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      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
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    • People
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      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention (from 2016)
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
    • Contact Us
  • Bembino
    • Multi-Lingual Bembino
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention (2016-2019)
      • Abstracts of Papers for the M-MLA Convention
      • Panels at the M-MLA Convention (from 2016)
  • Events
    • RGME Activities for 2024 and 2025
      • 2023 Activities and 2024 Planned Activities
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
      • RGME Symposia: The Various Series
      • The Research Group Speaks: The Series
      • Meetings of the Friends of the Research Group on Manuscript Evidence
      • RGME Online Events
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
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    • Journal Description
    • ShelfMarks: The RGME-Newsletter
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      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
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  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
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    • Texts on Parade
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      • New Testament Leaves in Old Armenian
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    • Layout Designs
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    • 2019 Anniversary Appeal
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2025 RGME Visit to Vassar College
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You are browsing the Blog for RGME Visits to Collections

2025 RGME Visit to Vassar College

March 2, 2025 in Uncategorized

2025 RGME Visit
to Vassar College

Medieval & Renaissance
Manuscripts & Cuttings
at
The Archives & Special Collections Library
and
The Frances Lehman Loeb Art Center

Sunday 4 May 2025
4:00 – 6:00 pm
and
Monday 5 May 2025
11:00 am – 4:30 pm
In person and Online by Zoom

Approach to Main Library, Vassar College. Photograph by Mildred Budny.

[Posted on 1 March 2025, with updates]

Inspired by the 2024 RGME Spring Symposium at Vassar College, we return in May for a visit to its collections.

This time, we will see some of its Medieval & Renaissance manuscripts, fragments, and cuttings. These manuscript materials at Vassar are held in the

  • Archives & Special Collections Library
    and
  • Frances Lehman Loeb Art Center

We will visit both, with lunch in between. An RGME Roundtable discussion will follow the afternoon visit.

In addition, at each location, undergraduate students or a new member of the faculty for the Art Department will speak about their work on some of the manuscript materials. They will present new discoveries, with the chance to see the original materials themselves.

Save-the-Date Poster for 2024 RGME Spring Symposium at Vassar College. Poster set in RGME Bembino.

Prequel:
Our 2024 Spring Symposium

Some of these materials were considered in presentations at the 2024 Spring Symposium; some were displayed at the special exhibition, where we could see them on view. See:

  • Books of the Middle Ages and and Renaissance (April 19–June 23, 2024)

At the first Reception of the Symposium, Vassar undergraduate students described their work on several of them to prepare for this exhibition.

Coinciding with the Symposium was the publication of the new catalogue of these materials.

  • Catalogue of Medieval & Renaissance Manuscripts at Vassar College, Including the Nicholas B. Scheetz Collection and the Frances Lehman Loeb Art Center, compiled by Peter Kidd (Vassar College, 2024)
    ISBN 9798218363758

2025 RGME Visit to Vassar

Our 2025 RGME In-Person/Hybrid Visit will take place on Monday 5 May. There will be a preliminary session on Sunday 4 May.

We invite you to attend either:

  • in person (places are limited due to space) or
  • online.

The RGME will provide online and interactive access by Zoom, to allow a wider audience to join us for an interactive Zoom Meeting.

For Registration information, see below.

A Centerpoint for the RGME’s 2025 Activities

The plan for this visit connects with the RGME theme of collectors and collecting for our events this year, and also for our work on manuscript fragments.

For the various events, held online and in various locations as in-person/hybrid events, see:

  • RGME 2024 and 2025 Activities
  • 2025 Spring and Autumn Symposia: “Agents and Agencies”

Spring (Part 1 of 2)
“Makers, Producers, and Collectors of Books:
From Author/Artist/Artisan to Library” (28–30 March online)

Autumn (Part 2 of 2)
“Readers, Fakers, and Re-Creators of Books:
From Page to Marketplace and Beyond” (17–19 October online or hybrid)

  • 2025 Autumn Colloquium at the University of Waterloo. (21–23 November hybrid)
    “Break-Up Books and Make-Up Books:
    Encountering and Reconstructing the Legacy
    of Otto F. Ege and Other Biblioclasts”

Plan/Program

Overview

Sunday 4 May

  • The afternoon before the full day’s visit, a preliminary session (hybrid) at 4:00–5:30 pm EDT offers the chance to gather at the Murphy Room of the Art Library for Martha Frish’s presentation on “The Symbols of Vassar Architecture”. This presentation gives an update from her Post-Symposium Presentation last year. (See 2024 Spring Symposium.)
  • For the location of the Murphy Room, see Maps and Call Numbers, Art Library

Monday 5 May

  • In the morning we will visit the Frances Lehman Loeb Art Center (on its closed day), to see some of its manuscripts and manuscript cuttings.
  • Lunch will be held in its Sculpture Garden (or inside in case of inclement weather).
  • After lunch, we will visit the Frederick Ferris Thompson Memorial Library (Main Library), to see some of its manuscript materials held in the Archives & Special Collections Library.
  • Then we will move to the Seminar Room in Special Collections to hold a Roundtable discussion. We may continue conversation about the materials, compare notes, and reflect on the day.
  • For drinks and dinner, we would go to a local restaurant, for repasts at our own expense.
Speakers include:
John P. Murphy
Ronald D. Patkus
Rachel Wise
Benjamin Garrity (Vassar Class of 2027)
Tara Peterson (Vassar Class of 2025)
Both John P. Murphy and Ronald D. Patkus will speak about the materials in the Art Center.

Rachel Wise, Professor of Art, will speak about her study of one of the most important manuscripts in its collection.

Ronald Patkus will speak about provenance for materials in both the Art Center and Special Collections.

Two Vassar students will speak about the art of materials in Special Collections:

Benjamin Garrity (Class of ’27) will speak about the Loeb Book of Hours.
Tara Peterson (Class of ’25) will speak about the Spanish Forger.

The showcased items in the two collections comprise: an album of collected initials; selected Books of Hours; and a leaf illustrated in medieval style by the prolific and renowned Spanish Forger. On hand, by request, at the session on Special Collections, might be its leaf from the Saint Albans Bible, a dismembered manuscript being researched by the RGME because of a current loan. (See below.)

Program

1. Sunday 4 May

Afternoon: 4:00–5:30 pm EDT (GMT-4)

The hybrid RGME Visit opens with a presentation by Martha Frish on Sunday afternoon, when she will speak about
“Some Symbols in the Architecture at Vassar College.” Her illustrated presentation will highlight features of the campus which distinguish it from many American colleges. By examining many of the buildings in their architectural settings, both in their landscape and in their historical periods, demonstrates the ways in which Vassar represents a physical documentation of the architectural history of the United States.
As an introduction to the RGME Visit to the College all day on Monday 5 May, this ‘tour’ sets the scene by locating the visit within the physical space of the collections at the Frances Lehman Loeb Art Center and Special Collections of the Frederick Ferris Thompson Memorial Library. Martha’s invitation to examine the buildings and their own settings offers a companion to the ways in which readers, students, and beholders would at the manuscript sources in these collections, in order to discover more of their meanings and stories of their own.

This special presentation will take place in person in the

  • Murphy Room, Art Library

To register for this portion of the Visit, please use these links:

1) In Person:
https://www.eventbrite.com/e/sunday-in-person-for-2025-rgme-vassar-visit-symbols-of-vassar-architecture-tickets-1347124799539

2) Online:
https://www.eventbrite.com/e/sunday-online-2025-rgme-vassar-visit-symbols-of-vassar-architecture-tickets-1348928243689

"The Quad as Exterior Room". Photograph of the Residential Quad by Martha Frish (2016).

“The Quad as Exterior Room”. Photograph of the Residential Quad by Martha Frish (2016).

2. Monday 5 May

Morning
10:30–11:30
Art Center, Seminar Room

We would meet by 10:30 am in the Entrance Lobby of the Frances Lehman Loeb Art Center . Note that the Art Center is otherwise closed on Mondays.

Our visit allows us to see some of its manuscripts and manuscript cuttings. They include materials not normally on show.

Both John P. Murphy and Ronald D. Patkus will speak about the materials. Rachel Wise, Professor of Art, will speak about her study of one of the most important manuscripts in the collection.

They will demonstrate 1) an album of cuttings of choice portions from manuscripts (such as illuminated initials) and 2) a Book of Hours. These monuments are:

1.  Album of Cuttings, 15th century (Loeb 864.2.242-864.2.258)
Seventeen cuttings with illuminated initials, removed from an Alphabetical Index (so far unidentified). Germany, 15th century.

Other contents include drawings of architectural features, copies of paintings, and copies of manuscript illuminations and marginalia from medieval manuscripts now in Oxford, London, and Salisbury Cathedral. Some of those manuscripts have been the subjects of RGME seminars.

Catalogue, pp. 246–249 (with plate on p. 246)
See also  Object: Manuscript
John Murphy will speak about the initials, Ronald Patkus about provenance, and then we will have discussion.

2.  Book of Hours, 15th century (Loeb 1994.2.2)

Book of Hours of Jean Olivier, Bishop of Angers (bishop from 1532–1540), for the Use of Rome, in Latin and French. France: Paris? Circa 1510–1540 or 1510–1520.

Artist: Jean Pichore (French, active c. 1501–1520)
Catalogue, pp. 266–269 (with plate on p. 267)
See also The Melun-Epinoy Hours

Rachel Wise, Professor of Art, will speak about the art of the manuscript, Ronald Patkus about provenance, and then we will have discussion.

The Melun-Épinoy Hours, opened to Annunciation scene. c. 1501–1520. Image: Frances Lehman Loeb Art Center, Vassar College

12:00–1:00 pm
Lunch

Lunch will take place in the outdoor Sculpture Garden.  In case of inclement weather, we will go inside.

Afternoon

After lunch we will move to the Frederick Ferris Thompson Memorial Library (Main Library).

The first afternoon session, showcasing materials in Special Collections, will take place in the Class of 1951 Reading Room.

The second afternoon session, featuring a RGME Roundtable discussion, will take place in the Seminar Room of Special Collections (which closes at 4:30 pm).

1:00–2:00 pm
Spotlight on Special Collections

Class of 1951 Reading Room

Selected materials from Special Collections will be available for examination and discussion.

Ronald D. Patkus will speak about the materials. Students of both Ronald and Rachel Wise will speak about their work 1) on a leaf by The Spanish Forger, a notorious and prolific producer active in the late-nineteenth and/or early twentieth century, probably in Paris; and 2) on the Loeb Book of Hours.

3.  Leaf 42, 14th and 19th/20th centuries
Single leaf as a cutting, reused.
Text on one side from an Antiphonary.  Italy, 14th century
Painted image on the other.  The image depicts an encounter outside a walled city between a solder and a lady, each with retinue. France, late 19th or early 20th century.
Artist: The Spanish Forger. (Active France, late 19th or early 20th century)
Catalogue, pp. 107–109 (with plate on p. 108)
4. Book of Hours, 15th century (MS. 6)
Book of Hours for the Use of Paris, in Latin and French
Catalogue, pp. 21–14 (with plate on p. 13)
Students will speak about their work on these materials; Ronald Patkus will speak about the provenance; and there will be scope for discussion.

2:00–2:30 pm
Break

3:30–4:00 pm
RGME Roundtable
“Looking at Manuscripts and Collections”

Collection of Jennah Farrell, Vulgate Bible Leaf, Recto. Photography by Mildred Budny.

This occasion offers the opportunity to share reflections about the materials demonstrated on our visit to both the Art Center and Main Library. Several of us might describe our research on some of them or relatives to them. We would consider their bearing on subjects which the RGME considers this year in its variety of events and projects.

1. Manuscript Fragments:
Challenges and Opportunities for Research

For example, recently the RGME has been examining the Farrell Leaf and the Weber Leaf from the Saint Albans Bible, dismembered directly after sale in 1964 and widely distributed thereafter frequently through sale rooms. The original manuscript, a single-volume Latin Vulgate Bible, was produced in France, probably Paris, circa 1330-1340. See our Workshops on “The Evidence of Manuscripts, Etc.”

A leaf from the same book belongs to Vassar College. It is part of the Nicholas B. Scheetz Collection of Medieval & Renaissance Manuscripts (Scheetz MS 27). About this leaf, see the entry in the recent catalogue:

  • Catalogue of Medieval & Renaissance Manuscripts at Vassar College, compiled by Peter Kidd (Vassar College, 2024), p. 217.

It could be useful to compare notes about these relatives which formerly stood within the same covers of a single-volume Latin Vulgate Bible. Whereas many leaves known from the original manuscript in a variety of collections belong to the Old and New Testament portions of the Bible, the Vassar leaf from the Scheetz Collection belongs to part of the textual apparatus of the Interpretation of Hebrew Names in glossary form, arranged alphabetically, and specifically from within the section for terms beginning with the letter B.

Collection of Richard Weber, Leaf from the Saint Albans Bible, Recto: Top Right. Photograph by Richard Weber.

2. Provenance: A Perennial Quest

Other subjects under consideration this year by the RGME fall into the sphere of the Visit to Vassar’s collections. Among them are issues of provenance for the objects, whether known, detectable, or unknown. Such issues can form an important part of the history of their transmission and, perhaps, of legitimacy, as in the case of forgeries.

Our roundtable might mention various points of contact between the visit and our other events for this year, which have led to the selection of objects to examine. The Vassar Visit stands poised between them:

  • our Spring and Autumn Symposia which explore aspects of “Agents and Agencies” in the realms of books
    2025 Spring and Autumn Symposia
  • our sessions on “Manuscripts at Worlds of Knowledge” at the 2025 International Medieval Congress at Leeds
    2025 International Medieval Congress at Leeds: RGME Program
  • our Autumn Colloquium on “Break-Up Books and Make-Up Books: Encountering and Reconstructing the Legacy of Otto F. Ege and Other Biblioclasts”
    2025 RGME Autumn Colloquium at the University of Waterloo

The design of the Visit, selected by Ronald Patkus and John Murphey, responds thoughtfully and expertly to these shared interests for collective exploration in 2025.

Reception

A Reception will close the day’s visit.

Celebratory Reception
5:00–7:30 pm EDT
Class of 1951 Reading Room

We celebrate the visit, the sharing of expertise and experiences in studying the original sources at Vassar, and the generosity of the curators, donors, contributors, organizers, hosts, and student interns. We invite you to join us.

Dinner

Afterward, we would go to a local restaurant for drinks and/or dinner (at our own expense). There, we could continue conversation in the company of people interested in books, their care, their study, their ability to teach, their stories, and their delight.

Information for Visiting Vassar

For information on travel, directions, campus maps, accommodation, dining, and other features in the area, see:

  • Visit Vassar

A photo of the Thompson Library at Vassar College in Poughkeepsie, New York, taken by me [Noteremote] on November 2, 2007. via Wikimedia Commons Creative Commons Attribution-Share Alike 3.0 Unported, via https://en.wikipedia.org/wiki/File:Thompson_Library_(Vassar_College).jpg.

Registration

You can register for the RGME Vassar Visit through the RGME Eventbrite Portal. See:

  • RGME Eventbrite Collection

There you will be able to register to attend either in person or online.

We encourage you to make a Voluntary Donation when you register. It will help to support our small nonprofit educational organization powered principally by volunteers.

1. Sunday 4 May 2025

To register for the preliminary presentation on Sunday afternoon, please use these links:

1) In Person:
https://www.eventbrite.com/e/sunday-in-person-for-2025-rgme-vassar-visit-symbols-of-vassar-architecture-tickets-1347124799539

2) Online:
https://www.eventbrite.com/e/sunday-online-2025-rgme-vassar-visit-symbols-of-vassar-architecture-tickets-1348928243689

2. Monday 5 May 2025

To register for the Visit to the Art Center and the Main Library on Monday 5 May, please use these links:

1) In-Person Visit

For in-person attendance, space is limited. In registering for in-person attendance, for the catering you will be given the opportunity to indicate any dietary requirements.

2025 RGME Visit to Vassar College IN PERSON

2) Online Visit

For online attendance, once you register, the Zoom Link will be sent to you shortly before the event.

2025 RGME Visit to Vassar College ONLINE

Thank you for your interest and support. We look forward to welcoming you.

*****

Thanks

For arranging this visit, we thank:

  • Ronald D. Patkus, Head of Special Collections and College Historian, Adjunct Associate Professor of History on the Frederick Weyerhaeuser Chair
  • John P. Murphy, Philip and Lynn Straus Curator of Prints and Drawings at the Frances Lehman Loeb Art Center

We thank the speakers for their contributions to share their work on manuscript materials at Vassar College: Rachel Wise, Ronald Patkus, John Murphy, and Vassar students Ben Gerrity and Tara Peterson. Thanks go to Thomas E. Hill, Art Librarian, for arranging the visit to the Murphy Room, to Francine Brown of the Art Center, and Amanda Burdine. Thanks go to the 2025 RGME Visit Student Interns for help behind the scenes: Betsy Subiros (Class of 2025), Anna Gilsdorf, and Rachel Stanger (Class of 2027).

We give thanks to the staff and others at Vassar College for this visit.

We look forward to the visit. You are invited to join, whether in person or virtually.

*****

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Please let us know.

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We look forward to seeing you and welcoming you to our events.

*****

Tags: Archives & Special Collections of Vassar College, Books of Hours, Frances Lehman Loeb Art Center, Manuscript Cuttings, manuscript fragments, Manuscript studies, RGME Visits to Collections, The Spanish Forger, Vassar College, Virtual Visits to Collections
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RGME Visit to the Lomazow Collection: Report

November 25, 2024 in Manuscript Studies, Reports, Student Friends of Princeton University Library, Visits to Collections

RGME Visit to
Dr. Steven M. Lomazow’s Collection of
American Magazines

Saturday 16 November 2024
(In-Person and by Zoom Meeting)

Follow-Up to the 2024 Autumn Symposium

by Dr. Phillip A. Bernhardt-House and Mildred Budny

[Posted on 25 November 2024, with updates]

An Invited Visit

On Saturday, November 16, 2024, the Research Group on Manuscript [and Other] Evidence had the rare opportunity to allow a small contingent of in-person visitors, as well as an online group of others joining via Zoom, to be given access to the extensive collection of magazines and other ephemera in the home of Dr. Steven M. Lomazow in West Orange, New Jersey. The announcement of the visit was circulated on social media, email circulars, word of mouth, and our website:

  • RGME Visit to the Collection of Steven M. Lomazow, M.D.

Visitors by Zoom came from both near and far. The distances ranged from Washington State, Colorado, and Minnesota, through New York, New Jersey, and Florida, to India.

The in-person attendees included the RGME Director and individuals from the Student Friends of the Princeton University Library (SFPUL), led by Co-Leader Jacqueline Zhou and accompanied by Kurt Lemai. This collaboration with the SFPUL for the first time was most appreciated, and would be of tremendous mutual benefit in the future.

Dr. Lomazow on Screen and in the Room. Photography by Mildred Budny.

A Born Collector

A spirited enthusiast for collecting, and part of a lineage that has done the same at least back to his grandfather’s time, Dr. Lomazow treated the online and in-person group over several hours to a small selection of his holdings, with invitations for requests. The holdings number over 80,000 individual pieces in total, and range across a comprehensive variety of subjects within the historic American press from the 18th century onwards.

His collection of American Magazines has been featured in exhibitions at the Grolier Club and online; he has been the subject of segments on CBS This Morning; and he has written several substantial publications on periodicals as a medium, which can be viewed at his website:

  • https://www.americanmagazinecollection.com/.

Pre-1800

Selections which the assembled audience enjoyed began with parts of Dr. Lomazow’s pre-1800 pieces. Highlights are

  • early printings of the Declaration of Independence,
  • the original publication of the United States Constitution for public consumption in gradually smaller typeface,
  • early engravings depicting the Boston Massacre by British troops and maps of the Pennsylvania territory,
  • and magazines published by Benjamin Franklin, Thomas Paine, and John Peter Zenger.

Dr. Lomazow holds up ‘The American Chronicle’ for 1743-1744 to our audience on Zoom, as seen across the country onscreen by Annabelle House Fox.

Dr. Lomazow also has periodicals containing samples of the poetry of Phyllis Wheatley, the enslaved African-American woman brought from West Africa to Massachusetts. She had a book of poems (Poems on Various Subjects, Religious and Moral) published in London in 1773, was given manumission shortly after, and died at roughly the age of 31 on December 5, 1784. Wheatley first put the idea of Columbia, the Goddess of the United States, into print in a poem for George Washington, “To His Excellency General George Washington,” written in 1775. In stages, Dr. Lomazow was able to reconstruct the entire issue of a magazine containing her poetry by obtaining part of it from a cartography collector who wanted the map in the publication but not the poetry, and the map from an African-Americana collector who was not interested in said map but wanted the poetry! Given the nature of ephemera and publications of this type, such chance finds and selective collecting can yield beneficial results for those who are diligent as well as fortunate.

1800s

Other items in Dr. Lomazow’s collection of tremendous historical interest include publications in broadsheet format by William Lloyd Garrison on emancipation, which helped to launch the Abolitionist movement as it then became known in the early 1800s.

Literary works of the 1800s include several original printings of works by Edgar Allan Poe — such as the poems “The Raven” and “Annabel Lee,” and the short story “The Fall of the House of Usher” — and the original American publications of Sir Arthur Conan Doyle’s Sherlock Holmes story “The Sign of the Four” and of Oscar Wilde’s The Picture of Dorian Gray, along with magazines containing stories by Samuel L. Clemens (including the 1852 “The Dandy Frightening the Squatter” from Carpet-Bag) and this author’s first appearance under his more famous sobriquet Mark Twain. One of the desired pieces that Dr. Lomazow does not have in his collection is the first printing of “The Celebrated Jumping Frog of Calaveras County,” though he does have later editions of it.

The ‘gaps’ in the collection seem to be few and far between, given the sheer number and astonishing quality of the specimens, whether as individual issues, groups of issues, or bound volumes — and the collector’s zeal in hunting for the specimens to augment and strengthen the assembly.

1900s

The 19th-century philosophical, literary, religious, and political movement of American Transcendentalism is well represented in Dr. Lomazow’s collection, with a full series of The Dial, other periodicals edited by Margaret Fuller containing the works of Ralph Waldo Emerson, and the original printing of Henry David Thoreau’s widely influential “Civil Disobedience,” which inspired the future activism of individuals ranging from Mahatma Gandhi to Rev. Dr. Martin Luther King, Jr.

2000s

Early twentieth-century literary magazines in Dr. Lomazow’s extensive holdings feature such titles as The Smart Set, which published the early works of F. Scott Fitzgerald and Dashiell Hammett, and had amongst its various editors H. L. Mencken and George Jean Nathan. These editors also published the pulp magazine The Black Mask, which was where Dashiell Hammett’s The Maltese Falcon was first printed.

Cover Stories

The collection has cover paintings by Norman Rockwell for The Saturday Evening Post, in both printed form as well as originals for them, and other hitherto-unknown magazine covers which Rockwell produced for the Canadian magazine Maclean’s. These items have been the subject of bibliographic works and exhibitions in their own right. Dr. Lomazow had a friendship both with Rockwell and his son in his later years (still living!). Likewise, he enjoys the illustrations and cover art produced by Maxfield Parrish and Alphonse Mucha, both of whose work features prominently in his collection.

Dr. Lomazow’s endless enthusiasm and bottomless reservoir of energetic fervor to share his collection were vividly manifest throughout our visit. Among many items that elicited further elaboration was the first cover photograph of one well-known model and actress, Lauren Bacall, which is only known to exist in the example from his collection. The uniqueness of this item caused it to be featured on the Late Show with David Letterman when Bacall appeared on it in the later 1990s. Several items from across the centuries shared with the audience on this visit were described similarly.

Cover of ‘Town and Country Magazine’ (1789). Photograph by Mildred Budny.

Wrappers & Volumes

An important aspect of periodical collecting that was highlighted by Dr. Lomazow at many points in the visit was that the paper wrappers which traditionally enclose issues of magazines are often not preserved, and are even discarded by some libraries and collectors (particularly on more recent publications) as being of no worth, when in fact they often contain exquisite examples of typography and calligraphy, engravings, and other valuable historical data, as well as being of value in themselves.

Examples among many are issues of ‘The Gentleman’s Magazine’; ‘The Bee’ (1765), whose author has a pleasingly appropriate mellifluous name (William Honeycombe); and a publication whose very title inspired Dr. Lomazow to be sure to show our RGME visit: ‘The Manuscript’ (1837).

‘The Manuscript’ Magazine in original cover. Photograph by Mildred Budny.

True examples of the term “ephemera,” such wrappers (including some made of thin leather in 18th century publications!) proliferate in this extraordinary collection in such frequency that their uniqueness of preservation was almost diminished by how many examples of such preservation exist and were shared from Dr. Lomazow’s trove of treasures. Among the apt and worthwhile questions along the way, it was possible to wonder, for example, “If a publication was intended to have more than one issue, but only printed a single issue, is it a magazine/periodical?” Whatever the case, it is to be admired that these ‘solitary’ witnesses to the publication of individual serials also have a place in the collection.

Steven Lomazow shows a manuscript specimen to visitors both in person and online, with representatives of the Student Friends of the Princeton University Library, Jacqueline Zhou and Kurt Lemai. Photograph by Mildred Budny.

Selections and Themes

From bookcases, boxes, and wall-displays were brought many examples of bound volumes or individual issues. By request, they included, for example, children’s magazines, botanical magazines, movie magazines, highlights of graphic design and calligraphy, and publications of momentous historical events. Indeed, the visit demonstrated Dr. Lomazow’s observation that his collections contain, or touch upon, “everything”.

Contents of the Children’s Magazine for February 1789.

The survival, assembly, and preservation under one roof in Dr. Lomazow’s collection of so many witnesses to the multifold production of magazines in the United States, in English and other languages, bridging very many subjects and interests, in publications large and small, in quality of production spanning a wide range from informal to highly polished, provide an extraordinary opportunity to examine specimens in their own right and their wider context.

The generosity of Dr. Lomazow and his wife Suze Bienaimee in welcoming the RGME both in person and in virtual company created an experience long to be praised.

Front Cover of American Periodicals: A Collector’s Manual and Reference Guide. An annotated catalog of a collection by Steven Lomazow, M.D. (1996).

Souvenirs

As souvenirs of the in-person visit, Dr. Lomazow presented a copy of his publication on American Periodicals, an important reference work, to each attendee. Each copy was inscribed for the recipient, and the company joined in the shared signing by adding a personalized inscription for each recipient’s copy. Thus these copies represent unique souvenirs, representing a co-ordinated set of guestbooks to remember the occasion.

Tip of the Iceberg

In an anniversary year filled with landmark events, stellar presentations, and no small amount of fun and fellowship along with learning and teaching, this visit by the RGME to an archive-quality collection that would be the envy of both museums and university libraries in Dr. Lomazow’s home was one not to be forgotten by those who were able to experience it. Dr. Lomazow observed that there is enough material therein to constitute at least another five such visits for highlights alone.

The presentation of materials in truly rapid-fire fashion, resonating with enthusiasm to consider as many specimens as possible, responding to requests and expressions of interest on the occasions, gave attendees the sense of wishing further to process and to savor the gravity of the materials being exhibited on the occasion in terms of their historical and literary significance alone, much less the conditions of their preservation.

While we certainly wish that such further visits may take place, whether in hybrid format or on Zoom, this particular occasion with its exceptional opportunity for the RGME to bring both in-person visitors and online attendees, in co-ordination for the first time with the Student Friends of the Princeton University Library, and to listen to Dr. Lomazow’s formidable knowledge about his collection and its ramifications will stand as not only noteworthy, but legendary.

An Afterword on Landmarks

 

Bridges

In keeping with the RGME’s Theme of Bridges for our 2024 Anniversary Year, we honor the wide scope of Dr. Lomozow’s collection of American Magazines and other materials with a show of famous bridges spanning a vast continent by their locations in Brooklyn and San Francisco respectively.

Spanning the Strait: The Golden Gate Bridge in San Francisco, California, as seen from Battery East. Photograph © Frank Schulenburg / CC BY-SA 4.0 via Wikimedia Commons.

New York, Brooklyn Bridge viewed from Manhattan. Photograph (29 June 2009) by Suiseiseki, CC BY-SA 3.0 via Wikimedia Commons.

 

Visitors Ahoy!
More to See!

Would you like to see the RGME have more visits like this to collections? Please let us know.

Please Contact Us or visit

  • our FaceBook Page
  • our Facebook Group
  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our LinkedIn Group
  • our Blog on Manuscript Studies and its Contents List

*****

Tags: 2024 RGME Anniversary, American Magazines, Friends of the Princeton University Library, Grolier Club, RGME Anniversary, RGME Visits to Collections, Steven Lomazow Collection, Student Friends of Princeton University Library
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Visit to the Collection of Steven Lomazow, M.D.

October 3, 2024 in Announcements, Event Registration, Manuscript Studies, Uncategorized, Visits to Collections

RGME Visit to the
Collection of
Dr. Steven M. Lomazow

of American Magazines
and Other Sources

Saturday 16 November 2024

In-person visit,
with hybrid component
for an online virtual visit (by Zoom)

“I can read you like a magazine”
— Taylor Swift, Blank Space (2014)

[Posted on 1 October 2024, with updates]

The Periodical Collection of Steven Lomazov, St. Nicholas: Scribner’s Illustrated Magazine for Girls and Boys, Front Cover (November 1873), via https://www.americanmagazinecollection.com/st-nicholas-scribners-illustrated-magazine-for-girls-and-boys-2/.

By special invitation, the Research Group on Manuscript Evidence prepares to visit the private collection of Dr. Steven M. Lomazow — neurologist, book-collector, member of The Grolier Club, author, bibliographer, raconteur, and curator of exhibitions from his collection assembled over half a century. By design, this in-person visit by the RGME to his home in West Orange, New Jersey, might gather other Princeton bibliophiles and students, as our organization combines interests, resources, and organizational skills with other groups in the Princeton area and beyond, according with our traditions for in-person and online events alike.

Mindful also of responsibility to our wider audience, as customary, the RGME will provide a hybrid approach to this occasion, with a virtual component for part of the curated visit, so that parts of our wider community might attend from a distance by Zoom allowing for discussion and feedback.

Grateful for the invitation, we look forward to the visit with its opportunity for a curated tour of an extraordinary collection for many interests assembled over more than fifty years.

The Plan on the Day

We aim to arrive at the Lomazow Collection about 11:00 or 11:30 am EST (GMT-5), mindful of traffic conditions between our base at Princeton (or elsewhere for other attendees) and the location of the collection. The online component of the visit might commence at about 12:30 pm, in time for the introduction to the collection.

First, Dr. Lomazow and his wife will host a welcoming repast catered at home from a renowned bagel shop. We would ask attendees for dietary requirements.

Next, Steven will give an introduction to the collection, the materials, and their discoveries. This account would set the stage by describing the collection, how it grew, what it contains, how widely it reaches into spheres of history, literature, popular culture, and more, and how it is arranged — by groups of materials and by their size, each in alphabetical order for ease of discovery and consultation.

Then we would be able to visit the different rooms, examine their original materials, ask questions, and enter into conversations about the varied aspects of these original sources and their contexts. Thus we might learn from the materials and from each other while engaging with the original sources. Whether in person or virtually, we might count those encounters in real time as Break Out Rooms for the visit, with tailored focus for specific items, genres, and subjects.

We would end at about 5:00 pm, although perhaps some of us might remain for discussion until about 7:00 pm.  The span is subject to exploration governed by numbers and interests of attendees.

For transportation from Princeton and back again, we could explore alternatives.  Depending on interest and timetables, some of us might wish to drive; depending on numbers, transportation might be arranged. Please let us know your preferences and watch this space for developments as the preparations advance.

What would you like to see?  Given this generous opportunity, it might be difficult to single out specific magazines, dates, or genres, because the range of the collection is so extraordinarily varied, with something for almost everyone’s taste, and with very much for historical and cultural study. What might you choose?

The Collector

Steven Lomazow, M.D., is a board-certified neurologist in practice for 43 years.

His published works on bibliophilic and related subjects include series of reference works, celebrations of the collection, and monographs on presidential medical-historical subjects.

Looking forward to conversations with and feedback from our varied audience, both expert and general, Dr. Lomazow offers this special occasion with the RGME for opportunities to examine his varied collections and learn about them, in conversation with the knowledgeable collector. A variety of publications, in print and online, present the materials and reference perspectives on their context.

Books, Blogs, Catalogues, Exhibitions, and Virtual Exhibitions

    • Magazines and the American Experience:
      Highlights from the Collection of Steven Lomazow, M.D.
      americanmagazinecollection.com
  • Magazine History: A Collector’s Blog Documenting and illustrating the history, importance and the joy of collecting magazines
  • American Periodicals: A Collectors’ Guide and Reference Manual (West Orange, New Jersey: Lomazow, 1996)
  • The Great American Magazine: Adventures in History. Selections from The Steven Lomazow Collection of American Periodicals (West Orange, New Jersey: Lomazow, 2014)
  • Steven Lomazow et al., Magazines and the American Experience: Highlights from the Collection of Steven Lomazow, M.D.  A Catalogue published in conjunction with an exhibition held at The Grolier Club, January 20 – April 24, 2021 (New York: The Grolier Club, 2020).

“The exhibition is presented in two sections, beginning with a chronological history of American magazines from 1733 to the present. The second is devoted to a broad spectrum of genres which address the areas of popular culture that became a major focus of American magazines in the late nineteenth and twentieth centuries, including American artists and humorists, the ongoing struggle of African Americans to achieve equality, a salute to our national game of baseball, and the development of radio, television, and motion pictures.”

  • Companion Virtual Exhibition at the Grolier Club: American Magazines

Also:

  • Steven Lomazow (with Eric Fettman), FDR’s Deadly Secret (New York: BBS Publications, 2009)
  • Fdr’s Deadly Secret: A supplement to our book dedicated to the understanding of the health of our thirty-second president
  • FDR Unmasked: 73 Years of Medical Cover-ups That Rewrote History (Amsterdam: Lugler Publications, revised edition, 2024).  FDRUNMASKED.com

What is in Store?

Dr. Steven puts it succinctly.  The collection contains

“Thousands of exquisitely rare and historically important items.

“The collection contains virtually every major magazine highlight ever published from the eighteenth century to the present and covers virtually every topic- literature, politics, technology (TV, Radio, Movies, Aviation etc). It also includes by far the largest collection of first issue pulp magazines (over 850) in existence. Any institution or individual that acquires it will immediately become one of the leading repositories of American popular culture. . . . There are hundreds of feet of shelves occupied by bound volumes and individual issues.”

— Magazine Collection for Sale (2011)

Many items are destined for exhibition and perhaps transfer to other institutions.  This visit offers an in-depth opportunity to examine them on display in situ in the company of the collector, who has built an exceptional collection of a variety of genres, including American magazines from their beginnings, patriotic magazines in World War II, and more.

Registration

Registration is required for attendance, whether in person or online by Zoom. Numbers of attendees for the at-home visit are limited; in case of need, we will create a Waiting List.

Registration is free. We welcome voluntary donations for our section 501(c)(3) nonprofit educational organization equipped with slim financial resources and powered principally by volunteers with donations in funds and contributions in kind. Such donations help to sustain and foster our mission and activities.  Your donations may be tax-deductible to the fullest extent permitted by law.

Please register through the RGME Eventbrite Portal, which presents all our Collections of events. Here are the ways to register for the visit in hybrid formats.

1) To attend In Person

  • In Person Visit to the Collection of Steven Lomazow M.D.

2) To attend Online by Zoom

  • Virtual Visit to the Collection of Steven Lomazow M.D.

After you register for online attendance, you will be sent the Zoom Link a few days before the event.

Questions or Suggestions?

Do you have special requests for materials you would like to see in the collection during the visit? Questions for the collector? Would you like to share your experiences with growing up with American magazines?

Please Contact Us or visit

  • our FaceBook Page
  • our Facebook Group
  • our Twitter Feed (@rgme_mss)
  • our Bluesky nest @rgmesocial.bluesky.social)
  • our LinkedIn Group
  • our Blog on Manuscript Studies and its Contents List

We look forward to hearing from you.

*****

Update: Having successfully accomplished the visit, we offer a report. See

  • RGME Visit to the Lomazow Collection: Report

See also:

  • 2024 Landmarks

We give thanks to Dr. Lomazow, his wife Suze Bienaimee, the SFPUL, Jacqueline Zhou, Kurt Lemai, our online audience, and others for a wonderful collective experience.

The Periodical Collection of Steven Lomazov, St. Nicholas: Scribner’s Illustrated Magazine for Girls and Boys, Front Cover (November 1873), via https://www.americanmagazinecollection.com/st-nicholas-scribners-illustrated-magazine-for-girls-and-boys-2/.

Note on the Image. The long-lived St. Nicholas Magazine was launched in 1873, with the redoubtable Mary Mapes Dodge (1831–1905) as its first editor and many prominent authors as contributors during its period of circulation until 1940. From the Lomazow Collection, we glimpse the cover of the first issue.

Of the editor’s skills it is related:

She was able to persuade many of the great writers of the world to contribute to her children’s magazine – Mark Twain, Louisa May Alcott, Robert Louis Stevenson, Alfred, Lord Tennyson, Henry Wadsworth Longfellow, William Cullen Bryant, Oliver Wendell Holmes Sr., Bret Harte, John Hay, Charles Dudley Warner, Elizabeth Stuart Phelps Ward, and scores of others. One day, Rudyard Kipling told her a story of the Indian jungle; Dodge asked him to write it down for St. Nicholas. He never had written for children, but he would try. The result was The Jungle Book.

— Mary Mapes Dodge

Of especial interest to the RGME in its Anniversary Year is the first appearance in this magazine of the tale of The Little Red Hen, in its original form in a publication in English. This fable, in its original unadulterated form, serves as useful model for the RGME as goal for collaborative work and its practices or processes.

*****

Tags: American Magazines, History of Magazines, Popular Culture, RGME Anniversary, RGME Visits to Collections, Steven Lomazow Collection
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