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  • News
    • News & Views
    • Reviews
    • Highlights
  • Blogs
    • Manuscript Studies
      • Manuscript Studies: Contents List
    • International Congress on Medieval Studies
      • Abstracts of Congress Papers
        • Abstracts of Papers Listed by Author
        • Abstracts of Papers Listed by Year
  • About
    • Mission
    • History
    • Activities
    • People
      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Congress Activities
      • Sponsored Conference Sessions (1993‒)
        • Panels at the M-MLA Convention
      • Co-sponsored Conference Sessions (2006‒)
    • Events
    • Seals, Matrices & Documents
    • Genealogies & Archives
  • Bembino
    • Multi-Lingual Bembino
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention
      • Abstracts of Papers for the M-MLA Convention
  • Events
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
    • Receptions & Parties
    • Photographic Exhibitions & Master Classes
    • Business Meetings
    • Events Archive
  • ShelfLife
    • Journal Description
    • ShelfMarks: The RGME-Newsletter
    • Publications
      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
  • Galleries
    • Watermarks & the History of Paper
    • Galleries: Contents List
    • Scripts on Parade
    • Texts on Parade
      • Latin Documents & Cartularies
      • New Testament Leaves in Old Armenian
    • Posters on Display
    • Layout Designs
  • Donations and Contributions
    • 2019 Anniversary Appeal
    • Orders
  • Contact Us
  • Links
    • Manuscripts & Rare Books
    • Maps, Plans & Drawings
    • Seals, Seal-Matrices & Documents

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Private Collection, Sinhalese Palm-Leaf Manuscript, End-Leaf 01, Left.
A Sinhalese Palm-Leaf Book in Deconstructed and Reconstructed Order
Beinecke Rare Book & Manuscript Library, Otto Ege Collection, FOL Set 3, MS 40, Specimen 1: folio '1'r, Top Left. Photography Mildred Budny.
Specimens of Ege Manuscript 40 in the Ege Family Portfolio
Otto F. Ege: Fifty Original Leaves from Medieval Manuscripts, Leaf 40, Printed Label, Special Collections and University Archives, Stony Brook University Libraries.
Otto Ege Manuscript 40, Part II: Before and After Ege
Private Collection, Ege's FBNC Portfolio, Aquinas Leaf, Recto, Top Right. Reproduced by Permission.
Otto Ege’s Aquinas Manuscript in Humanist Script (‘Ege Manuscript 40’)
rivate Collection, Koran Leaf in Ege's Famous Books in Nine Centuries, Front of Leaf. Reproduced by permission.
Otto Ege’s Portfolio of ‘Famous Books’ and ‘Ege Manuscript 53’ (Quran)
Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Dutch Book of Hours made for a female patron in the mid 15th century. Opening page of the Hours of the Virgin: "Here du salste opdoen mine lippen". Image via Creative Commons. At the bottom of the bordered page, an elegantly dressed woman sits before a shiny bowl- or mirror-like object, in order, perhaps, to perform skrying or to lure a unicorn.
2021 Congress Program Announced
J. S. Wagner Collection, Early-Printed Missal Leaf, Verso. Rubric and Music for Holy Saturday. Reproduced by Permission.
Carmelite Missal Leaf of 1509
Set 1 of Otto Ege's FOL Portfolio, Leaf 19 recto: Deuteronomy title and initial.
Updates for ‘Otto Ege Manuscript 19’
Private Collection, Castle Cartulary Fragment, Inserted Folded Sheet, Opened: Top Righ
Fragments of a Castle ‘Capbreu’ from Catalonia
Grapes Watermark in a Selbold Cartulary Fragment.
Selbold Cartulary Fragments
Smeltzer Collection, Subermeyer (1598), Vellum Supports Strip 2 Signature Surname.
Vellum Binding Fragments in a Parisian Printed Book of 1598
Set 1 of Ege's FOL Portfolio, Leaf 14 recto: Lamentations Initial.
Some Leaves in Set 1 of Ege’s FOL Portfolio
Church of Saint Mary, High Ongar, Essex, with 12th-Century Nave. Photograph by John Salmon (8 May 2004), Image via Wikipedia.
A Charter of 1399 from High Ongar in Essex
View to the Dorm at the End of the Congress.
2019 Congress Behind the Scenes Report
Opening of the Book of Maccabees in Otto Ege MS 19. Private Collection.
A Leaf from ‘Otto Ege Manuscript 19’ and Ege’s Workshop Practices
Private Collection, "Margaritas" fragment back side, lines 2-5.
The Pearly Gateway: A Scrap from a Latin Missal or Breviary
Preston Charter 7 Seal Face with the name Gilbertus.
Preston Take 2
The Outward-Facing Cat and a Hand of Cards. Detail from Adèle Kindt (1804–1884), The Fortune Teller (circa 1835). Antwerp, Koninklijk Museum voor Schone Kunsten. Image via Wikimedia Commons.
Keeping Up: Updates for Spring 2020
New York, Grolier Club, \*434.14\Aug\1470\Folio. Flavius Josephus, De antiquitate Judiaca and De bello Judaico, translated by Rufinus Aquileinensis, printed in Augsburg on paper by Johannn Schüsseler in 2 Parts, dated respectively 28 June 1470 and 23 August 1470, and bound together with a manuscript copy dated 1462 of Eusebius Caesariensis, Historia ecclesiastica.
2020 Spring Symposium Cancelled or Postponed
2020 Spring Symposium: Save the Date
At the Exhibition of "Gutenberg and After" at Princeton University in 2019, the Co-Curator Eric White stands before the Scheide Gutenberg Bible displayed at the opening of the Book of I Kings.
“Gutenberg and After” at Princeton University Library
Baltimore, The Walters Art Museum, MS W.782, folio 15r. Van Alphen Hours. Dutch Book of Hours made for a female patron in the mid 15th century. Opening page of the Hours of the Virgin: "Here du salste opdoen mine lippen". Image via Creative Commons. At the bottom of the bordered page, an elegantly dressed woman sits before a shiny bowl- or mirror-like object, in order, perhaps, to perform skrying or to lure a unicorn.
2020 International Congress on Medieval Studies Program Announced
J. S. Wagner Collection. Leaf from from Prime in a Latin manuscript Breviary. Folio 4 Recto, Initial C for "Confitimini" of Psalm 117 (118), with scrolling foliate decoration.
A Leaf from Prime in a Large-Format Latin Breviary
J. S. Wagner Collection. Detached Manuscript Leaf with the Opening in Latin of the Penitent Psalm 4 or Psalm 37 (38) and its Illustration of King David.
The Penitent King David from a Book of Hours
Bust of the God Janus. Vatican City, Vatican Museums. Photo by Fubar Obfusco via Wikimedia Commons.
2019 M-MLA Panel Program
Coffee Break at our 2002 British Museum Colloquium. Our Director, Dáibhí Ó Cróinin, and Giles Constable. Photograph by our Associate, Geoffrey R. Russom.
Revisiting Anglo-Saxon Symposia 2002/2018
The red wax seal seen upright, with the male human head facing left. Document on paper issued at Grenoble and dated 13 February 1345 (Old Style). Image reproduced by permission
2020 ICMS Call for Papers: Seal the Real
Yale University, Beinecke Rare Book and Manuscript Library, MS 1183. Photograph courtesy Kristen Herdman.
2019 Anniversary Symposium Report: The Roads Taken
Heidere Diploma 2 in the Unofficial Version, with puns aplenty. The Diploma has an elaborate interlace border around the proclamation.
Heidere Diplomas & Investiture
2019 Anniversary Symposium: The Roads Taken
Detail of illustration.
Sanskrit and Prakrit Manuscripts
Poster announcing the Call for Papers for the Permanent Panels sponsored by the Research Group on Manuscript Evidence, to be held at the 2019 MMLA Convention in Chicago in November. Poster set in RGME Bembino and designed by Justin Hastings.
2019 M-MLA Call for Papers
Detail of recto of leaf from an Italian Giant Bible. Photography by Mildred Budny
2019 International Congress on Medieval Studies Program Details
Thomas E. Hill stands at the entrance to the Vassar College Library. Photography by Mildred Budny
Another Visit to The Library Cafe
Leaf 41, Recto, Top Right, in the Family Album (Set Number 3) of Otto Ege's Portfolio of 'Fifty Original Leaves' (FOL). Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Mildred Budny.
More Discoveries for ‘Otto Ege Manuscript 41’
Augustine Homilies Bifolium Folio IIr detail with title and initial for Sermon XCVI. Private Collection, reproduced by permission. Photograph by Mildred Budny.
Vellum Bifolium from Augustine’s “Homilies on John”
Gold stamp on blue cloth of the logo of the Research Group on Manuscript Evidence. Detail from the front cover of Volume II of 'The Illustrated Catalogue'
Design & Layout of “The Illustrated Catalogue”
Rosette Watermark, Private Collection. Reproduced by Permission
2019 International Congress on Medieval Studies Program
Libro de los juegos. Madrid, El Escorial, MS T.1.6, folio 17 verso, detail.
2018 International Congress on Medieval Studies Program
Poster Announcing Bembino Version 1.5 (April 2018) with border for Web display
Bembino Version 1.5 (2018)
Lower Half of the Original Verso of a Single Leaf detached from a prayerbook in Dutch made circa 1530, owned and dismembered by Otto F. Ege, with the seller's description in pencil in the lower margin. Image reproduced by permission.
A New Leaf from ‘Otto Ege Manuscript 214’?
© The British Library Board. Harley MS 628, folio 160 verso. the initial 'd' for 'Domini'.
2018 M-MLA Call for Papers
Fountain of Books outside the Main Library of the Cincinnati Public Library of Cincinnati and Hamilton County.
2017 M-MLA Panel Report
Leaf 41, Recto, Top Right, in the Family Album (Set Number 3) of Otto Ege's Portfolio of 'Fifty Original Leaves' (FOL). Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Mildred Budny.
2017 M-MLA Panel
Poster for 'In a Knotshell' (November 2012)with border
Designing Academic Posters
Opening Lines of the Book of Zachariah. Courtesy of Flora Lamson Hewlett Library, Graduate Theological Union, Berkeley, CA. Reproduced by permission.
More Discoveries for “Otto Ege Manuscript 61”
Slice of Brie. Photograph by Coyau via Wikipedia Commons.
Say Cheese
Alcove Beside Entrance to Garneau at AZO 2017. Photography © Mildred Budny.
2017 Congress Report
Duck Family at the 2007 Congress. Photography © Mildred Budny.
2017 Congress Program
Verso of the Leaf and Interior of the Binding, Detail: Lower Right-Hand Corner, with the Mitered Flap Unfolde
A 12th-Century Fragment of Anselm’s ‘Cur Deus Homo’
Reused Leaf from Gregory's Dialogues Book III viewed from verso (outside of reused book cover) Detail of Spine of Cover with Volume Labels. Photograph © Mildred Budny.
A Leaf from Gregory’s Dialogues Reused for Euthymius
Detail of the top of the verso of the fragmentary leaf from a 13th-century copy of Statutes for the Cistercian Order. Reproduced by permission.
Another Witness to the Cistercian Statutes of 1257
Initial d in woodcut with winged hybrid creature as an inhabitant. Photography © Mildred Budny
The ‘Foundling Hospital’ for Manuscript Fragments
A Reused Part-Leaf from Bede’s Homilies on the Gospels
Detail of middle right of Verso of detached leaf from the Nichomachean Ethics in Latin translation, from a manuscript dispersed by Otto Ege and now in a private collection. Reproduced by permission.
More Leaves from ‘Otto Ege Manuscript 51’
Running title for EZE on the verso of the Ezekiel leaf from 'Ege Manuscript 61'. Photography by Mildred Budny
A New Leaf from ‘Otto Ege Manuscript 61’
Decorated opening word 'Nuper' of the Dialogues, Book III, Chapter 13, reproduced by permission
A New Leaf from ‘Otto Ege Manuscript 41’
Private Collection, Leaf from Ege MS 14, with part of the A-Group of the 'Interpretation of Hebrew Names'. Photograph by Mildred Budny.
A New Leaf from ‘Otto Ege Manuscript 14’
A Reused Part-Leaf from Bede’s Homilies on the Gospels
Photography by David Immerman.
Radio Star
Close-Up of The Host of 'The Library Cafe' in the Radio Studio. Photography © Mildred Budny
A Visit to The Library Café
Booklet Page 1 of the 'Interview with our Font & Layout Designer' (2015-16)
Interview with our Font & Layout Designer
Initial I of Idem for Justinian's Novel Number 134, with bearded human facing left at the top of the stem of the letter. Photography © Mildred Budny
It’s A Wrap
The Brandon Plaque. Gold and niello. The British Museum, via Creative Commons.
Seminar on the Evidence of Manuscripts (January 1992)
© The British Library Board. Cotton MS Tiberius A III, folio 117v, top right. Reproduced by permission.
Seminar on the Evidence of Manuscripts (August 1993)
Invitation to 'Canterbury Manuscripts' Seminar on 19 September 1994
Seminar on the Evidence of Manuscripts (September 1994)
Logo of the Research Group on Manuscript Evidence in Monochrome Version
Seminar on the Evidence of Manuscripts (May 1989)
Logo of the Research Group on Manuscript Evidence (colour version)
2016 Report for CARA
Heading of Blanked out Birth certificate after adoption completed.
Lillian Vail Dymond
Initial C of 'Concede'. Detail from a leaf from 'Otto Ege Manuscript 15', the 'Beauvais Missal'. Otto Ege Collection, Beinecke Rare Book and Manuscript Library, Yale University. Photograph by Lisa Fagin Davis. Reproduced by Permission
2016 Symposium on ‘Words & Deeds’
Detail with Initial G of Folio Ivb of Bifolium from a Latin Medicinal Treatise reused formerly as the cover of a binding for some other text, unknown. Reproduced by permission
Spoonful of Sugar
Detail of Leaf I, recto, column b, lines 7-12, with a view of the opening of the Acts of the Apostles, chapter 23, verse 3, with an enlarged opening initial in metallic red pigment
New Testament Leaves in Old Armenian
Decoated initial E for 'En' on the verso of the Processional Leaf from ' Ege Manuscript 8'. Photography by Mildred Budny
A New Leaf from ‘Otto Ege Manuscript 8’
Cloth bag, now empty, for the original seal to authenticate the document, which remains intact, for a transaction of about the mid 13th-century at Preston, near Ipswich, Suffolk, UK. Photograph reproduced by permission.
Full Court Preston
The Date 1538 on the Scrap, enhanced with photographic lighting. Photography © Mildred Budny
Scrap of Information
Lower half of Recto of Leaf from the Office of the Dead in a Small-Format Book of Hours. Photography © Mildred Budny
Manuscript Groupies
Detail of cross-shaft, rays of light, and blue sky or background in the illustration of the Mass of Saint Gregory. Photography © Mildred Budny
The Mass of Saint Gregory, Illustrated
Penwork extending from a decorated initial extends below the final line of text and ends in a horned animal head which looks into its direction. Photography © Mildred Budny
Lost & Foundlings

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2013 Symposium on “Identity & Authenticity”

January 1, 2014 in Abstracts of Conference Papers, Conference Announcement, Events, Exhibition

Identity & Authenticity

Creating, Recreating, Transmitting & Preserving Identities Across Time & Place

We held a Symposium at Princeton University on 22 & 23 March 2013 with the theme of “Identity & Authenticity: Creating, Recreating, Transmitting & Preserving Identities Across Time & Place”.   Here we publish the Symposium Posters, Program, and Abstracts of the Papers, with thanks to all our Sponsors, Contributors, and Participants.

Symposium

Friday & Saturday 22 & 23 March 2013
McCormick 106, Princeton University

Poster 1 for "Identity & Authenticity" Symposium (22-23 March 2013)

Poster 1

Poster 2 for "Identity & Authenticity" Symposium (22-23 March 2013)

Poster 2

 

The challenges of shaping, reshaping, maintaining, conveying, and validating identity, both personal and collective, are perennial human concerns.  Our symposium explored subjects, regions, and materials from the early medieval period to the present day.  Presentations considered, for example, Western European and Syriac manuscript discoveries, Byzantine liturgical textiles, medieval seal-matrices and “forgeries,” Hebrew and Judeo-Arabic magical recipes from the Cairo Genizah, the transmission of Islamic paper, the reliquary of John the Baptist owned by the Knights of Malta and the Tzars, the medieval-style Hammond Castle in Massachusetts, the challenges and opportunities of collecting medieval manuscripts nowadays, and digitization projects dedicated to manuscripts and archives for teaching and research.

Sponsors:

  • James Marrow and Emily Rose
  • John H. Rassweiler
  • Index of Christian Art
  • Barbara A. Shailor
  • The Samuel H. Kress Foundation
  • De Brailles Medieval Art (LLC)
  • Committee for the Study of Late Antiquity, Princeton University

We also thank the Department of Art & Archaeology of Princeton University for the rooms, media services, and facilities for the event.

Speakers and Moderators:

James Marrow at the "Identity & Authenticity" Symposium (2013), with photography by James Heidere

Having a Look

Opening Remarks

James H. Marrow (Department of Art & Archaeology, Princeton University)

Session 1. Investigating the Archives:  Detecting Spheres of Influence

Moderator:  Celia Chazelle (Department of History, The College of New Jersey)

Alan M. Stahl (Firestone Library, Princeton University), “The Virgin in the Garden:  The Making of a Pilgrimage Site in Medieval Venice”

Eleanor A. Congdon (Department of History, Youngstown State University), “Who was Antonio Contarini?  Solving the Prosopographical Riddle of a Venetian Merchant in the Datini Archives”

Ortal-Paz Saar (School of Historical Studies, Institute for Advanced Study / Tel Aviv University), “A Genizah Magical Fragment and Its European Parallels”

[Note:  Now published as “A Genizah Magical Fragment and Its European Parallels”, Journal of Jewish Studies, 65:2 (2014), 237–262, described here]

Session 2.  Imaging or Imagining Identity:  Recreating a Medieval Legacy

Moderator:  Colum Hourihane (Index of Christian Art, Princeton University)

Karl F. Morrison (Department of History, Rutgers University), “Assimilating the Libri Carolini in the Seventeenth Century”

John H. Rassweiler (The Rassweiler Collection, Princeton), “Some Experiences with the Validation of Medieval Seal-Matrices of the Common People”

Martha E. Easton (Department of Communication and the Arts, Seton Hall University), “Authenticity, Anachronism, and the Experience of the Past at Hammond Castle”

Session 3.  Shaping and Preserving Identity in the Syriac Church

Moderator:  Kathleen E. McVey (Department of History, Princeton Theological Seminary)

Philip Michael Forness (Department of History, Princeton Theological Seminary), “The Identities of a Saint: An Initial Inquiry into the Manuscript Tradition of the Homilies by Jacob of Sarug”

Jack B. Tannous (Department of History, Princeton University), “Syril of Scythopolis in Syriac:  Observations on a Manuscript from the Sinai New Finds”

George Kiraz (Editor in Chief, Gorgias Press / Department of Middle Eastern and South-East Asian Languages & Literature, Rutgers University), “The Syriac Orthodox Patriarchal Archive of Mardin:  Digitization and Challenges”

Session 4.  Creating Digitally-Enabled Manuscript Resources for Research & Teaching

Moderator:  James H. Marrow (Department of Art & Archaeology, Princeton University)

Thomas A. Carlson (Department of History, Princeton University / Beth Marduthuo Research Library, Piscataway), “Identity and Identification in the Digital Humanities:  The Challenges and Experience of Syriaca.org”

Barbara A. Shailor (Department of Classics, Yale University), “A Mellon Foundation Project at Yale University:  The World of Digitally-Enabled Scholarship for Research and Teaching”

Session 5.  Discovering, Recovering, and Evaluating the Source Materials

Moderator:  Colum Hourihane

David W. Sorenson (Quincy, Massachusetts), “Recent Studies in Islamic Paper and What They Can Tell Us About Texts (and Images)”

Mildred Budny (Research Group on Manuscript Evidence), “A New Fragment of the Vitas Patrum from the Covers of an Early Printed Postille:  An Early Case of Western Paper?”

Scott Gwara (Department of English, University of South Carolina – Columbia / King Alfred’s Notebook, LLC & De Brailes Medieval Art LLC), “Medieval Manuscripts in the Strangest Places”

Rossitza and Ida at the Day 1 Reception of the 2013 Symposium, with photography by James Heidere

Enjoying the Company

Session 6.  Establishing or Re-Establishing Identities in the Byzantine World and Beyond

Moderator:  Mildred Budny

Henry D. Schilb (Index of Christian Art, Princeton University), “Serbian and Christian Identity in the Embroideries of the Nun Jefimija”

Rossitza B. Schroeder (Visiting Fellow in Hellenic Studies, Princeton University / Pacific School of Religion, Berkeley, California), “The New Chosen People:  The Old Testament in Late Byzantium”

Ida Sinkevič (Department of Art, Lafayette College), “The Afterlife of the Rhodes Hand of St. John the Baptist”

[Note:  This has been published here]

Demonstration:  Demonstrating Original Sources and Database Resources

Displays by:

Demonstration Session on 23 Mar 2013 at the "Identity & Authenticity" Symposium, with manuscripts on the table

Examining the Originals

Scott Gwara (De Brailes Medieval Art LLC)
David Sorenson (Specimens of Islamic Paper)
Eleanor Congdon (Specimens from the Datini Archive)
Thomas A. Carlson (The Syriac Reference Portal)

*****

The Symposium Booklet, edited by Mildred Budny and laid out in RGME Bembino, contains the
2013 Symposium Program & Abstracts of the Papers.

[The version uploaded on 29 September 2014 corrects a couple of typographical mistakes in the version circulated at the event.]

*****

Circulated online before the Symposium, the Program and Poster 2 are also available here on the online Calendar of the Program in Medieval Studies of Princeton University:

Medieval Studies Calendar Archive Princeton University

[Formerly here:  “http://web.princeton.edu/sites/medieval/images/RGME%20Symposium%20Program.pdf”]

RGME Symposium Poster

*****

Photographs by James Heidere

*****

Tags: Antonio Contarini, Cairo Genizah, Church of San Cristoforo in Venice, Committee for the Study of Late Antiquity, cult of images, Datini Archives, De Brailles Medieval Art (LLC), Department of Art & Archaeology, digitally-enabled scholarship, digitization of manuscripts, Domenico Calvaca, embroideries of Jefimija, Hammond Castle, history of Islamic paper, History of Paper Manufacture, history of textiles, Index of Christian Art, Jacob of Sarug, late Byzantine monumental Old Testament cycles, Libri Carolini, magical recipes, medieval manuscripts in North America, medieval seal-matrices, medieval-style architecture, Mellon Foundation project, Patriarchal Archive in Mardin, Postille printed in Lyons 1527, Princeton University, Rassweiler Collection, Rhodes Hand of John the Baptist, seventeenth-century religious polemics, Sinai Syriac New Finds, Syriac Christianity, Syriac manuscript studies, Syriac Reference Portal, Syriac studies, Syriaca.org, Syril of Scythopolis, The Samuel H. Kress Foundation, Transmission of the Vitas Patrum, Virgin in the Garden, Vita Sanctae Marinae, Yale University
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2002 British Museum Colloquium

January 1, 2014 in Conference Announcement, Events

2002 Poster in monochrome for the 'Form and Order' Symposium at The British Museum.“Shaping Understanding:
Form and Order in the Anglo-Saxon World, 400–1100″
A Colloquium held at The British Museum
London
7–9 March 2002

Since 2001, the Research Group has jointly sponsored scholarly meetings, co-organized by Mildred Budny and held at various centers in the United States and elsewhere.  These meetings constitute the ‘New Series’ of Symposia, Colloquia, Workshops & Seminars (2001–).

Following the move of our principal base to the United States in October 1994, the ‘New Series’ began with the Annual Symposia on “The Transmission of the Bible” (1995–2000).  Then it moved to events devoted to various topics, biblical and other subjects included.  Among them:  “Form and Order in the Anglo-Saxon World” (2002) at The British Museum.

Front Entrance to the British Museum on 10 March 2002 after the 2002 Colloquium Photograph © Mildred Budny

Front Entrance to the British Museum on 10 March 2002. Photograph © Mildred Budny.

*****

2001 Poster for the Inaugural and Celebratory Workshop on 'The Dating Service or the Dating Game? Problems and Potential of Dating Materials from the Early Medieval Period', laid out in Adobe GaramondFirst in this New Series came

” ‘The Dating Service or the Dating Game?’
Problems and Potential of Dating Materials from the Early Medieval Period”

An Inaugural and Celebratory Workshop
(The College of New Jersey, November 2001),
inaugurating a series of workshops and celebrating
both the formation of the Early Medieval Forum and
the recognition for the Research Group on Manuscript Evidence of tax-exempt status
as a Section 501(c)(3) nonprofit organization.

Co-organized by Celia Chazelle and co-sponsored by the Early Medieval Forum, the Index of Christian Art of Princeton University, and the History Department and History Club of The College of New Jersey, the Workshop was held at The College of New Jersey, Ewing, New Jersey, in November 2001. Information about the interests, activities, and listserv of the Early Medieval Forum appears on its website: Early Medieval Forum.  Information about this Workshop appears on its own page.

*****

“Form and Order” Colloquium
at the British Museum

2002 Poster in monochrome for the 'Form and Order' Symposium at The British Museum.Next came the British Museum Colloquium, which extended across 3 days in March 2002.

Besides co-organizing the event, the Research Group prepared the printed announcements, Poster, Booking Form, Program, and Booklet containing the “Abstracts of Papers”.  All are set in Adobe Garamond and laid out according to our Style Manifesto.

“Shaping Understanding: Form and Order in the Anglo-Saxon World, 400–1100”

A Colloquium
Co-organized by Leslie E. Webster and Mildred Budny

Sponsored by

  • The British Museum
  • The British Academy
  • Samuel H. Kress Foundation
  • American Friends of the British Museum
  • Index of Christian Art, Princeton University
  • Royal Historical Society
  • Centre for Palaeography
    in the School of Advanced Study of the University of London
  • Research Group on Manuscript Evidence

The Colloquium was held at the Clore Centre of The British Museum in London in March 2002.

The Plan

We described it this way for the Announcement:

Anglo-Saxon perceptions of form and order are manifested in their approaches to multiple areas ranging from the visual arts and texts in all forms to religious practice and social structures.  The colloquium will explore this theme through two broad, interconnected strands:  Texts of all kinds, and Art, Architecture, and Archaeology.  We shall explore the varied evidence for the ways and means whereby Anglo-Saxons shaped their knowledge and understanding of the world, gave it order, and established their legacy.  Speakers, Keynote Speakers, Moderators, and Respondents are experts in a wide range of fields across these disciplines.  They come from many centres in the British Isles, Europe, and North America.

The Speakers (in Order of Appearance)

Simon D. Keynes (Trinity College and Department of Anglo-Saxon, Norse, and Celtic, University of Cambridge)
“The ‘Grand Combinations’ of the Anglo-Saxons”

2002 BM Colloquium Photos 017 croppedNoël Adams (London)
“Revival or Continuity?  Fifth-Century Elements in the Sutton Hoo Garnet Cloisonné”

Angela Evans (Department of Medieval and Modern Europe, British Museum)
“Innovation and Decline:  Garnet Cloisonné in Early Anglo-Saxon England’

Tania Dickinson (Department of Archaeology, University of York)
“Medium and Message in Early Anglo-Saxon Animal Art:  Some Observations on Salin’s Style I in England”

John Hines (School of History and Archaeology, Cardiff University)
“The Predictable Wanderer:  Individuality and Conformity in Anglo-Saxon England”

2002 BM Colloquium Photos 008 cropped Michael Ryan (Chester Beatty Library, Dublin)
“Some Irish Liturgical Spaces”

Susan Youngs (Department of Medieval and Modern Europe, British Museum)
“The Past in the Present:  Celtic Art in Insular Ornament”

James Graham-Campbell (Institute of Archaeology, University College, London)
“Shaping and Reshaping:  Aspects of Late Anglo-Saxon and Viking Art”

Alan Thacker (Institute of Historical Research, University of London)
“Bede and the Ordering of Understanding”

Wesley M. Stevens (Department of History, University of Winnipeg)
“En Route with Bedan Cosmology”

Coffee Break at the 2002 British Museum Colloquium.Helen Gittos (The Queen’s College, Oxford)
“Liturgy and Sacred Space in Anglo-Saxon England”

Richard Bailey (Department of English, University of Newcastle)
“Anglo-Saxon Art:  Some Orderings and Their Meanings”

Jane Hawkes (Centre for Medieval Studies, University of York)
“The Church Triumphant:  The Figural Columns of Early Ninth-Century Angl0-Saxon England”

2002 BM Colloquium Photos 015 croppedCarol Farr (London)
“The Sign at the Cross-Roads:  The Matthean Nomen sacrum in Gospelbooks before King Alfred”

Nancy Netzer (Department of Fine Arts and McMullen Art Museum, Boston College)
“Framing the Book of Durrow Inside/Outside the Anglo-Saxon World”

Joyce Hill (School of English, University of Leeds)
“Anglo-Saxon Perspectives on Liturgical Order”

Mildred Budny (Research Group on Manuscript Evidence, Princeton)
“Balanced Asymmetry as a Hallmark of Ninth-Century Anglo-Saxon Art”

Reception at the 2002 British Museum Colloquium.David Ganz (Departments of English and Classics, King’s College, and
Centre for Palaeography in the School of Advanced Study, University of London)
“Anglo-Saxon Reception of Carolingian and Ottonian Books”

Michael Wood (London)
“King Athelstan’s Imperium and the (Re-)Ordering of Anglo-Saxon England”

Reception at the 2002 British Museum Colloquium. Photography © Mildred Budny[Olivier Szerwiniack (Faculté des Lettres, Université de Picardie Jules Verne, Amiens)
“Shaping an Historical Event:  The Anglo-Saxons’ Arrival in Great Britain According to Anglo-Saxon and Britonic Historians”
Note:  Olivier did not attend the Colloquium to present his paper]

Reception at the 2002 British Museum Colloquium. Photography © Mildred BudnyRichard Gameson (School of History, University of Kent at Canterbury)
“The Last Chi-Rho in the West:  From Insular to Anglo-Saxon in the Boulogne 10 Gospels”

Elizabeth M. Tyler (Centre for Medieval Studies, University of York)
“Facta velut infecta:  History, Vergil and the Encomium Emmae Reginae”

Geoffrey Russom (Department of English, Brown University, Providence)
“The ‘Orchestration’ of Verse Patterns in Old English Meter”

Reception at the 2002 British Museum Colloquium.Robert D. Stevick (Department of English, University of Washington, Seattle)
“Accumulated Geometry:  Harmony of Form in Anglo-Saxon Texts and Design”

Philip Rusche (Department of English, University of Nevada, Las Vegas)
“Order and Design in Anglo-Saxon Glossaries”

John Higgitt (Department of Fine Art, University of Edinburgh)
“Emphasis and Visual Rhetoric in Anglo-Saxon Inscriptions”

David Parsons (School of English Studies, University of Nottingham)
“Recasting the Anglo-Saxon Runes”

Anna Gannon (Department of Coins and Medals, British Museum, and Lucy Cavendish College, Cambridge)
” . . . And Pretty Coins All in a Row”

2002 BM Colloquium Photos 004 croppedAndy Orchard (Centre for Medieval Studies, University of Toronto)
“Enigma Variations:  Mutual Influence in the Anglo-Latin and Old English Riddle Traditions:

Leslie E. Webster (Department of Medieval and Modern Europe, British Museum)
” ‘Learned Games’:  The Ludic Principle in the Visual Arts”

David Howlett (Dictionary of Medieval Latin from British Sources, Oxford)
“Letter and Number and Musical Note:  Literary Languages and Cosmic Order”

Dáibhí Ó Cróinín (School of History, National University of Ireland, Galway)
“Irish Manuscripts and Anglo-Saxon Studies:  The CALAMUS Project”

2002 BM Colloquium Photos 005 croppedPatrick Wormald (Wolfson College, Oxford)
“The Power of Command:  Pre-Conquest England as a Developing ‘State’ ”

Moderators

David M. Wilson (Isle of Man)
Carol Neuman de Vegvar (Department of Fine Arts, Ohio Wesleyan University, Delaware, Ohio)
Rosamond McKitterick (Newnham College and Faculty of History, University of Cambridge)
Rosemary Cramp (Department of Archaeology, Durham University)
Janet L. Nelson (Department of History, King’s College, London)
Giles Constable (School of Historical Studies, Institute for Advanced Study, Princeton)
Richard Marsden (School of English Studies, University of Nottingham)
Raymond Page (Corpus Christi College, Cambridge)
Carin Ruff (Department of English, John Carroll University, University Heights, Ohio)

2002 BM Colloquium Photos 002 cropped more

The 5-page Program lists the order of the proceedings, refreshments and receptions included.  The 14-page Booklet provides the Abstracts of Papers.  We include both of them here.

Cover Page for 2002 British Museum Colloquium Program Booklet, with Abstracts of Papers, compiled and edited by Mildred Budny, and laid out and printed by the Research Group on Manuscript Evidence.

Written Records

Abstracts of the thirty-three papers presented at the Colloquium were published in print for distribution at the Colloquium.  They are also available online, as described in the list of Publications.

The Abstracts alone, without reference to the Research Group (which provided their texts), were reprinted in double-column layout in the Old English Newsletter, 35:3 (Spring 2002), A-5–A-15, and now available online.

The Abstracts of Papers [compiled and edited by Mildred Budny] appeared as a Booklet of 14 quarto-size pages, laid out in single columns in Adobe Garamond (Princeton:  Research Group on Manuscript Evidence, 2002).  Distributed at the event, and circulated afterward, it is now available for download on our site.

The Index of Abstracts of Papers for Events Listed by Year cites the Authors alphabetically for this and other events in the New Series. The Indexes of the Abstracts for Congress Sessions lists the Authors both by year and by name.

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We thank the Organizers, Hosts, Sponsors, and Contributors.  The photographs of the event reproduced here were taken by Geoffrey Russom and Mildred Budny.

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Next came the Colloqium on

“Innovations for Editing Texts from Antiquity to Enlightenment”
(The Ohio State University, October 2003)

Some of the Contributors to the 2001 Dating Game Colloquium and the 2002 British Museum Colloquium also participated in this Colloquium.
Details here

2003 Poster for Colloquium on 'Innovations in Editing Texts from Antiquity to Enlightenment', laid out in Adobe Garamond*****

More events continue to follow.  Have a look at our Symposia, Colloquia, Workshops & Seminars. Please see also our News & Views.

Poster for 2014 Symposium on 'Recollections of the Past', laid out in the RGME font Bembino and illustrated with 2 images from a dismembered Book of Hours. Images courtesy of Adelaide Bennett2013 Poster 1 for the Symposium on 'Identity and Authenticity', laid out in RGME Bembino and illustrated with images courtesy of De Brailes Medieval Art LLC and David W. SorensonPoster 2 for the 2016 'Words & Deeds' Symposium at Princeton University, with 2 images from the Otto Ege Collection, The Beinecke Rare Book and Manuscript Library, Yale University. Photography by Lisa Fagin Davis. Reproduced by permission. Poster set in RGME Bembino

 

 

 

 

 

 

 

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Tags: Anglo-Saxon Manuscripts, British Museum, Centre for Palaeography, Index of Christian Art, Manuscript Illumination, Medieval Studies, Royal Historical Society, School of Advanced Study, The American Friends of the British Museum, The British Academy, The Friends of the British Museum, The Samuel H. Kress Foundation, University of London
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