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    • News & Views
    • Reviews
    • Highlights
  • Blogs
    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
        • Abstracts of Papers Listed by Year
  • About
    • Mission
    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
    • Contact Us
    • RGME Privacy Policy Statement
  • Bembino
    • Multi-Lingual Bembino
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention
      • Abstracts of Papers for the M-MLA Convention
  • Events
    • The Research Group Speaks: The Series
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
    • History and Design of Our Website
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
    • Scripts on Parade
    • Texts on Parade
      • Latin Documents & Cartularies
      • New Testament Leaves in Old Armenian
    • Posters on Display
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  • Donations and Contributions
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    • Orders
  • Links
    • Catalogs, Metadata, and Databases: A Handlist of Links
    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

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2014 Colloquium on “When the Dust Has Settled” Accomplished

November 17, 2014 in Abstracts of Conference Papers, Anniversary, Bembino, Book & Exhibition Reviews, Conference, Events, Exhibition

We report successful completion of the Colloquium on Friday, 14 November 2014 at Princeton University.

[This post updates both the Announcement for this event (published as Colloquium Announced), and its Colloquium Program.]

Document of Berengarius, detail, unfolded, with concluding date and gathered dust in the fold. Photography © Mildred Budny

“A Settling of Dust”

When the Dust Has Settled

(or, When Good Scholars Go Back . . . )

A Colloquium
co-sponsored by the Research Group on Manuscript Evidence
and the Index of Christian Art at Princeton University

Sponsors

Department of Art and Archaeology, Princeton University
John H. Rassweiler
Celia Chazelle

The Aim
“Settled Dust Could Give Clarity of Vision”

What happens when a dedicated specialist returns to a subject of long-term interest after other tasks — other projects, jobs, administrative tasks, life in general — have cleared away? While the world, methods, tools, and aims of research (let alone publication) have changed dramatically, sometimes beyond recognition, a return to the chosen subject might also draw upon experience and reflection gained through the passage of time, an accumulation of experiences, and extended “immersion” both in the subject matter and its wider contexts. Thus, although daunting, the return need not involve a start completely from square one or ground zero.

When the dust has settled, and, it may be, the air has cleared, a return might allow for renewal, which could build upon an available, partly remembered, foundation for direction and refinement in this light. Our colloquium offers informal reflections, questions, and discussions about the challenges and potential of returning now to a variety of subjects, in the arts and letters, from Antiquity to Modernity.

Read the rest of this entry →

Tags: Anglo-Saxon Manuscripts, Apocalypse manuscripts, Architectural Sculpture, Charles Rufus Morey, Deir Sim'an, Department of Art and Archaeology, Early Christian Sculpture, Flemish Psalter Illustration, Günther Haseloff, Illustrated Old English Hexateuch, Index of Christian Art, Interlace Ornament, Manuscript Illumination, Manuscript studies, Psalter Illustration, Qal'at Sim'an, Royal Bible of St. Augustine's Abbey Canterbury
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2014 Symposium on “Recollections of the Past”

July 15, 2014 in Abstracts of Conference Papers, Bembino, Conference Announcement, Events

Recollections of the Past:
Editorial & Artistic Workshops
from Late Antiquity to Early Modernity & Beyond

Friday & Saturday 16 & 17 May 2014
138 Lewis Library
Princeton University

Save the Date Announcement for Symposium on "Recollections of the Past" (May 2015) in its completed version with border

“Save the Date” Announcement (complete)

RGME Symposium 2014 Program & Abstracts Page 1 with border

Symposium Program Page 1

Poster for "Recollections of the Past" Symposium (May 2014) with border

Symposium Poster

 

[First published on 15 July 2014, with updates.  And now with the corrected Program Booklet:
RGME Symposium 2014 Program & abstracts corrected]

The “Save the Date” Announcement (Save the Date 16-17 May 2014) set the stage by describing the intentions and scope of the subject.  To sum up:

This symposium explored the workings of workshops, as revealed through the traces of artists, craftsmen, scribes, authors, editors, printers, and patrons, across a wide range of subjects, regions, and materials, in transitions from classical antiquity and early Christianity through the long Middle Ages and thence to the early modern period and beyond. We seek to discern how these editorial agents of whatever kind shaped and reshaped materials — tangible and intangible — in transmitting the legacy of the past, often in the process to form works which perhaps seemed more viable in changing times, expectations, and systems of belief. Memory may hold a significant place among the materials, processes, and forces at work in the processes of collecting, shaping, and, in many cases, transforming complex bodies of evidence in a robust or precarious voyage from the past.

The Research Group on Manuscript Evidence warmly thank the Sponsors, Donors, and Contributors to the Symposium, which formed part of the celebrations for our 2014 Anniversary Year.  Other celebrations have included our Sessions at the 2014 International Congress on Medieval Studies in May, along with an Anniversary Reception. Read the rest of this entry →

Tags: bokes of antiquity, Books of Hours, Caroline Lybbe Powys, Carolingian Studies, Church History, Codex Amiatinus, Courtly Love Ivories, Department of Art & Archaeology, Domestic Grand Tour, Early Modern Studies, Editorial Practices, erasable notebooks, Eusebian Canon Tables, History of Cambridge University, History of Workshops, Iconoclasm studies, Index of Christian Art, John Caius, Manuscript Illumination, Manuscript studies, Matthew Parker, Medieval Studies, Monkwearmouth-Jarrow, periodization of history, Princeton University, Qal'at Sim'an, Romanesque Sculpture, Saint-Sernin of Toulouse, Syriac Cave of Treasures
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