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    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
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Another Leaf from the Warburg Missal (‘Ege Manuscript 22’)

April 25, 2021 in Manuscript Studies, Reports

J. S. Wagner Collection, Ege Manuscript 22, Folio clvi, recto, within its frame.

J. S. Wagner Collection, Ege Manuscript 22, Folio clvi, recto, within its frame.

The Wagner Leaf

from Ege Manuscript 22

***

“The Warburg Missal”

Folio CLVI in the Temporale

with Part of the Mass for Corpus Christi

Latin Missal made in Germany circa 1325 Written in Gothic Script (Textualis)

Double columns of 31 lines

Circa 360 × 257 mm < written area circa 289 × 190 mm >

with Rubrications, Inset Initials in Red or Blue, and Musical Notation in Hufnagelschrift (“Horseshoe-Nail Notes”) on 4-Line Staves

With thanks to the collector, J. S. Wagner, we examine a newly identified leaf from one of the manuscripts dispersed by Otto F. Ege (1888–1951). It comes from ‘Ege Manuscript 22’, a Latin Missal written in double columns of 30–32 lines in Gothic Script, with musical notation.

This blogpost by Mildred Budny and the companion Report Booklet (2021) by Leslie J. French examine the Leaf, set it in context of its former manuscripts, and re-assess the attribution of the book.

The ‘Ege’ Number comes from the position of this manuscript (and its portions) in Ege’s distribution within one of his Portfolios of specimen leaves forcibly extracted from manuscripts and printed books. The Portfolio in question exhibits Fifty Original Leaves (FOL) from Medieval Manuscripts, Western Europe, XII–XVI Century. In this case, Leaf Number 22. The numbering system is defined and enshrined in Scott Gwara’s “Handlist” of Otto Ege’s Manuscripts (2016).

In the FOL Portfolio, specimens from the manuscript travelled, in their individual windowed mats, in the company of other Ege manuscript leaves. The Wagner Leaf, however, travelled on its own, through a different highway of circulation. It arrived in a glass-fronted ornamental frame. Behind that frame, Ege’s handwritten note on the recto, and the accompanying printed slip (see below), directly establish the Ege connection. All the features of text, script, musical notation, and folio numeration manifest a place within Ege’s Manuscript 22, as the collector readily discerned.

J. S. Wagner Collection, Leaf from Ege Manuscript 22, verso, bottom right: Ege's inscription in pencil.

J. S. Wagner Collection, Leaf from Ege Manuscript 22, verso, bottom right: Ege’s inscription in pencil.

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Tags: 'Fifty Original Leaves from Medieval Manuscripts', Benedictine Missal, Bergendal Collection, Bergendal Manuscript 69, Binding History, Ege Manuscript 22, Ege's FOL Portfolio, Fragmentology, Leander van Ess, Measure Theory, Medieval Manuscript Fragments, Missal Herbipolensis, Missale Coloniense, Otto Ege, Otto Ege's Manuscripts, Parochial Church of St John the Baptist Warburg, Reused Binding Fragments, Sales Catalogues, Sir Thomas Phillipps, Sothebys, The Warburg Missal
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Another Leaf from the Warburg Missal (‘Ege Manuscript 22’)

March 23, 2021 in Manuscript Studies, Reports

J. S. Wagner Collection, Ege Manuscript 22, Folio clvi, recto, within its frame.

J. S. Wagner Collection, Ege Manuscript 22, Folio clvi, recto, within its frame. Reproduced by permission.

This post has moved to:
Another Leaf from the Warburg Missal
(“Ege Manuscript 22”)

 

Tags: 'Fifty Original Leaves from Medieval Manuscripts', Benedictine Missal, Bergendal Collection, Bergendal MS 69, Binding History, Ege Manuscript 22, Ege's FOL Portfolio, Fragmentology, Leander van Ess, Measure Theory, Medieval Manuscript Fragments, Missal Herbipolensis, Missale Coloniense, Otto Ege, Parochial Church of St John the Baptist Warburg, Reused Binding Fragments, Sir Thomas Phillipps, The Warburg Missal
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