The Design

We progress with writing the history of the Research Group on Manuscript Evidence, aided by materials in the Archives.  While we prepare interviews with people who have contributed to its origins, survival, and accomplishments — soon comes the Interview with our Layout and Font Designer (responsible, for example, for our multilingual font Bembino), then an Interview about the choices for the design of the Illustrated Catalogue, with others to follow — we advance with showcasing some more highlights.

Now is the turn of our Logo, with reflections about its Origins, its Design, its Evolution, its Uses, its Intentions, and its Meanings.  We still think that it’s beautiful.  No wonder we haven’t felt any need to change it.  Do you like it, too?

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