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    • Highlights
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    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
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  • About
    • Mission
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      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
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      • Sponsored Conference Sessions (1993‒)
        • Panels at the M-MLA Convention
      • Co-sponsored Conference Sessions (2006‒)
    • Events
    • Seals, Matrices & Documents
    • Genealogies & Archives
  • Bembino
    • Multi-Lingual Bembino
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention
      • Abstracts of Papers for the M-MLA Convention
  • Events
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
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    • Photographic Exhibitions & Master Classes
    • Business Meetings
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    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
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    • Galleries: Contents List
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Private Collection, Sinhalese Palm-Leaf Manuscript, End-Leaf 01, Left.
A Sinhalese Palm-Leaf Book in Deconstructed and Reconstructed Order
Beinecke Rare Book & Manuscript Library, Otto Ege Collection, FOL Set 3, MS 40, Specimen 1: folio '1'r, Top Left. Photography Mildred Budny.
Specimens of Ege Manuscript 40 in the Ege Family Portfolio
Otto F. Ege: Fifty Original Leaves from Medieval Manuscripts, Leaf 40, Printed Label, Special Collections and University Archives, Stony Brook University Libraries.
Otto Ege Manuscript 40, Part II: Before and After Ege
Private Collection, Ege's FBNC Portfolio, Aquinas Leaf, Recto, Top Right. Reproduced by Permission.
Otto Ege’s Aquinas Manuscript in Humanist Script (‘Ege Manuscript 40’)
rivate Collection, Koran Leaf in Ege's Famous Books in Nine Centuries, Front of Leaf. Reproduced by permission.
Otto Ege’s Portfolio of ‘Famous Books’ and ‘Ege Manuscript 53’ (Quran)
Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Dutch Book of Hours made for a female patron in the mid 15th century. Opening page of the Hours of the Virgin: "Here du salste opdoen mine lippen". Image via Creative Commons. At the bottom of the bordered page, an elegantly dressed woman sits before a shiny bowl- or mirror-like object, in order, perhaps, to perform skrying or to lure a unicorn.
2021 Congress Program Announced
J. S. Wagner Collection, Early-Printed Missal Leaf, Verso. Rubric and Music for Holy Saturday. Reproduced by Permission.
Carmelite Missal Leaf of 1509
Set 1 of Otto Ege's FOL Portfolio, Leaf 19 recto: Deuteronomy title and initial.
Updates for ‘Otto Ege Manuscript 19’
Private Collection, Castle Cartulary Fragment, Inserted Folded Sheet, Opened: Top Righ
Fragments of a Castle ‘Capbreu’ from Catalonia
Grapes Watermark in a Selbold Cartulary Fragment.
Selbold Cartulary Fragments
Smeltzer Collection, Subermeyer (1598), Vellum Supports Strip 2 Signature Surname.
Vellum Binding Fragments in a Parisian Printed Book of 1598
Set 1 of Ege's FOL Portfolio, Leaf 14 recto: Lamentations Initial.
Some Leaves in Set 1 of Ege’s FOL Portfolio
Church of Saint Mary, High Ongar, Essex, with 12th-Century Nave. Photograph by John Salmon (8 May 2004), Image via Wikipedia.
A Charter of 1399 from High Ongar in Essex
View to the Dorm at the End of the Congress.
2019 Congress Behind the Scenes Report
Opening of the Book of Maccabees in Otto Ege MS 19. Private Collection.
A Leaf from ‘Otto Ege Manuscript 19’ and Ege’s Workshop Practices
Private Collection, "Margaritas" fragment back side, lines 2-5.
The Pearly Gateway: A Scrap from a Latin Missal or Breviary
Preston Charter 7 Seal Face with the name Gilbertus.
Preston Take 2
The Outward-Facing Cat and a Hand of Cards. Detail from Adèle Kindt (1804–1884), The Fortune Teller (circa 1835). Antwerp, Koninklijk Museum voor Schone Kunsten. Image via Wikimedia Commons.
Keeping Up: Updates for Spring 2020
New York, Grolier Club, \*434.14\Aug\1470\Folio. Flavius Josephus, De antiquitate Judiaca and De bello Judaico, translated by Rufinus Aquileinensis, printed in Augsburg on paper by Johannn Schüsseler in 2 Parts, dated respectively 28 June 1470 and 23 August 1470, and bound together with a manuscript copy dated 1462 of Eusebius Caesariensis, Historia ecclesiastica.
2020 Spring Symposium Cancelled or Postponed
2020 Spring Symposium: Save the Date
At the Exhibition of "Gutenberg and After" at Princeton University in 2019, the Co-Curator Eric White stands before the Scheide Gutenberg Bible displayed at the opening of the Book of I Kings.
“Gutenberg and After” at Princeton University Library
Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Dutch Book of Hours made for a female patron in the mid 15th century. Opening page of the Hours of the Virgin: "Here du salste opdoen mine lippen". Image via Creative Commons. At the bottom of the bordered page, an elegantly dressed woman sits before a shiny bowl- or mirror-like object, in order, perhaps, to perform skrying or to lure a unicorn.
2020 International Congress on Medieval Studies Program Announced
J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Recto, Initial C for "Confitimini" of Psalm 117 (118), with scrolling foliate decoration.
A Leaf from Prime in a Large-Format Latin Breviary
J. S. Wagner Collection. Detached Manuscript Leaf with the Opening in Latin of the Penitent Psalm 4 or Psalm 37 (38) and its Illustration of King David.
The Penitent King David from a Book of Hours
Bust of the God Janus. Vatican City, Vatican Museums. Photo by Fubar Obfusco via Wikimedia Commons.
2019 M-MLA Panel Program
Coffee Break at our 2002 British Museum Colloquium. Our Director, Dáibhí Ó Cróinin, and Giles Constable. Photograph by our Associate, Geoffrey R. Russom.
Revisiting Anglo-Saxon Symposia 2002/2018
The red wax seal seen upright, with the male human head facing left. Document on paper issued at Grenoble and dated 13 February 1345 (Old Style). Image reproduced by permission
2020 ICMS Call for Papers: Seal the Real
Yale University, Beinecke Rare Book and Manuscript Library, MS 1183. Photograph courtesy Kristen Herdman.
2019 Anniversary Symposium Report: The Roads Taken
Heidere Diploma 2 in the Unofficial Version, with puns aplenty. The Diploma has an elaborate interlace border around the proclamation.
Heidere Diplomas & Investiture
2019 Anniversary Symposium: The Roads Taken
Detail of illustration.
Sanskrit and Prakrit Manuscripts
Poster announcing the Call for Papers for the Permanent Panels sponsored by the Research Group on Manuscript Evidence, to be held at the 2019 MMLA Convention in Chicago in November. Poster set in RGME Bembino and designed by Justin Hastings.
2019 M-MLA Call for Papers
Detail of recto of leaf from an Italian Giant Bible. Photography by Mildred Budny
2019 International Congress on Medieval Studies Program Details
Thomas E. Hill stands at the entrance to the Vassar College Library. Photography by Mildred Budny
Another Visit to The Library Cafe
Leaf 41, Recto, Top Right, in the Family Album (Set Number 3) of Otto Ege's Portfolio of 'Fifty Original Leaves' (FOL). Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Mildred Budny.
More Discoveries for ‘Otto Ege Manuscript 41’
Augustine Homilies Bifolium Folio IIr detail with title and initial for Sermon XCVI. Private Collection, reproduced by permission. Photograph by Mildred Budny.
Vellum Bifolium from Augustine’s “Homilies on John”
Gold stamp on blue cloth of the logo of the Research Group on Manuscript Evidence. Detail from the front cover of Volume II of 'The Illustrated Catalogue'
Design & Layout of “The Illustrated Catalogue”
Rosette Watermark, Private Collection. Reproduced by Permission
2019 International Congress on Medieval Studies Program
Libro de los juegos. Madrid, El Escorial, MS T.1.6, folio 17 verso, detail.
2018 International Congress on Medieval Studies Program
Poster Announcing Bembino Version 1.5 (April 2018) with border for Web display
Bembino Version 1.5 (2018)
Lower Half of the Original Verso of a Single Leaf detached from a prayerbook in Dutch made circa 1530, owned and dismembered by Otto F. Ege, with the seller's description in pencil in the lower margin. Image reproduced by permission.
A New Leaf from ‘Otto Ege Manuscript 214’?
© The British Library Board. Harley MS 628, folio 160 verso. the initial 'd' for 'Domini'.
2018 M-MLA Call for Papers
Fountain of Books outside the Main Library of the Cincinnati Public Library of Cincinnati and Hamilton County.
2017 M-MLA Panel Report
Leaf 41, Recto, Top Right, in the Family Album (Set Number 3) of Otto Ege's Portfolio of 'Fifty Original Leaves' (FOL). Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Mildred Budny.
2017 M-MLA Panel
Poster for 'In a Knotshell' (November 2012)with border
Designing Academic Posters
Opening Lines of the Book of Zachariah. Courtesy of Flora Lamson Hewlett Library, Graduate Theological Union, Berkeley, CA. Reproduced by permission.
More Discoveries for “Otto Ege Manuscript 61”
Slice of Brie. Photograph by Coyau via Wikipedia Commons.
Say Cheese
Alcove Beside Entrance to Garneau at AZO 2017. Photography © Mildred Budny.
2017 Congress Report
Duck Family at the 2007 Congress. Photography © Mildred Budny.
2017 Congress Program
Verso of the Leaf and Interior of the Binding, Detail: Lower Right-Hand Corner, with the Mitered Flap Unfolde
A 12th-Century Fragment of Anselm’s ‘Cur Deus Homo’
Reused Leaf from Gregory's Dialogues Book III viewed from verso (outside of reused book cover) Detail of Spine of Cover with Volume Labels. Photograph © Mildred Budny.
A Leaf from Gregory’s Dialogues Reused for Euthymius
Detail of the top of the verso of the fragmentary leaf from a 13th-century copy of Statutes for the Cistercian Order. Reproduced by permission.
Another Witness to the Cistercian Statutes of 1257
Initial d in woodcut with winged hybrid creature as an inhabitant. Photography © Mildred Budny
The ‘Foundling Hospital’ for Manuscript Fragments
A Reused Part-Leaf from Bede’s Homilies on the Gospels
Detail of middle right of Verso of detached leaf from the Nichomachean Ethics in Latin translation, from a manuscript dispersed by Otto Ege and now in a private collection. Reproduced by permission.
More Leaves from ‘Otto Ege Manuscript 51’
Running title for EZE on the verso of the Ezekiel leaf from 'Ege Manuscript 61'. Photography by Mildred Budny
A New Leaf from ‘Otto Ege Manuscript 61’
Decorated opening word 'Nuper' of the Dialogues, Book III, Chapter 13, reproduced by permission
A New Leaf from ‘Otto Ege Manuscript 41’
Private Collection, Leaf from Ege MS 14, with part of the A-Group of the 'Interpretation of Hebrew Names'. Photograph by Mildred Budny.
A New Leaf from ‘Otto Ege Manuscript 14’
A Reused Part-Leaf from Bede’s Homilies on the Gospels
Photography by David Immerman.
Radio Star
Close-Up of The Host of 'The Library Cafe' in the Radio Studio. Photography © Mildred Budny
A Visit to The Library Café
Booklet Page 1 of the 'Interview with our Font & Layout Designer' (2015-16)
Interview with our Font & Layout Designer
Initial I of Idem for Justinian's Novel Number 134, with bearded human facing left at the top of the stem of the letter. Photography © Mildred Budny
It’s A Wrap
The Brandon Plaque. Gold and niello. The British Museum, via Creative Commons.
Seminar on the Evidence of Manuscripts (January 1992)
© The British Library Board. Cotton MS Tiberius A III, folio 117v, top right. Reproduced by permission.
Seminar on the Evidence of Manuscripts (August 1993)
Invitation to 'Canterbury Manuscripts' Seminar on 19 September 1994
Seminar on the Evidence of Manuscripts (September 1994)
Logo of the Research Group on Manuscript Evidence in Monochrome Version
Seminar on the Evidence of Manuscripts (May 1989)
Logo of the Research Group on Manuscript Evidence (colour version)
2016 Report for CARA
Heading of Blanked out Birth certificate after adoption completed.
Lillian Vail Dymond
Initial C of 'Concede'. Detail from a leaf from 'Otto Ege Manuscript 15', the 'Beauvais Missal'. Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Lisa Fagin Davis. Reproduced by Permission
2016 Symposium on ‘Words & Deeds’
Detail with Initial G of Folio Ivb of Bifolium from a Latin Medicinal Treatise reused formerly as the cover of a binding for some other text, unknown. Reproduced by permission
Spoonful of Sugar
Detail of Leaf I, recto, column b, lines 7-12, with a view of the opening of the Acts of the Apostles, chapter 23, verse 3, with an enlarged opening initial in metallic red pigment
New Testament Leaves in Old Armenian
Decoated initial E for 'En' on the verso of the Processional Leaf from ' Ege Manuscript 8'. Photography by Mildred Budny
A New Leaf from ‘Otto Ege Manuscript 8’
Cloth bag, now empty, for the original seal to authenticate the document, which remains intact, for a transaction of about the mid 13th-century at Preston, near Ipswich, Suffolk, UK. Photograph reproduced by permission.
Full Court Preston
The Date 1538 on the Scrap, enhanced with photographic lighting. Photography © Mildred Budny
Scrap of Information
Lower half of Recto of Leaf from the Office of the Dead in a Small-Format Book of Hours. Photography © Mildred Budny
Manuscript Groupies
Detail of cross-shaft, rays of light, and blue sky or background in the illustration of the Mass of Saint Gregory. Photography © Mildred Budny
The Mass of Saint Gregory, Illustrated
Penwork extending from a decorated initial extends below the final line of text and ends in a horned animal head which looks into its direction. Photography © Mildred Budny
Lost & Foundlings

You are browsing the Blog for Otto Ege Manuscript 41

A Leaf from ‘Otto Ege Manuscript 19’ and Ege’s Workshop Practices

May 1, 2020 in Manuscript Studies, Uncategorized

An Old Testament Leaf from ‘Otto Ege Manuscript 19’

And Ege’s Workshop Habits
in Assembling His Portfolios

Opening of the Book of Macabees in Otto Ege MS 19. Private Collection.

Portable Bible in the Latin Vulgate Version
Italy, circa 1275, with Illuminations made apparently in Paris

Double columns in 48 lines
circa 235 × 170 mm <written area circa 153 × 107 mm>

End of Malachi (within 2:13 – 4:10),
Jerome’s Prologue to Maccabees, Argumentum,
and Opening of I Maccabees (1:1 – within 1:21)

J. S. Wagner Collection

[Posted on 1 May 2020, with updates]
A detached leaf from ‘Otto Ege Manuscript 19’, now in the J. S. Wagner Collection, provides the transition from one Old Testament Book to the next.  In reporting its survival and setting it into the context of its former manuscript and the known patterns of Otto Ege’s distribution of his dismembered manuscripts, we examine the leaf, its presentation as part of a larger series (initially as Ege’s Number 19, altered for some reason to a Number 13), and Ege’s evolving “workshop practices” in mounting and distributing manuscript leaves to wider audiences.

[Note:  This post began as the report of a Leaf from one of the manuscripts dispersed by Otto F. Ege, to follow our earlier reports for some other manuscripts of his.  It grew into a report also of Ege’s varying workshop practices over time in assembling or reassembling his Portfolios of specimen Leaves extracted from manuscripts and other books.  Selected specimens would be mounted in mats, often with identifying labels or inscriptions in print or pencil, arranged in groups (notably in the Portfolios, but also in other batches) or distributed as left-overs, and sold far and wide.  Mercifully, apart from cutting the individual leaves out of the books, Ege did not crop them except by the rectangular windows of their mats.

As reported in other posts on this blog (see the Contents List), our cumulative examination of various Portfolios, individual sets thereof, and individual leaves either extracted from Portfolios or distributed on their own (as “Strays”), has yielded detailed grounds for conjectures about Ege’s evolving and revolving practices over an extended period of intense activity dedicated to maximizing the teaching (and commercial) potential of his collection.  We share some results of that research here.]

Opening of the Book of Macabees in Otto Ege MS 19. Private Collection.

Wagner Leaf from Ege Manuscript 19, verso, detail.

With thanks to the present collector, J. S. Wagner, who drew this find to our attention on account of our blog (You are Here), we present the images, front and back, of a detached leaf from a small-format 13th-century Vulgate Latin Bible dispersed by Otto F. Ege (1888–1951).  The leaf was formerly part of Ege Manuscript 19 (Gwara, Handlist, No. 19, page 124).

Already, in our blog on Manuscript Studies (You are Here), we have considered leaves from other manuscripts distributed by Ege.  See our Contents List for the series of discoveries, which so far principally concern Ege Manuscripts 8, 14, 41, 51, 61,  and 214; we begin work also on Ege Manuscript 56 in Armenian.

This new opportunity opens the possibility to consider another of Ege’s dismembered manuscripts showcased in his Portfolio of Fifty Original Manuscripts (= “FOL”), for which a core study was developed with the website devoted to a group of its survivors as ege.denison.edu, and for which work has continued to advance apace in multiple centers.

This Portfolio is one of several which Ege devoted to specific titles or genres of books in manuscript and/or print (such as the Bible in several languages).  Ege gave this one the title of Fifty Leaves from Medieval Manuscripts, XII–XVI Century [sic for the plural].  Ege numbered its Leaves as “1–50”, in the sequence which he chose for their presentation there.  Their source manuscripts, accordingly, in Scott Gwara’s Handlist of Ege’s manuscripts are known as “Ege Manuscripts 1–50” (of at least 1–325, and counting).  A provisional summary of the contents of this Portfolio and some of its known sets appears online in The Otto F. Ege Palaeography Portfolio: Towards a Virtual and Interactive Reconstruction of Fifty Dismembered Manuscripts.  Virtual reconstructions of one and another of its manuscripts continue to emerge, as with FOL Leaf 15, the 14th-century Beauvais Missal.

J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Recto, Initial C for "Confitimini" of Psalm 117 (118), with scrolling foliate decoration.

Already, in this blog, we have presented 2 leaves from the J. S. Wagner Collection:

  • The Penitent King David from a Book of Hours
  • A Leaf from Prime in a Large-Format Breviary .

Now we turn to the Ege Leaf in that Collection.

Read the rest of this entry →

Tags: "Fifty Original Manuscripts", Bible Manuscripts, Charles Carmichael Lacaita, Ege's Portfolios, Ege's Workshop Practices, J.S. Wagner Collection, Latin Vulgate Bible, manuscript fragments, Otto Ege, Otto Ege Manscript 61, Otto Ege Manuscriipt 23, Otto Ege Manuscript 13, Otto Ege Manuscript 14, Otto Ege Manuscript 19, Otto Ege Manuscript 41, Otto Ege Manuscripts, Portable Bibles, Sir Joseph Lacaita
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More Discoveries for ‘Otto Ege Manuscript 41’

November 27, 2018 in Manuscript Studies, Photographic Exhibition

New Haven, Yale University, Beinecke Rare Book and Manuscript Library, Otto Ege Collection, Family Portfolio of Fifty Original Leaves ("FOL") of Medieval Western Manuscripts, Leaf 41, recto, column b, top. Medieval Contents List for the Volume in the upper margin, above the concluding line of the Chaper List for Book I and the Opening of that Book. Photography by Mildred BudnyOtto Ege’s
Dismembered Manuscript 41

A Latin copy of the
Dialogues of Gregory the Great,
Epistles and Homilies of John Chrysostom,
Meditations of Anselm,
And Maybe More

Double columns of 40 lines with some embellishment

Produced probably in Flanders, perhaps circa 1450

Plundered in World War I
From the Library of the Van der Cruisse de Waziers, near Lille in France

Sold circa 1925 through the Bookseller Thorpe in Surrey, England

Brought to the United States Intact, Then Dismembered and Distributed in Pieces

Continuing our series on Manuscript Studies, Mildred Budny (see Her Page) adds new evidence to her earlier reports of some leaves from medieval manuscripts dispersed by Otto F. Ege (1888–1951). Further research and newly revealed materials augment our knowledge of these manuscripts (and others). 

This report updates our earlier blogpost on parts of Otto Ege Manuscript 41.  See also the posts for Ege Manuscripts 8, 14, 51, and 61, plus updates (More Discoveries for Ege Manuscript 61), as well as the Report for our 2016 Symposium on ‘Words & Deeds’, with an illustrated Program Booklet. 

This report, drafted following a first visit in 2017 to view examples in the Otto Ege Collection now at the Beinecke Rare Book and Manuscript Collection, benefits from updates following a new visit in October 2018, with my thanks for permission to examine and to photograph the materials, especially while they remain mostly uncatalogued.

Picking Up The Piecework

As more pieces of the manuscript come to light, and/or become recognized for what they are, the process of virtually picking up their pieces toward a reasonable reconstruction of their original contents can or must proceed piecemeal.  More discoveries advance that process considerably.  Here we report new stages.  Some of them, naturally enough, may revise the received understanding about the manuscript.

Read the rest of this entry →

Tags: Beinecke Rare Book and Manuscript Library, Dialogues of Gregory the Great, Epistles of John Chrysostom, Homilies of John Chrysostom, Homilies on the Epistle to the Hebrews, library of the Van Der Cruisse de Waziers family, Manuscript studies, Medieval Manuscript Fragments, Meditations of Saint Anselm, Otto Ege Manuscript 41, Otto Ege Manuscripts
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Updates for Some “Otto Ege Manuscripts”

March 23, 2018 in Manuscript Studies, Photographic Exhibition, Reports

More is More

New Acquisitions Exhibition at the Beinecke Rare Book and Manuscript Library in November 2016: View of Some Parts of "Otto Ege Manuscript 14".

“A Long Shot”. New Acquisitions Exhibition at the Beinecke Rare Book and Manuscript Library in November 2016: View of Some Parts of “Otto Ege Manuscript 14”.

Continuing our series on Manuscript Studies, Mildred Budny (see Her Page) adds new evidence to her earlier reports of some leaves from medieval manuscripts dispersed by Otto F. Ege (1888–1951).

Revisions are now in order.  As we continue to look at, and for, evidence of the dispersed materials, the old and new evidence shows more.  While giving some answers, the observations also raise new questions. 

Time now for more Updates for Some “Otto Ege Manuscripts”.

[Published on 15 December 2017, with updates]

Read the rest of this entry →

Tags: Ege Memorial Microfilm, Medieval Manuscript Fragments, Otto Ege, Otto Ege Manuscript 14, Otto Ege Manuscript 41, Otto Ege Manuscript 51, Otto Ege Manuscript 61, Otto Ege Manuscript 8
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