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    • Kalamazoo Archive
    • Panels at the M-MLA Convention (2016-2019)
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    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
      • RGME Symposia: The Various Series
      • The Research Group Speaks: The Series
      • Meetings of the Friends of the Research Group on Manuscript Evidence
      • RGME Online Events
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
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    • Photographic Exhibitions & Master Classes
    • Events Archive
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    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
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2024 Spring and Autumn Symposia plus Anniversary Symposium

February 4, 2024 in Uncategorized

2024 Spring and Autumn Symposia
on “Bridges”

Plus a special Anniversary Symposium
on “Manuscript (He)art”

“Study on a Medieval Bridge” at Amares, Braga District, Portugal. Image by Pedro Nuno Caetano (2019) via Wikimedia Commons via Creative Commons 2.0 Generic.

[Posted on 4 February 2023, with updates]

The Research Group prepares a pair of Spring and Autumn Symposia in our Anniversary Year of 2024, continuing the paired pattern which, reviving our tradition of individual Symposia in some years, we launched in 2022 and developed further for 2023.

Add-Ons On Occasion

Last year, we added a half-day Pre-Symposium to the Spring Symposium, with a full-day Symposium in both Spring and Autumn.  The result was a 1½-day event on 24–25 March (Pre-Symposium + Spring Symposium) and a 1-day event on 21 October (Autumn Symposium).  The March Event and the October Event each have an illustrated Symposium Booklet, available for download.  (See below.)

2024 RGME Events

For activities planned overall for this Anniversary Year for the RGME, with the year’s theme of “Bridges”, see:

  • RGME 2023 and 2024 Activities.
  • “Bridges” for our 2024 Anniversary Year

They include episodes for “The Research Group Speaks”, conference sessions at two international congresses for medieval studies (at Kalamazoo and Leeds), anniversary celebrations, and three Symposia.

Of these, the first is an exceptional Anniversary Symposium in thanks to our First WebMaster upon his retirement.

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut, RGME WebMaster Emeritus

The next form a linked pair as Part 1 and Part 2

  • 2024 Spring Symposium at Vassar College
  • 2024 Autumn Symposium “At the Helm”

2024 Anniversary Symposium (Online)

Save-the-Date Poster for 2024 Anniversary Symposium in Thanks to Jesse Hurlbut. Poster set in RGME Bembino.

This year, we add a one-day Anniversary Symposium to start the series of three Symposia for the year.  It is designed to express thanks to the First WebMaster of the RGME upon his retirement, Jesse D. Hurlbut.

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

Co-organized by Katharine C. Chandler and Jessica L. Savage (co-organizers, with Jennifer Larson, of the 2023 Pre-Symposium), this event gathers former students, colleagues, and friends to consider subjects of interest to Jesse and to which he has contributed, including medieval manuscript studies, digital access to them, and the promotion of online communities for their study and enjoyment.

This event will take place online on Saturday 24 February by Zoom.  You may register to attend this Symposium through our Eventbrite portal.

See our selection:

  • RGME Eventbrite Collection

For this event:

  • 2024 Anniversary Symposium “Manuscript Heart” Tickets

Registration is free; we welcome Voluntary Donations to help to support our nonprofit mission for our organization powered mainly by volunteers and dependent mostly upon donations.  See also

  • Donations and Contributions

2024 Spring and Autumn Symposia
on “Bridges”

This exceptional series has two parts. It represents a year-long project which focuses attention

“Between Past and Future:
RGME Spring & Autumn Symposia in 2024
for Teaching in the Liberal Arts with Original Sources,
at Vassar College and Beyond”

At center stage, the perspectives on the theme of the Spring Symposium at Vassar College present a coherent, multi-disciplinary, and multi-generational scholarly program in a sequence of teaching events with expertise and materials in multiple centers. They stand poised, as proclaimed by its title, “Between Past and Future: Building Bridges between Special Collections and Teaching for the Liberal Arts”.

The Autumn Symposium carries it forward with a selection of virtual visits placed “At the Helm:  Spotlight on Special Collections as Teaching Events”. The informal style accords with our proven approach for online events as roundtables, interviews, conversations, master classes, and workshops. Thus, we might channel the purposeful momentum for the Spring Symposium in its central event in a simpler follow-up with participants including representation from Vassar, whether present or alums.

Part 1 (of 2).
2024 Spring Symposium at Vassar College

“Between Past and Future:
Building Bridges between Special Collections
and Teaching for the Liberal Arts”

(3-Day, Hybrid, In Person and Online)

Friday to Sunday 19–21 April 2024

Poster 1: Save-the-Date for 2024 Spring Symposium at Vassar.

Poster 1: Save-the-Date for 2024 Spring Symposium at Vassar.

For this Symposium, organized by both the RGME and Special Collections (The Catherine Pelton Durrell ’25 Archives and Special Collections Library) at Vassar College, we celebrate the rôles which Special Collections can fulfill as part of teaching in institutions dedicated to the Liberal Arts — among other valuable fields of study.

The Symposium showcases initiatives and developments in various centers, both at Vassar College and elsewhere. Notable at Vassar for 2024 are:

  •  A new Catalogue of the Medieval and Early Modern books or fragments in both Special Collections and the Frances Lehman Loeb Art Center, and
  • A companion exhibition at the Art Center to showcase examples of their riches in “Books in the Middle Ages and the Renaissance”

Also, the RGME celebrates its Anniversary Year with the Theme of “Bridges”.

  • “Bridges” for our 2024 Anniversary Year.

The Spring Symposium will, in part, celebrate the acquisition of the Nicholas B. Scheetz Collection of Medieval and Renaissance Manuscripts.  The Symposium presents reports, observations, and discoveries in multiple fields, including descriptions of work-in-progress, collaborative projects, wish-lists or challenges, and new opportunities.

Information:

  • 2024 Spring Symposium at Vassar College

You may register here:

  • RGME Eventbrite Collection

For this event , there is a registration fee.

Registration is free for students, and it is waived for invited Speakers at the Symposium.

To attend In Person

  • 2024 Spring Symposium at Vassar College: In Person Tickets

To attend Online

  • 2024 Spring Symposium at Vassar College: Online Tickets
Poster 1: Save-the-Date for 2024 Spring Symposium at Vassar.

Poster 1: Save-the-Date for 2024 Spring Symposium at Vassar.

Part 2 (of 2).
2024 Autumn Symposium (One-Day, Online)

“At the Helm:
Spotlight on Special Collections
as Teaching Events”

Saturday 22 October 2024 by Zoom

The perspectives on the theme of the Spring Symposium at Vassar present a coherent, multi-disciplinary, and multi-generational scholarly program in a sequence of teaching events with expertise and materials in multiple centers. They stand poised , as proclaimed by its title, “Between Past and Future: Building Bridges between Special Collections and Teaching for the Liberal Arts”. 

The Autumn Symposium carries it forward with a selection of virtual visits placed “At the Helm:  Spotlight on Special Collections as Teaching Events”. They allow presenters the opportunity, with minimal preparation, to showcase collections (public and private) in virtual visits guided by curators, in the company of teachers and students on-site and online. The informal style accords with our proven approach for online events as roundtables, interviews, conversations, master classes, and workshops. Thus, we might channel the purposeful momentum for the Spring Symposium by a simpler follow-up.

Information

  • 2024 Autumn Symposium “At the Helm”

To register, see our selection:

  • RGME Eventbrite Collection

Our Series of Symposia

  • RGME Symposia: The Various Series (1995–), in person or online.

2024 RGME Events

“Study on a Medieval Bridge” at Amares, Braga District, Portugal. Image by Pedro Nuno Caetano (2019) via Wikimedia Commons via Creative Commons 2.0 Generic.

For activities planned for our Anniversary Year, with the theme of “Bridges”, see:

  • RGME 2023 and 2024 Activities.
  • “Bridges” for our 2024 Anniversary Year

They include episodes for “The Research Group Speaks”, conference sessions at two international congresses for medieval studies (at Kalamazoo and Leeds), anniversary celebrations, and two symposia.

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut, RGME WebMaster Emeritus
  • 2024 Spring Symposium at Vassar College

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Donations and contributions, in funds or in kind, are welcome and easy to give.  See

  • Contributions and Donations.

We look forward to hearing from you.

*****

Tags: Anniversary Symposium, Autumn Symposium, History of Bridges, RGME Symposia, Special Collections, Spring Symposium, Teaching for the Liberal Arts, Teaching with Special Collections
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2024 International Medieval Congress at Leeds: Program

November 24, 2023 in Conference, Conference Announcement, International Medieval Congress, Uncategorized

“Building Bridges
‘Over Troubled Waters’
For 25 Years and More”

An Inaugural RGME-Sponsored Session at Leeds

Thirty-First International Medieval Congress
University of Leeds
(1–4 July 2024 in hybrid format)

[Posted on 23 November 2023, with updates]

Paris, Musée Carnavalet, Projet pour le Pont Neuf, circa 1577. Image via Wikimedia via Creative Commons Attribution 3.0 Unported.

Paris, Musée Carnavalet, Projet pour le Pont Neuf, circa 1577. Image via Wikimedia via Creative Commons Attribution 3.0 Unported.

The Research Group on Manuscript Evidence prepares an Inaugural Sponsored Session at the International Medieval Congress (IMC), University of Leeds, United Kingdom, to be held in hybrid format from 1st – 4th July, 2024. This Session would comprise our first Sponsored Session at the Congress.

In December, we learned that the proposed Session has been accepted. Here we describe the plan.

Also, now that the Congress schedule has been posted — see IMC 2024 Programme — we announce details of our Inaugural Session, scheduled for the first day of the Congress (1 July).

The Plan

The Congress subject for 2024 is “Crisis”.

The RGME Theme for its Anniversary Year of 2024 is “Bridges”.

For the 2024 ICMS at Leeds we examine subjects pertaining to the challenges and opportunities of “Building Bridges ‘Over Troubled Waters’ ”.  Responses to our Call for Proposals for this Session yielded a strong program with varied subjects from multiple perspectives far and near across time and place.

This Session joins our events celebrating the Anniversary Year for the RGME.

  • 2023 and 2024 Activities
  • 2024 Anniversary Appeal

Our 2024 Anniversary Year: “Bridges”

In 2024 the Research Group on Manuscript Evidence (RGME) celebrates its 25th Anniversary as a Nonprofit Educational Corporation based in the United States and its 35th Anniversary as an International Scholarly Organization founded in England.

To mark our anniversary year, we prepare sponsored Sessions, as usual, for the International Congress on Medieval Studies (ICMS) at Kalamazoo in May.  See our Call for Papers for the 2024 ICMS and now the 2024 International Congress on Medieval Studies: Program.

Also, for the first time, we prepare an Inaugural RGME-sponsored Session for the International Medieval Congress (IMC) at Leeds in July 2024. Our dedicated Co-Organizers for this new ‘venture’ as an Inaugural Session on our Anniversary bring a rich range of perspectives and interests sprouting from distant lands, different subjects, multiple waterways or paths of communication, and varied cultural endeavours, from poetry to correspondence, and voyagers’ routes using and forming bridges both tangibly and intangibly.

Our Co-Organizers hail from different traditions and upbringings, varied geographical locations (more than one, different continents included), and multi-lingual perspectives.  Meet the Co-Organizers, whom we earnestly thank for skillfully shaping this event:

  • Ann Pascoe van Zyl
  • Dr. Michael Allman Conrad and Curriculum Vitae.

With awareness of distances which may be involved, we contemplate a view toward the waters, with thanks to our Co-Organizer for the photograph and permission to include it here as an evocative emblem from sometimes-distant shores.

Cape Point, Cape of Good Hope. Photograph © 12.2022 Ann Pascoe van Zyl.

The 2024 Leeds Congress:  “Crises”

The chosen “Thematic Focus” for the Leeds Congress in 2024 is “Crisis”.  It stands the tradition of varied Themes for the Leeds Congress since its foundation.  The Congress website describes many ways in which this theme might be viewed and explored.

Bridges and “Troubled Waters”

Given the Theme for the 2024 Congress at Leeds and our Theme for our 2024 Anniversary Year, it seemed natural to contemplate processes which, when called for, might create a Bridge Over Troubled Water in some form or other.  Repeating the results — in one or other form, as required or possible — might amount to a habit.

That thought reminded us of some practices and habits of the RGME over the years.  And so, the title for the session came into existence, and could form a rallying call or sorts for the plan of its approach.

Call it a ‘bridge’ in response to the call for the 2024 Congress to consider the natures of ‘crisis’ of various kinds, medieval and more, as a focus subject for discussion.

With bridges both literal and metaphorical in mind, we thought of the Ark as a response or safe haven.  Some medieval images of Noah’s Ark, its inhabitants, and its provident storage of provisions, come to mind.  For example, in an illustration enclosed within an ornamental architectural frame, itself set ‘at sea’ or afloat within a broad outer frame of the expansive margins of the manuscript leaf:

Illustration of Noah's Ark within a rectangular frame. The house-shaped ark has window-like openings for animals and birds. At the center, Noah as an aged and bearded man reaches up to receive a flying bird.

Paris, Bibliothèque nationale de France, Département des Manuscrits, Latin MS 10525, folio 3v. Image Public Domain via https://gallica.bnf.fr/ark:/12148./btv1b8447877n.r=psautier+dit+de+saint+louis.langFR.

Note on the Image

Paris, Bibliothèque nationale de France, Département des Manuscrits, Latin MS 10525, folio 3v.

“Psalter of Saint Louis”, formerly owned by Louis IX (1214-1270), King of France.
Image Public Domain via gallica.bnf.fr (Scan View 20).

Building Bridges: The Plan for the Session

The Research Group on Manuscript Evidence (RGME) came into existence in 1989 from a major Research Project at the Parker Library of Corpus Christi College, Cambridge.  It moved to the USA in 1994 and became a nonprofit educational corporation based in Princeton in 1999.

Under our guiding concept of Bridges for our 2024 Anniversary Year, the RGME offers a Session on bridges and bridge-related topics, specifically as relating to crises. We consider ‘bridges’ both literally, as physical architectures and landmarks (such as historically significant specimens), and abstractly, as architectural devices of the mind that enable us to make unexpected, unpredicted, and sometimes serendipitous connections between marginal, off-field, divergent media, methods, and subjects sometimes ignored in such contexts.

Moreover, we examine how bridges answer to different forms of crises, especially, but not only, with regard to communication, travel, social, cultural or political relations, and the natural environment. In turn, we also consider how establishing and maintaining bridges may prevent crises or, contrarily, cause new unforeseen forms of crisis.

Our session welcomes all bold bridge-makers willing to traverse pathways that others might have not dared to take.  Our subjects are:

1) Old English Psalms as a metaphorical bridge between crisis in the locus horribilis to peace in the locus amoenus,

2) Mercantile Venetian responses to blockages to trade-routes,

3) Dangers of bridges, especially Devil’s Bridges and Robber’s Bridge, as pilgrims’ routes, with digital visualizations and reference to contemporary discourse on safety,

4) a Response to these cases, along with a zreflection on the RGME’s tradition of building bridges through ‘crises’ in its passage across time to its anniversary with a session at the IMC.

Thus, we respond to opportunities and challenges which the captain and officers on the bridge of a ship might observe directly, better to steer a course forward.

We invite you to join us on the voyage.

Paris, Bibliothèque nationale de France, Departément des Manuscrits, Latin MS 10525, folio 3v. Image Public Domain via https://gallica.bnf.fr/ark:/12148.

*****

With the publication of the IMC 2024 Programme, we announce the Programme of our Inaugural Session.

“Building Bridges ‘Over Troubled Waters’ ”
Sponsor:
Research Group on Manuscript Evidence

Session 129 (page 71 in the IMC 2024 Programme)

Organisers:
Ann Pascoe-van Zyl, School of English, Trinity College Dublin
and
Michael Allman Conrad, Kontextstudium, Universität St Gallen

Moderator:
N. Kıvılcım Yavuz, Institute for Medieval Studies / School of History,
University of Leeds

Respondent: David Porreca, Department of Classics, University of Waterloo, Ontario

Presentations:

129-a: Ann Pascoe-van Zyl, School of English, Trinity College Dublin

“The Imagery of the Old English Psalms of the Paris Psalter:  A
Metaphorical Bridge from Crisis in the locus horribilis to Peace
in the locus amoenus”
(Language: English)

Abstract

129-b: Eleanor Congdon, Department of History, Youngstown State University,
Ohio
“Resourcefulness in Action: The Use of the Port of Ibiza in Place
of Mainland Ports by Venetian Ships between 1400-1403″
(Language: English)

Abstract

129-c: Michael Allman Conrad, Kontextstudium, Universität St Gallen
“Diabolic, Dangerous, and Daring: Bridges as Ambiguous
Symbols of Medieval Risk Perception”
(Language: English)

Abstract

Update (20 August 2024): Michael has kindly provided a list of selected bibliography on the subject.  We offer it for download:

  • “Literature on “Devil’s Bridges” compiled by Michael A. Conrad.

Response:

“129-d“: David Porreca, Department of Classics, University of Waterloo, Ontario

A glimpse of the Bilingual Latin and Old English Paris Psalter:

Paris, Bibliothèque nationale de France, Département des Manuscrits, MS Latin 8824, folio 1r, midsection with illustration. Image Public Domain via https://gallica.bnf.fr/ark:/12148/btv1b8451636f/f11.item#.

*****

Posters for our Session

RGME @ 2024 IMC at Leeds: Poster 2 set in RGME Bembino, with border.

RGME @ 2024 IMC at Leeds: Poster 1, set in RGME Bembino.

The Posters (in A4 format) can be downloaded.

  • Posters 1–2
  • Poster 1
  • Poster 2 with image of Noah’s Ark Afloat

“The RGME: Who We Are”

For this Congress, we provide a brief introduction to the RGME, with some links, in thanks for our Inaugural Session.  The two-page flyer can be downloaded in two versions for our international audience. Honouring our host, the International Medieval Congress at the University of Leeds, we prepare the pdf in both quarto and A4 formats.

1. Who We Are (A4 format)

2. Who We Are (Quarto format)

*****

See how this Session stands among RGME activities both recent and planned:

  • 2023 and 2024 Activities
Valli_di_Lanzo, Lanzo Torinese, Ponte del Diavolo. Photograph by Emiliana Borruto (24 February 2012). Image via Wikimedia Commons via Creative Commons Attribution 2.0 Generic.

Valli_di_Lanzo, Lanzo Torinese, Ponte del Diavolo. Photograph by Emiliana Borruto (24 February 2012). Image via Wikimedia Commons via Creative Commons Attribution 2.0 Generic.

*****

Questions or Suggestions?

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We invite you to join:

  • Friends of the RGME.

Donations and contributions, in funds or in kind, are welcome and easy to give.  Given our low overheads, your donations have direct impact on our work and the furtherance of our mission.  For our Section 501(c)(3) nonprofit educational organization, your donations may be tax-deductible to the fullest extent permitted by law.  Thank you for your support!

  • Contributions and Donations

We invite you to consider favorably

  • our 2024 Anniversary Appeal.

We look forward to hearing from you and seeing you at our events.

*****

Paris, Musée Carnavalet, Projet pour le Pont Neuf, circa 1577. Image via Wikimedia via Creative Commons Attribution 3.0 Unported.

*****

Tags: "Bridge Over Troubled Water", Anglo-Saxon Paris Psalter, Bibliothèque nationale de France Ms Latin 8834, Bridges, Building Bridges, Crisis, Devil's Bridges, History of Bridges, International Medieval Congress, locus amoenus, Medieval Studies, Mercantile Venetian Trade Routes, Noah's Ark, Port of Ibiza, RGME Anniversary, Robber's Bridge
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2023 International Congress on Medieval Studies: Report

October 23, 2023 in Events, ICMS, Index of Medieval Art, International Congress on Medieval Studies, Kalamazoo, Manuscript Studies, POMONA, Societas Magica, Uncategorized

2023 International Congress on Medieval Studies: Report

58th ICMS (11–13 May 2023)

Held in a transitional ‘hybrid’ form
with Sponsored and Co-Sponsored Sessions
an Open Business Meeting
and Co-Sponsored Reception

[Posted on 22 October 2023]

After the successful completion of our activities at the 2023 International Congress on Medieval Studies (ICMS), we offer a Report about them.  For their programs and the abstracts of their presentations, see 2023 International Congress on Medieval Studies: Program.

Note that Abstracts for Papers published on our website appear in the Indexes of the Abstracts for Papers, listed both by Alphabetical order of Author’s Surname and by Year.

Logistics

2023 ICMS: Pedagogy II viewed online. Michael Allman presents. Photography by Mildred Budny.

This year’s Congress presented more logistical challenges than ever before, in our experience of attending the annual ICMS.  They were due to the complex and incompletely or perplexingly described conditions for holding the Congress in a nominal ‘hybrid’ format, with few fully hybrid events and the necessity for organizers mostly to choose either in-person or online formats — or to provide the alternative through their own resources.

In that way, for example, once the rules were clarified (within only a fortnight of the Congress), the RGME was able resourcefully to provide (through its own Zoom subscription) for online access to events assigned as in-person and to arrange (sometimes with payment) for a room to be made available for registrants on site at the Congress to gather for participating in sessions assigned as online.  We thank the Congress staff for enabling those arrangements once we learned that they might be permitted.

Our activities comprised five co-sponsored scholarly Sessions, our annual Open Business Meeting at the Congress, and a co-sponsored Reception.

The extra arrangements for in-person facilities for the online sessions and online access for in-person sessions were designed also for the convenience of participants for our events on the first day of the Congress, which had a consecutive series of Morning Session / Lunchtime Business Meeting / two Afternoon Sessions / Reception.  With the Morning Session in a nearby building, the other events that day, by design, took place on one building.

Co-Sponsorship

  • Societas Magica:  2 Sessions and the Reception
  • Schoenberg Institute for Manuscript Studies (SIMS): 2 Sessions
  • Polytheism-Oriented Medievalists of North America (P.-O.M.o.N.A.): 1 Session
  • Index of Medieval Art at Princeton University: Reception

This year marked Year 19 of our co-sponsorship with the Societas Magica; the second (non-consecutive) year of co-sponsorship with POMONA, the third of co-sponsorship with the Index of Medieval Art, and the first year of co-sponsorship with SIMS.

As always, we thank the host, organizers, co-sponsors, presiders, speakers, respondents, advisers, and participants for our activities at the Congress, along with the Congress staff and support staff.

The Sequence of Events

Day 1 of the Congress (Thursday 11 May) had a full set of events. They opened with the Morning Session, led to the RGME Open Business Meeting (with lunch provided), followed with a pair of Afternoon Sessions, and rounded out with the co-hosted Reception.

Day 3 (Saturday 13 May) had a pair of Afternoon Sessions.

The shortness of the notice and the complexity of the RGME’s extra preparations for an ad-hoc fully hybrid format imposed further problems in communicating updated information which, in the rush of last-minute preparations and conflicting information, meant that not all participants received the relevant information in time. Notably this affected the extra online arrangements for the in-person sessions on Saturday afternoon, so that the first one did not have an on-site log-in for the online component.

Informal “Evening Sessions”. Outside the Program, a set of traditional informal gatherings offered the occasion to revive the in-person tradition of meetings in an ad-hoc ‘Board Room’ where board games, brought to the table for the occasion, formed a focus of activity and conversation.  As usual, they included some elements of RGME planning.  This year, they  included an ad-hoc hybrid component for participation at a distance as well.

Our Report of all our activities at the 2023 Congress relates their accomplishment, celebrates the presentations, praises the work of organization, notes a few changes in the program and accessibility for the sessions, displays the full set of posters for our events, and illustrates some memorable moments.

Read the rest of this entry →

Tags: Albert the Great, Binding Archaeology, Binding Spines and Fastenings, Board Games, Board Room, Corpus Christi College Cambridge MS 286, Datini Collection, Ephesia Grammata, Gospels of Saint Augustine of Canterbury, Gutenberg Biblt, History of Bindings, History of Pedagogy, Index of Medieval Art, International Congress on Medieval Studiesieval Studies, Islamic Bookbindings, Manuscript studies, Open Business Meeting, Otto Ege Fragments, Reception, Schoenberg Institute for Manuscript Studies, Societas Magica, William Fulke, Words as Agents
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2024 Anniversary Symposium in Thanks to Jesse Hurlbut: The Plan

October 18, 2023 in Manuscript Studies, RGME Symposia, Uncategorized

Manuscript (HE)ART

An RGME Anniversary Symposium
in Thanks to Jesse Hurlbut
(RGME WebMaster Emeritus)

Co-Organized by
Katharine C. Chandler and Jessica L. Savage

Saturday 24 February 2024 online by Zoom
10:00 am – 3:30 pm EST (GMT-5)

Announcement Part 2: The Plan

[Posted on 18 October 2023]

After announcing the Program for this Symposium, we describe its Plan.

For the Program and information about registering for this event, see:

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program.

Meet our First WebMaster

Jesse Hurlbut and the Château de Chambord in 2023. Photograph by Patricia Stevenson.

An accomplished medievalist , manuscript historian, photographer, blogger, and scholar of French language and literature (See Jesse Hurlbut: Curriculum Vitae), Jesse has generously served as our first WebMaster (2004–2023).

He generously offered to give the RGME a website (which we did not have), selected the domain name, created the design in consultation not only once but twice (first in Drupal, then in WordPress), expanded its facilities and storage capacity, upgraded the site,  secured it after a widespread spam attack, and continued to maintain our website across the years, from supporting the hosting of the site to sustaining the domain name itself.

A couple of photographs register aspects of Jesse’s spirited engagement with the material heritage of the past in manuscript and other forms. We have gladly come to know aspects of that engagement, directly and indirectly, while engaging in study and observing ripples of his influence across a range of fields.

First (below), as shown after he had won a manuscript fragment in a drawing by a bookseller at the International Congress on Medieval Studies in 2014. On the way out of the building (Valley III) which housed both the main reception for the Congress and the book exhibits, he paused to show me his new leaf. His expression speaks volumes.

Jesse Hurlbut holds his newly won manuscript leaf at the Kalamazoo Congress on 10 May 2014. (Photography by Mildred Budny)

Jesse Hurlbut holds his newly won manuscript leaf at the Kalamazoo Congress on 10 May 2014. (Photography by Mildred Budny)

Second (top right, at the head of this post), on a trip to France, at the Château de Chambord, as expressed in a photograph which he posted on his birthday in 2023.

Symposium as Thank-Offering

When Jesse announced his plan to retire as WebMaster, with months of generous advance notice so that we might figure out how to replace his multiple roles in running our website and keeping it in operation by the subscriptions for hosting the site and for securing the domain name.

And so, by conferring among ourselves and asking advice beyond the RGME, there was formed the RGME Website Advisory Committee, to guide and oversee these responsibilities, which support the ability to edit and update the public-facing structure of the website, in the hands of the WebEditor (our Director).  An Acting WebMaster volunteered to step in during the continuing transition period, while the RGME might seek the resources to fund and sustain the maintenance of our site longterm.

The RGME also sought some way, which might be appropriate and feasible, given our sets of resources and capabilities, to show our thanks to our first WebMaster. We wished to express our gratitude, both individual and collective, for the extraordinary donation which he has made over the years for our work, communications, online presence, and publications – many of which are visible or downloadable on our site.

And so emerged the plan for this Symposium, which stands outside our customary series, but which draws upon the habits, skills, and network of contacts giving shape to those events and others increasingly over the past several years in response to online opportunities.  The plan for a Symposium, its title, scope, and date was shaped, in stages, by the two co-organizers, in consultation. Prospective speakers and presiders responded generously, and the plan came into being.

Then we could inform Jesse about the plan, its purpose, its scope, its participants, its date, its Save-the-Date Poster, and an announcement of the event.  He made some suggestions, which deftly improve the forms or formulas of expression of our heartfelt plan for thanksgiving.  For these suggestions, too, we give thanks.

The Plan for the Symposium

The Symposium has two halves or sessions.  Each is the domain of one of the two co-organizers, Jessica L. Savage and Katharine C. Chandler.

1) Le monde en fleurs: Visualizing the Natural World of Late Medieval France

This considers visualizations as seen through the art and manuscripts of medieval France “in flower” and especially over the fifteenth and early sixteenth centuries.

2) Medieval Manuscripts in the Social Media Public Sphere

This session will be focused on connections, crowdsourcing, and community-building through social media with medieval manuscripts.

The first is the domain of Jessica Savage.  The second is that of Katharine Chandler.

In their words:

In gratitude for Jesse’s service to the field and this Research Group, we are thrilled to gather the speakers listed below for a Symposium to express thanks for his contributions to the world of manuscript studies.

The morning session, “Le monde en fleurs: Visualizing the Natural World of Late Medieval France,” will focus on the art and manuscripts of medieval France “in flower” and especially over the fifteenth and early sixteenth centuries. Contributions include papers on French literature, women’s books, symbolism of the floral, animal, and monstrous, and highlights in the codicology and patronage of medieval and Renaissance manuscripts.

An afternoon of five presentations will dive into the topic “Medieval Manuscripts in the Social Media Public Sphere,” focused on connections, crowdsourcing, and community-building through social media with medieval manuscripts, including the digitization and imaging of manuscripts. The contributions close with a special response paper on Jesse Hurlbut’s websites and a Roundtable for the afternoon presenters, including our invited guest Jesse Hurlbut, to engage in scholarly dialogue.

Speakers and Presiders

Participants in the proceedings of the event include (in alphabetical order):

Renate Blumenfeld-Kosinski
Mildred Budny
Haleigh Burgon
Katharine C. Chandler
Joyce Coleman
Thomas E. Hill
S.C. Kaplan
Laura Morreale
Johan Oosterman
Samantha Pious
Tina-Marie Ranalli
Jessica L. Savage
Anna Siebach-Larsen
N. Kıvılcım Yavuz

Our invited guest, Jesse D. Hurlbut will also offer comments as part of the afternoon Roundtable.

For their titles, the sequence of presentations, and information about registration for the event, see

  •  2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

The Save-the-Date describes the Plan and display an emblematic image chosen to express the hearty and heartfelt theme.  (You may download it here.)

Save-the-Date Poster for 2024 Anniversary Symposium in Thanks to Jesse Hurlbut. Poster set in RGME Bembino.

The Symposium Booklet

Published for the event, the 64-page illustrated 2024 Anniversary Symposium Booklet is available freely as a pdf on our website. See 2024 Anniversary Symposium: The Booklet.

You may download it in two versions, depending upon your printer, paper stock, and preferences.

1) as consecutive pages for 8 1/2 in. x 11 in. sheets (quarto or letter)

2) as a foldable booklet for 11 in. x 17 in. sheets (tabloid, ledger, or B size) to fold in half

If you wish a copy of the printed version, please contact director@manuscriptevidence.org.

Image as Emblem

There the image appears labelled as “Dragon Heart”.  Note its combination of hearts (three hearts within one) with a pair of dragon-like creatures who climb one of the concentric rings of a diagram.

We love the choices. “Close to our heart”, we can say.

The ‘inhabited’ image belongs to a page in a Libellus enigmatum (“Little Enigmatic Book”) of circa 1521 by François Demoulins de Rochefort (born circa 1470–1480 – died 1526).  The page is Paris, Bibliothèque nationale de France, Département des Manuscrits, MS Latin 8775, folio 3r.

For information about the manuscript, see

  • https://archivesetmanuscrits.bnf.fr/ark:/12148/cc68091z.

 

Paris, Bibliothèque nationale de France, Département des manuscrits, MS Latin 8775. fol. 3r. François Demoulins de Rochefort, Libellus enigmatum. Circa 1515, Paris or Val de Loire. Image Public Domain.

You can ‘turn the pages’ of the digital facsimile via gallica.bnf.fr/ark:12148/cc68091z, with other ‘inhabited’ images populated with a variety of creatures, from dragons in the circles to eagles, a swan, and a rooster at the bottom.

Ce manuscrit célèbre la “triade Angoulême”. Il comporte trois peintures au contenu allégorique et divinatoire, formées de la même façon, avec un coeur en contenant trois plus petits. Autour d’eux s’enroulent des cercles concentriques comportant des inscriptions en latin des saintes Ecritures, au contenu réputé magique. Au-dessous se trouvent des animaux, respectivement un aigle et ses deux aiglons (Louise de Savoie), un cygne (Marguerite d’Angoulême) et un coq (François Ier).

— https://archivesetmanuscrits.bnf.fr/ark:/12148/cc68091z.

*****

An Innovative Event as Forerunner

Baltimore , Walters Art Museum, MS. W.148, folio 33v, bottom right, with fighting creatures. Image via Creative Commons.

This Symposium’s co-organizers, Jessica Savage and Katharine Chandler, co-organized their first event for the RGME last year with an innovative approach to our series of Symposia.

Following the set of Surveys for the RGME conducted by Jessica Savage in 2022, a subject was identified, a Call for Proposals was issued, the program was selected, and thus was born the successful Pre-Symposium for the 2023 Spring Symposium, with a half-day online event of “Lightning Talks” on Intrepid Borders.  See:

  • “Intrepid Borders: Marginalia in Medieval and Early Modern Books”
  • 2023 Spring Symposium “From the Ground Up”.

The illustrated Booklet for the Spring Symposium and Pre-Symposium can be downloaded from there.

With this “informed and supportive” model (in Jessica’s words), characteristic of the RGME, the wish to show our collective thanks to Jesse could find expression.  The responses to the plan demonstrate that the shared wish to give thanks not only for his contributions to the RGME as WebMaster, but also to the wider world of manuscript studies and their online manifestations.

*****

Anniversary Celebrations for 2024

For 2024, in our Anniversary Year, the Theme for the Research Group on Manuscript Evidence (RGME) is “Bridges”.  See

  • Bridges for our Anniversary Year.

This Anniversary Symposium, as an expression of thanks to Jesse Hurlbut, RGME WebMaster Emeritus, is the first of the RGME Symposia for the year.

We hope to welcome you to the event.

Questions or Comments?

Save-the-Date Poster for 2024 Anniversary Symposium in Thanks to Jesse Hurlbut.

If you have questions about the Symposium, please contact

  • rgmesymposia@gmail.com.

Please reach out to us, if you wish, in these ways:

  • Leave your Comments below
  • Contact Us
  • Visit our FaceBook Page
  • Join the conversation on our Twitter Feed (@rgme_mss)
  • Check out our Blog on Manuscript Studies and its Contents List

We look forward to hearing from you.

*****

Tags: Anniversary Symposium, Jesse Hurlbut, Liber Enigmatum, MANUSCRIPT (HE)ART Symposium, RGME Symposia
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2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Program

October 18, 2023 in Announcements, Conference, Conference Announcement, Event Registration, Manuscript Studies, RGME Symposia, Uncategorized

“MANUSCRIPT (HE)ART”

An RGME Anniversary Symposium
in Thanks to Jesse Hurlbut
(RGME WebMaster Emeritus)

Co-Organized by
Katharine C. Chandler and Jessica L. Savage

Saturday 24 February 2024 online by Zoom
10:00 am – 4:00 pm EST (GMT-5)

Announcement Part 1: The Program

[Posted on 18 October 2023, with updates]

We announce the 2024 RGME Anniversary Symposium, as an expression of thanks to our RGME WebMaster Emeritus, Jesse Hurlbut, upon his retirement. This Symposium is the first in our Symposia for 2024, when the RGME celebrates an anniversary of 35 years as an international scholarly society founded in England, and 25 years as a nonprofit educational corporation based in Princeton, New Jersey.

Jesse’s contributions to the RGME as Associate and WebMaster date from 2005, a few years after our incorporation in 1999 as a 501(c)(3) nonprofit organization.  The generosity of his contributions to the RGME and many others in fields of manuscript and other studies across the years lead us, in the company of some of his former students and colleagues, to offer this Symposium in thanks.

For the background for this Symposium, see the companion post to this one:

  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut: Plan

The First WebMaster of the RGME

An accomplished medievalist, manuscript historian, photographer, blogger, and scholar of French language and literature, Jesse Hurlbut generously served as the first WebMaster of the Research Group on Manuscript Evidence (2005–2023). Following Jesse’s retirement on 30 June 2023, we wish to offer this event in thanks, to examine subjects related to his interests, work, and teaching in the world of manuscript studies. The Symposium brings together former students, colleagues, and friends to share their work and work-in-progress in various subjects or projects which his work, teaching, and example may have helped to inspire or refine.

Jesse Hurlbut and the Château de Chambord in 2023. Photograph by Patricia Stevenson.

The Purpose

Our Save-the-Date Poster expresses the plan in word and image for an Anniversary Symposium full of “MANUSCRIPT (HE)ART”.  (You may download it here.)

Save-the-Date Poster for 2024 Anniversary Symposium in Thanks to Jesse Hurlbut. Poster set in RGME Bembino.

Read the rest of this entry →

Tags: 2023 Autumn Symposium Progam, Anniversary Symposium, Giving Thanks, Jesse Hurlbut, Manuscript studies, Medieval manuscripts, RGME Symposia
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2024 Spring Symposium at Vassar College

October 16, 2023 in Announcements, Conference, Conference Announcement, Manuscript Studies, Reception, RGME Symposia, Uncategorized

2024 RGME Spring Symposium
at Vassar College

Vassar College: Current Seal.

“Between Past and Future:
Building Bridges
between Special Collections
and Teaching for the Liberal Arts”

Friday to Sunday, 18 to 21 April 2024

(hybrid, with both in-person events
and online participation by Zoom)

Celebrating the Acquisition of the
Nicholas B. Scheetz Collection
of Medieval and Renaissance Manuscripts

[Posted on 16 October 2023, with updates]

Update 15 April 2024:  Now see the updated Program (below).
Update 16 April:  For registrations, now see Late Registrations (below)

2024 RGME Spring Symposium at Vassar College:
“Between Past and Future:
Building Bridges
between Special Collections and Teaching for the Liberal Arts”
Friday to Sunday, 19 to 21 April 2024
https://library.vassar.edu/…/2024-RGME-Spring-Symposium…
(hybrid, with both in-person events and online participation by Zoom)

*****

For 2024, the Research Group on Manuscript Evidence celebrates an anniversary. Our Theme for the Year is “Bridges”. See “Bridges” for our 2024 Anniversary Year.

Vassar College, Frances Lehman Loeb Art Center, “The Open Missal”. Ludger tom Ring the Younger, circa 1570.

Among our celebrations, the RGME continues with its Symposium Series. With a Spring Symposium at Vassar College, in Poughkeepsie, New York, the RGME Symposia return to an in-person event, this time as a hybrid event also with online participation.

In 2023, the RGME began to return to in-person events with its activities at the partly-hybrid 58th International Congress on Medieval Studies. This step came after the cancellation of the Congress in 2020 and an online Congress in both 2021 and 2022. For 2024, our Symposia join this return, with the invitation to hold our Spring Symposium at Vassar College.

For some of our Symposia, whether in-person at Princeton University in 2019 (and intended there in 2020), or online by Zoom in 2022, 2023, and 2024, our RGME Associates at Vassar have given presentations about their work, the Library, and Special Collections. See, for example,

  • 2019 Anniversary Symposium Report: The Roads Taken
  • 2022 Spring and Autumn Symposia
  • 2023 Spring and Autumn Symposia
  • 2023 Autumn Symposium “Between Earth and Sky”
  • 2023 Spring Symposium “From the Ground Up”
  • 2024 Anniversary Symposium in Thanks to Jesse Hurlbut

Now we visit Vassar to join the celebrations for a new catalogue and exhibition of Medieval and Renaissance Books in the collection. We do so by gathering scholars, librarians, curators, cataloguers, collectors, vendors, teachers, and others to participate in an RGME Symposium which showcases the materials in the light of expertise and appreciation dedicated to them.

The choice of the Program and other components of the Symposium is guided by the Vassar/RGME Symposium Advisory Committee, and by other advisers both at Vassar and elsewhere. The Advisory Committee comprises

  • Ronald Patkus,
  • Elizabeth Lastra,
  • Mildred Budny, and
  • Barbara Williams Ellertson.

Note on the Image

Poughkeepsie, New York, Vassar College, Frances Lehman Loeb Art Center. The Open Missal (circa 1570) attributed to Ludger tom Ring the Younger (1522-1582). Image via “The Open Missal”.

Read the rest of this entry →

Tags: Early Printed Books, Frances Lehman Loeb Art Center, Frederick Ferris Thompson Memorial Library, History of Bridges, Les Enluminures, Manuscript studies, Manuscripts & Early Printed Books, Nicholas B. Scheetz Collection, RGME Anniversary Year, RGME Symposia, Symbols in Vassar Architecture, Vassar College, Vassar College Library, Vassar College Special Collections and Archives
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Grant from The Gladys Krieble Delmas Foundation for the RGME Library & Archives in 2023

October 16, 2023 in Announcements, Manuscript Studies, Uncategorized

Announcement

2023 Grant from
The Gladys Krieble Delmas Foundation
Research Libraries Program
for Phase 1 for the RGME Library & Archives

“Building the Plan for ‘The Plan’ “

Logo of the Research Group on Manuscript Evidence (colour version)

RGME Logo in Color (2014).

Gratefully we announce that The Gladys Kreible Delmas Foundation, through its Research Libraries Program, has awarded the Research Group on Manuscript Evidence (RGME) a grant for 2023 to begin the process of structuring our Library & Archives as a collection.

The grant is awarded through the Research Libraries Program, for which “the overall objective . . .  is to improve the ability of research libraries to serve the needs of scholarship in the humanities and the performing arts, and to help make their resources more widely accessible to scholars and the general public.”

Building the Plan

With this funding, the RGME undertakes a one-year planning stage to produce an initial survey of the collection and its records and to plan for its Records-Management overall.  This project, which would comprise Phase 1 of work on the collection long-term, has the task of “Building the Plan for Recording, Structuring, and Accessing the RGME Library & Archives”.

The scope and purpose of the work as a whole will permit us to address more holistically the structure, maintenance, and longevity of our collection.  We will do so, moreover, in ways concordant with best practices for preservation, cataloguing, access, and other responsibilities.

The beginning work for Phase 1 supported by this grant belongs within the cohesion of RGME activities on multiple fronts for this year’s overarching theme of “Materials and Access”, as are addressed in our corporate activities and explored throughout our scholarly events, meetings, and publications, such as our 2023 Spring and Autumn Symposia dedicated specifically to the theme.

The RGME has formed a Task Force to guide and oversee the funded work to build the plan for the collection and its records-management, wider access, and development.  Guided by shared experiences and expert advice, we look toward creating improved, structured ways — taking into account our characteristics, abilities, and needs as an organization — for preparing our resources for the future, new records, and improved access by scholars and others.

The project funded by The Gladys Krieble Delmas Foundation Grant will span the entirety of the 2023 calendar year, concluding with an end-of-the-year report and a formal initial plan for the RGME’s archives and library.  This project will leave the Research Group, which in 2024 celebrates a key anniversary, in surer knowledge of its past and increased, informed, preparation for its future.

A Grant Unprecedented in our History

Logo of the Research Group on Manuscript Evidence in Monochrome Version

The original RGME Logo in black-and-white (1989).

The RGME has never had a grant of this kind before.  During our history, first as an international scholarly society founded in England in 1989 (from a major research project on “Anglo-Saxon and Related Manuscripts” at the Parker Library of Corpus Christi College, Cambridge), then based at Princeton, New Jersey, since 1994, and now established there as a nonprofit educational organization (incorporated in 1999), our work has primarily focused on the activities in pursuit of our mission.

Formerly, grants from various sources have supported research projects on specific materials, or scholarly events such as our Symposia and Colloquia held in various centers, in the United States and elsewhere.  While those earlier grants have enabled activities pursuant to our mission, this grant from The Gladys Krieble Delmas Foundation fosters the very essence of both our pursuits and our products as an entity, which was incorporated “for the purposes of lectures, discussions, and other publications”.

The Plan for the Project

The aim is to address our existing, in-coming, and future records (physical as well as digital, born-digital, obsolete digital, and digitized) with a responsible program according to “best practices” for preserving, conserving, archiving, cataloguing, digitizing, and accessing these materials for research, teaching, publication, and related purposes.  Equally, we take into account the needs of conducting our work as a living entity, for which more records continue to emerge.

For this year’s Pilot Project, to span the full course of the year, we have appointed a Task Force to guide and oversee the process of the work, and to produce a final report at the completion of this stage, along with our report to The Gladys Krieble Delmas Foundation at the close of Phase 1.  The Task Force will remain in place to continue to provide guidance in a next phase as it emerges.

The grant for 2023 gives the Research Group the opportunity to purchase equipment to archive digital materials and facilitate off-site consultation, and archival supplies to stabilize physical materials.  The grant also provides financial support for conservation services, technical back-up for our online meetings, and outside expertise in audio-visual processing/editing to increase the usability and access of our collections for scholars and others.  Significantly, too, the grant enables the process of undertaking the first steps for preparing for circulation the store of recordings which have emerged from our online events (since 2021), but had to await such an opportunity.  These measured steps in the project stand alongside, and integrate carefully with, the on-going work of our corporate and program activities as a living entity building for our future work, beginning with our Anniversary Year in 2024.

The Way Forward

The Research Group on Manuscript Evidence is most grateful for the generosity of spirit, the model, and the financial support of The Gladys Krieble Delmas Foundation for this significant step in the continuing history of our organization, as we now turn to addressing the nature, characteristics, responsibilities, and research potential of our Library & Archives as a collection.  The Pilot Project in 2023 enables us to prepare the Plan to do so.

For information, please contact director@manuscriptevidence.org.

*****

Tags: 2023 Pilot Project for RGME Library & Archives, Records Management, Research Library Program Grant, RGME Library & Archives, The Gladys Krieble Delmas Foundation
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Episode 15: Women Writers from the Medieval to Post-Modern Periods

October 5, 2023 in Manuscript Studies, Uncategorized

The Research Group Speaks
Episode 15

Saturday 20 January 2024 online
1:00–2:30 pm EST (GMT-5) by Zoom

“Women Writers
from the Medieval to Post-Modern Periods:
Fiction and/or Reality,
from Literary Narratives to Practical Cookery”

Jackie Reed
Linda Civitello
Hannah Goeselt

[Posted on 5 October 2023, with updates. Registration is now open. See below.]

We invite you to attend Episode 15 in our series:

  • The Research Group Speaks
London, British Library, Harley MS 4431, fol. 4r.Christine de Pisan sits at work writing in an interior accompanied by a dog. France (Paris), c. 1410 – c. 1414. Image via https://blogs.bl.uk/digitisedmanuscripts/2013/06/christine-de-pizan-and-the-book-of-the-queen.html.

London, British Library, Harley MS 4431, fol. 4r. Christine de Pizan sits and writes, accompanied by a dog.

This time, some scholars, teachers, and writers will speak about their interests, long-term work, and current projects concerned with the writings of women authors across a long span of time. Our focus is primarily “women’s work” of many kinds, which might, of course, include contributions to their genres by men and other authors’ whose identities have become unknown. Our attention is drawn to creativity, resourcefulness, senses of purpose, convictions, and instructions for potentially reproducible results in the fields of Food for Thought and Food itself.

Reflecting womens’ roles, opportunities, constraints, and resourcefulness, the writings cover a wide range of spheres, subjects, approaches, and styles. The works range from literary creations to recipes for cookery. Sometimes they have illustrations of their authors, readers, and authorial or literary occupations.

The “genre” of writings by women authors, often underrated or outright ignored, has multiple manifestations, of course, across many periods of time, cultures, languages, subjects, and points of view.  To name a few cases, both Western and Eastern:

  • Women Medieval Writers: Women Writers of the Middle Ages, Renaissance, Reformation.
  • Women Writers in Medieval England
  • Category: Women Writers (Medieval)
  • Category: Women Writers (Modern Period)
  • Category: Women Writers by Historical Period

Christine de Pizan, La cité des dames, in the copy in Paris, Bibliothèque nationale de France, Département des Manuscrits, Français 1179, folio 3 recto. Image Public Domain via gallica.bnf.fr.

Note on the Image
Headpiece illustration for Christine de Pizan, La cité des dames, in the copy in Paris, Bibliothèque nationale de France, Département des Manuscrits, Français 1179, folio 3 recto.  Image via gallica.bnf.fr.
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Tags: Ali Smith, Book History, Christine de Pizan, Cookbooks, Early Modern Women Writers, Emily Dickinson, Florence Nightengale, History of Recipes, Jane Austen, Louisa May Alcott, Lydia Maria Child, Manuscript Cookbooks Survey, Manuscript studies, Medieval Women Writers, Modern Women Writers, Narrative Structures, Natalie Zemon Davis, Postmodern Women Writers, Sarah Josepha Hale, The Research Group Speaks, Women Writers
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Episode 14: “Translating the Latin Hermetica by Committee”

September 19, 2023 in Manuscript Studies, Uncategorized

The Research Group Speaks
Episode 14
Sunday 19 November 2023 online
1:00–2:30 pm EDT (GMT-5) by Zoom

“Translation by Committee:
The Latin Hermetica“

David Porreca, Dan Attrell, and Brett Bartlett

[Posted on 18 September 2023, with updates]

We invite you to attend Episode 14 in our series.

The Series:

  • The Research Group Speaks

The Eventbrite Portal for this Series:

  • The Research Group Speaks

Meet the Committee

This time, a team of scholars — including two of our RGME Associates — will speak about their current project of translating a complex occult text from Latin to English.

They are:  The Teacher, his Former Student, and his Student.

  • David Porreca
  • Dan Attrell (see also Congratulations and Podcasts with Dan Attrell)
  • Brett Bartlett (see also Brett Bartlett)

Over the years, David Porreca has organized or co-organized Sessions for the RGME and our frequent co-sponsor, the Societas Magica, at the annual International Congress on Medieval Studies. He has presented Papers for them or other Sessions which we have sponsored or co-sponsored.  He has contributed regularly to our online Symposia and Episodes of “The Research Group Speaks”.  A good number of his students and former students have contributed, and continue to contribute, to RGME activities, including our events and work behind the scenes enabling them.

Poster for "Visualizing Learned & Popular Magic" Congress Session (May 2014)Some of his contributions:

  • Porreca (2023 Congress)
  • Porreca (2022 Congress)
  • Porreca (2021 Congress)
  • Porreca (2020 Congress)
  • Porreca (2018 Congress)
  • 2023 International Congress on Medieval Studies Program
  • 2022 International Congress on Medieval Studies Program
    (Etc.)

David serves on the RGME Editorial Committee, where his experienced advice about texts and handling them effectively for publication comes in handy.

Dan Attrell also has presented reports on his work for the RGME.

  • Attrell (2018 Congress)

Brett Bartlett, when we first met years ago in Kitchener, Ontario, demonstrated quick and erudite acumen when, almost at once, he pointed out a small mistake in the Old English portion of our then-new publication of Multi-Lingual Bembino; it was swiftly corrected in a next issue, which we, as the publisher, could make very soon.

In this context, we will be able to see that, when it comes to the demands of (and for) the translations, “Not Two but Three [Talking] Heads are Better Than One”.

Martin, Slovakia, Slovak National Library, Fragment of the Picatrix, circa 1400 CE. Image Public Domain via Wikimedia Commons.

Martin, Slovakia, Slovak National Library, Fragment of the Picatrix, circa 1400 CE. Image Public Domain via Wikimedia Commons.

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Tags: History of Magic, History of Translation, Latin Hermetica, Manuscript studies, Marsilio Ficino, Textual Studies, The Research Group Speaks
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Episode 13: Bridget Whearty on “Digital Codicology”

September 4, 2023 in Interviews, Manuscript Studies, Research Group Episodes for The Research Group Speaks, Research Group Speaks (The Series), Uncategorized

The Research Group Speaks
Episode 13

Decretum Gratiani plus sleeved Manicule, via gallica.bnf.fr from Bibliothèque municipale de Rouen. Ancien fonds, Ms E 1a, folio 195v.

Saturday 21 September 2023 online
12:00–1:30 pm EDT (GMT-4) by Zoom

“Making Digital Codicology:
Research and Writing in Community”

Bridget Whearty

[Posted on 4 September 2023, with updates]

We invite you to attend Episode 13 in our series.

  • The Research Group Speaks

The Eventbrite Portal for this Series:

  • The Research Group Speaks

To register for This Episode:

  • Episode 13. Bridget Whearty

Bridget Whearty: Faculty Profile via https://www.binghamton.edu/english/faculty/profile.html?id=bwhearty.

Episode 13 showcases the work of Bridget Whearty, Associate Professor of English, General Literature and Rhetoric at Binghamton University, State University of New York (see her Curriculum Vitae).  She will speak informally about her work and research interests, focusing upon her recent book on Digital Codicology: Medieval Books and Modern Labor (Stanford University Press, 2022).  About the work, see, for example, her observations for the Coding Codices Podcast.

We learned about her work toward the book in an earlier stage, well before it appeared in print, in 2018, when we met as audience members at the 11th Annual Symposium of the Schoenberg Institute for Manuscript Studies. It was inspiring to hear her then , and to have the opportunity to meet and talk more — as it happened, walking to the conference and in the parking lot as we were both preparing to leave. I found this meeting wonderfully memorable. Our subjects of discussion then included not only books, but also cats and cooking.

Fast forward.  As the RGME began its series of online Episodes in 2021, and their momentum came into place across the series, which now reaches Number 13, the suggestion that we invite Bridget came naturally.  Responding to the suggestion, I made the invitation, Bridget generously responded, we explored what she might like to focus on — and so, now, we welcome her gladly to our series.

We look forward to hearing more about Bridget’s quest, along with its challenges, discoveries, and recognition of the people behind the books in whichever ways they become known to us — by presenting themselves, in one and/or other ways, materially or by representatives, including digitally.

Come to think of it, that meeting of the people in (or of) the books is what we try to do with medieval and other books, only without being able to meet them in person . . .

Now is our chance with Bridget, and, through her, others who work behind the scenes in the study and presentation of books for our inspection, study, instruction, reflection, and questions.

You can register for this event by our RGME Eventbrite Collection. To register for Bridget’s Episode 13, visit this portal.  Information below.

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Tags: Anonymous Hands, Anonymous Labor, Bibliothèque nationale de France MS 12476, Digital Codicology, Digital Codicology The Book, digitization of manuscripts, Digitizers' Hands, Henry Noel Humphreys' Specimens of Illuminated Manuscripts, Johanna Green, Le Champion des Dames, Manuscript studies, Medieval manuscripts, Research and Community, Stanford University Libraries MSS Codex MO379CB, The Research Group Speaks
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