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      • Mildred Budny — Her Page
      • Adelaide Bennett Hagens
    • Activities
      • Events
      • Congress Activities
        • Sponsored Conference Sessions (1993‒)
          • Panels at the M-MLA Convention (from 2016)
        • Co-sponsored Conference Sessions (2006‒)
    • History
      • Seals, Matrices & Documents
      • Genealogies & Archives
    • Contact Us
  • Bembino
    • Multi-Lingual Bembino
    • RGME Bembino: Resources
  • Congress
    • Sponsored Conference Sessions (1993‒)
    • Co-sponsored Conference Sessions (2006‒)
    • Abstracts of Congress Papers
      • Abstracts Listed by Author
      • Abstracts Listed by Year
    • Kalamazoo Archive
    • Panels at the M-MLA Convention (2016-2019)
      • Abstracts of Papers for the M-MLA Convention
      • Panels at the M-MLA Convention (from 2016)
  • Events
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      • 2023 Activities and 2024 Planned Activities
    • Seminars, Workshops, Colloquia & Symposia (1989–)
      • Seminars on ‘The Evidence of Manuscripts’
      • Symposia on ‘The Transmission of the Bible’
      • The New Series (2001-)
        • 2019 Anniversary Symposium Program: The Roads Taken
        • 2019 Anniversary Symposium Registration
        • 2019 Anniversary Symposium Registration Open
      • RGME Symposia: The Various Series
      • The Research Group Speaks: The Series
      • Meetings of the Friends of the Research Group on Manuscript Evidence
      • RGME Online Events
    • Abstracts of Papers for Events
      • Abstracts of Papers for Seminars on ‘The Evidence of Manuscripts’
      • Abstracts of Papers for Symposia, Workshops & Colloquia
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    • Business Meetings
    • Photographic Exhibitions & Master Classes
    • Events Archive
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    • Journal Description
    • ShelfMarks: The RGME-Newsletter
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      • “Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge” (1997)
        • Mildred Budny, ‘Catalogue’
        • The Illustrated Catalogue (1997)
      • The Illustrated Handlist
      • Semi-Official Counterfeiting in France 1380-1422
      • No Snap Decisions: Challenges of Manuscript Photography
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    • Watermarks & the History of Paper
    • Galleries: Contents List
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    • Texts on Parade
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    • Layout Designs
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2025 DMSI at Cambridge & Boston

December 29, 2024 in Uncategorized

Third Annual
Digital Manuscript Studies Institute: DMSI 2025
Cambridge & Boston, Massachusetts

19 March 2025, 8:30 am – 7:00 pm EST (GMT-5)

Organizers: Laura K. Morreale and N. Kıvılcım Yavuz

DMSI 2025 Logo and QR Code

[Posted on 29 December 2024]

DMSI 2025 Banner

The third annual Digital Medieval Studies Institute (DMSI) in March 2025 presents a one-day program featuring workshops on digital scholarly methods specifically tailored for medievalists. Organized by Laura K. Morreale and N. Kıvılcım Yavuz, it takes place in cooperation with

DMSI 2025 Flyer

  • Harvard University,
  • Boston College,
  • McMullen Museum of Art,
  • Digital Medievalist, and
  • the Research Group on Manuscript Evidence (RGME).

Information for DMSI 2025

  • printable Flyer (see right)
    DMSI 2025 flyer
  • web-based information sheet
  • application form
  • registration (see below)

All registered participants will be charged a fee of $100 to participate in DMSI 2025. A small bursary will be offered for 5 participants (one per class) to cover the participation fee; the bursary is needs-based. For instructions to apply to the full-day program, to present a lightning talk, or to apply for a bursary, see below.

For registration to attend the full-day program, see below.

DMSI 2025 Flyer: Call for Participation

Program

Plenary Lecture

Gabriel Pizzorno
(Senior Preceptor on History and Faculty Chair,
Digital Scholarship Support Group, Harvard University)
“Building on Solid Foundations:
The Importance of Data Structures to Digital Scholarship”

Lightening Talks

Lightning talks will be presented by a selected number of participants.

Send your proposals!

For the lightning talks, workshop participants can propose a short presentation (lightning talk) on any aspect of digital medieval studies, such as an ongoing project, a methodology, or a specific research finding; the topic of the lightning talk does not have to be the same as the workshop in which the participant enrolls. Participants will be able to present a lightning talk only if they are accepted to attend the full-day program.

Lunch

Workshops

Five separate concurrent workshops, each with a total teaching time of 4 hours, will address a variety of topics and techniques.

A maximum of 8-10 participants will be accepted into each workshop. It will only be possible to enroll in one workshop.

1) “Rendering Spaces Virtually Using Photogrammetry”
(Rachel Chamberlain)

Participants will explore the various uses of photogrammetry, particularly in capturing interiors to display virtually. You will learn to photograph a space, stitch it together, and layer multiple forms of media on top to provide a rich, immersive experience to digital visitors.

2) “Rendering 3D Artifacts for Virtual Exhibits Using Photogrammetry”
(Antonio LoPiano)

Photogrammetry is a powerful and flexible technology for the capturing, digitization, and visualization of 3D artifacts, especially in the context of rendering them for use in virtual exhibits or repositories. Participants will learn how to capture images of an artifact, use the Metashape photogrammetry software to process images, and export the resulting models for use in virtual environments.

3) “Mapping Humanities: The Medieval Version”
(Kahil Sawan)

This workshop explores various mapping methods used in medieval digital humanities. Participants will be introduced to GIS (Geographic Information Systems), geo-referencing, and spatial data. You will learn how to use tools that will enable you to integrate geography and digital mapping into your own research projects.

4) “Networking Old English Charters Using Gephi”
(David Thomas)

Network analysis enables scholars to untangle patterns of relationships in historical documents whose complexity is beyond human comprehension. Participants will use the network analysis tool Gephi to analyze and visualize the relationships of over 2,500 individuals who appear in over 500 charters from Old English kingdoms, from the seventh to the ninth centuries, zeroing in on major figures.

Cambridge, Massachusetts, Harvard University, Houghton Library: Exterior view (2014). Harvard Public Affairs and Communications, Harvard University, Copyrighted free use, via Wikimedia Commons

5) “Digitizing Manuscripts”
(Anthony Harris & Sara Powell)

In this interactive workshop on the essentials of manuscript digitization, participants will learn how to capture the textual and material aspects of medieval fragments. You will gain hands-on experience working with Houghton Library’s fragments, collaborating to select, describe, scan, and prepare items for upload to a digital repository.

— This workshop will take place at the Houghton Library.

DMSI 2025: List of Workshops

Reception at the McMullen Museum of Art of Boston College

Boston, Boston College, McMullen Museum of Art, Exterior. Photograph by BCLicious (2018), CC0, via Wikimedia Commons

Applications and Instructions

Preference will be given to applicants who demonstrate how they plan to apply what they learn in their research, teaching, or professional practice.

We are offering a small bursary for 5 participants (one per class) to cover the participation fee; the bursary is needs-based.

  • application form

For the application, you will need to supply:

  • Contact information
  • Two-paragraph statement of interest specifying the three workshops you are most interested in participating (in order of preference) and explaining how you plan to incorporate the skills and knowledge gained at DMSI into your current work.
  • Concise CV (maximum 1 page).

Optional

  • Proposal to give a Lightning Talk

If you wish to propose a short presentation, please send a title and a 200-word abstract.

  • Application for a Bursary

If you wish to apply for a bursary, please send a brief indication of financial need (no documentation, please). The bursary will cover the $100 cost of participation ONLY. No funds are available for travel or accommodation.

Due Date for Applications
Note that the first round of applications are due by 30 January 2025.

DMSI 2025 Flyer: Instructions

Registration

The fee to attend the 2025 Meeting of the DMSI in Cambridge/Boston is $100 US. (The cost of lodging or travel is not included.) To apply for a needs-based bursary to cover this fee, see above.

Please register through the RGME Eventbrite Registration Portal:

  • Digital Medieval Studies Institute (DMSI) 2025 in Cambridge/Boston: Tickets

In registering, please indicate your first, second, and third choices of workshop you would like to attend; spaces are limited. Please also indicate any dietary restrictions.

Issues with registering for the event? Please contact the RGME via rgmesocial@gmail.com.

Questions?

Do you have questions about the event and applications for it?
Please contact the organizers via dmsihello@gmail.com.

DMSI 2025 Logo and QR Code

*****

Tags: Boston College, Digital Medieval Studies Institute, Digital Medievalist, DMSI 2025, Harvard University, Houghton Library, McMullen Museum of Art
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Some Leaves in Set 1 of Ege’s FOL Portfolio

June 19, 2020 in Manuscript Studies

Leaves from
‘Otto Ege Manuscripts 8, 14, 19, and 41’
In a Newly Discovered Portfolio
of Fifty Original Leaves (“FOL”)

[Published on 18 June 2020, with updates]

[Update on 22 January 2021:  This set, sold at auction at Christie’s in London on 8 December 2020, has been acquired by the Houghton Library at Harvard University, as announced by John Overholt.]

Continuing our series of blogposts (see our Contents List) on some manuscripts dismembered and dispersed by Otto F. Ege (1888–1951) in various Portfolios or by other means, we report on selected leaves which emerge into view in a newly discovered set of the Portfolio of Fifty Original Leaves (“FOL”). 

Set 1 of Ege's FOL Portfolio, Leaf 14 recto: Initial for Lamentations.

Set 1 of Ege’s FOL Portfolio, Leaf 14 recto: Initial for Lamentations.

Among the numbered sets, the ‘new’ one has the Number 1.  This “previously-unknown” set of Ege’s “Fifty Original Leaves” in private hands is reported by our Associate Lisa Fagin Davis in her blog: Manuscript Road Trip: Otto Ege, St. Margaret. and Digital Fragmentology, Part 2 (June 7, 2020), following her Part 1 describing her own and other scholars’ work — ours included — on the FOL manuscripts:  Manuscript Road Trip: Fragmentology in the Wild (July 14, 2019).

We thank the owner and Lisa for allowing us to see images of the relevant leaves in the new set, resulting in updates for the manuscripts which we have already considered within Ege’s FOL Portfolio.  A complete set of the Portfolio contains ‘Ege MSS 1–50’, as numbered both by Ege and by Scott Gwara in his book on Otto Ege’s Manuscripts (2013). 

Here, augmenting our work already on survivors from some of those Fifty manuscripts in other settings (sets of the FOL Portfolio and elsewhere), we focus on Ege MSS 8, 14, 19, and 41.   This post contributes to our on-going study of Ege’s manuscripts and other materials, medieval and other, Western and more.  So far:  Ege MSS 8, 14, 41, 51, 56, 61, and 214 (see our Contents List). Read the rest of this entry →

Tags: Christie's, De tribus diebus by Hugh of Saint-Victor, Dialogues of Gregory the Great, Dispersed Manuscript Leaves, Ege's FOL Portfolios, Epistles of John Chrysostom, Fragmentology, History of Manuscripts, Houghton Library, Hugh of Saint-Victor, Latin Vulgate Bible, Medieval Manuscript Fragments, Meditations of Saint Anselm, Otto Ege, Otto Ege MS 14, Otto Ege MS 19, Otto Ege MS 41, Otto Ege MS 8, Otto Ege Portfolios, Wilton Processional
3 Comments »

Simurgh and Zal from a Persian “Shahnameh”

May 7, 2020 in Manuscript Studies, Uncategorized

Simurgh and Zaal
from a Persian Shahnameh

[Posted on 7 May 2020]

Private Collection, Leaf from a Persian Shanameh. Simurgh and Zal.

Continuing to examine manuscripts or manuscript fragments and related materials in our blog, we turn to an illustrated paper leaf, now in a private collection, from a Persian Shahnameh or ŠĀH-NĀMA (“Book of Kings”).

The Contents List for our blog shows the range of our explorations.  Our Galleries of Scripts on Parade include specimens of script in Persian as well as other languages, Western and non-Western.

The Paper Leaf

The leaf was purchased in the Portabello Road in London circa 1985.  The paper is typical of Persian paper from at least the fifteenth through the nineteenth centuries CE. One side has text, and the other has both text and inset illustration. The ensemble probably dates from the 19th century, with acquired damage of various kinds, including unevenly trimmed edges.

Private Collection, Leaf from a Persian Shanameh. Simurgh and Zal.

Private Collection, Leaf from a Persian Shanameh. Simurgh and Zal.

Read the rest of this entry →

Tags: Freer Gallery, Houghton Library, Illustrated Manuscripts, manuscript fragments, Morgan Library & Museum, Shahnameh, Simurgh, Simurgh and Zal, Tahmasp Shahnameh, Zal
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