Zachariah. Courtesy of Flora Lamson Hewlett Library, Graduate Theological Union, Berkeley, CA. Reproduced by permission.

The Weber Leaf from Ege MS 61

First we present the two sides of the leaf, in their full expanse, with color guide, in the collector’s photographs. The images show the leaf in full, within its mat, as the recto appears at the front, below the windowed front of Ege’s mat, and the verso may turn on the hinges of its pair of gauze tapes, characteristic of Ege’s positioning mechanism.

The Recto

Note that the chapter numeral VI and the enlarged chapter initial E for Et opening the phrase Et facto sabbato designate Mark 6:2 as the opening of the chapter. In the standard Vulgate, Chapter 6:1 opens with Et egressus inde abiit, continuing to discipili eius to close the verse. That verse occupies the first three lines on the page — ending with the inset chapter numeral and following the last part of the last word of the previous chapter (5:41, [mandu-/]care).

Collection of Richard Weber, Leaf from Otto Ege MS 61: Recto. Photograph by Richard Weber.

The Verso

The verso continues the text of the chapter through most of its course, in a chapter comprising 56 verses. It closes mid-word within chapter 38. Apart from the washes of red pigment in the verse initials, the embellishment on this page constitutes the polychrome running title: MAR– naming the evangelist author or his book.

Collection of Richard Weber, Leaf from Otto Ege MS 61: Verso. Photograph by Richard Weber.

Next, we will describe features of the leaf, its former manuscript, and characteristics of the settings in which its fragments appear.

Watch this space.

Other Fragments from this Book?

Do you know of other leaves from this manuscript? Please let us know.

********

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Announcing the Launch of RGME Bembino WP

February 16, 2026 in Announcements, Bembino, Design, Events, Manuscript Studies, Research Group Speaks (The Series)

“Announcing the Launch
of RGME Bembino WP:

A High-Quality Font
for Word-Processing”

Launch Date: 25 March 2026

[Posted on 14 February 2026 with updates]

The full, 16-file, professional, level of our digital font RGME Bembino has been available for a while, with several updates in response to requests for more languages or features.  We are thrilled to announce the launch of BembinoWP, a 4-file subset bringing our font to the Mac and Windows Word-processing Communities at large (by request).

BembinoWP has been circulating in a provisional version over recent months, for review, feedback. and corrections. Now we launch it more widely, for all to try out and use.

Find it here:

  • Bembino WP for Word-Processing

This release enables the font to reach desk-top publishers and report-writers using widely-available text-processing tools including Microsoft Word and PowerPoint. The BembinoWP variant offers a migration path to the full version of the font for higher-quality typesetting through professional tools such as Adobe InDesign or Quark.

Watch for its official Launch on 25 March 2026. This date marks the anniversary of the very first printed text set in Bembino: a “Happy Birthday” greeting for our Director.

For the launch, the RGME offers some occasions where you could meet the font, hear from its maker and users, and join the Q&A.

Set in RGME Bembino

Read the rest of this entry →

Tags: Bembino Digital Font, history of printing, Launch Announcement, RGME Publications, The Research Group Speaks
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2026 RGME Visit to The Grolier Club

February 6, 2026 in Uncategorized

This Link Redirects you to:

  • 2026 RGME Colloquium at The Grolier Club

Thank you for your understanding.

No Comments »

2026 International Congress on Medieval Studies: Program

February 1, 2026 in Announcements, Bāḥra ḥassāb: Knowledge Transmission in Ethiopia and Eritrea From Antiquity to Modern Times, Business Meeting, Conference, Conference Announcement, Event Registration, Events, ICMS, International Congress on Medieval Studies, Manuscript Studies, POMONA, Postal History at Kalamazoo, Rossell Hope Robbins Library at the University of Waterloo, Societas Magica

Program

Activities Sponsored and Co-Sponsored by the RGME
at the
61st International Congress on Medieval Studies
May 14–16, 2026

(Sessions variously online, in-person, and hybrid)

Sequence of RGME Activities at the 2026 Congress

[Posted on 15 January 2026, with updates]

View from Fetzer Lounge at the 2017 Congress. Photography © Mildred Budny.

View from Fetzer Lounge at the 2017 Congress. Photography © Mildred Budny.

Here we list the Program of Activities of the Research Group on Manuscript Evidence (RGME) at the 2026 International Congress on Medieval Studies (ICMS).

First we collaboratively designed a suite of Sessions (Panels of Papers) to sponsor or co-sponsor at this year’s Congress. When these proposals were accepted for the Congress, we could issue the Call for Papers:

  • 2026 ICMS Call for Papers
  • 2026 ICMS: RGME’s Call for Papers

With the completion of the Call for Papers, the next stages followed:

  • examining the proposals received
  • selecting among the proposals
  • designing each session (assigning the presider, sequence of papers, etc.)
  • submitting the session programs to the ICMS

With the acceptance of the sessions as programmed, and (when the time came) the assignment of dates, times, and locations for our activities, we could, in stages, move to the next steps. Those steps advance in various order (as applicable):

  • drawing up the webpost to announce the sessions (You Are Here)
  • publishing the Abstracts (for the sessions, papers, and some responses)
  • adding updates as applicable
  • selecting images (feature or larger) to illustrate the sessions and related activities
  • circulating the announcement and updates by various means (such as social media or listservs)
  • designing Posters for printed and digital circulation
  • preparing for the activities themselves and accomplishing them on the day
  • creating a Report to celebrate the accomplishment, show some photographs, and express thanks to our organizers, speakers, respondents, presiders, advisers, participants, co-sponsors, Congress staff, and others
  • considering the aims for the next year’s Congress, seeking suggestions for collaboration (sessions, co-sponsorships), and drawing up proposals

Upon the formation of the full Congress Program (see link below), we now announce the RGME Program of activities at the 2026 Congress—including the Sessions and our annual Open Business Meeting. We describe the activities one by one in the assigned sequence in which they will occur. In addition, as is our custom, we publish the Abstracts for the Papers as a foretaste and record of the intentions.

Congress Program

The Program and information for the 2026 Congress appears on the Congress website.

  • 2026 International Congress on Medieval Studies
  • 61st Congress Program

There, to find the RGME Business Meeting and Sessions, search under Sponsoring (or Co-Sponsoring) Organization

  • Sponsor List
  • Sponsor: Research Group on Manuscript Evidence

The participation by the RGME at the Annual ICMS over the years is chronicled in our blog:

  • RGME Blog for International Congress on Medieval Studies

The traditions and evolving track-record for our sessions, sponsored and co-sponsored, are recorded in two categories:

  • Sponsored Sessions at the International Congress on Medieval Studies (from 1993)
  • Co-Sponsored Sessions at the International Congress on Medieval Studies (from 2006)

We invite you to join our activities (in-person or hybrid) for the 2026 Congress. We invite you also to explore the Abstracts and visit the Pop-Up Exhibition of Posters (set in RGME Bembino) announcing and celebrating them.

  • RGME Pop-Up Poster Exhibition for the 2026 ICMS

Now we describe the goals.

Read the rest of this entry →

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2026 International Congress on Medieval Studies: Program

February 1, 2026 in Announcements, Bāḥra ḥassāb: Knowledge Transmission in Ethiopia and Eritrea From Antiquity to Modern Times, Business Meeting, Conference, Conference Announcement, Event Registration, ICMS, International Congress on Medieval Studies, Kalamazoo, Koller-Collins Center for English Studies, Manuscript Studies, POMONA, Postal History at Kalamazoo, RGME Annual Appeal, RGME Library & Archives, Rossell Hope Robbins Library at the University of Rochester, Societas Magica

Program

Activities Sponsored and Co-Sponsored by the RGME
at the
61st International Congress on Medieval Studies
May 14–16, 2026

(Sessions variously online, in-person, and hybrid)

Sequence of RGME Activities at the 2026 Congress

[Posted on 15 January 2026, with updates]

View from Fetzer Lounge at the 2017 Congress. Photography © Mildred Budny.

View from Fetzer Lounge at the 2017 Congress. Photography © Mildred Budny.

Here we list the Program of activities of the Research Group on Manuscript Evidence (RGME) at the 2026 International Congress on Medieval Studies (ICMS).

First we collaboratively designed a suite of Sessions (Panels of Papers) to sponsor or co-sponsor at this year’s Congress and, when they were accepted for the Congress, issued the Call for Papers:

  • 2026 ICMS: RGME’s Call for Papers
  • 2026 ICMS Call for Papers

 

The Program for the 2026 Congress appears on the Congress website.

  • Call for Papers

With the completion of the Call for Papers, the selection of their proposals, the design of each session (with presider, sequence of papers, etc.), and the ICMS’s formation of the full Congress Program, we announce our Program of activities at the 2026 Congress (including sessions and our annual Open Business Meeting). We describe the activities one by one, now in the sequence in which they will occur.

The Program and information for the 2026 Congress appears on the Congress website.

  • 61st Congress Program
  • 2026 International Congress on Medieval Studies

To find our Sessions and Business Meeting there, search under Sponsoring Organization

  • Sponsor List

Search for the RGME (or our Co-Sponsor for the given session). In the Sponsors’ list, you will find our sessions as a group:

  • Sponsor: Research Group on Manuscript Evidence

The participation by the RGME at the Annual ICMS over the years is chronicled in our blog

  • RGME Blog for International Congress on Medieval Studies

Now we turn to the 2026 Congress and invite you to join our activities.

Read the rest of this entry →

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2026 RGME Colloquium on “Transformations & Renewals” at The Grolier Club

January 27, 2026 in Announcements, Event Registration, Events, Friends of the Research Group on Manuscript Evience, Manuscript Studies, Visits to Collections

2026 RGME Colloquium
at The Grolier Club

“Transformations and Renewals”
Examining and Celebrating
Treasures of the Grolier Club Library

Wednesday 11 February 2026 (Hybrid, in Two Events)
Workshop + Roundtable

[Posted on 15 January 2026, with updates
Now see also the
2026 RGME Colloquium at The Grolier Club: Report]

Front Entrance of The Grolier Club. Photograph (4 April 2008) [cropped] by participant/team W. C. Minor as part of the Commons:Wikipedia Takes Manhattan project, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license., via https://commons.wikimedia.org/wiki/File:Grolier_Club.jpg.

For the Year 2026, the Research Group on Manuscript Evidence chooses the Theme of “Transformations and Renewals” for exploration across its activities and projects.

Our first hybrid event of the year brings the RGME to The Grolier Club of the City of New York, in central Manhattan, for a curated set of hybrid events on Wednesday 11 February 2026. In keeping with the RGME’s dedication to accessibility for events reaching a wider audience, these events will be available both in person and online. For registration for the different events and functionalities (in person or online), see below.

With registration beforehand (see below), the day’s events comprise:

  • a “Show-Off-and-Tell” Workshop in the afternoon
    2:30–4:30 pm EST (GMT-4)

    1) online open to the public
    2) in person privately with limited seating, open for Grolier Club Members and RGME invited guests
  • a “Transformations and Renewals” Roundtable in the early evening
    6:00–7:30 pm EST
    open to the public

    1) online and
    2) in person

We gather a team of specialists, collectors, and curators of books — all Grolier Club Members and mostly RGME Associates— to examine, reflect on, and celebrate selected treasures of the Grolier Club Library. On offer: reports and conversations about research discoveries, work-in-progress, and the joys of experiencing the materials directly and also sharing their stories. Join us!

2024 Beletsky logo of the Grolier Club of the City of New York.

Program

For information about the scope of the event, its Participants, its two parts as Workshop and Roundtable, and Registration for each part, see below. Both parts are hybrid, through the RGME for the Workshop and through the Grolier Club for the Roundtable.

The Program for both the afternoon Workshop and early-evening Roundtable can now be downloaded as a 4-page

2026 RGME-Grolier Colloquium Poster 1. Set in RGME Bembino.

Program Booklet, set in RGME Bembino.

  • 2026 RGME Colloquium at the Grolier Club: Program

Posters

Both Posters for this bipartite event can be downloaded:

  • 2026 RGME Colloquium at the Grolier Club: Poster 1
  • 2026 RGME Colloquium at the Grolier Club: Poster 2

Colloquium Booklet

We offer the 64-page illustrated Colloquium Booklet as a guide and souvenir for the event. You may download it here, in two formats according with your printing and viewing preferences.

  • 2026 RGME Colloquium Booklet: Pages (as a series of individual pages on 8 1/2″ × 11″ sheets)
  • 2026 RGME Colloquium Booklet: Foldable Booklet (laid out for printing on 11″ × 17″ sheets, ready for folding)

Speakers and Panelists

Speakers with comments at the afternoon workshop over original materials and/or with lightning talks at the early-evening roundtable:

  • Jamie Elizabeth Cumby (Grolier Club Librarian)
    “ ‘Show-Off-and Tell’: A Curated Selection from the Grolier Club Library”
  • Beppy Landrum Owen (also Oral History Project: Beppy Landrum Owen)
    “ ‘That skull had a tongue in it, and could sing once. . .’
    Lost Stories of the Making of the Bremer Presse’s 1934 (but 1935) Vesalian Icones anatomicae”
  • John T. McQuillen (Morgan Library & Museum, Associate Curator of Printed Books & Bindings)
    “Blockbooks Dismembered”
    Note:
    Watch for the coming exhibition at the Morgan later this year:

    “Late Medieval European Blockbooks: The First Printed Picture Books” (6 November 2026 to 16 May 2027)
  • Mildred Budny (Director of the Research Group on Manuscript Evidence)
    “A Medieval Missal Fragment from the Otto F. Ege Collection and its Provenance”
    Note:
    “Break-Up Books and Make-Up Books: Encountering and Reconstituting the Legacy of Otto F. Ege and Other Bibliocasts” (See 2025 RGME Autumn Colloquium on Fragments)
  • Reid Byers (Reid Byers, Author)
    “Secrets in Secrets in Secrets”
    Note:
    Reid Byers, Imaginary Books: Lost, Unfinished, and Fictive Works Found Only in Other Books (Oak Knoll Press and Le Club Fortsas, 2024)
  • Richard Kopley (Distinguished Professor of English, Emeritus, Penn State DuBois, and Author)
    “William Gowans, New York Bookman and Poe Family Boarder”
    Note:
    Richard Kopley, Edgar Allan Poe: A Life (2024)
  • Mark Samuels Lasner (Mark Samuels Lasner)
    “A Gift from William Morris to the Grolier Club”
    Note:
    Wilhelm Meinhold, Sidona the Sorceress (Kelmscott Press, 1893), translated by “Francesca Speranza” / Jane Francesca Agnes Wilde, Lady Wilde—a novel drawn from the life of the Pomeranian noblewoman Sidonia von Borcke (1548–1620), accused of witchcraft and executed.
  • Mary Crawford (Co-Curator, current exhibition at the Grolier Club; Bio)
    “From ‘By a Lady’ to Global Superstar: Curating 250 Years of Jane Austen”
    Note:
    Grolier Club Exhibition. “Paper Jane” (to 14 February 2026)
    Online exhibition. Exhibition Gallery
    Online curators’ tour. Tour of Paper Jane
    Catalogue. Catalogue

Presider/Moderator for Roundtable

  • Anna Siebach–Larson

Book-Signings at Roundtable for Grolier Authors’ Publications

  • Reid Byers, Mary Crawford, Richard Kopley, and Mark Samuels Lasner

 

We look forward to welcoming you!

The Grolier Club, View of Exhibition “Paper Jane” (to 14 February 2025). Image: Grolier Club.

Registration for the 2 Hybrid Events

We give information for
I. the evening Roundtable first,
II. then the afternoon Workshop.

I. Hybrid Roundtable in the Grolier Club Exhibition Hall
6:00 to 7:30 pm
EST (GMT-4)

Open to the public both in-person and online
Book-signings available

Registration through the Grolier Club

  • Grolier Club: Eventbrite

Overview

With Mildred Budny, Beppy Landrum Owen, John T. McQuillen, Reid Byers, Richard Kopley, Mark Samuels Lasner, and Mary Crawford

Friends of the Research Group on Manuscript Evidence, a Princeton-based 501(c)(3) educational organization, will visit the Grolier Club for an in-person/hybrid ‘Roundtable’. In lightning talks, several Club members will discuss a curated selection of books, manuscripts, and prints on the RGME’s 2026 organizational theme of “Transformations and Renewals. Open to the public, this event will be live-streamed and will offer book-signings for Club member guides who have recently published works discussed.

Registration for the Roundtable
Virtual or In-Person Attendance

Public roundtable on “Transformations and Renewals” at 6:00-7:30 pm EST (GMT-4)
[although the registration portal lists the time as “6:00-7:00”]
All are welcome to attend in both functionalities.

1) Virtual
“Transformations and Renewals” Roundtable (Virtual)

2) In-Person
“Transformations and Renewals” Roundtable (In-Person)

2026 RGME-Grolier Colloquium Poster 2. Set in RGME Bembino.

II. Hybrid “Show-Off-and-Tell” Workshop upstairs
preceding the Roundtable
2:30 to 4:30 pm EST (GMT-4)
with Break at 3:15–3:30 pm

Open to the public online;
In-person seats limited, for Grolier Members and invited RGME Guests

Registration through the RGME

  • RGME Eventbrite Collection

Overview

As a prelude to the Roundtable on “Transformations and Renewals”, Friends of the Research Group on Manuscript Evidence and Grolier Club Members will have a hybrid “Show-Off-and-Tell’ Workshop to examine, up close, the original materials (as book, manuscript, print) to be discussed further at the evening Roundtable in lightning talks. The curated selections comprise favorites from the Grolier Club Library which have given rise to detailed study and discoveries for them and their contexts.

Like our pair of hybrid workshops recently over original manuscript and printed materials in Special Collections at the Princeton University Library, held by our Associate Eric White at the 2025 RGME Colloquium on Fragments, this hybrid workshop will take place over original materials at the Grolier Club, guided by the Librarian Jamie Cumby (see also Jamie Cumby).

We gather to share experiences of delight and wonder, to celebrate the joys of learning from original materials at the Club and their relatives in other collections, especially in combination, to learn more about the rich range of the Grolier Club Library, and to give thanks for responsible access to it and for its curators. Open to the public online and to an invited audience in person (limited seating), this event will be accessible widely by interactive Zoom Meeting.

Speakers (in order of presentation):
Jamie Elizabeth Cumby, Beppy Landrum Owen, John T. McQuillen, Mildred Budny, Reid Byers, Richard Kopley, and Mark Samuels Lasner

Registration for the “Show-Off-and-Tell” Workshop
Virtual or In-Person Attendance

Hybrid Workshop at 2:30-4:30 pm EST (GMT-4)
All are welcome to attend online; space is limited in person.

1) ONLINE (Open to the public)

    • Workshop Online: Registration
      Note that, after you register, the RGME will send you the Zoom Link a day or so before the event. For security, the Zoom Link will be sent to you by the RGME, and NOT Eventbrite or Zoom.

2) IN-PERSON (Space is limited, by invitation)

    • “Show-Off-and-Tell” Workshop IN PERSON for Speakers, Grolier Members, and Invited Guests: Registration
      In case of demand, we offer a Waiting List.

Willhelm Meinhold, Sidona the Sourceress (Kelmscott Press, 1893), Opening of Book I, Chapter 1, “Of the Education of Sidonia”. Photograph courtesy of Mark Samuels Lasner.

*******************

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

Join Us!

Learn about the RGME, its mission, and its activities

  • Who Are We?

Visit our Social Media:

  • our FaceBook Page (or Facebook Page)
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Join the Friends of the RGME. (There is no charge.) All are welcome. The Friends hold special meetings, competitions with prizes, and other activities, recognizing the wide range of interests among our audience, scholarly and more.

Donations and Contributions

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2026 Annual Appeal

We look forward to welcoming you to the special visit to the Grolier Club, whether you can attend in person or online!

 

Front of The Grolier Club. Photograph (4 April 2008) [cropped] by participant/team W. C. Minor as part of the Commons:Wikipedia Takes Manhattan project, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license, via https://commons.wikimedia.org/wiki/File:Grolier_Club.jpg.

Tags: Edgar Allan Poe, Exhibitions, Grolier Club Library, History of Blockbooks, history of printing, History of Provenance, Jane Austen, Kelmscott Press, Manuscript studies, Otto Ege Fragments, Responsible Access to Collections, RGME Visits to Special Collections, Transformations & Renewals, William Morris
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A Leaf with Patchwork from the Saint Albans Bible

December 29, 2025 in Fragments, Manuscript Studies

A Leaf with Patchwork
from the Saint Albans Bible
in the Collection of William Voelkle

Double columns of 46 lines in Gothic Script
with 2-line Decorated Initials, Bar-Extensions,
Foliate Ornament,
and Marginal Inhabitants (Monkey, Dragon, Bird)

Northern France, circa 1330

Psalms 107:14 ([facerimus uir-]/tutem et ipse)
– 108:31 (a persequentibus [animam meam] )
and 109:2 ([tuorum te-]cum principium . . . )
– 110:6 (. . . operum suorum / [adnuntiabit populo suo])

Plus Cut-Out with Patch apparently from the Same Bible
Cut out (in 14 lines of one column):
Psalms 109:1–2 (Dixit Dominus domino meo . . . tuorum te-/]cum principium)
Replacement Patch (in 14 lines pasted to opposite side):
Epistle of James 1:11–15 (peccatum uero cum / [consummatum fuerit]

[Posted on 27 December 2025]

Collection of William Voelkle, Framed Leaf from the Saint Albans Bible: Recto under glass. Photograph by William Voelkle.

Our series of RGME Workshops on “The Evidence of Manuscripts, Etc.”, continues to uncover more leaves from the fragmentary manuscripts which the workshops consider, by request. Now we report another leaf from the Saint Albans Bible, with which our workshops began.

We set the stage by reviewing two leaves which generated our interest in this manuscript and its fragments. They belong to the Farrell and Weber Collections respectively, with portions from the Old Testament and the New Testament respectively.

The ‘new’ leaf belongs to the Collection of William Voelkle. Its pieced-together pieces represent parts of one Book from the Old Testament and another from the New Testament.

The patchwork, replacing a cut-out portion with a cutting from elsewhere in the volume, resembles a phenomenon which we explored previously in another fragmentary Vulgate Bible, the larger Lectern Bible dispersed by Otto F. Ege as his Number 14.

  • Patch Work in Otto Ege MS 14
Beinecke Rare Book & Manuscript Library, Otto Ege Collection, MS 14, Genesis Opening Leaf: Recto, Detail of Patch.

Beinecke Rare Book & Manuscript Library, Otto Ege Collection, MS 14, Genesis Opening Leaf: Recto, Detail of Patch.

Beinecke Rare Book & Manuscript Library, Otto Ege Collection, MS 14, Genesis Opening Leaf: Verso, Detail of Patch.

Beinecke Rare Book & Manuscript Library, Otto Ege Collection, MS 14, Genesis Opening Leaf: Verso, Detail of Patch.

1. The Farrell Leaf
(from the Book of Numbers)

Our workshops first examined a leaf on loan to the RGME with part of the text of the Book of Numbers in a Latin Vulgate Bible in double columns of 46 lines in Gothic script, with decorative elements. Reports of our discoveries about that leaf have been reported in our blog on Manuscript Studies.

  • A Latin Vulgate Leaf from the Book of Numbers (Part 1)
  • Latin Vulgate Bible Leaf in the Collection of Jennah Farrell, Part 2: Provenance
  • The Latin Vulgate Bible Leaf in the Farrell Collection Part 3: The Full Leaf

Collection of Jennah Farrell, Manuscript Leaf in Mat: top left. Photograph by Jennah Farrrell.

Recto

Collection of Jennah Farrell, Single Leaf from the Book of Numbers in a Medieval Latin Vulgate Bible manuscript. Full extent of the leaf, unframed: Recto. Photography by Mildred Budny.

Verso

Collection of Jennah Farrell, Latin Vulgate Bible Leaf: Verso with Ruler. Photograph by Mildred Budny.

2. The Weber Leaf
(from the Acts of the Apostles)

As the workshops progressed, our Associate Richard Weber revealed another leaf from this manuscript in his collection, to join our blogposts about various items in his collection. Unlike the first leaf considered in our workshops, from the Old Testament Book of Numbers, this leaf belongs to the New Testament portion of the bible, from within the text of the Acts of the Apostles. See

  • The Weber Leaf from the Saint Albans Bible

Collection of Richard Weber, Leaf from the Saint Albans Bible, Verso: Top Left. Photograph by Richard Weber.

Recto

Collection of Richard Weber, Leaf from the Saint Albans Bible, Recto. Photograph by Richard Weber.

Verso

Collection of Richard Weber, Leaf from the Saint Albans Bible, Recto. Photograph by Richard Weber.

Collection of William Voelkle, Framed Leaf from the Saint Albans Bible: Recto under glass. Photograph by William Voelkle.

3. The Voelkle Leaf
(from the Psalms
and the Epistle of James)
—A Patchwork Leaf

Next, our Associate William Voelkle sent a photograph of his leaf from the Saint Albans Bible.

About the leaf, William Voelkle reported that

I purchased the leaf from Philip Duschnes (NY dealer) August 10, 1983, as ‘repaired.’ The historiated miniature had been cut out and replaced with another section of the text.
— email of 29 December 2025

About Duschnes and his business, see, for example Philip C. Duschnes.

Contained within a glass-fronted frame, the leaf shows one side, but turns the other side to the back of the frame, where it remains hidden.

We examine the visible side, with glimpses also of the opposite side as revealed by show-through and other evidence.

Recto (the Visible Side)

Collection of William Voelkle, Framed Leaf from the Saint Albans Bible: Recto. Photograph by William Voelkle.

The page has no running title, unlike some other parts of the Saint Albans Bible (see above).

Mainly the text on the page presents part of the Book of Psalms, plus a replacement patch for fourteen lines cut out from one column, which removed the first lines of Psalm 109.

A modern pencil note at the left opposite line 3 of the left-hand column identifies the number of the Vulgate Psalm (“108”) which opens there (Deus laudem meam me tacueris). It seems likely that the note postdates the dismemberment of the manuscript, so that an identification of the contents of the leaf might be appropriate, starting with the first of the Psalms on the page.

Rubrication in red pigment announces the start of Psalms 108 and 110 — perhaps it did so also for the opening of Psalm 109, but that title would have been lost in the cut-out.

Show-through from the opposite side reveals (in mirrored view) the presence of polychrome bar ornament in verticals along the inner and outer margins as well as the intercolumn — that is, at the left-hand side of both columns of text on that page and, to a less marked extent, at the right-hand side of the outer column — and in branching formations at both upper and lower margins.

The Texts:
Parts of Two Different Books of the Bible

The visible side of the leaf carries text principally from the Book of Psalms. It begins midword within Psalms 107:14 ([facerimus uir-]/tutem et ipse) and ends within Psalms 110:31 (operum suorum / [adnuntiabit populo suo]). The text carries the full text of Psalm 108, but only the last part of Psalm 109, because its first lines have been cut out and removed, taking the opening initial and the adjacent section of its intercolumnar bar ornament at the left. Untouched was the bar ornament at the right-hand side, along with the full-length bird perched in profile upon its foliage.

The Psalms text in column a and the upper and lower parts of column b:

Psalms 107:14 ([facerimus uir-]/tutem et ipse) – 108:31 (a persequentibus /[animam meam])
and (after the gap produced by the cut-out)
Psalms 109:2 (tuorum te-/]cum principium) – 110:1–6 (operum suorum / [adnuntiabit populo suo])

Missing text cut out from column b:

Psalms 109:1–2 ([Dixit dominus Domino meo . . . tuorum te-]cum principium)

Replacement patch of fourteen lines in a single column:

Epistle of James 1:11–15 (Exortus est enim . . . peccatum uero cum / [consummatum fuerit]

Untouched in the cutting process was the bar ornament at the right-hand side, along with the full-length bird perched upon its foliage. Seen in profile facing left, the bird raises its offside leg and its head to look up to the left. Might the bird perhaps depict a thrush or strike?

Collection of William Voelkle, Framed Leaf from the Saint Albans Bible: Recto under glass, Midsection with patch. Photograph by William Voelkle.

A patch in the second column supplies a passage of fourteen lines of text where the original text had been cut out — presumably as a specimen of text and/or decoration. The supplied portion presents similar layout, script, structure, and intercolumnar border decoration as characteristic of the Saint Albans Bible, so perhaps or presumably another leaf from the same book supplied the gap. Certainty about the source of the replacement might become clearer if, say, the portion of the Epistle of James in the volume can be identified either intact or defective.

Collection of William Voelkle, Framed Leaf from the Saint Albans Bible: Recto under glass, Detail with patch. Photograph by William Voelkle.

The bar ornament at the left on the replacement patch is broader than the bar ornament which it supplants or interrupts in the intercolumn of the Psalms leaf, although its undulating ornamental pattern and coloring resembles that bar. The extensions to the left from the replacement bar imply that this patch came from a left-hand column on its former page, reaching into the inner margin.

The Decoration and Figural Ornament

Ornamented initials stand at the openings of the individual Psalms, as inset 2-line polychrome capitals within frames. From their left-hand side, extensions might rise or descend along the side of the column of text to curve into the upper or lower margins in elaborate branching foliate motifs. The individual verses of the Psalms open within the continuous lines of text as inset 1-line capitals, rendered alternately in blue pigment or gold, within beds of penline decoration.

Top

Collection of William Voelkle, Framed Leaf from the Saint Albans Bible: Recto under glass, Top. Photograph by William Voelkle.

Bottom

Collection of William Voelkle, Framed Leaf from the Saint Albans Bible: Recto under glass, Lower portion. Photograph by William Voelkle.

Seen in profile, the animated elements in the lower margin comprise

1) a charming undulating dragonesque creature with raised wings at the outer right, an elongated neck, and an open-mouthed head facing right with a dog-like head having pointed ears and a bearded lower jaw; and

2) an upright monkey striding toward the left. In its outstretched hands this creature holds an implement which might depict a spindle and whorl.

Below the monkey’s feet, two foliate terminals of the border ornament have descending streaks of ink and pigment which damaged the page at an unknown stage.

Collection of William Voelkle, Framed Leaf from the Saint Albans Bible: Recto under glass, detail: monkey. Photograph by William Voelkle.

Questions or Suggestions?

Do you know of other leaves from this Bible? Do you know of other works by the same scribe(s) or artist(s)? We welcome your feedback.

*************

Tags: Collection of Richard Wagner, Collection of William Voelkle, Fragmentology, Jennah Farrell Collection, manuscript fragments, Manuscript Illumination, Otto Ege MS 14, Patchwork in Manuscripts, RGME Workshops on the Evidence of MSS Etc., Saint Albans Bible, Vulgate Bible Manuscripts
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Theme of the Year for the RGME

December 22, 2025 in Manuscript Studies, Theme of the Year

Theme for the Year for the RGME:
Journey of a Tradition

Papilio Machaeol: Old World Swallowtail, female, Dorsal side. Photograph (9 May 2016, Normandy) by Entomolo, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons.

[Posted on 12 December 2025]

For the Year 2026, the Research Group on Manuscript Evidence chooses the Theme of “Transformations and Renewals” for exploration as part of its activities and projects. This choice stands within our tradition (since 2022) of a theme to guide and inspire the interconnected subjects and interwoven strands of activities and projects for the year.

On this choice and its aims, scope, and activities, see:

  • Transformations and Renewals: RGME Theme for the Year 2026.

Here, as we approach the Year 2026, we survey this tradition and its choices with successes and growth for individual years.

RGME Themes for the Year (since 2023)

Milan, Casa Campanini, Entry Gate, designed by Alfredo Campanini (1873–1926). Photograph by Giovanni Dall’Orto (26 February 2008), Share Alike 1.0, via Wikimedia Commons.

Last year, the RGME chose the Theme of “Thresholds and Communities”, which our multiple activities developed in a variety of ways.

The choice emerged in conversations reflecting upon the strong benefits of the previous year’s choice, “Bridges” as an overarching theme for 2024 and its year’s funded Project “Between Past and Future”, designed for “Building Bridges between Special Collections and Teaching for the Liberal Arts”.

For 2023, our Theme of “Materials and Access” drew guidance and inspiration through the funded 2023 Project on the “RGME Library & Archives” and the Spring and Autumn Symposia on “Materials and Access”.

For our first Theme for the Year in 2022, “Structured Knowledge” (chosen by our new Editorial Committee), the year’s activities explored such subjects as “Catalogues, Metadata, and Databases” in RGME Episodes and our 2022 Spring and Autumn Symposia on Structures for and Supports of Knowledge.

2025
“Thresholds and Communities”

  • Thresholds and Communities
  • Episode 19 “At the Gate”

“Agents and Agencies”

2025 Spring Symposium Poster, Set in RGME Bembino.

2024
“Bridges”

  • Bridges for Our Anniversary Year 2024

For example:

2024 RGME Spring Symposium at Vassar College

2024 RGME Inaugural Session at the International Medieval Congress at Leeds

RGME @ 2024 IMC at Leeds: Poster 2 set in RGME Bembino, with border.

2023
“Materials and Access”

2023 Spring and Autumn Symposia

  • 2023 Spring Symposium. “From the Ground Up”
  • 2023 Autumn Symposium. “Between Earth and Sky”
2023 Spring Pre-Symposium/Symposium Booklet Front Cover with photograph of snowdrops flowers rising from the earth.

2023 Spring Pre-Symposium/Symposium Booklet Front Cover.

2022
“Structured Knowledge”

See our 2022 Spring and Autumn Symposia:

  1. “Structures of Knowledge” (Spring)
  2. “Supports for Knowledge” (Autumn)

2022 Autumn Symposium Program Booklet, Front Cover (Page 1)

**********

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

Visit our Social Media:

  • our FaceBook Page (https://www.facebook.com/people/Research-Group-on-Manuscript-Evidence/100064718795029/)
  • our Facebook Group (https://www.facebook.com/groups/rgmemss/)
  • our X/Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
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Join the Friends of the RGME.

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2026 Annual Appeal

*****************

Tags: RGME Symposia, RGME Theme for the Year, Thematic Directions
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A Sister Leaf from a Miniature Latin Vulgate Bible

December 17, 2025 in Fragments, Manuscript Studies, Research Group Workshops, Workshops on "The Evidence of Manuscripts"

A Sister Leaf
from a Miniature Latin Vulgate Bible:
Fragments at Princeton

2 columns in 47 lines
Measurements
Leaf maximum circa 121 mm high × 82 mm wide
<Written area circa 90 × 57 mm>

[Posted on 16 December 2025]

Poster 3 for 2025 Autumn Colloquium. Workshops on “Fragments at Princeton”

For the recent 2025 RGME Autumn Colloquium on Fragments, our Associate Eric M. White presented a pair of Workshops on “Fragments at Princeton”, with a focus on “Books in Fragments / Fragments in Books”. The workshops took place in Special Collections of the Princeton University Library, in two sittings.

With a few variations in each workshop, the selected specimens considered a range of manuscript and printed materials. They included, for example, single manuscript leaves (or fragments thereof) on their own or manuscript fragments (single leaves or conjoint bifolia) reused as part of bindings, pastedowns, or endleaves for other texts.

For many of these specimens, Eric demonstrated their characteristics with a riveting commentary about the processes of discovery which brought them to Princeton or which enriched understanding about them once the curator or scholar came across them in the stacks or within their secondary homes in the form of composite codices mixing layers from different dates and places of production and different genres of books.

He presented some specimens of individual leaves as curiosities about which little is known — in case they might be recognized. About one of them I said that I thought I knew of another similar leaf. The Princeton University Leaf  came from a set of three boxes of manuscript fragments, which had little or no information about their sources.

Now we introduce another leaf which I believe came from the same manuscript. Do you agree?

Read the rest of this entry →

Tags: Book of Isaiah, Book of Wisdon, Fragmentology, manuscript fragments, Manuscript studies, Medieval Latin Vulgate Bibles, Medieval Manuscript Fragments, Princeton University Library
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2026 Theme of the Year: “Transformations and Renewals”

December 13, 2025 in Uncategorized

“Transformations & Renewals”
Our Theme for 2026

[Posted by our Director on 10 December 2025, with updates]

For the Year 2026, the Research Group on Manuscript Evidence chooses the Theme of “Transformations and Renewals” for exploration as part of its activities and projects. This choice stands within our tradition (since 2022) of a theme to guide and inspire the interconnected subjects and interwoven strands of activities and projects for the year. On this tradition and its choices with successes and growth for individual years, see

  • Theme of the Year for the RGME: Progress of a Tradition

Through the year 2026, we propose to examine and contemplate myriad ways in which life-forces, powers (natural, man-made, unnatural, or supernatural), abilities, and changes have impact upon the realms of books and human knowledge, understanding, and creativity in word, image, and form. We search, for example, for cases and prospects for transformations, upheavals, metamorphoses, restorations, and other transitions or transmissions which may betoken, foster, or embody progress worthy of the name — especially in new, vital, or revived forms preserving or creating qualities or virtues worthy of adoption, incorporation, cultivation, nurture, growth, and celebration.

Join us as we discuss such components, characteristics, or conditions across a wide range of periods, places, genres, and case-studies to compare notes about ways in which transformations and renewals might, in turn, take seed or take flight, to grow or soar in a generations’-long process in the transmission of knowledge, skills, understanding, and the delight of learning, mentoring, and sharing fruits or journeys in the realms of the written word and its accompaniments in image, song, or memory.

Some motifs (or mascots, guides, cautions, or models) for our quest for 2026 include

  • seeds, sprouts, seedlings, plantlife, harvests, and cornucopias in the botanical and terrestrial world;
  • larvae, caterpillars, and butterflies; or eggs, hatchlings, fledglings, and birds or reptiles in the aerial or aquatic realms;
  • embryos, infants, youthful creatures/beings (such as cubs, kittens, children, or other forms), adults, and elders in human and animal realms;
  • entities or hybrids in biological, celestial, and/or imaginary realms (such as from the imagination to the stars and constellations and back again)

We look to examples in the natural world, literature, art, history, lore, and more. We welcome suggestions.

Cases in Point

Birth or Renewal

Image via https://mcswhispers.wordpress.com/2019/09/03/renewal/.

Growth and/with Change

Life Cycles or Stages

In Transition: Papilio Macheon Caterpillar

Papilionidae – Papilio machaon. Photograph (August 2007, Cerreto Ratti, Alessandria, Italy) by Hectonichus, CC BY-SA 3.0 <https://creativecommons.org/licenses/by-sa/3.0>, via Wikimedia Commons.

In the Fullness of Time: Papilio Machaeon (Old World Swallowtail) Butterfly

Papilio Machaeol: Old World Swallowtail, female, Dorsal side, recently emerged from its chrysalis. Photograph (9 May 2016, Normandy) by Entomolo, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons.

Transformation

For example, when stories or ideas come to life. In the process, they might manifest, or make manifest, characteristics, dynamics, or powers in conjunction, conflict, resolution, and/or transformation.

Among precedents or models for such changes are the varied stories as episodes in the hauntingly memorable Metamorphoses in Latin verse in fifteen Books by Publius Ovidius Naso (43 BC–17/18 AD). In a nutshell: “The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines” (Metamorphoses). The enduring popularity of the work ensured copies in many forms in manuscript and print for a wide variety of audiences in a multiplicity of languages and formats.

An example: an early-printed copy of the Metamorphoses in Italian, translated with commentary by Giovanni Bonsignore and printed in Venice by Johannes Rubeus Vercellensis for Lucantonio Giunta, 10 Apr. 1497. (ISTC number io00185000; GW M28952.) Here the full-page frontispiece (Fol. 5r) locates the opening words of Book I within a landscape showing the figures of Creation before humans.

Ovid’s Metamorphoses (printed 10 April 1497), Carta_a1r2.jpg. Image via Biblioteca Europea di Informazione e Cultura, Public domain, via Wikimedia Commons.

In fact, years ago, the RGME prepared a major symposium on the subject of Ovid’s Metamorphoses and other forms of transformation or ‘reincarnation’. It was intended to be held at Trinity College Cambridge, where the co-organizer, our friend and Trustee Vivian Anne Law (1954–2002) was Fellow. The program as she and I planned and worked on it would have been superb. Her illness and unexpected complexities and obstacles or challenges attendant upon the RGME’s move of its principal base from England to the United States interrupted the progress of the plan. Since then, the papers for that intention reside in the RGME Library & Archives with the informal title “Avid for Ovid”.

Such awareness revives with the new choice to embrace the theme of “Transformations and Renewals” for the Year 2026 for RGME activities and projects.

Rome, Galleria Borghesi, Apollo and Daphne (1622) by Gian Lorenzo Bernini (1598–1680), after the Metamorphoses by Publius Ovidius Naso (43 BC–17/18 AD). Photograph by Architas, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons.

Hybrid

Among many examples both real and fictional or surreal, we might highlight the fabled Sphinx of antiquity.

Vatican City, Vatican Museums. Oedipus and the Sphinx of Thebes, Red Figure Kylix, c. 470 BC, from Vulci, attributed to the Oedipus Painter (Inv. no. 16541). Photograph by Carole Raddato from FRANKFURT, Germany, CC BY-SA 2.0 <https://creativecommons.org>.

Watch this space as RGME activities for 2026 take shape.

*************

RGME Themes for the Year (since 2023)

Milan, Casa Campanini, Entry Gate, designed by Alfredo Campanini (1873–1926). Photograph by Giovanni Dall’Orto (26 February 2008), Share Alike 1.0, via Wikimedia Commons.

Last year, the RGME chose the Theme of “Thresholds and Communities”, which our multiple activities developed in a variety of ways.

The choice emerged in conversations reflecting upon the strong benefits of the previous year’s choice, “Bridges” as an overarching theme for 2024 and its year’s funded Project “Between Past and Future”, designed for “Building Bridges between Special Collections and Teaching for the Liberal Arts”.

For 2023, our Theme of “Materials and Access” drew guidance and inspiration through the funded 2023 Project on the “RGME Library & Archives” and the Spring and Autumn Symposia on “Materials and Access”.

For our first Theme for the Year in 2022, “Structured Knowledge” (chosen by our new Editorial Committee), the year’s activities explored such subjects as “Catalogues, Metadata, and Databases” in RGME Episodes and our 2022 Spring and Autumn Symposia on Structures for and Supports of Knowledge.

2025
“Thresholds and Communities”

  • Thresholds and Communities

“Agents and Agencies”

2025 Spring Symposium Poster, Set in RGME Bembino.

2024
“Bridges”

  • Bridges for Our Anniversary Year 2024

For example:

2024 RGME Spring Symposium at Vassar College

2024 RGME Inaugural Session at the International Medieval Congress at Leeds

RGME @ 2024 IMC at Leeds: Poster 2 set in RGME Bembino, with border.

2023
“Materials and Access”

2023 Spring and Autumn Symposia

  • 2023 Spring Symposium. “From the Ground Up”
  • 2023 Autumn Symposium. “Between Earth and Sky”
2023 Spring Pre-Symposium/Symposium Booklet Front Cover with photograph of snowdrops flowers rising from the earth.

2023 Spring Pre-Symposium/Symposium Booklet Front Cover.

2022
“Structured Knowledge”

See our 2022 Spring and Autumn Symposia:

  1. “Structures of Knowledge” (Spring)
  2. “Supports for Knowledge” (Autumn)

2022 Autumn Symposium Program Booklet, Front Cover (Page 1)

**********

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

Visit our Social Media:

  • our FaceBook Page (https://www.facebook.com/people/Research-Group-on-Manuscript-Evidence/100064718795029/)
  • our Facebook Group (https://www.facebook.com/groups/rgmemss/)
  • our X/Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Instagram Page
  • our LinkedIn Group

Join the Friends of the RGME.

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2026 Annual Appeal

*****************

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