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        • 2019 Anniversary Symposium Registration
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        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
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A Sister Leaf from a Miniature Latin Vulgate Bible
A Little Latin Vulgate Bible Manuscript Leaf in Princeton
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2026 Annual Appeal
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Private Collection, Ege's FBNC Portfolio, Dante Leaf, Verso, Detail. Reproduced by Permission.
2025 RGME Autumn Colloquium on Fragments
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Kalamazoo, MI Western Michigan University, Valley III from the side. Photograph: David W. Sorenson.
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A Sister Leaf from a Miniature Latin Vulgate Bible

December 17, 2025 in Fragments, Manuscript Studies, Research Group Workshops, Workshops on "The Evidence of Manuscripts"

A Sister Leaf
from a Miniature Latin Vulgate Bible:
Fragments at Princeton

2 columns in 47 lines
Measurements
Leaf maximum circa 121 mm high × 82 mm wide
<Written area circa 90 × 57 mm>

[Posted on 16 December 2025]

Poster 3 for 2025 Autumn Colloquium. Workshops on “Fragments at Princeton”

For the recent 2025 RGME Autumn Colloquium on Fragments, our Associate Eric M. White presented a pair of Workshops on “Fragments at Princeton”, with a focus on “Books in Fragments / Fragments in Books”. The workshops took place in Special Collections of the Princeton University Library, in two sittings.

With a few variations in each workshop, the selected specimens considered a range of manuscript and printed materials. They included, for example, single manuscript leaves (or fragments thereof) on their own or manuscript fragments (single leaves or conjoint bifolia) reused as part of bindings, pastedowns, or endleaves for other texts.

For many of these specimens, Eric demonstrated their characteristics with a riveting commentary about the processes of discovery which brought them to Princeton or which enriched understanding about them once the curator or scholar came across them in the stacks or within their secondary homes in the form of composite codices mixing layers from different dates and places of production and different genres of books.

He presented some specimens of individual leaves as curiosities about which little is known — in case they might be recognized. About one of them I said that I thought I knew of another similar leaf. The Princeton University Leaf  came from a set of three boxes of manuscript fragments, which had little or no information about their sources.

Now we introduce another leaf which I believe came from the same manuscript. Do you agree?

Read the rest of this entry →

Tags: Book of Isaiah, Book of Wisdon, Fragmentology, manuscript fragments, Manuscript studies, Medieval Latin Vulgate Bibles, Medieval Manuscript Fragments, Princeton University Library
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A Little Latin Vulgate Bible Manuscript Leaf in Princeton

November 26, 2025 in Manuscript Studies, Princeton University

A Little Leaf
at Princeton University Library
from a Miniature Latin Vulgate Bible

2 columns in 47 lines

[Posted on 25 November 2025]

Poster 3 for 2025 Autumn Colloquium. Workshops on “Fragments at Princeton”

For the recent 2025 RGME Autumn Colloquium on Fragments, our Associate Eric M. White presented a pair of Workshops on “Fragments at Princeton”, with a focus on “Books in Fragments / Fragments in Books”. The workshops took place in Special Collections of the Princeton University Library, in two sittings.

With a few variations in each workshop, the selected specimens considered a range of manuscript and printed materials. They included, for example, single manuscript leaves (or fragments thereof) on their own or manuscript fragments (single leaves or conjoint bifolia) reused as part of bindings, pastedowns, or endleaves for other texts.

For many of these specimens, Eric demonstrated their characteristics with a riveting commentary about the processes of discovery which brought them to Princeton or which enriched understanding about them once the curator or scholar came across them in the stacks or within their secondary homes in the form of composite codices mixing layers from different dates and places of production and different genres of books.

He presented some specimens of individual leaves as curiosities about which little is known — in case they might be recognized. About one of them I said that I thought I knew of another similar leaf.

Read the rest of this entry →

Tags: Fragments, Manuscript studies, Martyrdom of Isaiah, Medieval manuscripts, Medieval Vulgate Manuscripts
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2026 Annual Appeal

November 7, 2025 in Manuscript Studies, RGME Annual Appeal

2026 Annual Appeal
for Donations
to Support
our Mission and Activities

[Posted on 7 November 2025]

We invite you to join our 2026 Annual Appeal, as the Research Group rounds out the extraordinarily successful year of accomplishments for 2025 (see below), and prepares for the future. That we were able to accomplish so much in 2025, in the face of many significant setbacks for funding and swift shifts in plans to host our activities, attests to the strength and vigor of the volunteers and donors (individual and institutional).

They all, in collegial collaboration, have made it possible to maintain course for our activities, to produce so many events both hybrid and online, to gather to learn about discoveries for research and the progress on work-in-progress, and to celebrate the delights of learning more about the marvels of books and their stories transmitted across the centuries. This momentum carries our plans forward to 2026, with activities already planned and more to come.

We turn to you to help us to maintain momentum and share the quest. Please donate what you can. For our small, deducated, nonprofit organization powered principally by volunteers, every donation can make a difference.

Ways to Donate Online and Other Ways

Ways to contribute?

There are many ways to help: Funds, Goods, Expertise, Time. All can help our work and mission.

For suggestions, see:

  • Contributions & Donations
  • Donations

1) Via Mightycause:

  • Donate to RGME
  • RGME 2026 Annual Appeal via Mightycause

2) Via Paypal, Venmo, ApplePay, Pay Later, or Debit or Credit Card:


Suggestions or Feedback?

Please leave your Comments or questions below, Contact Us, or visit

  • our FaceBook Page
  • our Facebook Group
  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our LinkedIn Group
  • our Instagram presence(@rgme94)
  • our Blog on Manuscript Studies and its Contents List

A Community of Scholars,
Teachers, Students, Friends,
and Admirers of Books

We thank you for your support.

Please  join our community and join our cause.

******

Summary of Activities So Far

Building on the momentum and enthusiasm for this year’s accomplishments, we prepare more for 2026.

Activities in Progress and Accomplished in 2025

In 2025 we had:

Two Symposia dedicated to “Agents and Agencies” in the realms of books

  • 2025 Spring and Autumn Symposia

More Episodes for our online series “The Research Group Speaks”

  • “The Research Group Speaks”: The Series

More RGME Workshops on “The Evidence of Manuscripts, Etc.”

  • RGME Workshops on “The Evidence of Manuscripts, Etc.”

More Meetings of the Friends of the Research Group on Manuscript Evidence

  • Meetings of the Friends of the RGME

Logo (2024) of the Friends of the Research Group on Manuscript Evidence

Steps toward the preparation of a Cookbook of Favorite Recipes of the Friends of the RGME

  • For example, entries for Favorite Recipes for Lemonade, Etc.

Poster 2. 2025 Autumn Colloquium. Poster set in RGME Bembino.

Multiple conference sessions, sponsored and co-sponsored, at

1) the International Congress on Medieval Studies at Kalamazoo
RGME Activities at the 2025 International Congress on Medieval Studies

2) the International Medieval Congress at Leeds
RGME Activities at the 2025 International Medieval Congress at Leeds

By request, a special Autumn Colloquium on Fragments, in hybrid form, which had to move abruptly from the first host institution to a welcome instead at Princeton

  • 2025 RGME Autumn Colloquium on Fragments

Onward to 2026

Our website reports activities and projects as they unfold for the Year 2026, when our Theme centers upon “Transformation and Renewal”. Join us to see how they may unfold.

Please donate what you can to keep our organization on course, in the face of widespread challenges for funding. We are grateful for your support.

1) Via Mightycause:

  • Donate to RGME
  • RGME 2026 Annual Appeal via Mightycause

2) Via Paypal, Venmo, ApplePay, Pay Later, or Debit or Credit Card:


Information and Suggestions
for Donations in Funds and Contributions in Kind

  • Contributions & Donations
  • Donations

Many thanks!

J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.

J. S. Wagner Collection, Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Verso, with part of Psalm 117 (118) in the Vulgate Version, set out in verses with decorated initials.

*****

 

Tags: Friends of the Reaearch Group on Manuscript Evidence, Manuscript studies, RGME Annual Appeal, RGME Symposia, RGME Workshops on the Evidence of MSS Etc., The Research Group Speaks
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2025 Autumn Symposium on 17-19 October: Program

October 11, 2025 in Announcements, Manuscript Studies, RGME Symposia

2025 Autumn Symposium
of the Research Group on Manuscript Evidence

“Readers, Fakers, and Re-Creators of Book:
From Page to Marketplace and Beyond”

Part 2 of 2 in the
2025 Spring and Autumn Symposia

Friday – Sunday, 17-19 October 2025
Online by Zoom

Preliminary Program

Overview

Day 1. Friday 17 October at  1:30 – 5:00 pm EDT (GMT -4)
Day 2. Saturday 18 October at 9:00 am – 5:00 pm EDT (GMT -4)
Day 3. Sunday 19 October at 10:30am – 12:00am EDT (GMT -4)

Registration

  • 2025 RGME Autumn Symposium Registration

Symposium HomePage (information and updates)

  • 2025 RGME Autumn Symposium on Readers, Fakers, and Re-Creators of Books

Symposium Booklet (40-page illustrated booklet, available in two formats for printing)

  • Consecutive pages (8 1/2″ × 11″)
  • Foldable booklet (11″ × 17″ sheets)

Program

* = Research Group on Manuscript Evidence (Trustees, Associates, Consultants)

Day 1. Friday 17 October at  1:30 – 5:00 pm EDT (GMT -4)

Session 1. 1:30 – 3:00 pm

Session 1
“A Life Imprinted:
From Life to Words to Print”

Presider. * Beppy Landrum Owen (Council Member, Grolier Club; Trustee, Rare Book School; Graduate Student, Master of Liberal Studies Program, Rollins College)

Speaker

* Eve Kahn (Independent Scholar)

“A Life in Print:
Zoe Anderson Norris (1860-1914) and Her Millions of Autobiographical Words”

Note: Eve’s new book: Queen of Bohemia Predicts her Own Death: Gilded Age Journalist Zoe Anderson Norris (Fordham University Press, 2025)

Break. 3:00–3:30 pm

Session 2. 3:30 – 5:00 pm

Session 2
“Now You See It, Now You Don’t:
Forgeries at Work and Play”

Presider. * Beppy Landrum Owen

Speakers

Tara Peterson (Medieval Studies, University of York)

““The Spanish Forger: 19th-Century Medievalism and the Value of Forgery”

* Reid Byers (President of the Baxter Society and Author of:
The Private Library: The history of the Architecture and Furnishing of the Domestic Book Room;
and Imaginary Books: Lost, Unfinished, and Fictive Works Found Only in Other Books)

““Collecting the Imaginary and The Fortsas Affair”

*****************

Day 2. Saturday 18 October at 9:00 am – 5:00 pm EDT (GMT -4)

Session 3. 9:00–10:30 am

Session 3
“Reading the Pages:
Witnesses Examined”

Presider. * N. Kıvılcım Yavuz (University of Leeds)

Speakers

Janie Wright (University of Leeds)
“A Textual Examination of Leeds, Leeds University Library, Ripon Cathedral Library MS 5:
Petrus Riga’s Aurora”

Mildred Budny
“Biblioclasts as ‘Editors’ and Re-Creators of Books:
A Scholar’s View of Otto F. Ege’s Oeuvre, Repurposing Specimens from Manuscripts and Printed Books”

Break. 10:30–11:00 am

Session 4. 11:00 am – 12:30 pm

Session 4
“(Re)Writing the Classics:
William Henry Ireland AKA Shakespeare”

Presider. * David Porreca (Department of Classics, University of Waterloo)

Speaker

Jack Lynch (Department of English, Rutgers University)

“The Shakespeare Phantom:
William Henry Ireland and Manuscript Evidence”

Lunch Break. 12:30–1:30 pm

Session 5. 1:30 – 3:00 pm

Session 5
“Books and Their Agents/Agencies”
A Roundtable Discussion

Presider. * Justin Hastings (Research Group on Manuscript Evidence)

Panelists (Alphabetical Order)
* Mildred Budny
* Beppy Landrum Owen
* David Porreca
* N. Kıvılcım Yavuz
And Others . . .

Break. 3:00–3:30 pm

Session 6. 3:30 – 5:00 pm

Session 6
“Fashioning or Re-Fashioning Plates
and Scrap-Booking Stories”

Presider. * Jennifer Larson (Kent State University)

Speakers

Meghan Constantinou (Simmons University)

“Phoebe A. D. Boyle (1831-1923):
Work in Progress on a Forgotten Bibliophile”

* Beppy Landrum Owen

“More Tales from the Making of Andreas Vesalius’s Icones anatomicae:
A Progress Report for an Exhibition”

Irene Malfatto (Bruce McKittrick Rare Books, Philadelphia)

“Creating and Re-Creating Natural History in Early-Modern Europe:
The ‘Aldrovandi Scrapbook’ “

*****************

Day 3. Sunday 19 October at 10:30 am – 12:00 pm EDT (GMT -4)

Session 7. 10:30 am – 12:00 pm

Session 7
“Manuscript Remnants
Reused, Recovered, Collected, Reconsidered:
Agents and Agencies
in the History of Transmission”

Presider. * Hannah Goeselt (Massachusetts Historical Society Library)

Speakers

* David W. Sorenson (Allen G. Berman, Numismatist)

“Cahiers des Manuscrits Perdus:
From Codices to Covers via the French Revolution”

* Mildred Budny

And Others

Closing Remarks:

“Rounding out the Series of 2025 Spring and Autumn Symposia,
with a Preview of the 2025 RGME Colloquium on ‘Fragments’  ”

*************

Registration

  • 2025 RGME Autumn Symposium Registration

For information and updates see the Symposium HomePage

  • 2025 RGME Autumn Symposium on Readers, Fakers, and Re-Creators of Books

Cambridge, Massachusetts, Harvard University, Houghton Library, MS Typ 947, ‘verso’. Images via https://iiif.lib.harvard.edu/manifests/view/drs:6517512$1i.

*************

 

Tags: 2025 Autumn Symposium, 2025 Spring and Autumn Symposia, Aldrovandi Scrapbook, Forgery, Fortsas Hoax, Icones Anatomicae of Vesalius, Manuscript studies, Petrus Riga, Phoebe A. D. Boyle, William Henry Ireland, William Shakespeare, Zoe Norris Anderson
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Workshop 8: A Hybrid Book where Medieval Music Meets Early-Modern Herbal

October 11, 2025 in Announcements, Early-Printed Books, Event Registration, Manuscript Studies, Research Group Workshops, Workshops on "The Evidence of Manuscripts"

RGME Workshops
on
“The Evidence of Manuscripts, Etc.”

Workshop 8
“Face the Music, or,
Where Manuscript Meets Print
in a Hybrid Book:

An Early-Modern German Astrological Herbal
with a Reused Binding Fragment
from a Medieval Musical Manuscript”

Sunday 26 October 2025
Online by Zoom

[Posted on 15 September 2025, with updates)

Our series of Workshops on “The Evidence of Manuscripts, Etc.” continues with an exploration of a hybrid book for Workshop 8.

The Hybrid Book

This workshop will examine a puzzling vellum fragment (or is it a set of patchwork fragments?) in a private collection. The fragment(s) come(s) from a single musical manuscript in Latin on vellum laid out in double columns with text and notation on 4-line staves. The reused medieval material forms the outer covering of a 17th-century printed book in German on laid paper.

Private Collection, Front Cover with Reused Medieval Musical Fragment on Vellum. Photograph by Mildred Budny.

The Musical Fragment and its ‘Find-Place’

For the musical fragment, we will work to decipher the visible parts of the text and music, identify the readings/lections and chants, and, if possible (given the fragmentary nature), determine the probable genre of original manuscript, such as lectionary, breviary, antiphonary, or missal. Perhaps, over time, we might find other survivors from the same despoiled medieval manuscript.

Narrowing down its possible origin—or location in the early 17th century or later when it came to be reused as a binding cover–might aid the quest to determine the circumstances of its reuse and whence other parts of it might have been disseminated, whether as reused binding materials or otherwise.

For the workshop, we will examine the features of the printed book. It includes multiple woodcut illustrations and occasional marginalia in forms of annotations demonstrating attention of several kinds to the contents of the herbal.

What brought this medieval musical fragment and early modern printed book together? Even if we might never know all the answers, won’t it be fun to question how and why? There is a story here.

We love the puzzles, and give thanks to the collector for lending the book to the RGME for study and teaching and for sharing it with our audience in this workshop and beyond.

Information

People who be participating at the workshop to offer observations, reflections, and suggestions about the composite volume include (in alphabetical order):

Phillip Bernhardt–House

Mildred Budny

Natalia Fay

Leslie French (represented by a report on the musical manuscript fragment)

Beppy Landrum Owen

David Porreca

David W. Sorenson (with some specimens of herbals mentioning astrological influences)

And others.

At our 2024 Spring Symposium at Vassar College, Natalia delightfully described her work for her exhibition on herbals then on display in the Art Library. She shares the poster and brochure for the exhibition with us, as she returns to our events in this workshop to report on her continuing interests in plants, books, manuscripts, and their transmission.

  • Natalia Fay, Botanicals Thesis Poster
  • Natalia Fay, Arcane Botanicals Program

The Manuscript Fragments

The visible portions of the manuscript appear, with only one side facing and the other side hidden, on the outer sides of the front and back covers, spine, and fore-edges of the binding.

Their text and music on four-line staves stand upright on the volume. Written in Gothic script, the parallel lines of music and text have some elements in red and blue pigments. There are ten lines on the front cover and on the spine, but the back cover has an additional line of music at the bottom, amounting to 10 1/2 lines on this portion. Each portion of the fragment shows a single column, or part of one. At the right on the back cover, the right-hand side of the fragment extends beyond the column with an expanse of outer margin from its original extent.

Sections open with 2-line initials which span the full height of the paired lines of music-and-text, for which the staves separate their horizontal course. One initial comprises a blue capital I (front cover, line 7). Three band-like initials comprise decorative forms in black ink with a vertical twist at the left-hand side; red pigment fills the centers of their twists (front cover, lines 2 and 6; back cover, line 2).

1. Front Cover

Private Collection, Front Cover with Reused Medieval Musical Fragment on Vellum. Photograph by Mildred Budny.

2. Back Cover

Private Collection. Musical Manuscript Fragment, Back Cover with ruler.

Spine

Private Collection. Hybrid book with Musical Manuscript Fragment, Spine View.

The Printed Book

The printed text comprises the German Kreutterbuch (“Book of Herbs”), an astrological herbal, by Bartholomaeus Carrichter (1510–1574), in an early edition printed in Strasbourg in Alsace in 1606. The author, who wrote under the pseudonym of Philomusus Anonymus, was physician to Ferdinand I (1503–1564), Holy Roman Emperor from 1556, and his son Maximilian II, Holy Roman Emperor from 1564 to 1576. The first edition of his Kreutterbuch was printed in Strasbourg in 1517 by Chistian Muller. For later editions, the physician, poet, and alchemist Michael Toxites (1515–1581), whose birth-name was Johann Michael Schütz, added some material to Carrichter’s work and edited it.

One of various versions of the illustrated genre by different authors (see, for example the Kreutterbuch desz Hocgelehrten und Weitberuhmten Herrn D. Petri Andreae Matthioli . . . ), this book combines information about plants, use, and lore with astrological considerations.

Title Page

A catalogue description of the volume characteristically derives from information on the title page:

Philomusus Anonymous [Bartholomaeus Carrichter (1510–1574)], Horn des Heyls menschlicher Blödigkeit, oder Kreütterbuch, darinn die Kreütter des Teutschenlands auss dem Liecht der Natur nach rechter Art der himmelischen Einfliessungen beschriben / durch Philomusum Anonymum [Bartholomäus Carrichter], with a foreword by Michael Toxites, born Johann Michael Schütz (1514–1581), (Strassbourg: Anton Bertram, DCVI/1606).

An inscription in light black ink at the foot of the title page gives the initials “G. S.” Perhaps they refer to an owner.

Private Collection, Kreutterbuch, title page. Photograph by Mildred Budny.

For the first edition of 1576, printed in Straßburg, see an online digital facsimile of a copy in Augsburg, Staats- und Stadtbibliothek. For an edition of 1619 also printed by A. Bertram, see the copy in the Wellcome Collection.

Like the 1619 edition, this folio volume has 10 unnumbered pages, 180 numbered pages, and 5 unnumbered leaves, with a woodcut title page and outline illustrations. Interspersed within the columns of text, the book has 58 outline illustrations depicting the herbs which it describes. For example, borage (Borago officinalis) or starflower:

Private Collection, Carrichter’s Kreutterbuch (Strasbourg, 1604). Borage. Photography by Mildred Budny.

Up close:

Private Collection, Carrichter’s Kreutterbuch (Strasbourg, 1604). Borage. Photography by Mildred Budny.

For comparison: Borage ‘In The Wild’

Borago officinalis. Photograph by By Christian Orlandi (12 April 2025) – Own work, CC BY-SA 4.0. Image via Wikimedia Commons via https://commons.wikimedia.org/wiki/File:Borago_officinalis_(2025).jpg.

Some marginal annotations in brown ink amplify or comment upon passages.

Private Collection, Carrichter’s Kreutterbuch (Strasbourg, 1604). Textual opening with marginal Annotations. Photography by Mildred Budny.

*****

Registration for the Workshop

We invite you to join the quest.

  • https://www.eventbrite.com/e/workshop-8-a-hybrid-book-with-astrological-herbal-and-medieval-missal-tickets-1340074201009

*****

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

Visit our Social Media:

  • Leave your comments or questions below
  • Contact Us

Visit our Social Media:

  • our Facebook Page
  • our Facebook Group
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  • our Bluesky nest @rgmesocial.bluesky.social)
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Join the Friends of the RGME.

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2025 Annual Appeal

*************

Tags: astrological herbals, Bartholomaeus Carrichter, Early modern printing, history of herbals, history of printing, Kreutterbuch, manuscript fragments, Manuscript Fragments Reused in Bindings, Manuscript studies, medieval musical manuscripts, Michael Toxites
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Episode 23. “Meet RGME Bembino: Facets of a Font”

September 1, 2025 in Bembino, Book, Design, Event Registration, Manuscript Studies, Research Group Episodes for The Research Group Speaks, Research Group Speaks (The Series)

“The Research Group Speaks”
Episode 23

“Meet RGME Bembino:
Facets of a Font”
A Conversation

Saturday 21 February 2026
1:00–2:30 pm EST (GMT-5) by Zoom

[Posted on 31 August 2025, with updates]

As the series wherein “The Research Group Speaks” unfolds, we respond to suggestions and requests. For information about the series, please see:

  • “The Research Group Speaks”: The Series

The Plan

Join us for an informal conversation with the RGME Font-Designer, the RGME Director, an author, a graphic designer, and others who use our copyright multi-faceted multi-lingual digital font Bembino for scholarly or literary work, quality book-layout, and everyday use.

Years in the making, and responsive to requests (such as recently for Elvish),  Bembino is freely available for use whether commercial or non-commercial. It is FREE for download on our RGME website. It continues to develop, and we welcome feedback.

Meet the Font

For our Episode, we gather experts to report on their experience with the font, its use, its abilities, and its beauty.

  • Leslie J. French (see the Interview with our Font and Layout Designer)
  • Mildred Budny (Mildred Budny: Her Page)
  • Reid Byers, author of Imaginary Books (Oak Knoll Press, 2024) — the first full-length book to be set in RGME Bembino
  • Matthew Young, designer of Reid Byer’s book and exhibition catalogue of Imaginary Books

Reid Byers, Imaginary Books (set in RGME Bembino)

  • Reid Byers, Imaginary Books: Lost, Unfinished, and Fictive Works Found Only in Other Books”

Front Cover: Imaginary Books by Reid Byers (Oak Knoll Press, 2024), via https://reidbyers.com/?page_id=147; see https://www.oakknoll.com/pages/books/141071.

Poster announcing Bembino Version 1.6 (January 2019)

Information

  • Bembino
  • Multi-Lingual Bembino
  • Runes for Bembino
  • More Fonts for Bembino: Devanāgarī (Hindi) and Tibetan (High-Uchen Script)
  • Bembino WP for Word
  • Bembino: Handlist of Resources

Registration

  • Episode 23. Meet RGME Bembino: Registration
Cover page for 'Multi-Lingual Bembino' demonstrating specimens from a wide range of languages typeset in Bembino

Multi-Lingual Bembino Booklet Cover

Flyer

Downloadable as a 1-page pdf here:

  • Episode 23. RGME Bembino: Flyer

Episode 23. RGME Bembino: Poster, Set in RGME Bembino.

About the Font Bembino

  • Bembino (https://manuscriptevidence.org/wpme/bembino)
  • Multi-Lingual Bembino (https://manuscriptevidence.org/wpme/multi-lingual-bembino)
  • Bembino WP for Word (https://manuscriptevidence.org/wpme/bembino-wp-for-word/)
  • Bembino: Handlist of Resources (https://manuscriptevidence.org/wpme/rgme-bembino-resources/)

Permission for Use

Note that RGME Bembino is FREE.
The copyright for the Bembino font programs belongs to the RGME, which grants an automatic free license for use in typeset publications, including both scholarly and commercial material.

It Tracks

Keep track of the series as it unfolds:

  • “The Research Group Speaks”: The Series

We welcome suggestions and requests.

*****

Tags: Bembino WP for Word, digital fonts, Font Design, graphic design, History of Design, history of printing, Imaginary Books, Multi-Lingual Bembino, RGME Bembino, The Research Group Speaks
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2025 RGME Autumn Symposium on “Readers, Fakers, and Re-Creators of Books”

August 24, 2025 in Announcements, Conference, Conference Announcement, Event Registration, Manuscript Studies, Visits to Collections

2025
RGME Autumn Symposium

Part 2 of 2 in the 2025 Symposia on
“Agents and Agencies
in the Shaping
or Re-Shaping of Books”

“Readers, Fakers, and Re-Creators of Books:
From Page to Marketplace and Beyond”

Online Format
(Friday to Sunday 17–19 October)

[Posted on 20 August 2025, with updates]

Cambridge, Massachusetts, Harvard University, Houghton Library, MS Typ 947, recto. Image via https://iiif.lib.harvard.edu/manifests/view/drs:6517512$1i.

The RGME continues with its integrated pair of 2025 Spring and Autumn Symposia, as Parts 1 and 2 for the year. The 2025 Autumn Symposium in October takes shape as Part 2 of 2. For Part 1 of 2, which took place in March, see:

  • 2025 Spring Symposium on “Makers, Producers, and Collectors of Books”

For the predecessors in 2023 and 2024, see:

  • 2023 Spring and Autumn Symposia,
    with the year’s Theme of “Structures of Knowledge”
  • 2023 Pre-Symposium on “Intrepid Borders”
  • 2023 Spring Symposium “From the Ground Up”
  • 2023 Autumn Symposium “Between Earth and Sky”
  • 2024 Spring and Autumn Symposia”,
    with the year’s Theme of “Bridges”
  • 2024 Spring Symposium at Vassar College
  • 2024 Autumn Symposium

In 2025, they respond to our Theme for the Year:

  • “Thresholds and Communities”
  • Episode 19. “At the Gate”

Our Spring Symposium as Part 1 of 2 for 2025 took place successfully in online format in March.

  • 2025 Spring Symposium on “Makers, Producers, and Collectors of Books”

We thank our contributors, organizers, advisers, sponsors, and hosts.

British Library, Royal MS 14 E. v, vol. 1, fol. 3r. Image Public Domain via Wikimedia Commons.

The Interlinked Pair
of 2025 Symposia

Following the momentum of activities and enthusiasm in our 2024 Anniversary Year, the pair will draw upon the customary informal, but structured, approach of our events, symposia included.  These symposia will take place online or in partly hybrid format.

“Agents & Agencies” for 2025

As principal focus, our 2025 Symposia consider the myriad aspects and impact of agents and agencies (human and other) in the creation, dissemination, use, abuse, re-creation, safe-guarding, and enjoyment of books across time and place.

I. Spring Symposium (Part I of 2)

“Makers, Producers, and Collectors of Books:
From Author/Artist/Artisan to Library”

Friday to Sunday
28–30 March 2025 by Zoom

  • 2025 Spring Symposium on “Makers, Producers, and Collectors of Books”

This event explored the genesis and gestation of books, from first thoughts to processes of production leading to the finished product, and then to their owners and users.

For example, for the first stages, we could consider the author alone in his or her study, putting pen to page or thought to written word. Around him might, naturally, whether close at hand or in his memory or imagination, stand other books as examples or sources of inspiration, imitation, or perhaps plagarism.

The work of composing, copying, revising, and producing draft, fair, or final copies of the texts (with images where and as indicated) could be undertaken by more than one author, artist, and/or artisan. If so, would they work in tandem, sequence, or competition? Well, that might depend.

As the work progresses, there arrive further stages which create the issue or publication of the book, which then may enter the world in processes of dissemination, instruction, and incorporation within an individual or collective collection — or, it might be, from collection to collection, in one shape or another. The changed shapes could, of course, pertain to the book itself and/or the ownership.

British Library, Royal MS 14 E. 1, vol. 1, fol. 3r. Image Public Domain via Wikimedia Commons.

Note on the Image. Frontispiece/headpiece for the first volume of the Speculum Historiale (or Miroir historial) by Vincent of Beauvais (1184/1194 – c. 1264) in the Old French translation by Jean de Vignay (circa 1282/1285 – c. 1350). Bruges, circa c. 1478–1480, for Edward IV (1442–1483, king from 1461–1470 and again from 1471-1483). On this page, at the front of Vincent’s text, above its opening columns of script, the author sits as scribe in a book-furnished study, framed within an architectural arcade and set within an elaborate border containing the king’s arms below.

See more:

  • 2025 Spring Symposium on “Makers, Producers, and Collectors of Books”

*****

II. Autumn Symposium (Part 2 of 2)

“Readers, Fakers, and Re-Creators of Books:
From Page to Marketplace and Beyond”

Friday to Sunday, 17–19 October 2025
 Online by Zoom

In the Autumn Symposium, we follow up the explorations of the Spring Symposium as we turn to consider the ‘afterlives’ of books once they reach their audience, whether through the marketplace or other modes of presentation and distribution. Such conditions may acquire a life of their own, as readers, annotators, users, owners, thieves, despoilers, and others had or took a hand in shaping or reshaping their destinies — that is, of the books, those agents, and book history.

As examples, we may point to readers who would reshape the pages by placing their comments, revisions, scribbles, or sketches upon them. So, too, forgers as well as plagarists might appropriate others’ work as their own, say by reshaping its structure, grafting on other pieces, or extracting parts to re-assemble and redistribute in other forms for their own purposes. And then there are outright hoaxes, by which inventions purport to represent an activity or creation which exists only or principally by that newly implemented form.

Appropriation of others’ work might also occur, for example, as leaves or scraps of books were extracted, cut into further pieces, perhaps refolded, and reused as coverings or parts of bindings for other texts (manuscript or printed), or for other repurposed materials. Call it recycling for the sake of the materials themselves, put to different uses.

A different form of reuse concerns the fragmentation of books for the purpose of extracting leaves or part-leaves to serve as specimens of script, decoration, illustration, and/or graphic design. That approach forms the subject of our 2025 Autumn Colloquium on Fragments. See:

  • the 2025 RGME Autumn Colloquium on Fragments, taking place in November partly at Special Collections at Firestone Library at Princeton University.

Picking up the pieces of such fragmentation, that event is designed to showcase the legacy of such despoilers or ‘biblioclasts’ who dispersed the fragments of manuscripts and printed books far and wide and to celebrate the many initiatives to study and, in some measure, reconstruct the traces of that legacy. It considers such phenomena within the larger context of the ‘afterlives’ of books in many other forms as well.

The rôles of forgers, fakers, and frauds as agents in the production, re-creation, and distribution of books looms large in the history of books, perhaps from time immemorial. Our Symposium sets their activities or accomplishments into the context of “Agents and Agencies” as we examine the broad setting of books overall.

Speakers, Presiders, and Respondents

Participants who may speak, preside, or respond include (in alphabetical order):

Mildred Budny
Reid Byers
Meghan Constantinou
Jamie Cumby
Hannah Goeselt
Justin Hastings
Eve Kahn
Jennifer Larson
Steven Lomazow
Jack Lynch
Irene Malfatto
Beppy Landrum Owen
Anna Siebach–Larsen
David W. Sorenson
Janie Wright
N. Kıvılcım Yavuz

And others.

Program Overview (online by Zoom)

Day 1. Friday 17 October at  1:30 – 5:00 pm EDT (GMT -4)

Day 2. Saturday 18 October at 9:30 am – 5:00 pm EDT (GMT -4)

Day 3. Sunday 19 October at 10:30am – 12:00am EDT (GMT -4)

Program of Sessions

  • 2025 Autumn Symposium on 17–19 October: Program

Poster

The 2025 Autumn Symposium Poster is available for download. You are welcome to copies to circulate, keep as souvenirs, and show your friends.

  • 2025 RGME Autumn Symposium Poster

Symposium Booklet

We publish the 40-page illustrated Symposium Booklet, available in two formats for printing.

  • Consecutive pages (8 1/2″ × 11″)
  • Foldable booklet (11″ × 17″ sheets)

We give thanks to the contributors, photographers, collectors, advisors, editor, layout designer, and others who created the collective booklet.

British Library, Royal MS 14 E. v, vol. 1, fol. 3r. Image Public Domain via Wikimedia Commons.

Thanks

We give thanks to the speakers, respondents, advisers, back-up support, and participants for contributing to the symposium and its 2025 series of Spring and Autumn Symposia.

*****

Registration

  • https://www.eventbrite.com/e/2025-rgme-autumn-symposium-tickets-1236732924469

Registration is free. We encourage you to Pay What You Can by the option for Registration with a Voluntary Donation.

This year, the RGME has undergone setbacks with grants and funding, so that we ask your help. Any amount will give encouragement and contribute to recovering momentum. We thank you for your support.

Donations, which may be tax-deductible, help us to continue with our activities and sustain our mission for an organization principally powered by volunteers.

  • 2025 Annual Appeal
  • Donations and Contributions

Please note that, after registration, the Zoom link will be sent as an email from the RGME a few days before the event. For security reasons, we do not distribute tickets or links through Eventbrite or Zoom.

To register for other RGME events, please visit the RGME Registration Collection.

  • RGME Events

For our activities planned for 2025, see:

  • 2024 Activities and 2025 Planned Activities

*****

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

How to Join our Community

Visit our Social Media:

  • our FaceBook Page
  • our Facebook Group
  • our X/Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Instagram Page
  • our LinkedIn Group

Join the Friends of the RGME.

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2025 Annual Appeal

*****

Cambridge, Massachusetts, Harvard University, Houghton Library, MS Typ 947, ‘verso’. Images via https://iiif.lib.harvard.edu/manifests/view/drs:6517512$1i.

Tags: Fakers and Forgers, History of Manuscripts, Manuscript Readers, Manuscript studies, Recreators of Manuscripts, RGME Symposia
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Episode 22: “Encounters with Local Saints and Their Cults”

August 20, 2025 in Announcements, Event Registration, Manuscript Studies, Research Group Episodes for The Research Group Speaks, Research Group Speaks (The Series)

“The Research Group Speaks”
Episode 22

“Encounters with
Local Saints and Their Cults:
Traces in
Prose, Poetry, and Relics”

Saturday 13 December 2025
1:00–2:30 pm EST (GMT-5) by Zoom

[Posted on 20 August 2025, with updates]

For the series wherein “The Research Group Speaks,” we respond to suggestions and requests as the series unfolds. For information, please see:

  • “The Research Group Speaks”: The Series

For Episode 22 we turn to reports by several scholars working in different areas and language-groups upon a similar subject of perennial interest in religious, historical, and devotional identities. Presentations will be accompanied by responses, followed by opportunities for feedback and discussion.

This Episode considers the characteristics of veneration of local saints, as manifested in the surviving evidence, especially in manuscripts. Among the materials are vitae, hymns and liturgical practices for saints’ feast days. The nature of the subject, as well as research work and discoveries in a variety of fields, shows that this episode offers scope for follow-up in one or more episodes in our series.

Speakers and Respondents

  • Guesh Solomon Teklu (Hiob Ludolf Centre for Ethiopian & Eritrean Studies, University of Hamburg)
  • Augustine Dickinson (University of Münster)
  • Mersha Alehegne Mengistie (Addis Ababa University; University of Hamburg)
  • Antony R. Henk (Ruhr-University Bochum)

Presider

  • Renate Blumenfeld–Kosinski (Renate Blumenfeld–Kosinski)

Outline

London, British Library, MS Royal 14 B VI, detail. King Edward Martyr, Image Public Domain via Wikimedia Commons via https://upload.wikimedia.org/wikipedia/commons/e/e3/Edward_the_Martyr_-_MS_Royal_14_B_VI.jpg.

This episode aims to consider the challenges and opportunities when encountering and studying local saints, those whose renown and veneration might not have reached a wide audience or enjoyed a persistent duration. Nonetheless, their stories and the individuals or communities who both followed and cultivated their appeal can reach across time and place to show how the habits of pious practices and the methodologies for discovering materials and contexts in modern study might be shared in widely different cultures, languages, and periods.

Looking at case studies from complete vitae, where the saint’s biography is given in full but only circulated locally, and progressing to hymns and paracontent, where only names and scattered biographic hints survive, the speakers and respondents will reflect on the methodological challenges posed in each instance and strategies for engaging with them.

Among the subjects will be Ethiopic vitae and hymns and Western Medieval liturgical Kalendars (such as in Books of Hours in Latin and/or vernaculars). Evidence includes manuscripts, printed sources, and textiles.

Program

1. Presentations

Guesh Solomon Teklu
(Hiob Ludolf Centre for Ethiopian & Eritrean Studies, University of Hamburg)

“The Gadla ʾAbbā Tansʾa Wald of Dabra Gʷǝlgizā and His Disciple Monks:
Thematic Aspects of Salāmtā Poetic Texts”

The Dabra Gʷǝlgizā (also known as Ǧǝwamāra) monastic tradition, founded by ʾAbbā Tansʾa Wald, represents a significant network of local and Egyptian saints and monasteries centered in Qollā Tamben, ʿĀdet, and Ṣallamṭi areas in Tigray, Ethiopia. The Gadla ʾAḫbǝro (literally ‘Combined vitae’) is a hagiographic compilation that chronicles the lives of ʾAbbā Tansʾa Wald and his disciple monks. The text mainly narrates the life of ʾAbbā Tansʾa Wald’s and the deputy abbot of ʾAbbā Maʿāza Dǝngǝl. The other fellow monks, ʾAbbā Tādewos of Dabra Maṣḥet ʿAbizāqa, ʾAbbā Tansʾa Krǝstos of Dabra Gannat, ʾAbbā Giyorgis of Kāwe, ʾAbbā Tomās of Ṣallay, ʾAbbā Zarʿā Bǝruk of ʾƎkkǝma, and ʾAbbā Fiqiṭor of Qaṣabā are mentioned several times throughout the hagiography. These monks lived and served together at Dabra Gʷǝlgizā in Qollā Tamben during the thirteenth to fourteenth centuries, according Gadla ʾAḫbǝro manuscripts.

This communal monastic life is extensively documented throughout the Gadla ʾAḫbǝro codices and the individual hagiographic texts of each saint. Following the death of the abbot, ʾAbbā Tansʾa Wald, his disciples established their own monastic churches, creating an interconnected network of religious foundations. The exception was ʾAbbā Maʿāza Dǝngǝl, who succeeded him as abbot at Dabra Gʷǝlgizā. Some remained in Qollā Tamben itself (ʾAbbā ʾAbbā Tomās, and ʾAbbā Zarʿā Bǝruk), while others founded monasteries in adjacent districts surrounding the Tekeze River, including ʿĀdet (ʾAbbā Giyorgis and ʾAbbā Fiqitor) and the Ṣallamṭi areas (ʾAbbā Tādewos and ʾAbbā Tansʾa Krǝstos). This presentation examines the religious, political, and environmental themes addressed in three hagiographies from this networked monastic tradition: the Gadla ʾAḫbǝro, the Gadla ʾAbbā Tādewos, and the Gadla ʾAbbā Tansʾa Krǝstos. Special emphasis is given to the thematic aspects of the salāmtā (ʾarke) poetic texts across these hagiographies.

Augustine Dickinson
(University of Münster)

“Identifying Ethiopic Hymns for Local Saints in Anthology Manuscripts”

When working with manuscript anthologies or collections of malkǝʾ-hymns, it is most often the case that the saints whose hymns are included are well-known and easily identified, whether they are saints known across Christian traditions or saints proper to the Ethiopian/Eritrean context. This paper will present case studies where the subject of a hymn is not so easily identified, always monastic saints commemorated only by a single monastery or within a relatively small network. Each case study will highlight strategies for finding clues leading to identifications (whether tentative or confident) of their respective subjects and contribute to broader remarks on this phenomenon in the field of Ethiopic hymnography.

2. Responses

Mersha Alehegne Mengistie
(Associate Professor, Department of Linguistics and Philology, Addis Ababa University)

“Experiences with and Discoveries for Local Hagiography in Ethiopia
and Their Implications for Publication”

Mersha will describe experiences with and discoveries for local hagiography in Ethiopia broadly and their implications for publication.

Antony R. Henk
(Ruhr-University Bochum)

“Inventing Peter the Deacon as Saint in Early England:
Mistaken Identity or Made up Entirely?”

Medieval English relic lists offer tantalizing clues to the presence of many now-obscure saints. One striking example is the presence of a later annotation in the late eleventh-century Exeter relic list in British Library, Royal MS 6 B VII, which explains that the relics of saint ‘Petri diaconi’ (Peter the Deacon) in that particular version of the list are, in fact, the relics of the ‘discipuli gregorii papae’ — the student of pope Gregory the Great, not the fourth-century Antiochene martyr by the same name commonly venerated in early England.

The English church’s deep affection for Gregory the Great is well understood, and his relics and feasts are widely attested in the English manuscript corpus. However, little evidence suggests that his companion and interlocutor in the Dialogi ever achieved lasting cult status in England, aside from a single embroidered depiction of a nimbed Peter on the early tenth-century maniple found with the body of Saint Cuthbert, still today an object of adoration at Durham Cathedral. In this short response, I ask a fateful question: Did the English Church try to ‘invent’ a Cult of Peter the Deacon, and what could the evidence here tell us about cases of seemingly mistaken sanctoral identity?

Note: For an image and bibliography about the textile image of Peter the Deacon as saint in the maniple among the Cuthbert embroideries see this site.

Antony Henk’s Handout:

  • Peter the Deacon: Episodes

3. Q&A

There follows the opportunity for questions, comments, and discussion. We welcome your observations.

Manuscript still in situ. Fols. 14v-15r. The beginning of Malkəʾa Marqorewos (Image of Marqorewos), a local saint of the monastery Ṣaʿadā ʾƎmbā ʾƎndā ʾAbuna Marʿāwe Krǝstos, within an anthology (malkǝʾa gubāʾe) manuscript. Photograph by Michael Gervers. Image via https://malkeagubae.com/manuscripts/MK049/#unit1item3.

Registration

Within the RGME Eventbrite Collection:

  • Episode 22. “Encounters with Local Saints and their Cults” Registration

Registration is free. We encourage you to Pay What You Can with the option for a Voluntary Donation. This year, the RGME has undergone setbacks with grants and funding, so that we ask your help. Any amount will give encouragement and contribute to recovering momentum. We thank you for your support.

Trier, Stadtbibliothek, MS. 171/1626: “Gregory Leaf”. Behind a curtain, Peter the Deacon witnesses Gregory the Great at work inspired by the Holy Spirit in the form of a dove. Master of the Registrum Gregorii, Image Public domain, via Wikimedia Commons.

Donations, which may be tax-deductible, help us to continue with our activities and sustain our mission for an organization principally powered by volunteers.

  • 2025 Annual Appeal
  • Donations and Contributions

Please note:

  • After your registration, the RGME will send you the Zoom Link as an email directly a few days before the event
  •  For security reasons, we do not distribute tickets or links through Eventbrite or Zoom.

If you have questions or problems with registering, or accessing the link,

  • Contact the RGME, not Eventbrite or Zoom,
    via rgmesocial@gmail.com

We use these measures to protect the security of our events.

Thank you for your interest in this event.

*****

Next Episode

Bembino Swash Motif

For our next Episode, see

  • Episode 23. Meet RGME Bembino: Facets of a Font
    Saturday 21 February 2026 at 1:00-2:30 pm EST (GMT-5) by Zoom

Registration

  • Episode 23. Meet RGME Bembino: Registration

*****

Questions? Suggestions?

  • Leave your comments or questions below
  • Contact Us

Visit our Social Media:

  • our FaceBook Page (https://www.facebook.com/people/Research-Group-on-Manuscript-Evidence/100064718795029/)
  • our Facebook Group (https://www.facebook.com/groups/rgmemss/)
  • our X/Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our Instagram Page
  • our LinkedIn Group

Join the Friends of the RGME.

Please make a Donation in Funds or in Kind for our nonprofit educational corporation powered principally by volunteers. Your donations and contributions are welcome, and can go a long way. They may be tax-deductible to the fullest extent provided by the law.

  • Donations and Contributions
  • 2026 Annual Appeal

*****

Tags: History of Religion, Hymns and Hymnody, Liturgical Kalendars, Local Saints, Manuscript studies, Saints' Cults
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2026 ICMS at Leeds: Call for Papers

August 13, 2025 in Announcements, Call for Papers, Conference, Conference Announcement, International Medieval Congress, Manuscript Studies

Call for Papers

Sessions Sponsored
by the Research Group on Manuscript Evidence

at the 2026 International Medieval Congress
(In person or Hybrid)
6–9 July 2026

“Manuscripts at Play and as Play:
Temporalities and (Re)Configurations
as Reading Methods”

Organisers:
Michael Allman Conrad
and Mildred Budny

Name of the Game

For 2026 the RGME proposes to explore the nature of play in manuscripts across time and place.  We think of manuscripts at play, as play, and in play.

With the success of our activities at the International Medieval Congress (IMC) at Leeds in 2024 and 2025, we prepare for another year responding to the “Special Thematic Strand” selected for the 2026 IMC. Thus, we announce our Call for Papers here and now.

For information about the IMC and its plans for 2026, see:

  • International Medieval Congress at Leeds
  • Call for Papers for the 2026 IMC, with the Special Thematic Strand of “Temporalities”.
  • IMC 2026 Padlet, with poster-like announcements of Calls for Papers

Locating Manuscripts in Their (Mobile) Temporalities

For the 2026 IMC and its Special Theme, we will consider manuscripts in terms of the essence of their ‘temporalities’ (also see Temporalities) — that is, in a nutshell, “the state of existing within or having some relationship with time”, which pertains intrinsically to any physical object, just like its “spatial position”. That essence or condition, combining location with points in time, forms both centerpiece and focus-point going forward in our continuing studies of Manuscript Evidence.

Building upon the success of our activities at the annual IMC in 2024 and 2025, we propose to extend the subject of one of our Sessions at the 2025 Congress:

  • “Knowledge Games and Games of Knowledge”, organised by Michael Allman Conrad (see RGME @ 2025 IMC: Program)

2025 Leeds: “Knowledge Games and Games of Knowledge” Poster 1. Set in RGME Bembino.

Next, we seek to examine games and playful approaches of multiple kinds with regard to manuscripts. The opportunities across time range from the creation of a book to its use in the world. We observe, for example, habits of entering scribbles and sketches as spontaneous or imaginative playtime on the one hand to creating and transmitting texts about games or gaming strategies.

Aims

By their nature, whether text or image, the planarity of manuscript surfaces offers invitations for readers to engage with them playfully. This play entails a process of temporalisation, of setting manuscript elements into motion, resulting in configurations and re-configurations that are keys for deciphering hidden — or less apparent — meanings. While carmina figurata or picture poems may range among the most obvious examples, they are by no means limited to them. Such elements can include scribbles and sketches, diagrams (including game diagrams specifically), material extensions (such as volvelles and other pop-up features), acrostics, and other puzzles. We consider the performativity and dynamics at work, or play, on the pages.

We invite contributions on a wide range of materials and genres and from a variety of perspectives and any discipline, to consider case-studies, work-in-progress, or research results celebrating the roles of play in which manuscripts engage, and which they might inspire in us as readers, scholars, and beholders. Want to play? Are you game?

Papers might address, but are not limited to the following questions:

  • Are there any contemporary reflections on time and motion as keys for interpreting the playful elements of manuscripts, e.g., acrostics, scientific diagrams, or game diagrams (or others)? What can they tell us about the relationship of readers/spectators with time and across time?
  • As they are artworks and semantic devices at the same time, what may playful components tell us about how the similarities as well as differences between art and writing/reading were perceived at points of creation and use?
  • How did readers know how to decipher these playful elements? What part may contemporary game culture take in this understanding? What could the presence of playful elements in manuscripts indicate about the position of play and games within the broader scope of their culture?
  • What are possible reasons why scribes decided to include these elements exactly at this position within a manuscript? What strategies (be it either aesthetic, religious, cultural, or otherwise) may their application serve?
  • How does a preference for a playful element, its style and form, possibly tie into idiosyncrasies of the period?
  • What relationship between what can or cannot be known is expressed in the interplay between the visually hidden and virtually absent?

Proposals, Please

Please submit a title, an abstract of no more than 200 words, and a short bio by 15 September 2025 to

  • rgme.imc.sessions@gmail.com

We particularly welcome proposals for individual papers and panels from postgraduate and early career scholars. We look forward to your responses.

Images

Examples of dynamic constructions involving word-play upon the page include the elaborate, intricate, and beautiful picture-poems favoured among some authors, not least at in the early medieval period. We display specimens by the Carolingian author Hrabanus (or Rabanus) Maurus Magnentius (circa 780 – 856), Archbishop of Mainz (from 847). His poem De laudibus sanctae crucis (“In Praise of the Holy Cross”), which survives in multiple copies, contains a series of poems laid out as rectangular constructions in which each line contains the same number of letters as any other.

Their patterns make it possible to lay out the letters not only in horizontal lines but also in vertical rows, strictly in line with each other. Moreover, it is possible to read key portions vertically as well as horizontally. Reading vertically in a line using the initial, medial, or final letter of each line yields an acrostic, mesostic, or telestic. Such forms of cross-word puzzles can produce wonders of legibility, requiring the attention in steps of time to gain comprehension of the message as a whole. Adding images to the ensemble increases the layering of meanings, and the possibilities of wonderment through resonance.

Vienna, Österreichische Nationalbibliothek, Cod. 652, fol. 20v (scan 50 of 109). Hrabanus Maurus, De laude sanctae crucibus. Mainz or Fulda, 9th century (circa 830-840). Carmen figuratum with four Evangelist symbols surrounding the Lamb of God. Image via https://viewer.onb.ac.at/10048D05/.

Vienna, Österreichische Nationalbibliothek, Cod. 652, fol.
Image https://viewer.onb.ac.at/10048D05/.

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*****

 

Tags: Acrostics, Call for Papers, Carmina Figurata, De laudibus sanctae crucis, Diagrams, History of Games, Hrabanus Maurus, International Medieval Congress, Manuscript studies, Manuscripts and Temporalities, Manuscripts as Play, Manuscripts at Play, Medieval manuscripts, Picture Poems, Scribbles and Sketches
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Fragments from a Book of Hours

July 27, 2025 in Manuscript Studies, Photographic Exhibition, Research Group Workshops, Workshops on "The Evidence of Manuscripts"

Detective Story
“Fragments from a Book of Hours
Looking for their Identity”

[Posted on 25 July 2025]

Would you help us identify these fragments of a single leaf from a Book of Hours in a Private Collection? As if by the skin of their teeth, they survive together in a single collection. That collection has no other fragments from the same manuscript.

We wonder about these ‘foundlings’ and their former home in the medieval manuscript which contained them and their ‘relatives’ comprising the other leaves and the rest of this one leaf. Would you like to join the quest to find their identity?

Original Recto

Private Collection, Fragmentary Leaf from a Book of Hours. Recto, with two pieces aligned in their former original position. Photograph by Mildred Budny.

Original Verso

Private Collection, Fragmentary Leaf from a Book of Hours. Verso, with two pieces aligned in their former original position. Photograph by Mildred Budny.

Do you recognize their style, script, layout, and original manuscript? When and where do you think that it was made, and do you know, perchance, when and where it was dismembered for distribution?

We turn to the wider world to crowd-source the answers.

What do you think?

We plan to showcase these fragments and others looking for their identities in the series of

  • RGME Workshops on “The Evidence of Manuscripts, Etc.”

Please join us for the joys of detective work and sharing discoveries.

We look forward to hearing from you.

Private Collection, Fragmentary Leaf from a Book of Hours. Recto bottom, with two pieces aligned in their former original position. Photograph by Mildred Budny.

*****

 

Tags: Books of Hours, Fragmentology, Manuscript Foundlings, manuscript fragments, Medieval manuscripts
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