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  • News
    • News & Views
    • Reviews
    • Highlights
  • Blogs
    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
        • Abstracts of Papers Listed by Year
  • About
    • Mission
    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
  • Bembino
    • Multi-Lingual Bembino
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention
      • Abstracts of Papers for the M-MLA Convention
  • Events
    • The Research Group Speaks: The Series
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
    • History and Design of Our Website
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
    • Scripts on Parade
    • Texts on Parade
      • Latin Documents & Cartularies
      • New Testament Leaves in Old Armenian
    • Posters on Display
    • Layout Designs
  • Donations and Contributions
    • 2019 Anniversary Appeal
    • Orders
  • Contact Us
  • Links
    • Catalogs, Metadata, and Databases: A Handlist of Links
    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

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Two Ege Leaves and Two Ege Labels in the Collection of Birgitt G. Lopez
2022 International Congress on Medieval Studies: Program
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The Curious Printing History of ‘La Science de l’Arpenteur’
A Leaf in Dallas from “Otto Ege Manuscript 14” (Lectern Bible)
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Southern Italian Cuisine Before Columbus
Florence, Galleria degli Uffizi, Anonymous, Still Life of an Illuminated Book, German School, 15th century. Oil on Wood. Opened book with fanned pages. Image via Wikimedia, Public Domain.
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Two Vellum Leaves from a Large-Format Latin Breviary in Gothic Script
An Illustrated Leaf from the Shahnameh with a Russian Watermark
2021 International Congress on Medieval Studies Report
J. S. Wagner Collection, Leaf from Ege Manuscript 22, verso, bottom right: Ege's inscription in pencil.
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Hermes Trismegistus. Frontispiece image (Lyons, 1669) via Wikimedia Commons and Wellcome Images (Wellcome_L0000980).
Medieval Magic in Theory
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Private Collection, Sinhalese Palm-Leaf Manuscript, End-Leaf 01, Left.
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Beinecke Rare Book & Manuscript Library, Otto Ege Collection, FOL Set 3, MS 40, Specimen 1: folio '1'r, Top Left. Photography Mildred Budny.
Specimens of Ege Manuscript 40 in the Ege Family Portfolio
Otto F. Ege: Fifty Original Leaves from Medieval Manuscripts, Leaf 40, Printed Label, Special Collections and University Archives, Stony Brook University Libraries.
Otto Ege Manuscript 40, Part II: Before and After Ege
rivate Collection, Koran Leaf in Ege's Famous Books in Nine Centuries, Front of Leaf. Reproduced by permission.
Otto Ege’s Portfolio of ‘Famous Books’ and ‘Ege Manuscript 53’ (Quran)
J. S. Wagner Collection, Early-Printed Missal Leaf, Verso. Rubric and Music for Holy Saturday. Reproduced by Permission.
Carmelite Missal Leaf of 1509
Private Collection, Castle Cartulary Fragment, Inserted Folded Sheet, Opened: Top Righ
Fragments of a Castle ‘Capbreu’ from Catalonia
Grapes Watermark in a Selbold Cartulary Fragment.
Selbold Cartulary Fragments
Smeltzer Collection, Subermeyer (1598), Vellum Supports Strip 2 Signature Surname.
Vellum Binding Fragments in a Parisian Printed Book of 1598
Set 1 of Ege's FOL Portfolio, Leaf 14 recto: Lamentations Initial.
Some Leaves in Set 1 of Ege’s FOL Portfolio
Church of Saint Mary, High Ongar, Essex, with 12th-Century Nave. Photograph by John Salmon (8 May 2004), Image via Wikipedia.
A Charter of 1399 from High Ongar in Essex
View to the Dorm at the End of the Congress.
2019 Congress Behind the Scenes Report
Opening of the Book of Maccabees in Otto Ege MS 19. Private Collection.
A Leaf from ‘Otto Ege Manuscript 19’ and Ege’s Workshop Practices
2020 Spring Symposium: Save the Date
At the Exhibition of "Gutenberg and After" at Princeton University in 2019, the Co-Curator Eric White stands before the Scheide Gutenberg Bible displayed at the opening of the Book of I Kings.
“Gutenberg and After” at Princeton University Library
J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Recto, Initial C for "Confitimini" of Psalm 117 (118), with scrolling foliate decoration.
A Leaf from Prime in a Large-Format Latin Breviary
J. S. Wagner Collection. Detached Manuscript Leaf with the Opening in Latin of the Penitent Psalm 4 or Psalm 37 (38) and its Illustration of King David.
The Penitent King David from a Book of Hours
Bust of the God Janus. Vatican City, Vatican Museums. Photo by Fubar Obfusco via Wikimedia Commons.
2019 M-MLA Panel Program
Coffee Break at our 2002 British Museum Colloquium. Our Director, Dáibhí Ó Cróinin, and Giles Constable. Photograph by our Associate, Geoffrey R. Russom.
Revisiting Anglo-Saxon Symposia 2002/2018
The red wax seal seen upright, with the male human head facing left. Document on paper issued at Grenoble and dated 13 February 1345 (Old Style). Image reproduced by permission
2020 ICMS Call for Papers: Seal the Real
Yale University, Beinecke Rare Book and Manuscript Library, MS 1183. Photograph courtesy Kristen Herdman.
2019 Anniversary Symposium Report: The Roads Taken
Detail of illustration.
Sanskrit and Prakrit Manuscripts
Detail of recto of leaf from an Italian Giant Bible. Photography by Mildred Budny
2019 International Congress on Medieval Studies Program Details
Thomas E. Hill stands at the entrance to the Vassar College Library. Photography by Mildred Budny
Another Visit to The Library Cafe
Leaf 41, Recto, Top Right, in the Family Album (Set Number 3) of Otto Ege's Portfolio of 'Fifty Original Leaves' (FOL). Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Mildred Budny.
More Discoveries for ‘Otto Ege Manuscript 41’
Augustine Homilies Bifolium Folio IIr detail with title and initial for Sermon XCVI. Private Collection, reproduced by permission. Photograph by Mildred Budny.
Vellum Bifolium from Augustine’s “Homilies on John”
Rosette Watermark, Private Collection. Reproduced by Permission
2019 International Congress on Medieval Studies Program
Libro de los juegos. Madrid, El Escorial, MS T.1.6, folio 17 verso, detail.
2018 International Congress on Medieval Studies Program
Poster Announcing Bembino Version 1.5 (April 2018) with border for Web display
Bembino Version 1.5 (2018)
Lower Half of the Original Verso of a Single Leaf detached from a prayerbook in Dutch made circa 1530, owned and dismembered by Otto F. Ege, with the seller's description in pencil in the lower margin. Image reproduced by permission.
A New Leaf from ‘Otto Ege Manuscript 214’?
Slice of Brie. Photograph by Coyau via Wikipedia Commons.
Say Cheese
Verso of the Leaf and Interior of the Binding, Detail: Lower Right-Hand Corner, with the Mitered Flap Unfolde
A 12th-Century Fragment of Anselm’s ‘Cur Deus Homo’
Reused Leaf from Gregory's Dialogues Book III viewed from verso (outside of reused book cover) Detail of Spine of Cover with Volume Labels. Photograph © Mildred Budny.
A Leaf from Gregory’s Dialogues Reused for Euthymius
Detail of the top of the verso of the fragmentary leaf from a 13th-century copy of Statutes for the Cistercian Order. Reproduced by permission.
Another Witness to the Cistercian Statutes of 1257
Initial d in woodcut with winged hybrid creature as an inhabitant. Photography © Mildred Budny
The ‘Foundling Hospital’ for Manuscript Fragments
Decorated opening word 'Nuper' of the Dialogues, Book III, Chapter 13, reproduced by permission
A New Leaf from ‘Otto Ege Manuscript 41’
Close-Up of The Host of 'The Library Cafe' in the Radio Studio. Photography © Mildred Budny
A Visit to The Library Café
Invitation to 'Canterbury Manuscripts' Seminar on 19 September 1994
Seminar on the Evidence of Manuscripts (September 1994)

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“Medieval Binding Structures” Trial Project (1989-1990)

October 3, 2016 in Reports, Uncategorized

Trial Project at the Parker Library
(1989–1990)

for the Census of

Medieval Binding Structures to A.D. 1550
Preserved in the British Isles

Plus Continuing Links
1989–1994

At early stages, members of the Research Team both at the Parker Library (from 1989–1994) and in its 5-year Leverhulme Trust Research Project (1 October 1989 – 30 September 1994) participated in the discussions and some in-house research which, among other contributions, explored the ground for a survey of medieval binding structures in the British Isles.

That aim, directed by Jennifer M. Sheppard of Lucy Cavendish College, Cambridge, became a large-scale project for identifying and recording the corpus of Medieval Binding Structures to A.D. 1550 Preserved in the British Isles.  Among the results of that aim was the publication of her detailed study of The Buildwas books:  Book production, acquisition and use at an English Cistercian monastery, 1165-c.1400.  (Oxford:  Oxford Bibliographical Society, Bodleian Library, 1997).  A list of her published works, including reports about this project, can be found here: Sheppard, Jennifer Mary.

Some milestones along the journey, recorded in publications by Jennifer M. Sheppard:

  • “Some Twelfth-Century Monastic Bindings and the Question of Localization”, in Making the Medieval Book: Techniques of Production. Proceedings of the Fourth Conference of the Seminar in the History of the Book to 1500, Oxford, July 1992, edited by Linda L. Brownrigg (1995), pages 181–98
  • ‘Describing Medieval Binding Structures:  Experiences of a Census-Taker’, Rare Books Newsletter, 57 (Winter 1997), 57–70.
  • ‘Census of Western Medieval Bookbinding Structures to 1500 in British and Irish Libraries’, Journal of the Society of Archivists, 13:1 (2009), pages 29–30

A worthy project, and we are glad to have witnessed stages in its creation.

As part of the work now of recording the early history of the Research Group on Manuscript Evidence for our website, we enter the Archives, survey their range, and report some of their materials.  Thus we may assess the Group’s activities both for its own research projects and in support of others’.  Always glad to celebrate the work of manuscript studies, from wherever the dedication may emerge.

[Published on 3 October 2016 by Mildred Budny]

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Tags: 'Archaeology of Anglo-Saxon Manuscripts', Corpus Christi College Archiveds XXVII.5, Corpus Christi College Archives XVII.1, Corpus Christi College MS 212, Corpus Christi College MS 86, Corpus Christi College MS 87, Corpus Christi College MS 89, Jennifer M Sheppard, Leverhulme Trust, Medieval Binding Structures Project, Parker Library, Research Group Archives, Trial Project
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Seminar on the Evidence of Manuscripts (January 1992)

September 20, 2016 in Manuscript Studies, Seminars on Manuscript Evidence

“Anglo-Saxon Writing Materials and Practices”
The Parker Library
11 January 1992

Invitation Letter for Seminar on 'Anglo-Saxon Writing Materials & Practices' on 11 January 1992

Invitation Letter for 11 January 1992

RSVP Form for Seminar on 'Anglo-Saxon Writing Materials & Practices' on 11 January 1992

RSVP Form for 11 January 1992

In the Series of Seminars on “The Evidence of Manuscripts”
The Parker Library, Corpus Christi College, Cambridge

Invitation in pdf, with 1-Page Invitation Letter and 1-page RSVP Form

The previous meeting of the seminar considered

“Corpus Christi College, Cambridge, MS 383”
The Parker Library, 16 November 1991

[Published on 20 September 2016 by Mildred Budny]

The Plan

From the moment of the First Seminar in the Series, devoted to “Manuscript Illustrations as Evidence for Anglo-Saxon Life”, and taking inspiration from it, the subject for this Seminar emerged naturally, early in the Series, as part of a Research Project at the Parker Library designed to examine “The Archaeology of Anglo-Saxon Manuscripts” and to integrate expertise in a variety of disciplines.

The Brandon Plaque. 9th-century Anglo-Saxon gold and niello. The British Museum, via Creative Commons.

The Brandon Plaque. © Trustees of the British Museum.

The design of the Project flowed, in no small part, from the work for a Ph.D. dissertation (University of London, 1985) which focused on an integrated study of Anglo-Saxon manuscripts and was supervised by an archaeologist, David M. Wilson, the Director of the British Museum and author of the catalogue of Ornamental Anglo-Saxon Metalwork, 700–1100, in the British Museum (1964).  That authoritative catalogue contains some of the materials considered at the Seminar.

For the Seminar, the 1-page Invitation Letter (shown here and downloadable here, with the RSVP Form), dated 15 December 1991, lays down the cloth for the repast.

We will hold the next meeting of this seminar on Saturday, 11 January.

The subject will be:  Anglo-Saxon writing materials and practices.  We wish to look at the evidence for manuscript production in the Anglo-Saxon period, especially

1) the archaeological record of writing materials, tools, processes and book bindings;

2) the linguistic and literary evidence for writing and making manuscripts from both Old English and Latin sources; and

3) the evidence of the manuscripts themselves.

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Tags: 'Archaeology of Anglo-Saxon Manuscripts', 'The Making of England' Exhibition (1991), 2002 British Museum Colloquium, Apotropaic, Brandon Plaque, British Library Additional MS 89000, British Museum, Budny's Illustrated Catalogue, Chester-le-Street, Christine Fell, Corpus Christi College MS 183, Corpus Christi College MS 23A, Corpus Christi College MS 286, Corpus Christi College MS 389, Corpus Christi College MS 41, Ernst Kitzinger, Flixborough, Kevin Leahy, King Athelstan, Leslie Webster, Lindisfarne, Manuscript Illustrations, Medieval Writing Materials, Parker Library, Saint Cuthbert's Coffin, Saint Cuthbert's Gospel, Saint Cuthbert's Pectoral Cross, Saint Cuthbert's Relics, Scribal Portraits, Scribal Practices, Seminars on Manuscript Evidence, Stonyhurst Gospel, Thomas Julian Brown, Vivien Law
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1992 Congress: The “Prequel”

September 10, 2016 in Conference, International Congress on Medieval Studies, Kalamazoo

Prequel to the Research Group Activities

At the Annual International Congress on Medieval Studies

1985‒1992 Congresses leading to the 1993 Congress and Beyond

[First published on our website on 10 September 2016]

Mattei Athena at the Louvre, Paris. Classical Roman copy from a 4th-century BCE Greek original. Via Wikipedia Commons.

Mattei Athena at the Louvre, Paris. Classical Roman copy from a 4th-century BCE Greek original. Via Wikipedia Commons.

Often, from the 1993 Congress onward, the Research Group on Manuscript Evidence participates in the International Congress on Medieval Studies (ICMS) held annually at Western Michigan University, Kalamazoo. The Research Group activities at the Congress take myriad forms.

Usually, now, we sponsor and co-sponsor Sessions with Papers, Responses, or a Panel Discussion. Sometimes the Session includes a Display of original manuscript and related materials. Occasionally we have provided a Photographic Exhibition of manuscript images and commentary. Some years call for special celebrations, with a Party or Reception, as with our Special Anniversary Year of 2014. Our practice also includes Trustees’ Meetings or Business Meetings, as appropriate; since 2015, our Open Business Meetings are listed in the Congress Schedule, with an assigned room and provided refreshments. The concise Agendas for these Meetings, which report on one page our activities, accomplishments, prospects, requirements, and vision, continue to be downloaded regularly from this website (so far for 2015 and 2016).

Our Congress Archive reports our Congress Activities for each year. Among them are Sponsored Sessions and Co-Sponsored Sessions, highlighting the different organizations in their own right.

These concerted activities did not arise, unlike Athena, fully formed.  They took years of preparations, both in the development of an integrated approach to manuscript studies, and in the cultivation of fields of expertise, experts, scholars, students, and others interested in the study and promotion of better understanding the transmission of written materials through the ages.  Some of this spadework occurred at the International Congress on Medieval Studies.  We review its highlights here.

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Tags: 'Archaeology of Anglo-Saxon Manuscripts', 'Matthew Parker and His Books', Anglo-Saxon Art, Anglo-Saxon Embroidery, Anglo-Saxon Manuscripts, Budny's Illustrated Catalogue, Co-Sponsored Sessions, Corpus Christi College MS 144, Corpus Christi College MS 197B, Corpus Christi College MS 23, Corpus Glossary, Goddess Athena, Image of the Ascension, Interlace Ornament, Manuscript studies, Medieval Institute Publications, Opus Anglicanum, Photographic Exhibitions, Reception, Royal Bible of Saint Augustine's Abbey, Seminars on Manuscript Evidence, Sponsored Sessions, Thomas Ohlgren's 'Iconographic Catalogue', Vivian Bible
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