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      • 2023 Activities and 2024 Planned Activities
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      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
      • RGME Symposia: The Various Series
      • The Research Group Speaks: The Series
      • Meetings of the Friends of the Research Group on Manuscript Evidence
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      • No Snap Decisions: Challenges of Manuscript Photography
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2013 Symposium on “Identity & Authenticity”

January 1, 2014 in Abstracts of Conference Papers, Conference Announcement, Events, Exhibition

Identity & Authenticity

Creating, Recreating, Transmitting & Preserving Identities Across Time & Place

We held a Symposium at Princeton University on 22 & 23 March 2013 with the theme of “Identity & Authenticity: Creating, Recreating, Transmitting & Preserving Identities Across Time & Place”.   Here we publish the Symposium Posters, Program, and Abstracts of the Papers, with thanks to all our Sponsors, Contributors, and Participants.

Symposium

Friday & Saturday 22 & 23 March 2013
McCormick 106, Princeton University

Poster 1 for "Identity & Authenticity" Symposium (22-23 March 2013)

Poster 1

Poster 2 for "Identity & Authenticity" Symposium (22-23 March 2013)

Poster 2

 

The challenges of shaping, reshaping, maintaining, conveying, and validating identity, both personal and collective, are perennial human concerns.  Our symposium explored subjects, regions, and materials from the early medieval period to the present day.  Presentations considered, for example, Western European and Syriac manuscript discoveries, Byzantine liturgical textiles, medieval seal-matrices and “forgeries,” Hebrew and Judeo-Arabic magical recipes from the Cairo Genizah, the transmission of Islamic paper, the reliquary of John the Baptist owned by the Knights of Malta and the Tzars, the medieval-style Hammond Castle in Massachusetts, the challenges and opportunities of collecting medieval manuscripts nowadays, and digitization projects dedicated to manuscripts and archives for teaching and research.

Sponsors:

  • James Marrow and Emily Rose
  • John H. Rassweiler
  • Index of Christian Art
  • Barbara A. Shailor
  • The Samuel H. Kress Foundation
  • De Brailles Medieval Art (LLC)
  • Committee for the Study of Late Antiquity, Princeton University

We also thank the Department of Art & Archaeology of Princeton University for the rooms, media services, and facilities for the event.

Speakers and Moderators:

James Marrow at the "Identity & Authenticity" Symposium (2013), with photography by James Heidere

Having a Look

Opening Remarks

James H. Marrow (Department of Art & Archaeology, Princeton University)

Session 1. Investigating the Archives:  Detecting Spheres of Influence

Moderator:  Celia Chazelle (Department of History, The College of New Jersey)

Alan M. Stahl (Firestone Library, Princeton University), “The Virgin in the Garden:  The Making of a Pilgrimage Site in Medieval Venice”

Eleanor A. Congdon (Department of History, Youngstown State University), “Who was Antonio Contarini?  Solving the Prosopographical Riddle of a Venetian Merchant in the Datini Archives”

Ortal-Paz Saar (School of Historical Studies, Institute for Advanced Study / Tel Aviv University), “A Genizah Magical Fragment and Its European Parallels”

[Note:  Now published as “A Genizah Magical Fragment and Its European Parallels”, Journal of Jewish Studies, 65:2 (2014), 237–262, described here]

Session 2.  Imaging or Imagining Identity:  Recreating a Medieval Legacy

Moderator:  Colum Hourihane (Index of Christian Art, Princeton University)

Karl F. Morrison (Department of History, Rutgers University), “Assimilating the Libri Carolini in the Seventeenth Century”

John H. Rassweiler (The Rassweiler Collection, Princeton), “Some Experiences with the Validation of Medieval Seal-Matrices of the Common People”

Martha E. Easton (Department of Communication and the Arts, Seton Hall University), “Authenticity, Anachronism, and the Experience of the Past at Hammond Castle”

Session 3.  Shaping and Preserving Identity in the Syriac Church

Moderator:  Kathleen E. McVey (Department of History, Princeton Theological Seminary)

Philip Michael Forness (Department of History, Princeton Theological Seminary), “The Identities of a Saint: An Initial Inquiry into the Manuscript Tradition of the Homilies by Jacob of Sarug”

Jack B. Tannous (Department of History, Princeton University), “Syril of Scythopolis in Syriac:  Observations on a Manuscript from the Sinai New Finds”

George Kiraz (Editor in Chief, Gorgias Press / Department of Middle Eastern and South-East Asian Languages & Literature, Rutgers University), “The Syriac Orthodox Patriarchal Archive of Mardin:  Digitization and Challenges”

Session 4.  Creating Digitally-Enabled Manuscript Resources for Research & Teaching

Moderator:  James H. Marrow (Department of Art & Archaeology, Princeton University)

Thomas A. Carlson (Department of History, Princeton University / Beth Marduthuo Research Library, Piscataway), “Identity and Identification in the Digital Humanities:  The Challenges and Experience of Syriaca.org”

Barbara A. Shailor (Department of Classics, Yale University), “A Mellon Foundation Project at Yale University:  The World of Digitally-Enabled Scholarship for Research and Teaching”

Session 5.  Discovering, Recovering, and Evaluating the Source Materials

Moderator:  Colum Hourihane

David W. Sorenson (Quincy, Massachusetts), “Recent Studies in Islamic Paper and What They Can Tell Us About Texts (and Images)”

Mildred Budny (Research Group on Manuscript Evidence), “A New Fragment of the Vitas Patrum from the Covers of an Early Printed Postille:  An Early Case of Western Paper?”

Scott Gwara (Department of English, University of South Carolina – Columbia / King Alfred’s Notebook, LLC & De Brailes Medieval Art LLC), “Medieval Manuscripts in the Strangest Places”

Rossitza and Ida at the Day 1 Reception of the 2013 Symposium, with photography by James Heidere

Enjoying the Company

Session 6.  Establishing or Re-Establishing Identities in the Byzantine World and Beyond

Moderator:  Mildred Budny

Henry D. Schilb (Index of Christian Art, Princeton University), “Serbian and Christian Identity in the Embroideries of the Nun Jefimija”

Rossitza B. Schroeder (Visiting Fellow in Hellenic Studies, Princeton University / Pacific School of Religion, Berkeley, California), “The New Chosen People:  The Old Testament in Late Byzantium”

Ida Sinkevič (Department of Art, Lafayette College), “The Afterlife of the Rhodes Hand of St. John the Baptist”

[Note:  This has been published here]

Demonstration:  Demonstrating Original Sources and Database Resources

Displays by:

Demonstration Session on 23 Mar 2013 at the "Identity & Authenticity" Symposium, with manuscripts on the table

Examining the Originals

Scott Gwara (De Brailes Medieval Art LLC)
David Sorenson (Specimens of Islamic Paper)
Eleanor Congdon (Specimens from the Datini Archive)
Thomas A. Carlson (The Syriac Reference Portal)

*****

The Symposium Booklet, edited by Mildred Budny and laid out in RGME Bembino, contains the
2013 Symposium Program & Abstracts of the Papers.

[The version uploaded on 29 September 2014 corrects a couple of typographical mistakes in the version circulated at the event.]

*****

Circulated online before the Symposium, the Program and Poster 2 are also available here on the online Calendar of the Program in Medieval Studies of Princeton University:

Medieval Studies Calendar Archive Princeton University

[Formerly here:  “http://web.princeton.edu/sites/medieval/images/RGME%20Symposium%20Program.pdf”]

RGME Symposium Poster

*****

Photographs by James Heidere

*****

Tags: Antonio Contarini, Cairo Genizah, Church of San Cristoforo in Venice, Committee for the Study of Late Antiquity, cult of images, Datini Archives, De Brailles Medieval Art (LLC), Department of Art & Archaeology, digitally-enabled scholarship, digitization of manuscripts, Domenico Calvaca, embroideries of Jefimija, Hammond Castle, history of Islamic paper, History of Paper Manufacture, history of textiles, Index of Christian Art, Jacob of Sarug, late Byzantine monumental Old Testament cycles, Libri Carolini, magical recipes, medieval manuscripts in North America, medieval seal-matrices, medieval-style architecture, Mellon Foundation project, Patriarchal Archive in Mardin, Postille printed in Lyons 1527, Princeton University, Rassweiler Collection, Rhodes Hand of John the Baptist, seventeenth-century religious polemics, Sinai Syriac New Finds, Syriac Christianity, Syriac manuscript studies, Syriac Reference Portal, Syriac studies, Syriaca.org, Syril of Scythopolis, The Samuel H. Kress Foundation, Transmission of the Vitas Patrum, Virgin in the Garden, Vita Sanctae Marinae, Yale University
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2002 British Museum Colloquium

January 1, 2014 in Conference Announcement, Events

2002 Poster in monochrome for the 'Form and Order' Symposium at The British Museum.“Shaping Understanding:
Form and Order in the Anglo-Saxon World, 400–1100″
A Colloquium held at The British Museum
London
7–9 March 2002

Since 2001, the Research Group has jointly sponsored scholarly meetings, co-organized by Mildred Budny and held at various centers in the United States and elsewhere.  These meetings constitute the ‘New Series’ of Symposia, Colloquia, Workshops & Seminars (2001–).

Following the move of our principal base to the United States in October 1994, the ‘New Series’ began with the Annual Symposia on “The Transmission of the Bible” (1995–2000).  Then it moved to events devoted to various topics, biblical and other subjects included.  Among them:  “Form and Order in the Anglo-Saxon World” (2002) at The British Museum.

Front Entrance to the British Museum on 10 March 2002 after the 2002 Colloquium Photograph © Mildred Budny

Front Entrance to the British Museum on 10 March 2002. Photograph © Mildred Budny.

*****

2001 Poster for the Inaugural and Celebratory Workshop on 'The Dating Service or the Dating Game? Problems and Potential of Dating Materials from the Early Medieval Period', laid out in Adobe GaramondFirst in this New Series came

” ‘The Dating Service or the Dating Game?’
Problems and Potential of Dating Materials from the Early Medieval Period”

An Inaugural and Celebratory Workshop
(The College of New Jersey, November 2001),
inaugurating a series of workshops and celebrating
both the formation of the Early Medieval Forum and
the recognition for the Research Group on Manuscript Evidence of tax-exempt status
as a Section 501(c)(3) nonprofit organization.

Co-organized by Celia Chazelle and co-sponsored by the Early Medieval Forum, the Index of Christian Art of Princeton University, and the History Department and History Club of The College of New Jersey, the Workshop was held at The College of New Jersey, Ewing, New Jersey, in November 2001. Information about the interests, activities, and listserv of the Early Medieval Forum appears on its website: Early Medieval Forum.  Information about this Workshop appears on its own page.

*****

“Form and Order” Colloquium
at the British Museum

2002 Poster in monochrome for the 'Form and Order' Symposium at The British Museum.Next came the British Museum Colloquium, which extended across 3 days in March 2002.

Besides co-organizing the event, the Research Group prepared the printed announcements, Poster, Booking Form, Program, and Booklet containing the “Abstracts of Papers”.  All are set in Adobe Garamond and laid out according to our Style Manifesto.

“Shaping Understanding: Form and Order in the Anglo-Saxon World, 400–1100”

A Colloquium
Co-organized by Leslie E. Webster and Mildred Budny

Sponsored by

  • The British Museum
  • The British Academy
  • Samuel H. Kress Foundation
  • American Friends of the British Museum
  • Index of Christian Art, Princeton University
  • Royal Historical Society
  • Centre for Palaeography
    in the School of Advanced Study of the University of London
  • Research Group on Manuscript Evidence

The Colloquium was held at the Clore Centre of The British Museum in London in March 2002.

The Plan

We described it this way for the Announcement:

Anglo-Saxon perceptions of form and order are manifested in their approaches to multiple areas ranging from the visual arts and texts in all forms to religious practice and social structures.  The colloquium will explore this theme through two broad, interconnected strands:  Texts of all kinds, and Art, Architecture, and Archaeology.  We shall explore the varied evidence for the ways and means whereby Anglo-Saxons shaped their knowledge and understanding of the world, gave it order, and established their legacy.  Speakers, Keynote Speakers, Moderators, and Respondents are experts in a wide range of fields across these disciplines.  They come from many centres in the British Isles, Europe, and North America.

The Speakers (in Order of Appearance)

Simon D. Keynes (Trinity College and Department of Anglo-Saxon, Norse, and Celtic, University of Cambridge)
“The ‘Grand Combinations’ of the Anglo-Saxons”

2002 BM Colloquium Photos 017 croppedNoël Adams (London)
“Revival or Continuity?  Fifth-Century Elements in the Sutton Hoo Garnet Cloisonné”

Angela Evans (Department of Medieval and Modern Europe, British Museum)
“Innovation and Decline:  Garnet Cloisonné in Early Anglo-Saxon England’

Tania Dickinson (Department of Archaeology, University of York)
“Medium and Message in Early Anglo-Saxon Animal Art:  Some Observations on Salin’s Style I in England”

John Hines (School of History and Archaeology, Cardiff University)
“The Predictable Wanderer:  Individuality and Conformity in Anglo-Saxon England”

2002 BM Colloquium Photos 008 cropped Michael Ryan (Chester Beatty Library, Dublin)
“Some Irish Liturgical Spaces”

Susan Youngs (Department of Medieval and Modern Europe, British Museum)
“The Past in the Present:  Celtic Art in Insular Ornament”

James Graham-Campbell (Institute of Archaeology, University College, London)
“Shaping and Reshaping:  Aspects of Late Anglo-Saxon and Viking Art”

Alan Thacker (Institute of Historical Research, University of London)
“Bede and the Ordering of Understanding”

Wesley M. Stevens (Department of History, University of Winnipeg)
“En Route with Bedan Cosmology”

Coffee Break at the 2002 British Museum Colloquium.Helen Gittos (The Queen’s College, Oxford)
“Liturgy and Sacred Space in Anglo-Saxon England”

Richard Bailey (Department of English, University of Newcastle)
“Anglo-Saxon Art:  Some Orderings and Their Meanings”

Jane Hawkes (Centre for Medieval Studies, University of York)
“The Church Triumphant:  The Figural Columns of Early Ninth-Century Angl0-Saxon England”

2002 BM Colloquium Photos 015 croppedCarol Farr (London)
“The Sign at the Cross-Roads:  The Matthean Nomen sacrum in Gospelbooks before King Alfred”

Nancy Netzer (Department of Fine Arts and McMullen Art Museum, Boston College)
“Framing the Book of Durrow Inside/Outside the Anglo-Saxon World”

Joyce Hill (School of English, University of Leeds)
“Anglo-Saxon Perspectives on Liturgical Order”

Mildred Budny (Research Group on Manuscript Evidence, Princeton)
“Balanced Asymmetry as a Hallmark of Ninth-Century Anglo-Saxon Art”

Reception at the 2002 British Museum Colloquium.David Ganz (Departments of English and Classics, King’s College, and
Centre for Palaeography in the School of Advanced Study, University of London)
“Anglo-Saxon Reception of Carolingian and Ottonian Books”

Michael Wood (London)
“King Athelstan’s Imperium and the (Re-)Ordering of Anglo-Saxon England”

Reception at the 2002 British Museum Colloquium. Photography © Mildred Budny[Olivier Szerwiniack (Faculté des Lettres, Université de Picardie Jules Verne, Amiens)
“Shaping an Historical Event:  The Anglo-Saxons’ Arrival in Great Britain According to Anglo-Saxon and Britonic Historians”
Note:  Olivier did not attend the Colloquium to present his paper]

Reception at the 2002 British Museum Colloquium. Photography © Mildred BudnyRichard Gameson (School of History, University of Kent at Canterbury)
“The Last Chi-Rho in the West:  From Insular to Anglo-Saxon in the Boulogne 10 Gospels”

Elizabeth M. Tyler (Centre for Medieval Studies, University of York)
“Facta velut infecta:  History, Vergil and the Encomium Emmae Reginae”

Geoffrey Russom (Department of English, Brown University, Providence)
“The ‘Orchestration’ of Verse Patterns in Old English Meter”

Reception at the 2002 British Museum Colloquium.Robert D. Stevick (Department of English, University of Washington, Seattle)
“Accumulated Geometry:  Harmony of Form in Anglo-Saxon Texts and Design”

Philip Rusche (Department of English, University of Nevada, Las Vegas)
“Order and Design in Anglo-Saxon Glossaries”

John Higgitt (Department of Fine Art, University of Edinburgh)
“Emphasis and Visual Rhetoric in Anglo-Saxon Inscriptions”

David Parsons (School of English Studies, University of Nottingham)
“Recasting the Anglo-Saxon Runes”

Anna Gannon (Department of Coins and Medals, British Museum, and Lucy Cavendish College, Cambridge)
” . . . And Pretty Coins All in a Row”

2002 BM Colloquium Photos 004 croppedAndy Orchard (Centre for Medieval Studies, University of Toronto)
“Enigma Variations:  Mutual Influence in the Anglo-Latin and Old English Riddle Traditions:

Leslie E. Webster (Department of Medieval and Modern Europe, British Museum)
” ‘Learned Games’:  The Ludic Principle in the Visual Arts”

David Howlett (Dictionary of Medieval Latin from British Sources, Oxford)
“Letter and Number and Musical Note:  Literary Languages and Cosmic Order”

Dáibhí Ó Cróinín (School of History, National University of Ireland, Galway)
“Irish Manuscripts and Anglo-Saxon Studies:  The CALAMUS Project”

2002 BM Colloquium Photos 005 croppedPatrick Wormald (Wolfson College, Oxford)
“The Power of Command:  Pre-Conquest England as a Developing ‘State’ ”

Moderators

David M. Wilson (Isle of Man)
Carol Neuman de Vegvar (Department of Fine Arts, Ohio Wesleyan University, Delaware, Ohio)
Rosamond McKitterick (Newnham College and Faculty of History, University of Cambridge)
Rosemary Cramp (Department of Archaeology, Durham University)
Janet L. Nelson (Department of History, King’s College, London)
Giles Constable (School of Historical Studies, Institute for Advanced Study, Princeton)
Richard Marsden (School of English Studies, University of Nottingham)
Raymond Page (Corpus Christi College, Cambridge)
Carin Ruff (Department of English, John Carroll University, University Heights, Ohio)

2002 BM Colloquium Photos 002 cropped more

The 5-page Program lists the order of the proceedings, refreshments and receptions included.  The 14-page Booklet provides the Abstracts of Papers.  We include both of them here.

Cover Page for 2002 British Museum Colloquium Program Booklet, with Abstracts of Papers, compiled and edited by Mildred Budny, and laid out and printed by the Research Group on Manuscript Evidence.

Written Records

Abstracts of the thirty-three papers presented at the Colloquium were published in print for distribution at the Colloquium.  They are also available online, as described in the list of Publications.

The Abstracts alone, without reference to the Research Group (which provided their texts), were reprinted in double-column layout in the Old English Newsletter, 35:3 (Spring 2002), A-5–A-15, and now available online.

The Abstracts of Papers [compiled and edited by Mildred Budny] appeared as a Booklet of 14 quarto-size pages, laid out in single columns in Adobe Garamond (Princeton:  Research Group on Manuscript Evidence, 2002).  Distributed at the event, and circulated afterward, it is now available for download on our site.

The Index of Abstracts of Papers for Events Listed by Year cites the Authors alphabetically for this and other events in the New Series. The Indexes of the Abstracts for Congress Sessions lists the Authors both by year and by name.

*****

We thank the Organizers, Hosts, Sponsors, and Contributors.  The photographs of the event reproduced here were taken by Geoffrey Russom and Mildred Budny.

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Next came the Colloqium on

“Innovations for Editing Texts from Antiquity to Enlightenment”
(The Ohio State University, October 2003)

Some of the Contributors to the 2001 Dating Game Colloquium and the 2002 British Museum Colloquium also participated in this Colloquium.
Details here

2003 Poster for Colloquium on 'Innovations in Editing Texts from Antiquity to Enlightenment', laid out in Adobe Garamond*****

More events continue to follow.  Have a look at our Symposia, Colloquia, Workshops & Seminars. Please see also our News & Views.

Poster for 2014 Symposium on 'Recollections of the Past', laid out in the RGME font Bembino and illustrated with 2 images from a dismembered Book of Hours. Images courtesy of Adelaide Bennett2013 Poster 1 for the Symposium on 'Identity and Authenticity', laid out in RGME Bembino and illustrated with images courtesy of De Brailes Medieval Art LLC and David W. SorensonPoster 2 for the 2016 'Words & Deeds' Symposium at Princeton University, with 2 images from the Otto Ege Collection, The Beinecke Rare Book and Manuscript Library, Yale University. Photography by Lisa Fagin Davis. Reproduced by permission. Poster set in RGME Bembino

 

 

 

 

 

 

 

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Tags: Anglo-Saxon Manuscripts, British Museum, Centre for Palaeography, Index of Christian Art, Manuscript Illumination, Medieval Studies, Royal Historical Society, School of Advanced Study, The American Friends of the British Museum, The British Academy, The Friends of the British Museum, The Samuel H. Kress Foundation, University of London
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