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Private Collection, Ege's FBNC Portfolio, Dante Leaf, Verso, Detail. Reproduced by Permission.
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Jesse Hurlbut at the Bonneville Salt Flats, Utah. Photograph Jesse Hurlbut.
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Medieval Women’s Networks

August 4, 2024 in Announcements, Event Registration, Events, Manuscript Studies, Medieval Women's Networks

“Medieval Women’s Networks:
Exploring Tools and Techniques
for Digital Analysis”

A Pair of Interactive Public Workshops

co-organized by
Kathy Krause and Laura Morreale
and co-sponsored by the RGME

Thursday and Friday 17–18 October 2024 (Online)
12:30–14:30 pm EDT (GMT-4)

[Posted on 5 August 2024, with updates]

We gladly announce another event for our 2024 Anniversary Year.

The RGME has been invited to co-sponsor the free 2-day online event to explore and advance the swiftly developing world of work on Medieval Women’s Networks.

Co-Organizers

The event is conceived and co-organized by experts

  • Kathy Krause (University of Missouri, Kansas City, Emerita)
  • Laura Morreale (Independent Scholar and Middle Ages for Educators)

Laura, our RGME Associate, gave a presentation for our 2024 Anniversary Symposium “Manuscript Heart” in February. This coming event joins a series of collaborative events and projects which she helps to organize, accomplish, and publish.

We are glad to join forces with Kathy and her and all the co-sponsors for Medieval Womens’ Networks.

Co-Sponsors

To be held online, the event is co-sponsored by

  • Center for Digital and Public Humanities, the University of Missouri Kansas City
  • Digital Medievalist
  • the Research Group on Manuscript Evidence
  • and a generous Anonymous Benefactor.

UMKC Center for Digital and Public Humanities Logo

Logo of the Research Group on Manuscript Evidence (colour version)

RGME Logo

Digital Medievalist Logo

Dates

The Interactive Public Workshop will take place over two days, in sessions devoted respectively to

1) Projects. Thursday 17 October 2024
2) Data. Friday 18 October 2024

Each session is scheduled for 12:30–2:30 pm EDT (GMT-4) online.

For information see the flyer, shown here, and links below.

“Medieval Women’s Networks” Flyer.

Participants

Speakers and Digital Humanities Experts come from an international variety of centers and perspectives.

Speakers for Workshop 1: Projects

  • Adrienne Williams Boyarin (University of Victoria)
  • Elena Brizio (Georgetown University)
  • Tracy Chapman Hamilton (Sweet Briar College)
  • S.C. Kaplan (University of California, Santa Barbara)
  • Samantha Katz–Seal (University of New Hampshire)
  • Mariah Proctor–Tiffany (University of California, Long Beach)
  • Yvonne Seale (State University of New York, College at Geneseo)

Digital Humanities Experts for Workshop 2: Data

  • Kalani Craig (Indiana University)
  • Erin McCarthy (Saint Lawrence University)
  • Jeffrey Rudberg–Cox (University of Missouri, Kansas City)
  • Sébastien de Valeriola (Université libre de Bruxelles)

Information and Registration

To register please visit the Event registration form via Google Docs, where can also be found online information.

1. Event registration
2. An online information sheet
If Google Workspace is not accessible to you, please contact us. (See below.)
The Event flyer is available for download on the RGME website in two formats:
  • DHWomenFinalFlyer3 (pdf)
  • Medieval Women’s Networks Flyer (jpg)

London, British Museum, Additional MS 10292, fol. 149r. Prose Lancelot-Grail. Saint Omer or Tournai, 1316. Image © The British Library.

We thank the co-organizers and co-sponsors of Medieval Women’s Networks for the opportunity to join the carefully-prepared program for this outstanding event.  We look forward eagerly to it.  We invite you to join it!

*****

Other RGME-sponsored Events
for our 2024 Anniversary Year

  • 2023 and 2024 Events
  • Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections (Saturday 21 September, online)
  • 2024 Autumn Symposium “At The Helm” (Friday and Saturday 25-26 October 2024, online)
  • Episode 18. “Women as Makers of Books” (Saturday 14 December 2024, online)

To register for these sponsored events, please visit the RGME Eventbrite Collection:

  • RGME Eventbrite Registration Portal

An RGME Bulletin Board

Ronda, Galicia, Spain, Puente Nuevo Bridge. Photograph 14 August 2007 by Mark Gilbert. Image: Judas6000 at English Wikipedia, CC BY 3.0 <https://creativecommons.org/licenses/by/3.0>, via Wikimedia Commons at https://commons.wikimedia.org/wiki/File:Punte_Nuevo_Bridge,_Ronda_-_Spain.jpg.

The co-sponsorship for Medieval Women’s Networks leads the RGME to open a new page on our website for news about activities, projects, conference papers, publications, and initiatives by people of the RGME.  Functioning as a form of bulletin board with announcements, it appears here:

  • Around and About with the RGME

First up, with an announcement by Laura Morreale, is the Sweet 16 Competition launched by the Princeton-based Middle Ages for Educators (MAFE). The due date for proposals is 1 October 2024.

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

Visit our Social Media:

  • our FaceBook Page
  • our Facebook Group
  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our LinkedIn Group

Join the Friends of the RGME.

Consider making a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2024 Anniversary Appeal

Remember to register for “Medieval Women’s Networks” for 17–18 October 2024 (see above). See you there!

*****

Tags: Center for Digital and Public Humanities, Digital Medievalist, Interactive Public Workshop, Medieval Women's Networks, RGME Anniversary, RGME Anniversary Year, University of Missouri Kansas City
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2025 International Medieval Congress at Leeds: Call for Papers

August 1, 2024 in Announcements, Call for Papers, International Medieval Congress, Leeds, Manuscript Studies

2025 International Medieval Congress
at Leeds:
Call for Papers

“Manuscripts as Worlds of Learning”
(2 Sessions + Roundtable)

32nd Annual IMC
Monday to Thursday 07–10 July 2025
(with In-Person and Virtual Components)

Deadline for your Proposals for Papers: 5 September 2024

Dublin, Royal Irish Academy, MS 23 E 25, p. 73, top. Image via https://codecs.vanhamel.nl/Dublin,_Royal_Irish_Academy,_MS_23_E_25 via Creative Commons (CC BY-SA 3.0).

[Posted on 1 August 2024, with updates]

Building upon the successful completion of our RGME Inaugural Session at the International Medieval Congress (IMC) at the University of Leeds in July 2024, we announce the Call for Papers (CFP) for our activities at next year’s Congress.

For information about the Congress, see

  • its official website,
  • instructions about submitting proposals via their Congress Confex Portal, and
  • the IMC 2025 Call for Papers Padlet page, which shows organised sessions that are advertising for papers, including Twitter/X posts tagging @IMC_Leeds.

Note that the general deadline for individual papers without specified sessions in a general pool is 31 August 2024.

The deadline for proposals for our RGME-sponsored Sessions is 5 September 2024.  Please send your proposals directly to us as organisers; we will select the programmes by their deadline of 30 September 2024.  (Instructions below.)

“Worlds of Learning” at Leeds in 2025

Next year’s Thematic Focus for the IMC is “Worlds of Learning”. The broad scope is described in the general Call for Papers: IMC 2025 – ‘Worlds of Learning’.

We invite you to submit proposals for a set of interlinked events planned for the Research Group on Manuscript Evidence (RGME) to focus on the power and potential of manuscripts to contain, convey, and embody worlds of learning within their span.  In effect, given their structure and contents, as we approach them as beholder, user, reader, student, teacher, or admirer, they may carry worlds in our hands.

How might medieval manuscripts do so, variously for their medieval audience, later intermediaries, and our own times? How might and do they function as “Worlds of Learning” in their own right/write?  We explore.

Update (14 August 2024): As interest grows, we plan several sessions for the 2025 IMC.

In another post, we present a Session with Papers devoted to “Game Knowledge and Knowledge of Games”, which follows up a strand in our RGME Inaugural Session this year.

  • “Knowledge Games and Games of Knowledge”: An RGME Session for IMC 2025

Here we present a suite of events containing two Sessions with Papers accompanied by a Round Table with Discussion, all dedicated to “Manuscripts as Worlds of Learning”.

Read the rest of this entry →

Tags: 'Commonplace Books', Authority Texts, Biblical Commentaries, Classbooks, History of Pedagogy, Instruments of Learning, International Congress on Medieval Studies, International Medieval Congress, Lebor na hUidre (LU), Legal Commentaries, Manuscript Miscellanies, Manuscript studies, Pedagogy, RIA MS 23 E 25, Worlds of Learning
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Memoirs

July 23, 2024 in Announcements, Bembino, Manuscript Studies, Memoirs, Research Group Speaks (The Series), RGME Recollections, RGME Symposia, Seminars on Manuscript Evidence

Remembering
Those Who Have Gone Before

[Posted on 22 July 2024]

In our 2025 Anniversary Year, the Research Group on Manuscript Evidence reflects on people who have gone before us and whom we wish to recollect as companions or mentors, advisers, colleagues, and friends contributing to the origins, history, and growth of our organization across the years.

Part of that process has yielded the formation of our own nonprofit educational publishing house.  Our books and booklets in printed form and digital formats include Memoirs, to which we add this year.

1. Oleg Andreevich Grabar

The first of these Memoirs appeared quietly in 2015 as a 4-page booklet.  It offers a Memorial for Oleg Grabar, art historian and archaeologist:

In Memory of
Oleg Andreevich Grabar
[Олег Андреевич Грабар]
(3 November 1929 – 8 January 2011)

Composed by Leonid A. Beliaev, the text was published first in Russian. By request, it was translated from the Russian into English, set in multi-lingual RGME Bembino, provided with a photograph by permission, and laid out as a booklet corresponding with our RGME Style Manifesto.

Although Oleg did not participate in RGME activities, he generously gave advice for our research over several years while our Director worked as a part-time research assistant for his colleague Giles Constable (see below).  The translation and publication of the English version of the Memoir in Russian were carried out for its author, an RGME Associate, at the request and with the assistance of a long-term supporter and advisor of the RGME.  Note that the RGME font Bembino supports the Cyrillic font appropriate for portions of the text of the published Memoir.

The booklet can freely be downloaded:

  • Memorial for Oleg Grabar.

*****

2. Vivien Anne Law

For our blog on Manuscript Studies, in 2014 our Director, Mildred Budny, provided a blogpost called Memorials.  Principally it shares recollections of friend, colleague, and long-time RGME participant (first as Associate of our international scholarly organization in England and then as Trustee of our non-profit corporation), Vivien Anne Law (1954–2002). This forms part of a larger report or Memoir responding, in part, to the opportunity to examine and advise on Vivien’s archives in late 2005 at the request of her widower, Sir Nicholas Shackleton (1937–2006).

Our Director’s paper for our 2002 Colloquium at the British Museum in London in March (a month after Vivien’s death) is dedicated to her memory, as well as that of another, dear, friend and mentor.

  • 2002 Colloquium on “Shaping Understanding: Form and Order in the Anglo-Saxon World (400–1100)”.
Vivien Law in her Garden in Cambridge, England,June 1996 Photograph © Mildred Budny

Vivien Law in her Cambridge Garden in June 1996 (Photograph © Mildred Budny)

*****

3. Giles Constable

Also for our blog Manuscript Studies, this year we posted a set of recollections about of Giles Constable (1 June 1929 — 17 January 2021), friend, colleague, mentor, and RGME Associate and Honorary Trustee.  These recollections do not comprise an obituary as such, because Giles often and firmly expressed his wish for no such thing, nor any Memorial Service or Festschrift for him in his honor.

Instead, after an interval of mourning, we record appreciation for his contributions as a presence and guiding force for our organization since its early years in the United States, following the move of our principal base from the United Kingdom to Princeton, New Jersey, in October of 1994.

  • Recollections for the 2024 RGME Anniversary Year, Part 1. Giles Constable.
Giles Constable reading in his office at the Institute for Advanced Studies. Photograph by Mildred Budny.

Giles Constable reading in his office at the Institute for Advanced Studies. Photograph by Mildred Budny.

Also, his generous encouragement of our work for manuscript studies by long-term loans or gifts made it possible closely to examine, over time, groups of original specimens of medieval manuscripts, manuscript fragments, documents, seals in metal or wax, early printed materials, bindings, and associated records.  The work included conservation, photography, research, seminars, display, and publication in our blog and other forms.

Discoveries abounded, and found expression in those publications as well as in various of our RGME events. For example:

  • 2014 Seminar on Manuscripts and Their Photographs, held at the Index of Christian Art of Princeton University in its Seminar Room.

*****

5. Patrick Wormald

Now, in preparation for our Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections” in September 2024, our RGME Associate and Trustee David Ganz offers a Memoir of our RGME Associate Patrick Wormald (1947–2004).

Coffee Break at the 2002 British Museum Colloquium.

Patrick Wormald at the 2002 Colloquium

*****

In Memoriam

See also RGME Officers, Associates, and Volunteers: In Memoriam.

Another Memoir composed by our Director in booklet format, published in a limited edition:

  • “The Guessing Game:  A Memoir of My Uncle Bob, Robert Roger McEwan (1918‒2007)” (Princeton, New Jersey:  Milly Budny Designs, 2017)

*****

Others?

Are there others whom you wish to remember?  Please let us know.  Would you like to contribute a Memoir of some kind about someone you recall with appreciation and seek to record?

For example, you could Contact Us or write to the director@manuscriptevidence.org with your requests or suggestions.

*****

Episode 17 of “The Research Group Speaks”

As part of our anniversary celebrations, the RGME prepares an Episode in our online series “The Research Group Speaks” to consider our past, present, and future.

  • Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections”

It will, for example, offer recollections of people who have loomed large in our history, and whom we remember with affection, admiration, and gratitude.  Among them are Giles Constable, Vivien Law, and Patrick Wormald (see above).  Please join us.

To register:

  • Episode 17. Retrospect and Prospects: Anniversary Reflections
    Saturday 21 September 2024, 1:00–2:30 EDT (GMT-4) online via Zoom

See you there?

*****

Tags: Giles Constable, Memoirs, Oleg Grabar, Patrick Wormald, Vivien Law
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Three-Step Program, Lemonade Included

June 25, 2024 in Announcements, Design, Manuscript Studies, RGME Competition, RGME Recipes

Favorite Recipes for Lemonade

Entries Invited

A Recipe Competition
for the Friends
of the
Research Group on Manuscript Evidence

[Posted on 25 June 2024, with updates]

Los Angeles, The J. Paul Getty Museum, Jacob van Hulsdonck (1582-1647), Still Life with Lemons, Oranges, and a Pomegranate. Image Public Domain.

As we launch the new community of Friends of the Research Group on Manuscript Evidence, we consider activities which might be both welcoming and easy to organize, as well as fun.

In considering what sorts of activities the Friends might like, we thought about gatherings for conversations with refreshments.

We began to dream about coffee mornings, tea parties, cocktail parties, receptions, and the like. While our gatherings would be mostly online, some would be in-person or hybrid.  The online format would require that, in such cases, the refreshments would take the form of Bring Your Own (BYO), but we could easily share recipe tips.

Contents of the Goody Bags, with Stories and Baked Goodies created by Linda Civitello. Photograph by Hannah Goeselt.

Already some of our online events have featured recipes, including a demonstration.

  • South Italian Cuisine Before Columbus (Linda Civitello)
  • Episode 15. Women Writers from the Medieval to Postmodern Periods, including cookery books and historic recipes (Linda Civitello and Hannah Goeselt)

Our 2024 Spring Symposium in hybrid format featured a generous Goody Bag created and home-made by our Associate Linda Civitello (see also Linda Civitello), culinary historian and exclusive caterer.

  • 2024 Spring Symposium at Vassar College: Report

This experience, together with our natural interest in food and sharing refreshments with friends in good company, led to the subject of recipes, shared recipes, and refreshments. Plus competitions, with prizes.  And so, we offer a Competition.

A Three-Step Program

We call this Competition a Three-Step Program.  In three steps, it sets out a plan to feature lemons, although other citrus fruits and other comestibles might pertain, to taste.

On the Subject of Lemons

“Native to South Asia, South Asia, East Asia, Southeast Asia, Melanesia, and Australia,” the genus Citrus comprises oranges, mandarins, lemons, grapefruits, pomelos, and limes. Used, cultivated, and domesticated by indigenous cultures since ancient times in these tropical and sub-tropical regions, the cultivation spread from there “into Micronesia and Polynesia by the Austronesian expansion (c. 3000–1500 BCE); and to the Middle East and the Mediterranean (c. 1200 BCE) via the incense trade route, and onwards to Europe and the Americas.”

— See Citrus (Wikipedia)

History as Background

The RGME has had some Competitions with Prizes before.  For example, in 2015, with a book as prize, we asked for entries giving the transcription and translation into modern English for two medieval charters.  One award per charter.

Preston Charters, Faces.

Private Collection. “Preston Charters” Faces. Numbers added to the photograph report the present owner’s numbering for the set, from 5 to 7 and 9 to 13. Photograph Mildred Budny.

I was researching a group of medieval charters from a Private Collection, with discoveries about the people, places, place-names, and landscapes which they evoke at specific moments in history regarding particular locations of land in the possession of various individuals and carrying signatures (or marks) of named individuals involved in transactions regarding those lands; some of these documents retain their seals (or remnants of them) or seal-bags.  A series of blogposts ensued.

  • Full Court Preston
  • Preston Charters: The Chierographs
  • Charter the Course: More on Preston Charters

Also:

  • “Seals, Matrices, and Signatories

There came a point when I thought it might be worthwhile to open the field, and I wished for help with transcribing and translating the documents. For prizes, I chose books on medieval land-related subjects, among which the winners could choose.

I opened the competition widely as a blogpost on the RGME website, with images of the charters and instructions.  Submissions were received, an expert committee reviewed them, winners were selected, and awards were given.  The book-awards were selected and sent.  The winning translations+translations were published as a follow-up blogpost:

  • Preston Take 2

The Winner, in this case, Takes All, because one person won both competitions:  William H. Campbell.  Later he expertly organized a pair of Sessions about medieval book-bindings which the RGME co-sponsored with the Schoenberg Institute for Manuscript Studies (SIMS) at the University of Pennsylvania for the 2023 International Congress on Medieval Studies. Now he is one of our Honorary Invited Associates. (See our Officers, Associates, and Volunteers.)

Three Steps

1. Maxim: Life Gives You Lemons

2. Action: Make Lemonade (or similar)

3. Result: Send Your Favorite Recipe for our Competition

Extra Bonus: Prize Award

Our competition takes its inspiration from a predicament and its resourceful resolution.  A brief history of the proverbial phrase in English, in several manifestations, covers the ground:

  • When Life Gives You Lemons, Make Lemonade.

The general idea appears to consider lemons, whether metaphorical or tangible, as being sour, therefore difficult, adverse, unfortunate, and so on. The advised response would work to make them palatable or better, by means of some additions and operations.

We could think of it, for our present purposes, as:

  • Challenge, Response, Prize.

Step 1. Find your Lemons

Note that the Competition does not require that the recipe for “Lemonade” have Lemon fruit itself.  Substitutions are allowed, such as other Citrus fruits.  Combinations of fruits (or flowers) are also allowed.

Customarily Lemonade, by virtue of its name, depends upon or implies Lemons as the main ingredient, with sweeteners of various kinds introduced to taste (and according to waistlines). Over the centuries, across cultures, and subject to availability or preference, sweeteners might range from dates or honey to sugar, maple syrup, stevia or other sugar substitutes / artificial sweeteners, and strawberries. These components are prepared in a variety of proportions, according to varieties, such as the sweeter hybrid Meyer Lemon, strictly #notalemon, which comprises a cross between a citrus and a mandarin orange / pomelo hybrid.

Some varieties are carbonated; some are alcoholic. The latter might, say, have bourbon, whiskey, tequila, gin, vodka, or sparkling wine. Straws might make an appearance, as might ice.  Garnishes appear in many variations, such as mint or lemon slices. Presentation, vessels, and accessories for the beverage can range from rough-and-ready, at-hand, or improvised, to elaborate and/or exquisite. It can be served on its own or in the company of foodstuffs, such as cookies or other baked goods.

See also, for example:

  • Limonade (French)
  • Limonata (Italian)
  • Limonade (German)
  • Limonade (drank) (Dutch)
  • Limonada (Spanish)
  • lemonêd (Welsh)
  • Лимонад (Russian)

Elena Chockova, “Lemon – fleur et fruit” (25 November 2007). Image via Wikimedia Commons via CC Elena Chochkova, CC BY-SA 4.0, via Wikimedia Commons.

Over to You

Please Share Your Recipe

Do you have a favorite, or favorites, among the many varieties of lemonade or ‘lemonade’?

For example, do you favor your mother’s or grandmother’s recipe for Lemonade? Are there companion goodies that you think customarily should go with Lemonade?

Please let us know your favorite recipe. The instructions can be as detailed or general as you wish.

You see, we understand that some people prefer to measure ingredients precisely; others prefer the “Chuck It In” Method.

That is what I used to call my father’s approach to cooking, so it seemed to me as a young observer of his methods rarely to be seen in the kitchen.  Roughly speaking, it looked somewhat like this:

Open the Cupboard / Refrigerator; Grab whatever is there or comes to hand; Chuck It In; Stir / Cook / Bake as Indicated or as Interest / Patience Allows; Dish It Out; Eat.

Despite his devotion to fruit and vegetable juices (all freshly made) in his later years, they never seemed to include Lemonade (although he was strong on fresh orange juice, industrial-grade juicer as producer included), so I must look to other families’ or cultures’ recipes. I’d be glad to learn about yours.

When it comes to judging the entries for our Competition, we would not have a bias ahead of time for precise measurements on the one hand or variable approximations or guesswork on the other, so please describe your recipe in the style to which you (or your source for it) are accustomed.

Do you have a name or title for your recipe?

If you like, please let us know its story. For example, is it handed down the family from one generation to the next (or the one after next), from mother, aunt, or grandmother to children, grandchildren, nieces or nephews, and so on? Did you invent or perfect it? Do you keep it, or did you find it, in some handwritten, typed, printed, or digital form?

Would you like to send pictures of the preparation and/or the product?

Competition for the Best Recipe(s)

Please send your entry for this Competition for the Friends of the Research Group on Manuscript Evidence to:

  • Friends of the RGME

Depending upon responses, we might publish the winning recipe, or a selection of recipes, as a first installment of the Friends’ Favorite Recipes.

We would welcome your suggestions for other sorts of recipes for our next Competition.

Prizes

With the official launch of the Group of Friends and this competition in time for our Episode 17 on “RGME Retrospect and Prospects”, we announce the prizes. (All of them are donations for the purpose).

First Prize: Kitchen Apron with lemon pattern and lemon-shaped pockets.
Second Prize: Set of 12 linen cocktail napkins with lemon pattern and yellow border.
Third Prize: 2 packs of 8 dinner-sized paper plates with a lemon-sprig design.

Bonus prize for all: RGME Recipe booklet with our Favorite Recipes (Yours included!)

Mint Lemonade in New York City at a Friends’ Reunion. Photography by Mildred Budny.

*****

Update (6 November 2024):

A new blogpost reports some first entries for this competition, announces an expansion of the terms of the competition (i.e. lemonade and more), and lists more prizes which have been donated to the cause.

  • Favorite Recipes for Lemonade, Etc.

*****

Questions or Suggestions?

Please leave your comments or questions below, Contact Us, or visit

  • our FaceBook Page
  • our Facebook Group
  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our LinkedIn Group
  • our Blog on Manuscript Studies and its Contents List

Donations and contributions , in funds or in kind, are welcome and easy to give.  Given our low overheads, your donations have direct impact on our work and the furtherance of our mission.  For our Section 501(c)(3) nonprofit educational organization, your donations may be tax-deductible to the fullest extent permitted by law.  Thank you for your support!

  • Contributions and Donations
  • 2024 Anniversary Appeal

We look forward to hearing from you.

*****

Update (22 August 2024)

The first entry has arrived. Simple as can be.

1. Our Layout and Font Designer describes the answer to “Live Gives You Lemons” succinctly:

  • Give Them Back

*****

Do you have a preferred recipe to share with us? We’d love to hear.

Los Angeles, The J. Paul Getty Museum, Jacob van Hulsdonck (1582-1647), Still Life with Lemons, Oranges, and a Pomegranate. Oil on panel, about 1620–1630, within frame. Image Public Domain, via https://useum.org/artwork/Still-Life-with-Lemons-Oranges-and-a-Pomegranate-Jacob-van-Hulsdonck

*****

 

Tags: Favorite Recipes, Friends of the Research Group on Manuscript Evidence, Lemonade, Lemons, Recipe Competition, Recipes
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To Whom Do Manuscripts Belong?

May 26, 2024 in Manuscript Studies

To Whom Do Manuscripts Belong?

Georgi Parpulov
(independent scholar)

[A Guest Blogpost by our Associate, Georgi Parpulov]

Stray leaf from cod. A 13 of the Lavra on Mount Athos. Recto, detail. Formerly Bath (England), private collection. Present whereabouts uncertain. (Photo: Alexander Saminsky)

A short paper that I published two years ago about dispersed fragments from the library of St Catherine’s Monastery on Mount Sinai prompted a colleague to ask me about ‘manuscripts like these’. ‘What are the ethical issues involved?’, her email went on. ‘Should a collection with fragments from a monastic library offer to return their leaves, for example? Is there any similarity in study of dispersed manuscripts to the study of looted antiquities?’ By way of suggesting possible answers to these questions, I will recount, as accurately and impartially as I can, six distinct series of events.

In March 1917, during World War One, a band of armed men robbed the Greek Eikosiphoinissa Monastery of its library.[1] Because this band was led by the Bulgarian adventurer Todor Panica (1879–1925) and accompanied by the Czech scholar Vladimír Sís (1889–1958), many of the monastery’s manuscripts ended up with public collections in Sofia or Prague. Some, however, remained at first in private hands, and through consecutive sales reached the United States. Two such codices are described, with full provenance information, in a catalogue that Prof. Kenneth Willis Clark (1898–1979) of Duke University published in 1937.[2] In December 2015, ‘the Greek Orthodox Church began sending letters to institutions that possessed the volumes and asked for their return’ (Chicago Tribune of 15 November 2016). The Lutheran School of Theology in Chicago responded by handing over to the Greek Orthodox Archdiocese of America one of the manuscripts that Clark had catalogued. It was subsequently restituted to Eikosiphoinissa, which nowadays functions as a nunnery. Upon request from the Institut für neutestamentliche Textforschung, a liaison contacted the nuns in 2018 and ascertained the codex’s current shelfmark. High-quality photographs taken in 2010 remain on the website of the Center for the Study of New Testament Manuscripts.

On 20 June 1960, the abbot of the Dionysiou Monastery on Mount Athos wrote to the local civil authorities in Karyes that some three months earlier a twelfth-century manuscript had been stolen from his monastery.[3] On Good Friday, namely, about eighty German tourists had arrived at Dionysiou and taken turns, divided into two groups, at visiting its library under the supervision of a senior monk who was not feeling well that day.[4] The codex, the abbot wrote, would have been easy to conceal in the clothing or bag of one of them. Its absence was not immediately marked because it was normally shelved behind the frame of a glazed door.[5] A second letter from the same prelate to the same addressee, bearing date 13/26 June 1961, reported the thereto unnoticed absence of another codex (size 315 × 255 × 120 mm), possibly stolen together with the aforesaid one.[6] Two more codices went missing from the monastery’s library ca. 1960, but the circumstances of their disappearance have never been announced. No steps were taken at the time to identify and arrest the suspected thief or to trace the four stolen items. Detailed descriptions and photographs of one were published in 1979, when in was in private hands,[7] and again in 1987, when it had been purchased by the J. Paul Getty Museum.[8] In January 2014, the 1960 theft report came to the attention of the Hellenic Ministry of Culture and Sports, which asked the Getty to return the codex to Greece. The museum complied and proceeded to remove all photos of the manuscript from its website. The book remains accessible through a digitized microfilm made in 1953,[9] where all figural miniatures are covered up with cloth.

While the repatriations of 2016 and 2014 were widely reported, a slightly earlier and somewhat similar case remains, to my knowledge, completely unpublicized. In 2012, an Orthodox Christian in England presented to his local church an illuminated leaf from a Byzantine manuscript, expecting the parish priest to sell it. Once a colleague of mine had emailed me two photographs, it did not take long to identify the manuscript from which the leaf had been detached. Even without information about the date and circumstances of this removal, the priest was determined to do the right thing: he contacted the Greek embassy in London and handed the leaf to their cultural attaché. Presumably it has been reunited with its parent-volume on Mount Athos, but no public announcements to that effect were ever made.

Stray leaf from Cod. A 13 of the Monastery of the Lavra on Mount Athos. Greek New Testament with Psalter and Nine Odes, 11th century: Verso with LXX Psalm 77: 4-23 (Psalm 78: 4-23 in the English Bible). Formerly Bath (England), private collection. Present whereabouts uncertain. (Photo: Alexander Saminsky).

Those smooth restitutions can be contrasted with the recent history of the ‘Archimedes Palimpsest’.[10] From at least 1846 till ca. 1920, the now-famous codex belonged to a metochion (dependency) of the Greek Orthodox Patriarchate of Jerusalem. It then somehow passed into private hands and was sold at auction to its current owner, an American, in October 1998. A year later the Patriarchate sued for its return. The case was brought before the court of the Southern District of New York and dismissed. ‘Before it filed this lawsuit, the Patriarchate had never asserted claims over other Metochion manuscripts in private hands or announced the disappearance, loss, or theft of any Metochion manuscripts…. In sum, the Patriarchate waited almost seventy years after the Palimpsest was transferred to Mr. Sirieix to bring suit against his heirs [who sold the manuscript in 1998]. The passage of time renders trial of this matter virtually impossible; the Court would be confronted with the Patriarchate’s claim that it clearly possessed the Palimpsest at the beginning of this century against defendants’ claim that they clearly possess it at the end, with little or no evidence of what happened in between.’[11] Since 1999, the palimpsest’s owner has invested generously in its conservation treatment and study. A full set of high-quality digital images has been available for some fifteen years under a Creative Commons license.

My last two stories involve other codices kept in the United States. First we go to Florida. Before The Holy Land Experience, a biblical theme park, closed down in March 2020, all Greek manuscripts of the Van Kampen Collection were housed there. A few of them were on view inside a building called the Scriptorium. When I travelled to Orlando in order to study one that interested me, it was not taken out of its glass case, so I could only see two facing pages. To my joy, the Center for the Study of New Testament Manuscripts had that same book fully photographed in 2008 and made its photographs viewable on the CSNTM website. They remained online till 2020, when a formal letter from a representative of the Van Kampens asked for their removal.

We finally come to Pennsylvania. The library of Bryn Mawr College houses a Greek Psalter from the second half of the twelfth century, Gordan MS 9. It was first offered for sale in 1906 by Karl Wilhelm Hiersemann, whose catalogue description Vladimir Beneševič reprinted in 1911. Its last known owners are the scholar Phyllis Goodhart Gordan (1913–1994) and her spouse John Dozier Gordon Jr. (1907–1968). They had four children. I examined the codex first-hand in 2003, and more recently, on 4 January 2021, wrote to the college’s Curator for Rare Books and Manuscripts to request digital images of it. I was promptly informed that ‘the manuscript in question does not belong to the library, but is on deposit here. We are not able to provide imaging except with the permission of the owner. . . . I will ask our institutional contact with the owner to forward the request. I am not able to guess whether the owner will agree or refuse – or agree with restrictions.’ I am happy to report that I did obtain photographs, in March 2023. I am prohibited from sharing any of them.

By way of conclusion, I must add to the dry facts some general reflections ‘about the state of the field’. Needless to say, from this point on I can only speak for myself. I am not a tenured academic, so I do not absolutely have to study manuscripts for a living. Even so, I am a scholar of sorts, the kind of scholar who is interested in books as objects (rather than just in the texts that they transmit): I want to examine the handwriting, the decoration, the physical structure of a volume. And there has never been a better time than now to study codices from this angle. Various institutions have placed millions of digital images online. Many a library will permit readers to photograph a manuscript they are studying. Collectors want to have their possessions accessed and catalogued.

Thinking of this, I just do not see how property law can be applied to manuscripts without due reflection. The owner of any physical object has the legal right to limit other persons’ access to it: a monastery’s abbot and librarian are not obliged to let me see a book in their custody, photographs once publicly visible may be hidden from view, and so on. Some codices happen to be very expensive: the Archimedes Palimpsest once fetched over $2,000,000 at auction and would almost certainly fetch more nowadays. But these are not just ordinary valuables, they are significant remnants from our common past. Why should a manuscript restituted become a manuscript hidden? Monks or nuns who have managed to reclaim the nineteenth-century content of their libraries ought to remember the gospel: ‘no one after lighting a lamp covers it with a jar or puts it under a bed’. It is bizarre that things as simple as the shelfmark or even the current whereabouts of a leaf sent back to Greece cannot be easily ascertained. It is equally weird to see American owners struggle to keep their manuscripts out of sight for fear of possible restitution claims.

On 23 June 1964, Pope Paul VI told his college of cardinals: ‘Accepting the request of Constantine, Orthodox Metropolitan of Patras, St Peter’s Basilica will return to his see a priceless relic: that of the sacred head of St Andrew the Apostle. This precious relic was entrusted to Our predecessor Pope Pius II, the famous Aeneas Silvius Piccolomini, who received it under peculiar historical circumstances on 12 April 1462 in order that it be worthily kept next to the tomb of Andrew’s brother the Apostle Peter with the intention that it might one day, God willing, be sent back.’ The head was duly returned to Greece three months later. Countless Christians ceaselessly venerate it, and if I ever visit Patras, I shall not be stopped from doing the same. So should a collection with fragments from a monastic library offer to return their leaves? I might as well directly address the possessors or custodians of such relics: If you believe that manuscripts fall in the same class of objects as human remains, then yes, go ahead and return them to those whom you deem to be their rightful heirs. Fiat iustitia, et pereat mundus.

————————————

[1] An eyewitness account by the monastery’s abbot Neophytus is printed in K. E. Tsiakas, Ἱστορία τῆς Ἱερᾶς Μονῆς Εἰκοσιφοινίσσης Παγγαίου (Drama 1958) 40–41.

 [2] K. W. Clark, A Descriptive Catalogue of Greek New Testament Manuscripts in America (Chicago 1937) 51–53, 104–106.

[3] Διὰ τοῦ παρόντος καὶ μετὰ πολλῆς τῆς λύπης μας ἀναφέρομεν Ὑμῖν, ὅτι ἐκ τῆς Βιβλιοθήκης τῆς Μονῆς μας ἐκλάπη πρὸ τριμήνου περίπου, ὡς συμπεραίνομεν, ὁ ὑπ᾽ ἀριθ. 8 περγαμηνὸς χειρόγραφος Κώδιξ (sic) τοῦ 12ου αἰῶνος . . .

[4] Τὴν Μ. Πέμπτην προσήγγισεν εἰς τὴν Μονήν μας τὸ ἀτμόπλοιον “ΑΔΡΙΑΤΙΚΗ” μὲ Γερμανοὺς περιηγητάς, ἐξ ὧν περὶ τοὺς 80 ἀνῆλθον εἰς τὴν Μονήν. Περὶ τῆς ἐλεύσεώς των εἶχομεν προειδοποιηθῆ ἐκ Καριῶν καὶ Δάφνης καὶ ἐπειδὴ ἦλθον περὶ ὥραν 12ην μεσημβρινήν, ὅτε ἐτελεῖτο ἡ θεία λειτουργία, ἐπεσκέφτησαν μόνον τὴν Τράπεζαν τοῦ φαγητοῦ καὶ τὴν Βιβλιοθήκην εἰς δύο ὁμάδας, λόγω στενότητος χώρου. Κατὰ τὴν ἐπίσκεψίν των εἰς τὴν Βιβλιοθήκην περιευρίσκετο καὶ ὁ Ἐπίτροπος Γ. Θεόκλητος, καίτοι ἀσθενής, πρὸς ἀσφάλειαν. Διστυχῶς ἡ εἴσοδος 40 περίπου ἀτόμων εἰς τὸν περιωρισμένον χῶρον τῆς Βιβλιοθήκης καὶ ὁ ὡς ἐκ τούτου συνωστισμὸς διηυκόλησε τοὺς κλέπτας . . .

[5] Ὁ Κῶδιξ εἶναι 30 πόντων ὕφους, 20 πλάτους καὶ 4–5 πάχους καὶ ὡς ἐκ τούτου εὐκόλως ἀπεκρύβη εἰς τὸν κόλπον ἢ τὴν τσάνταν τοῦ κλέψαντος. Ἡ θέσις του ἦτο εἰς τὸ ἄκρον τῆς θυρίδος καὶ σχεδὸν ἐκαλύπτετο ἀπὸ τὸ σανίμα (sic) αὐτῆς, ἐξ οὗ καὶ δὲν ὑπέπεσεν ἐγκαίρως εἰς τὴν ἀντίληψιν τοῦ Βιβλιοθηκαρίου ἡ ἀπουσία του.

[6] Ἀπαντῶντες εἰς Ὑμέτερον ἔγγραφον ἀπὸ 10.7.61 καὶ ὑπ᾽ ἀριθ. 1222.Γ´, ἔχομεν τὴν τιμὴν νὰ ληροφορήσωμεν Ὑμᾶς, ὅτι ὁ ἐν αὐτῷ ἀναφερόμενος περγαμηνὸς Κῶδιξ τῆς Βιβλιοθήκης μας ὑπ᾽ ἀριθ. 49, . . . ἔχει ἐξαφανισθεῖ ἐκ τῆς Βιβλιοθήκης μας, καὶ ἡ ἐξαφάνισίς του ἐγένετο ἀντιληπτὴ ἀπὸ ἔτους. Τὸν χρόνον τῆς ἐξαφανίσεώς του δὲν δυνάμεθα νὰ προσδιορίσωμεν. Ὑποθέτομεν ὅμως, ὅτι δὲν ἀπέχει τῆς διετίας καὶ ἴσως νὰ ἐκλάπη συγχρόνως μὲ τὸν ἄλλον, τὸν ὑπ᾽ ἀριθ. 54, περὶ τοῦ ὁποίου Σᾶς ἀνεφέρομεν τότε ἀμέσως.

[7] A. von Euw, J. M. Plotzek, Die Handschriften der Sammlung Ludwig, I (Cologne 1979) 159–163 with figs 56–63.

[8] R. S. Nelson, ‘Theoktistos and Associates in Twelfth-Century Constantinople: An Illustrated New Testament of A.D. 1133’, The J. Paul Getty Museum Journal 15 (1987) 53–78.

[9] E. W. Sanders, ‘Operation Microfilm at Mt. Athos’, Biblical Archaeologist 18 (1955) 21–41, at 22 and 30.

[10] K. J. Carver, ‘The Legal Implications and Mysteries Surrounding the Archimedes Palimpsest’, American Journal of Legal History 47 (2005) 119–160.

[11] The Greek Orthodox Patriarchate of Jerusalem vs. Christie’s Inc., No. 98 Civ. 7664 (KMW), 1999 WL 673347 (S.D.N.Y. 30 August 1999).

*****

 

Tags: Access to Manuscripts, Archimedes Palimpsest, Cod. A 13 of the Lavra on Mount Athos, Dionysiou Monastery Mont Athos, Eikosiphoinissa Monastery, History of Collections, Manuscript studies, Manuscript Thefts, Metochion manuscripts, Relic of Saint Andrew the Apostle, Saint Catherine's Monastery, Van Kampen Collection
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Recollections for the 2024 RGME Anniversary, Part 1: Giles Constable

May 20, 2024 in Anniversary, Manuscript Studies, Research Group Episodes for The Research Group Speaks, RGME Recollections

2024 RGME Anniversary Recollections
Part 1

Giles Constable

[Posted on 20 May 2024, with updates]

During this 2024 Anniversary Year for the Research Group on Manuscript Evidence (RGME), with our year’s theme of Bridges, we gather recollections and tributes for people who have contributed to our formation, history, progress, legacy, and the pursuit of our mission across the years. This year, we celebrate

  • 25 years as a nonprofit educational organization incorporated in Princeton, New Jersey, and
  • 35 years as an international scholarly organization founded as part of a major research project on “Anglo-Saxon and Related Manuscripts” at The Parker Library of Corpus Christi College in the University of Cambridge in the United Kingdom.

As part of our anniversary celebrations, the RGME prepares an Episode in our online series “The Research Group Speaks” to consider

  • Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections”

To register:

  • Episode 17. Retrospect and Prospects: Anniversary Reflections
    Saturday 21 September 2024, 1:00–2:30 EDT (GMT-4) online via Zoom

We begin a series of Anniversary Reflections in our blog on Manuscript Studies by focusing upon a RGME Associate, Honorary Trustee, Mentor, and Friend whose advice and encouragement loomed larger than life in the course of our organization and its journey across time. Mildred Budny contributes this set of reflections, illustrated with some photographs.

Anniversary Reflections, Part 1:
Giles Constable, Honorary Trustee and Mentor

With admiration, I describe some recollections of Giles Constable (1 June 1929 — 17 January 2021), our long-time Associate, Honorary Trustee, colleague, mentor, and friend.

Giles Reading at the Window in his Office at the IAS. Spring 2014. Photography Mildred Budny.

Giles Reading at the Window in his Office at the IAS. Spring 2014. Photography Mildred Budny.

Achievements

Giles’s achievements are many. Institutions to which he belonged, and to which he contributed, record the structure and components of his scholarly and administrative activities. For example, in these accounts:

  • Brief CV and Bibliography
  • Complete List of Publications
  • Past Professor
  • In Memoriam: Giles Constable
  • Oral History Project: Giles Constable

With the A. B. (1950) and Ph. D. (1957) from Harvard University, Giles taught at the University of Iowa (1955 to 1958) and at Harvard (1958 to 1984), for which he served as Director of the Dumbarton Oaks Research Library in Washington, D. C.  At the Institute for Advanced Study in Princeton, New Jersey, he was Medieval History Professor in the School of Historical Studies (1985 to 2003) and then Professor Emeritus until his death.

His participation in the life of his family, as brother, husband, in-law, father, and grandfather belongs among his merits.  He enriched the lives of many colleagues, students, and friends by words, advice, encouragement, and example.

Some of his former students are Research Group Trustees and Associates, and their descriptions of him over the years have been moving and inspiring.

Here we begin to gather some of these recollections.  Their gathering began with our report of Giles’s passing on the day itself, in a posting on our Research Group Facebook Page.

Colleague, Mentor, and Friend

Some photographs from our RGME Archive record moments in our collaboration.  Above, we see Giles still at work, reading, in his post-retirement office at the Institute for Advanced Study.  The photograph made its debut in public on our Facebook Page, on 17 January 2021.

About that photograph, our Associate Karl F. Morrison observed:

Thank you very much for capturing this image of Giles, no doubt in the act of reading something for somebody else.  It reminded me that, for Giles, the center always held, and his gifts of mind and heart for encouraging companions on the way were the same as the definition of infinity:  the center was everywhere and the borders nowhere.

We offer some other images, from other occasions.

As Honorary Trustee of the Research Group

Regularly, Giles hosted annual meetings of the Princeton Trustees of the RGME, after the first such meeting hosted by James Marrow, Honorary Trustee.

Giles Constable and James Marrow at the Meeting of the Honorary Trustees of the Research Group on 13 December 2013. Photography Mildred Budny.

Giles Constable and James Marrow at the Meeting of the Honorary Trustees of the Research Group on 13 December 2013. Photography Mildred Budny.

These meetings gathered Trustees and Honorary Trustees resident in Princeton, including Giles, James, Mildred Budny, and Adelaide Bennett.

Giles Constable and Adelaide Bennett at the 2016 RGME Symposium. Photograph by Mildred Budny.

Giles Constable and Adelaide Bennett at the 2016 RGME Symposium. Photograph by Mildred Budny.

As Contributor to our Symposia, Colloquia, Seminars, and Workshops

At the 2002 British Museum Colloquium

Coffee Break at our 2002 British Museum Colloquium. Our Director, Dáibhí Ó Cróinin, and Giles Constable. Photograph by our Associate, Geoffrey R. Russom.

Coffee Break at our 2002 British Museum Colloquium. Our Director, Dáibhí Ó Cróinin, and Giles Constable. Photograph by our Associate, Geoffrey R. Russom.

At the 2002 ‘Investiture’ of our Associate, James P. Heidere

The 'Investiture' of our Research Group Associate, James P. Heidere, by Roger Reynolds and Giles Constable.

The ‘Investiture’ of our Research Group Associate, James P. Heidere, by Roger Reynolds and Giles Constable.

See also, among others, the 2014 Seminar on Manuscripts and Photography.

As Mentor, Colleague, and Friend

In his IAS office, with Alison Beach (2014)

Giles Constable with Alison Beach at his office in Spring 2014. Photography Mildred Budny.

Giles Constable with Alison Beach at his office in Spring 2014. Photography Mildred Budny.

About this photograph, Alison — who had been Postdoctoral Research Assistant to Professor Giles Constable during the period 1998—2000 — commented:

[The photograph shows me] With Giles at the Institute for Advanced Study consulting about the translation of the Chronicle of Petershausen in 2014. Giles encouraged Sam [Sutherland], Shannon [Li], and me to push on with and publish the translation.  What a privilege it was. . . . he seemed immortal to me.

Mildred Budny, author of this post, offered remarks about Giles’s mentorship for her and the RGME over years after the RGME moved its principal base to Princeton and became incorporated as a nonprofit educational organization, in her contribution to a Roundtable co-sponsored by the RGME at the 2024 International Congress on Medieval Studies. (See 2024 International Congress on Medieval Studies: Report.)

More recollections will form part of the program for Episode 17 of “The Research Group Speaks” on 21 September 2024. Please let us know if you wish to participate.

  • Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections”

To register:

  • Episode 17. Retrospect and Prospects: Anniversary Reflections
    Saturday 21 September 2024, 1:00–2:30 EDT (GMT-4) online via Zoom

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In Giles’s Honor

A fund for the Research Group has been established to honor Giles Constable: The Constable Fund. See

  • Contributions and Donations
  • 2024 Anniversary Appeal

Do you have recollections, souvenirs, and photographs of Giles Constable that you would like to share?

Please, if you wish,

  • add your Comments here,
  • send us a message (Contact Us),
  • visit our Facebook Page, and
  • join our Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections”
    To register:
    Episode 17. Retrospect and Prospects: Anniversary Reflections
    Saturday 21 September 2024, 1:00–2:30 EDT (GMT-4) online via Zoom

We look forward to hearing from you.

*****

Update (12 August 2024):  Now see Part 2.

  • Patrick Wormald (1947-2004): A Memoir by David Ganz

Introduced by a blogpost, this Memoir appears as an 8-page Booklet published by the RGME.

See also the varied series of recollections and memoirs in various formats, digital and printed:

  • Memoirs.

*****

Tags: Alison Beach, Giles Constable, James Marrow, Patrick Wormald, RGME Anniversary, RGME Associates, RGME Honorary Trustees, RGME Mentors, RGME Recollections, RGME Retrospect and Prospects, The Constable Fund
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More Fonts for Bembino: Devanāgarī (Hindi) and Tibetan (High-Uchen Script)

May 6, 2024 in Announcements, Bembino, Manuscript Studies

Fonts for Tibetan
(High Uchen-Style)
and Hindi
(Devanāgarī)
for our
Multi-Lingual Font Bembino

[Posted on 5 May 2024, with updates]

By request, work continues on improvements for our copyright multi-lingual font Bembino. Step by step, fonts for more languages are added.  Now we turn to Devanāgarī (Hindi) and Tibetan (High-Uchen Script).

By September 2023, specimens of these fonts in Bembino were ready to show for comment.  Now, after some RGME online and hybrid activities have been accomplished (October 2023 and January, February, and April 2024, with more in May and June), we show the specimens for your review.  Please let us know what you think!

[P.S.  Meanwhile, another request, by our RGME Associate Reid Byers, has led also to work on Elvish for J.R.R. Tolkin‘s creation Tengwar. Coming soon!]

Multi-Lingual Bembino

Poster Announcing Bembino Version 1.5 (April 2018) with border for Web display

Poster Announcing Bembino Version 1.5

Our copyright font is freely available for download and use for non-commercial and commercial use alike.  You might download the font, and its companion Booklet, here:

  • Bembino Version 1.5 (2018).

That booklet and the font itself (now in Version 1.5) are freely available via Bembino.  The “Bembino” Booklet describes and illustrates the font.

Another Booklet showing “Examples of Our Font in Multiple Languages” appeared in March 2018, with an updated Version 1.1 (June 2018).

  • Multi-Lingual Bembino (2018)

This booklet contains examples of some of the wide range of languages that can be typeset using the Research Group on Manuscript Evidence ‘Bembino’ font.

The Specimen Text

Cover page for 'Multi-Lingual Bembino' demonstrating specimens from a wide range of languages typeset in Bembino

Multi-Lingual Bembino Booklet Cover

The chosen text is the same for all examples in the booklet for Multi-Lingual Bembino.

The Specimen Text comes from: Exodus chapter 20 verses 1–17, one of the sets of the ‘Ten Commandments’ in the Old Testament.

The languages are listed in alphabetical order by their English name (so ‘Welsh’ rather than ‘Cymraeg’).  The set of languages presented is not exhaustive. Many of the languages that use basic Latin are omitted, as are the languages for some of the former Russian Federation countries that use Cyrillic.

*****

The new, on-going, work provides fonts for more cases.

After creating fonts for Japanese, Ethiopic, and Arabic, the direction to South Asia seemed worth pursuing. Requests arrived, and work began.

Hindi: Devanāgarī

Devanāgarī is a left-to-right writing system used in the Indian subcontinent.  “The Devanāgarī script, composed of 48 primary characters, including 14 vowels and 34 consonants, is the fourth most widely adopted writing system in the world, being used for more than 120 languages.” (See Devanāgarī.)

Our Bembino Specimen is set for Hindi, “the fourth most-spoken language in the world, after Mandarin, Spanish and English”.

The background for the work to produce such a font for Bembino extended across several years.  We owe the quest to comments offered by Harry Blair, responding to Bembino as a multi-lingual digital font in use for a variety of purposes.

For example (6 February 2019):

I was thinking that if Leslie had done Japanese and Ethiopic and Arabic (much harder than Devanāgarī, it seemed to me), then South Asia might be an interesting direction to take. Simpler than Western languages in that there’s only one case (no upper and lower), but more complex with all the conjuncts. Plus the vowels sometimes shift around consonants, sometimes preceding them in writing while following them in speaking.”

1.  Most of the conjuncts in common use are like ligatures in Western scripts: 2 letters joined in such a way that it’s easy to grasp what the separate letters are.  This Wikibooks table shows them (<https://en.wikibooks.org/wiki/Hindi/Consonant_combinations>). BTW the small diagonal appendage to each letter in the first column just indicates that the letter is by itself with no following vowel.

2. There’s a much smaller set of conjuncts commonly used that yield an entirely different form, listed at the bottom of the WikiBooks table as “special cases”.

Taking up the case, our Font Designer reported (5 February 2019):

I checked the latest version (11.0) of Unicode and they haven’t done anything to address the issues with Devanāgarī.

Here is my understanding of the issue, ignoring all the vehement rhetoric.

Basically, similar to Arabic, Devanagari has a ‘core’ of about 50 letter shapes (consonants and vowels) but when they co-occur there are combined forms that must be used.  It’s as though the fi, ffi, fl etc. ligatures were *mandatory* to set English.  There are about 1,000+ of these ‘ligatures’ needed correctly to set Devanagari.  Unicode contains only 128 glyphs for Devanagari, including punctuation and numerals!  Now, it is true that some of the ‘missing’ glyphs can be formed from the basic letters + overprints. Think of European accents, and the core ‘a’ used to form á, ä, à etc., but without having separate codepoints for â, ä and so on.  But there are still some combinations that need different shapes (like ffi) not just overprints.

There is no space in Unicode to add those different shapes.  They could be added through special font tables (like I did for the joined-up Ethiopic numerals), and there are specific tables in OpenType (the format I use for Bembino) to support them.  But building those tables requires an expert knowledge of Devanagari typesetting.  There are some sites on the Web that can help, but if I made a mistake I would never know.

Having said that, I’m willing to take on the challenge if I can get some help checking what I produce, similar to that Augustine [Dickinson] did with the Ethiopic [by asking for diacritics for Ge’ez among the languages of Ethiopia].

[Note: Our Associate Augustine Dickinson is now the Acting RGME WebMaster, as of 1 July 2023.]

With some suggestions for the specimen forms (such as more contrast between thick and thin strokes), a revised version of Devanāgarī for Bembino is now available upon request, before the next version of Bembino as a whole appears.

Bembino for Hindi and Tibetan

Now, a poster-style page shows the Bembino fonts so far for Hindi and Tibetan.

The Specimen Text

The chosen text is the same for all examples in the booklet for Multi-Lingual Bembino.  As described above, the Specimen Text comes from: Exodus chapter 20 verses 1–17, one of the sets of the ‘Ten Commandments’ in the Old Testament.

Fonts for Hindi and Tibetan for Multi-Lingual Bembino in Specimen Text.

Tibetan

Tibetan script is a segmental writing system, written from left to right.  The alphabet has thirty basic letters for consonants.  Syllables are separated by a tsek (་), and spaces are not used to divide words.  Because many Tibetan words are monosyllabic, the mark can function as if a space between words.  (See, for example, The Tibetan Writing System.)

When I [Mildred Budny, Editor-in-Chief of RGME Publications] asked our Font Designer about the choice of script for Tibetan, High-Uchen Style, he said: “I think it is beautiful”.

Here is a specimen of the script in manuscript form.  I show the specimen, and add parts of the companion description (metadata) which comes with the image in its digital facsimile available freely online.

Photograph: Ms. Sarah Walsh.

Notes on the Image

Image via Wikimedia Commons under CC 4.0 license, via https://commons.wikimedia.org/wiki/File:Isha_Upanishad_Verses_1_to_3,_Shukla_Yajurveda,_Sanskrit,_Devanagari.jpg

Information given at that source:

“Language: Sanskrit

“Script: Devanagari

“Script style: pre-14th century (Northern / Western)

“Isha Upanishad, verses 1–2, partially 3

“The thick text is the Upanishad scripture, the small text in the margins and edges are an unknown scholar’s notes and comments in the typical Hindu style of a minor bhasya.

“The photo above is of a 2D artwork of a text that is over 2,000 years old, from a manuscript that was produced decades before 1923. Therefore Wikimedia Commons PD-Art licensing guidelines apply. Any rights I have as a photographer is herewith donated to wikimedia commons under CC 4.0 license.

“The early Upanishads (Upanisad, Upanisat) are scriptures of Hinduism. Variously dated by scholars to have been composed between 900 BCE to about 200 BCE, these texts are in Sanskrit language and embedded within a layer of the Vedas. They contain a mixture of philosophy and mystical speculations, many set in the form of dialogues or pedagogic style. Their central teachings include the concepts of Atman (soul, self) and Brahman (metaphysical reality).

“These manuscripts are preserved at the Lalchand Research Library, Ancient Indian Manuscript Collection, DAV College Digital Library Initiative, Chandigarh India, in association with SP Lohia and Indorama Charitable Trust. The texts are over 2000 years old, the re-copying into this particular manuscript is dated to a pre-1867 reproduction (exact date unknown). The manuscript shows significant stain marks, decay and damage on the sides and its edges.”

*****

Suggestion Box

Do you have suggestions, questions, or requests for Bembino?

Please leave your comments here, Contact Us, or visit

  • our FaceBook Page
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Donations and contributions, in funds or in kind, are welcome and easy to give.  Given our low overheads, your donations have direct impact on our work and the furtherance of our mission.  For our Section 501(c)(3) nonprofit educational organization, your donations may be tax-deductible to the fullest extent permitted by law.  Thank you for your support!

  • Contributions and Donations
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We look forward to hearing from you.

*****

 

Tags: Bembino Digital Font, Book of Exodus, Devanāgarī, Elvish, Ethiopic Script, Exodus 20:1-17, Ge'ez diacritics, Hindi, Isha Upanishad, Lalchand Research Library, Multi-Lingual Bembino, RGME Font Design, Sanskrit, Specimen Text, Tengwar, Tibetan, Tibetan High-Uchan Script
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Episode 18. “Women as Makers of Books”

May 5, 2024 in Anniversary, Book, Design, Manuscript Studies, Research Group Episodes for The Research Group Speaks, Research Group Speaks (The Series)

“The Research Group Speaks”
Episode 18
“Women as Makers of Books”

Saturday 14 December 2024
1:00–2:30 pm EST (GMT-5) by Zoom

Jaclyn Reed, Hannah Goeselt, Linda Civitello,
Mildred Budny, and Others

[Posted on 3 May 2024, with updates]

London, British Library, Harley MS 4431, fol. 4r.Christine de Pisan sits at work writing in an interior accompanied by a dog. France (Paris), c. 1410 – c. 1414. Image via https://blogs.bl.uk/digitisedmanuscripts/2013/06/christine-de-pizan-and-the-book-of-the-queen.html.

London, British Library, Harley MS 4431, fol. 4r.Christine de Pisan sits at work writing in an interior accompanied by a dog. France (Paris), c. 1410 – c. 1414. Image via https://blogs.bl.uk/digitisedmanuscripts/2013/06/christine-de-pizan-and-the-book-of-the-queen.html.

By its focus upon the agency of women in and for books, this Episode offers a pendant at the end of our 2024 Anniversary Year for the Episode which opened the year.

  • See Episode 15. Women Writers from the Medieval to Post-Modern Periods

Then, in January, scholars, teachers, and writers spoke about their interests, long-term work , and current projects concerned with the writings of women authors across a long span of time. Reflecting women’s roles, opportunities, constraints, and resourcefulness, the writings cover a wide range of spheres, subjects, approaches, and styles. The works range from literary creations to recipes for cookery.

Now, in December, the same speakers from that Episode return to offer reflections, presentations, or responses on the subject of women who contributed in one or more ways to the production of books in various forms during a range of periods across history. Other speakers and respondents join them, along with our audience engaging in the discussion with questions, comments, and observations.

For the January Episode, Mildred Budny was the presider. For the December Episode, Justin Hastings will preside.

We thank all our contributors, presiders, and attendees.

Lewistown, Pennsylvania, Old Stone Arch Bridge spanning Jack’s Creek. Built by Philip Diehl in 1815. Photograph by KAATMAAN (August 2011) via Wikimedia Commons via CC BY-SA 3.0 License.

A Bridge for, or across,
Our 2024 Anniversary Year

In keeping with the Theme of our Anniversary Year, Bridges, this Episode brings the opportunity to round out the year by means of a bridge across the RGME’s year with a return or expansion upon the theme of women responsible for contributions to the making of books. Now, we think of them not only as writers of texts, as at the beginning of the year in Episode 15, but also, or instead, as makers of the images, scripts, bindings, and/or other materials which make up books themselves as carriers of knowledge, art, expressions,  explorations, and manifestations of human aspirations.

Genres and Styles

Womens’ contributions to the “making of books” also extend to manuscripts or other forms of presenting the written word in material form. These makers chose to work in spheres ranging from calligraphy to illustrations and the designs which governed the layout or production of the works themselves.

Periods under consideration might range widely across centuries and cultures.  Examples include the Arts and Crafts Movement which flourished in Europe and North America circa 1880–1920, the Art Nouveau Movement of circa 1890–1910, and the Art Deco Style of the 1910s to 1930s.

Update:
Since we began to plan this Episode, more of our events in our 2024 Anniversary Year address the subject.

For example, in October, online by Zoom:

  • the co-sponsored set of webinars on Medieval Women’s Networks” on Thursday and Friday 17–18 October by Zoom
  • and the Autumn Symposium 2024 Autumn Symposium “At the Helm: Spotlight on Special Collections as Teaching Events”
    on Friday and Saturday 25–26 October by Zoom; its first session showcases contributions to book-production in the Victorian period Read the rest of this entry →

Tags: Ali Smith, Art Nouveau, Arts & Crafts Movement, Calligraphers, Cheap Repository Tracts, Cookbooks, Élisabeth Sonrel, Hannah More, History of Book Production, Illustrators, Lucy Maynard Salmon, Mary Mape Dodge, Muriel Spark, Recipes, RGME Publications, Saint Nicholas Magazine, Seasons Personnified as Women, The Little Red Hen, Women as Makers, Women in Books, Women Printers, Women Writers
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Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections”

April 30, 2024 in Interviews, Manuscript Studies, Research Group Episodes for The Research Group Speaks, Research Group Speaks (The Series)

Episode 17 (Saturday 21 September 2024)
“RGME Retrospect and Prospects:
Anniversary Reflections”

[Posted on 30 April 2024, with updates]

This Episode in our online series The Research Group Speaks” offers Anniversary Reflections for the Research Group on Manuscript Evidence, as we draw on highlights of our history, reflect on memories and people, and bring forth observations from living memory.

Florence, Italy, Ponte Vecchio from Ponte alle Grazie. Photo: Ingo Mehling, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons

Florence, Italy, Ponte Vecchio from Ponte alle Grazie. Photo: Ingo Mehling, CC BY-SA 4.0 via Wikimedia Commons

In keeping with the Theme of our Anniversary Year, Bridges, this Episode gives the opportunity to share recollections, with series of comments in a roundtable conversation.

Subjects include recollections of people, events, and landmarks in the history and legacy of the RGME as we celebrate our heritage and achievements during the 2024 Anniversary Year and beyond.  For example, we wish to bring forth the memories preserved in Oral Tradition, with their stories to tell and people’s memories to preserve and share.

James Marrow and Giles Constable at the Meeting of the Honorary Trustees of the Research Group on Manuscript Evidence, 13 December 2013

James Marrow and Giles Constable at the Meeting of the Honorary Trustees of the Research Group on Manuscript Evidence, 13 December 2013 Photography by Mildred Budny

In Memoriam

People to remember include

  • our Trustee Vivien Law
  • our Honorary Trustee Giles Constable
  • our Associates
    C. Patrick Wormald
    Roger E. Reynolds
    Elizabeth (“Peggy”) A.E. Brown
  • and others.

Would you like to suggest more names as memorials?

Survey Questions as Recollections, Souvenirs, and Records

In preparation, we would circulate a survey asking people if they would like

  1. to propose ideas beforehand for an open discussion, such as recollections of particular events and/or people in our history;
  2. to share some reflections or comments in the roundtable; and
  3. to make suggestions.

Also, might you have some souvenirs or photographs from RGME events that you would like to share with the audience of the Episode and/or with the RGME Library & Archives?  We would be glad to see them.

We encourage you to join the conversation and celebrations.

Awards

Would you like to propose someone for an Award for contributions to the RGME?  Please let us know your nominations, with a description of the reasons for them.

A delightful pair of Awards, both earnest and lighthearted, with an Award Ceremony, can be seen in the Certificates or ‘Diplomas’ which our late Associate, James P. Heidere, displayed by turns on the walls of his dental office and his kitchen at home.

James Heidere with his RGME Associate's 'Diploma' with Photography by Mildred Budny

James Heidere with his RGME Associate’s ‘Diploma’

See Heidere: Diplomas and Investiture (2002).

Information about our Episode 17:

  • Episode 17. “RGME Retrospect and Prospects: Anniversary Reflections”.

For this event, we celebrate RGME history, impact, and potential.

Register for the Episode:

  • Episode 17. Eventbrite Tickets

*****

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Please Contact Us or visit

  • our FaceBook Page
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Donations and contributions , in funds or in kind, are welcome and easy to give.

  • See Contributions and Donations.

We look forward to hearing from you.

*****

Tags: Elizabeth A.R. Brown, Giles Constable, In Memoriam, Living Memory, Memorials, Oral Tradition, Patrick Wormald, Ponte Vecchio, RGME Anniversary, RGME History, RGME Origins, RGME Surveys, Roger E. Reynolds, Vivien A. Law
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2024 Anniversary Symposium: The Booklet

February 28, 2024 in Anniversary, Announcements, Manuscript Studies, RGME Symposia

“Manuscript (HE)ART”
Symposium Booklet

for the
2024 Anniversary Symposium
in Thanks to Jesse Hurlbut
(24 February 2024)

Co-Organized
by Katharine C. Chandler and Jessica L. Savage

[Posted on 27 February 2024]

The 64-page illustrated 2024 Anniversary Symposium Booklet is now available for our 2024 Anniversary Symposium “Manuscript (HE)ART” held online on 24 February 2024.

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program
  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Plan

You may download it as a pdf in two versions, depending upon your printer, paper stock, and preferences.

1) as consecutive pages for 8 1/2 in. x 11 in. sheets (quarto or letter)

2) as a foldable booklet for 11 in. x 17 in. sheets (tabloid, ledger, or B size) to fold in half

If you wish a copy of the printed version, please contact director@manuscriptevidence.org.

For the event, on the day, we circulated a Preview of the Booklet, with Authors’ Corrections, as a pdf.

Now we issue the Booklet, with a few more corrections, both in print and pdf, for wider circulation. It offers a souvenir of the occasion, with the Program, Abstracts for the presentations, companion Illustrations, the Speakers’ Bios, and a few Notices, including a list of “Contributions to Digital Humanities” by Jesse D. Hurlbut.

2024 Anniversary Symposium Booklet: Front Cover

*****

Coming Attractions

Watch for our next events.

2023 and 2024 Activities

2024 Spring Symposium at Vassar College

2024 International Congress on Medieval Studies: Program

And more!

For updates, please visit

  • News
  • our FaceBook Page
  • our Facebook Group
  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Blog on Manuscript Studies and its Contents List

Donations and contributions, in funds or in kind, are welcome and easy to give.

  • See Contributions and Donations.

We look forward to hearing from you.

*****

Tags: RGME Anniversary, RGME Anniversary Symposium, RGME Symposia
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