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Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Dutch Book of Hours made for a female patron in the mid 15th century. Opening page of the Hours of the Virgin: "Here du salste opdoen mine lippen". Image via Creative Commons. At the bottom of the bordered page, an elegantly dressed woman sits before a shiny bowl- or mirror-like object, in order, perhaps, to perform skrying or to lure a unicorn.
2021 Congress Program Announced
J. S. Wagner Collection, Early-Printed Missal Leaf, Verso. Rubric and Music for Holy Saturday. Reproduced by Permission.
Carmelite Missal Leaf of 1509
Set 1 of Otto Ege's FOL Portfolio, Leaf 19 recto: Deuteronomy title and initial.
Updates for ‘Otto Ege Manuscript 19’
Private Collection, Castle Cartulary Fragment, Inserted Folded Sheet, Opened: Top Righ
Fragments of a Castle ‘Capbreu’ from Catalonia
Grapes Watermark in a Selbold Cartulary Fragment.
Selbold Cartulary Fragments
Smeltzer Collection, Subermeyer (1598), Vellum Supports Strip 2 Signature Surname.
Vellum Binding Fragments in a Parisian Printed Book of 1598
Set 1 of Ege's FOL Portfolio, Leaf 14 recto: Lamentations Initial.
Some Leaves in Set 1 of Ege’s FOL Portfolio
Church of Saint Mary, High Ongar, Essex, with 12th-Century Nave. Photograph by John Salmon (8 May 2004), Image via Wikipedia.
A Charter of 1399 from High Ongar in Essex
View to the Dorm at the End of the Congress.
2019 Congress Behind the Scenes Report
Opening of the Book of Maccabees in Otto Ege MS 19. Private Collection.
A Leaf from ‘Otto Ege Manuscript 19’ and Ege’s Workshop Practices
Private Collection, "Margaritas" fragment back side, lines 2-5.
The Pearly Gateway: A Scrap from a Latin Missal or Breviary
Preston Charter 7 Seal Face with the name Gilbertus.
Preston Take 2
The Outward-Facing Cat and a Hand of Cards. Detail from Adèle Kindt (1804–1884), The Fortune Teller (circa 1835). Antwerp, Koninklijk Museum voor Schone Kunsten. Image via Wikimedia Commons.
Keeping Up: Updates for Spring 2020
New York, Grolier Club, \*434.14\Aug\1470\Folio. Flavius Josephus, De antiquitate Judiaca and De bello Judaico, translated by Rufinus Aquileinensis, printed in Augsburg on paper by Johannn Schüsseler in 2 Parts, dated respectively 28 June 1470 and 23 August 1470, and bound together with a manuscript copy dated 1462 of Eusebius Caesariensis, Historia ecclesiastica.
2020 Spring Symposium Cancelled or Postponed
2020 Spring Symposium: Save the Date
At the Exhibition of "Gutenberg and After" at Princeton University in 2019, the Co-Curator Eric White stands before the Scheide Gutenberg Bible displayed at the opening of the Book of I Kings.
“Gutenberg and After” at Princeton University Library
Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Dutch Book of Hours made for a female patron in the mid 15th century. Opening page of the Hours of the Virgin: "Here du salste opdoen mine lippen". Image via Creative Commons. At the bottom of the bordered page, an elegantly dressed woman sits before a shiny bowl- or mirror-like object, in order, perhaps, to perform skrying or to lure a unicorn.
2020 International Congress on Medieval Studies Program Announced
J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Recto, Initial C for "Confitimini" of Psalm 117 (118), with scrolling foliate decoration.
A Leaf from Prime in a Large-Format Latin Breviary
J. S. Wagner Collection. Detached Manuscript Leaf with the Opening in Latin of the Penitent Psalm 4 or Psalm 37 (38) and its Illustration of King David.
The Penitent King David from a Book of Hours
Bust of the God Janus. Vatican City, Vatican Museums. Photo by Fubar Obfusco via Wikimedia Commons.
2019 M-MLA Panel Program
Coffee Break at the 2002 British Museum Colloquium.
Revisiting Anglo-Saxon Symposia 2002/2018
The red wax seal seen upright, with the male human head facing left. Document on paper issued at Grenoble and dated 13 February 1345 (Old Style). Image reproduced by permission
2020 ICMS Call for Papers: Seal the Real
Yale University, Beinecke Rare Book and Manuscript Library, MS 1183. Photograph courtesy Kristen Herdman.
2019 Anniversary Symposium Report: The Roads Taken
Heidere Diploma 2 in the Unofficial Version, with puns aplenty. The Diploma has an elaborate interlace border around the proclamation.
Heidere Diplomas & Investiture
2019 Anniversary Symposium: The Roads Taken
Detail of illustration.
Sanskrit and Prakrit Manuscripts
Poster announcing the Call for Papers for the Permanent Panels sponsored by the Research Group on Manuscript Evidence, to be held at the 2019 MMLA Convention in Chicago in November. Poster set in RGME Bembino and designed by Justin Hastings.
2019 M-MLA Call for Papers
Detail of recto of leaf from an Italian Giant Bible. Photography by Mildred Budny
2019 International Congress on Medieval Studies Program Details
Thomas E. Hill stands at the entrance to the Vassar College Library. Photography by Mildred Budny
Another Visit to The Library Cafe
Leaf 41, Recto, Top Right, in the Family Album (Set Number 3) of Otto Ege's Portfolio of 'Fifty Original Leaves' (FOL). Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Mildred Budny.
More Discoveries for ‘Otto Ege Manuscript 41’
Augustine Homilies Bifolium Folio IIr detail with title and initial for Sermon XCVI. Private Collection, reproduced by permission. Photograph by Mildred Budny.
Vellum Bifolium from Augustine’s “Homilies on John”
Gold stamp on blue cloth of the logo of the Research Group on Manuscript Evidence. Detail from the front cover of Volume II of 'The Illustrated Catalogue'
Design & Layout of “The Illustrated Catalogue”
Rosette Watermark, Private Collection. Reproduced by Permission
2019 International Congress on Medieval Studies Program
Libro de los juegos. Madrid, El Escorial, MS T.1.6, folio 17 verso, detail.
2018 International Congress on Medieval Studies Program
Poster Announcing Bembino Version 1.5 (April 2018) with border for Web display
Bembino Version 1.5 (2018)
Lower Half of the Original Verso of a Single Leaf detached from a prayerbook in Dutch made circa 1530, owned and dismembered by Otto F. Ege, with the seller's description in pencil in the lower margin. Image reproduced by permission.
A New Leaf from ‘Otto Ege Manuscript 214’?
© The British Library Board. Harley MS 628, folio 160 verso. the initial 'd' for 'Domini'.
2018 M-MLA Call for Papers
Fountain of Books outside the Main Library of the Cincinnati Public Library of Cincinnati and Hamilton County.
2017 M-MLA Panel Report
Leaf 41, Recto, Top Right, in the Family Album (Set Number 3) of Otto Ege's Portfolio of 'Fifty Original Leaves' (FOL). Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Mildred Budny.
2017 M-MLA Panel
Poster for 'In a Knotshell' (November 2012)with border
Designing Academic Posters
Opening Lines of the Book of Zachariah. Courtesy of Flora Lamson Hewlett Library, Graduate Theological Union, Berkeley, CA. Reproduced by permission.
More Discoveries for “Otto Ege Manuscript 61”
Slice of Brie. Photograph by Coyau via Wikipedia Commons.
Say Cheese
Alcove Beside Entrance to Garneau at AZO 2017. Photography © Mildred Budny.
2017 Congress Report
Duck Family at the 2007 Congress. Photography © Mildred Budny.
2017 Congress Program
Verso of the Leaf and Interior of the Binding, Detail: Lower Right-Hand Corner, with the Mitered Flap Unfolde
A 12th-Century Fragment of Anselm’s ‘Cur Deus Homo’
Reused Leaf from Gregory's Dialogues Book III viewed from verso (outside of reused book cover) Detail of Spine of Cover with Volume Labels. Photograph © Mildred Budny.
A Leaf from Gregory’s Dialogues Reused for Euthymius
Detail of the top of the verso of the fragmentary leaf from a 13th-century copy of Statutes for the Cistercian Order. Reproduced by permission.
Another Witness to the Cistercian Statutes of 1257
Initial d in woodcut with winged hybrid creature as an inhabitant. Photography © Mildred Budny
The ‘Foundling Hospital’ for Manuscript Fragments
A Reused Part-Leaf from Bede’s Homilies on the Gospels
Detail of middle right of Verso of detached leaf from the Nichomachean Ethics in Latin translation, from a manuscript dispersed by Otto Ege and now in a private collection. Reproduced by permission.
More Leaves from ‘Otto Ege Manuscript 51’
Running title for EZE on the verso of the Ezekiel leaf from 'Ege Manuscript 61'. Photography by Mildred Budny
A New Leaf from ‘Otto Ege Manuscript 61’
Decorated opening word 'Nuper' of the Dialogues, Book III, Chapter 13, reproduced by permission
A New Leaf from ‘Otto Ege Manuscript 41’
Private Collection, Leaf from Ege MS 14, with part of the A-Group of the 'Interpretation of Hebrew Names'. Photograph by Mildred Budny.
A New Leaf from ‘Otto Ege Manuscript 14’
A Reused Part-Leaf from Bede’s Homilies on the Gospels
Photography by David Immerman.
Radio Star
Close-Up of The Host of 'The Library Cafe' in the Radio Studio. Photography © Mildred Budny
A Visit to The Library Café
Booklet Page 1 of the 'Interview with our Font & Layout Designer' (2015-16)
Interview with our Font & Layout Designer
Initial I of Idem for Justinian's Novel Number 134, with bearded human facing left at the top of the stem of the letter. Photography © Mildred Budny
It’s A Wrap
The Brandon Plaque. Gold and niello. The British Museum, via Creative Commons.
Seminar on the Evidence of Manuscripts (January 1992)
© The British Library Board. Cotton MS Tiberius A III, folio 117v, top right. Reproduced by permission.
Seminar on the Evidence of Manuscripts (August 1993)
Invitation to 'Canterbury Manuscripts' Seminar on 19 September 1994
Seminar on the Evidence of Manuscripts (September 1994)
Logo of the Research Group on Manuscript Evidence in Monochrome Version
Seminar on the Evidence of Manuscripts (May 1989)
Logo of the Research Group on Manuscript Evidence (colour version)
2016 Report for CARA
Heading of Blanked out Birth certificate after adoption completed.
Lillian Vail Dymond
Initial C of 'Concede'. Detail from a leaf from 'Otto Ege Manuscript 15', the 'Beauvais Missal'. Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Lisa Fagin Davis. Reproduced by Permission
2016 Symposium on ‘Words & Deeds’
Detail with Initial G of Folio Ivb of Bifolium from a Latin Medicinal Treatise reused formerly as the cover of a binding for some other text, unknown. Reproduced by permission
Spoonful of Sugar
Detail of Leaf I, recto, column b, lines 7-12, with a view of the opening of the Acts of the Apostles, chapter 23, verse 3, with an enlarged opening initial in metallic red pigment
New Testament Leaves in Old Armenian
Decoated initial E for 'En' on the verso of the Processional Leaf from ' Ege Manuscript 8'. Photography by Mildred Budny
A New Leaf from ‘Otto Ege Manuscript 8’
Cloth bag, now empty, for the original seal to authenticate the document, which remains intact, for a transaction of about the mid 13th-century at Preston, near Ipswich, Suffolk, UK. Photograph reproduced by permission.
Full Court Preston
The Date 1538 on the Scrap, enhanced with photographic lighting. Photography © Mildred Budny
Scrap of Information
Lower half of Recto of Leaf from the Office of the Dead in a Small-Format Book of Hours. Photography © Mildred Budny
Manuscript Groupies
Detail of cross-shaft, rays of light, and blue sky or background in the illustration of the Mass of Saint Gregory. Photography © Mildred Budny
The Mass of Saint Gregory, Illustrated
Penwork extending from a decorated initial extends below the final line of text and ends in a horned animal head which looks into its direction. Photography © Mildred Budny
Lost & Foundlings

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You are browsing the Blog for Aoyama Gakuin University

Research Group Events in Japan (November-December 1992)

September 17, 2016 in Manuscript Studies, Photographic Exhibition, Seminars on Manuscript Evidence

Logo of the Research Group on Manuscript Evidence in Monochrome VersionResearch Group Visit to Japan
Seminar, Workshop, Lectures, and Symposium
November and December 1992

In November and December 1992, 4 members of the Research Group on Manuscript Evidence visited Japan at the invitation of our Japanese Associates, Professors Shuji Sato and Tadao Kubouchi.  The visit included a Research Group Seminar, a Research Group Workshop, a Research Group Symposium, a Research Group Photographic Exhibition, and Lectures at various locations.  The visit was organised with the help of very many members of the Japan Society for Medieval English Studies and others.

Cover for "Selected Pages from Anglo-Saxon Manuscripts: A Palaeographical and Textual Handbook" by Mildred Budny, Leslie French et al.The lectures, seminar, and workshop considered in depth specific subjects surveyed in the symposium; demonstrated the approach of the Palaeographical and Textual Handbook; and examined themes, challenges, and advances in Anglo-Saxon manuscript studies.  The photographic exhibition accompanied the seminar, workshop, and symposium.

A Set of Events, with Lectures and a Seminar, Workshop, and Symposium, took place at several centers in Japan in November and December 1992.

They formed an extension of the Research Group Series on “The Evidence of Manuscripts” (1989–1995)
held mostly at the Parker Library, Corpus Christi College, Cambridge

The previous seminar in the Series considered

“Research on Anglo-Saxon Manuscripts in Cambridge and Oxford”
(with a Travelling Exhibition of Photographs)
Pembroke College, Oxford, 20 June 1992)

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Tags: 'Integrated Approach to Manuscript Studies', Abraham Whelock, Aoyama Gakuin University, Ælfric, Chuo University, Corpus Christi College Cambridge, Corpus Christi College MS 12, Corpus Christi College Ms 139, Corpus Christi College MS 144, Corpus Christi College MS 173, Corpus Christi College MS 173A, Corpus Christi College MS 173B, Corpus Christi College MS 178, Corpus Christi College MS 190, Corpus Christi College MS 201, Corpus Christi College MS 23, Corpus Christi College MS 383, Corpus Christi College MS 41, Corpus Christi College MS 422, Corpus Christi College MS 422B, Evidence versus Interpretation, Imperial Palace Kyoto, Japan Society for Medieval Studies, John Joscelyn, Kinkaku-ji Kyoto, Manuscript Art, Matthew Parker, Palaeographical and Textual Handbook, Parker Library, photographic exhibition, Photographic Exhibitions, Professor Shuji Sato, Professor Tadao Kubouchi, Robert Talbot, Seminars on Manuscript Evidence, University of Tokyo at Komaba, Wulfstan
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Photographic Exhibitions & Masterclasses (1990–)

January 1, 2014 in Events, ICMS, Manuscript Studies, Photographic Exhibition

[Published on 1 January 2014, with updates]

Photography by Mildred Budny. For the Research Group on Manuscript Evidence, logo included

Now in Bembino

Since 1990, sometimes as part of its Seminars, Workshops, and Conference Sessions, the Research Group has held photographic exhibitions on Anglo-Saxon and related manuscripts at Corpus Christi College, Cambridge; the University of Oxford; and elsewhere.

Mostly using photographs by Mildred Budny, they include many of the Research Group Seminars on “The Evidence of Manuscripts” as well as these occasions:

“The Integrated Approach to Manuscript Studies” (Tokyo, 1992)

Exhibition held with variations at the University of Tokyo at Komaba, at Chuo University, Tokyo, and at Aoyama Gakuin University, Tokyo (November and December 1992).  The Exhibition Booklet is now downloadable here (2016).

Cover Page for 1992 Exhibition Catalogue on 'An Integrated Approach to Manuscript Studies'

“The Integrated Approach to Manuscript Studies” (International Congress on Medieval Studies, 1993 & 1994)

The previous exhibition held with further variations twice at Western Michigan University, Kalamazoo at the International Congress on Medieval Studies (May 1993 and May 1994).

These exhibitions formed part of the contributions by the Research Group on Manuscript Evidence and its Director to the Congress, as reported for our Session at the 28th International Congress on Medieval Studies and Session at the 29th International Congress on Medieval Studies.  The 1994 exhibition was designed to accompany the Dedication ceremony for the new Richard Rawlinson Center for Anglo-Saxon Studies.  The current activities of that Center are reported here: About Us at the Richard Rawlinson Center.

“The Monastic Library:  Books from St. Augustine’s Abbey, Canterbury” (Princeton University, 1995)

Exhibition held at Wilson College, Princeton University (March 1995).

*****

Since 2006, invited Master Classes taught by Mildred Budny, in Princeton and elsewhere, have provided instruction on aspects and techniques of responsibly photographing manuscripts, documents, and works of art for purposes of research, preservation, exhibition, and publication.  Some of these classes accompany, and augment, our continuing work on Genealogies & Archives.

MB Catalogue Front Cover Vol I-1

Front Cover Volume I: Text

Catalogue Front Cover Volume II: Plates

Front Cover Volume II: Plates

Our publications or co-publications include photographs of the manuscripts themselves and related materials (many or mostly by Mildred Budny).  Some publications contain so generous a number of photographs as to constitute a form of exhibition, as with the two-volume illustrated catalogue of Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge.  They are listed in our Publications.

While the world in recent years has turned widespread and extensively funded attention to the production, proliferation, and presentation of digital images reproducing manuscripts for online exhibition, the photographic work of the Research Group on Manuscript Evidence in its foundational collaborative and integrated study of manuscripts, before the dawn of the Digital Age, represents an example of the collaborative efforts to produce and reproduce images as accurately as possible so as to demonstrate the evidence and to encourage responsible interpretations from a wide and integrated range of specialists, students, and interested “bystanders” alike.

An example demonstrating these multiple approaches is our 2014 Seminar on “Manuscripts & Their Photographs”.

*****

Beregendarius document (detail of opening text) with photography © Mildred Budny

Photography © Mildred Budny

In August 2008, in exploring new developments and potential for our first website [launched in 2007 as www.manuscriptevidence.org, and then archived as http://www.manuscriptevidence.org/data/ during the transition to our second, updated website, launched in 2014 as manuscriptevidence.org/wpme/; You are Here], we were granted generous permission to photograph a group of medieval manuscript fragments and documents in a private collection, and to publish these images here, when the site allowed.

The photography is designed to show the whole objects, as well as details.

We invite, conduct, and report research on these materials. With their accompanying descriptions and assessments, the display may constitute a virtual exhibition.

We welcome questions or comments about the images. We hope that exhibiting them in this way will promote fuller knowledge of their nature, context, significance, and relatives.

We may also use this opportunity to discuss suitable techniques of photographing manuscripts and other artifacts responsibly, with respect to the directions of scholarly interests as well as curatorial and conservational concerns. Not always do these interests and concerns need to stand at odds with or against each other, especially with communication and collaboration. Such discussion may function, for example, as form of a tipsheet or masterclass.

*****

Poster for lecture on 'Manuscripts versus Photography: Image and "Imago" in a Digital Age' by Mildred Budny at Princeton University on 19 November 2010. Photograph by Mildred Budny of MS 10, Boulogne-sur-Mer, Bibliothèque des Annonciades,reproduced by permission.

Photograph by Mildred Budny of MS 10, Boulogne-sur-mer, Bibliothèque des Annonciades, reproduced by permission

As part of this process, we continue to present results and to discuss the issues involved in photographic recording of manuscript and related materials. An example is recorded at web.princeton.edu/sites/medieval/calendar_f10.html, with its accompanying Poster.   We thank the owners of the image and of the photograph for permission for reproduction on the poster.

*****

Please watch this space for further developments, as we unveil a new, illustrated page in our history.

Floral Border with gold pigment, photography © Mildred Budny

Photography © Mildred Budny

*****

[Update]

And now, we offer fruits, with illustrations, of these interlinked processes of photography, research, photography, research, reflection, revision, and reports, in our series of blogposts (since 2015) on Manuscript Studies.  Its Contents List (shown there) is growing.

Besides, along the way, we have also been able to open a series of Galleries on this website (since 2014) showcasing, generously from another private collection, a set of images of scripts and texts across the centuries and in a variety of languages:

Scripts on Parade
Texts on Parade

Have a look!  More to come . . .

Please let us know if you recognize any of the manuscripts from which some of these fragments have come!

*****

Tags: Aoyama Gakuin University, Budny's Illustrated Catalogue, Digital Imaging, Manuscript Illumination, Manuscript Photography, Manuscript studies, Manuscripts & Early Printed Books, Medieval manuscripts, Princeton University, Richard Rawlinson Center for Anglo-Saxon Studies, University of Tokyo, Wilson College
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Seminars on “The Evidence of Manuscripts” (1989‒1995)

January 1, 2014 in Events, Manuscript Studies, Seminars on Manuscript Evidence

Logo of the Research Group on Manuscript Evidence in Monochrome VersionResearch Group Seminars,
Workshops, and Symposia:
The Early Years

Since 1990, the Research Group on Manuscript Evidence has held Seminars, Workshops, and Symposia (organized or co-organized by Mildred Budny) variously at the Parker Library of Corpus Christi College, Cambridge, and at other centers in England, Japan, and the United States.  In England, many of these sessions belonged to the series of Research Group Seminars on “The Evidence of Manuscripts.”  At libraries, the sessions have taken place over relevant manuscripts in the collection, supplemented by photographs.  Elsewhere, the sessions have usually been accompanied by displays or exhibitions of photographs (mostly by Mildred Budny).

View Toward the Chapel of Corpus Christi College in mid-September 1994 photography © Mildred Budny

View Toward the Chapel, Upon Entering Corpus Christi College, in mid-September 1994 photography © Mildred Budny

View Toward the Entrance to the Parker Library in mid-1989 photograph © Mildred Budny

View Toward the Entrance to the Parker Library in mid-1989. Photograph © Mildred Budny.

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Tags: Anglo-Saxon Manuscripts, Aoyama Gakuin University, British Library, Budny's Illustrated Catalogue, Calligraphy, Canterbury Manuscripts, Chuo University, Corpus Christi College Cambridge, Corpus Christi College Ms 139, Corpus Christi College MS 201, Corpus Christi College MS 223, Corpus Christi College MS 23, Corpus Christi College MS 383, Corpus Christi College MS 41, Corpus Christi College MS 44, Cotton MS Tiberius A III, Early Modern Studies, Japan Society for Medieval English Studies, King Alfred, Library History, Manuscript Illumination, Manuscript Marginalia, Manuscript studies, Medieval Manuscript Fragments, Medieval Pigments, Old English Studies, Palaeographical and Textual Handbook, Palaeography, Parker Library, Pembroke College Oxford, Seminars on Manuscript Evidence, Symposia on 'The Transmission of the Bible", University of Tokyo
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