{"id":18868,"date":"2024-05-05T04:32:02","date_gmt":"2024-05-05T04:32:02","guid":{"rendered":"https:\/\/manuscriptevidence.org\/wpme\/?p=18868"},"modified":"2024-12-14T01:17:07","modified_gmt":"2024-12-14T01:17:07","slug":"episode-18-women-as-makers-of-books","status":"publish","type":"post","link":"https:\/\/manuscriptevidence.org\/wpme\/episode-18-women-as-makers-of-books\/","title":{"rendered":"Episode 18. &#8220;Women as Makers of Books&#8221;"},"content":{"rendered":"<h1 style=\"text-align: center;\">&#8220;The Research Group Speaks&#8221;<br \/>\nEpisode 18<br \/>\n&#8220;Women as Makers of Books&#8221;<\/h1>\n<h4 style=\"text-align: center;\">Saturday 14 December 2024<br \/>\n1:00\u20132:30 pm EST (GMT-5) by Zoom<\/h4>\n<h3 style=\"text-align: center;\"><strong>Jaclyn Reed, Hannah Goeselt, Linda Civitello,<br \/>\nMildred Budny, and Others<br \/>\n<\/strong><\/h3>\n<p>[<em>Posted on 3 May 2024, with updates<\/em>]<\/p>\n<div id=\"attachment_18509\" style=\"width: 223px\" class=\"wp-caption alignright\"><img aria-describedby=\"caption-attachment-18509\" loading=\"lazy\" class=\"wp-image-18509 size-medium\" src=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2023\/10\/6a00d8341c464853ef0192aba26c93970d-500wi-Harl-4431-f4r-213x300.jpg\" alt=\"London, British Library, Harley MS 4431, fol. 4r.Christine de Pisan sits at work writing in an interior accompanied by a dog. France (Paris), c. 1410 \u2013 c. 1414. Image via https:\/\/blogs.bl.uk\/digitisedmanuscripts\/2013\/06\/christine-de-pizan-and-the-book-of-the-queen.html.\" width=\"213\" height=\"300\" srcset=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2023\/10\/6a00d8341c464853ef0192aba26c93970d-500wi-Harl-4431-f4r-213x300.jpg 213w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2023\/10\/6a00d8341c464853ef0192aba26c93970d-500wi-Harl-4431-f4r-106x150.jpg 106w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2023\/10\/6a00d8341c464853ef0192aba26c93970d-500wi-Harl-4431-f4r.jpg 500w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><p id=\"caption-attachment-18509\" class=\"wp-caption-text\">London, British Library, Harley MS 4431, fol. 4r.Christine de Pisan sits at work writing in an interior accompanied by a dog. France (Paris), c. 1410 \u2013 c. 1414. Image via https:\/\/blogs.bl.uk\/digitisedmanuscripts\/2013\/06\/christine-de-pizan-and-the-book-of-the-queen.html.<\/p><\/div>\n<p>By its focus upon the agency of women in and for books, this Episode offers a pendant at the end of our 2024 Anniversary Year for the Episode which opened the year.<\/p>\n<ul>\n<li>See <a href=\"https:\/\/manuscriptevidence.org\/wpme\/episode-15-women-writers-from-the-medieval-to-post-modern-periods\/\" target=\"_blank\" rel=\"noopener\">Episode 15. Women Writers from the Medieval to Post-Modern Periods<\/a><\/li>\n<\/ul>\n<p>Then, in January, scholars, teachers, and writers spoke about their interests, long-term work , and current projects concerned with the writings of women authors across a long span of time. Reflecting women&#8217;s roles, opportunities, constraints, and resourcefulness, the writings cover a wide range of spheres, subjects, approaches, and styles. The works range from literary creations to recipes for cookery.<\/p>\n<p>Now, in December, the same speakers from that Episode return to offer reflections, presentations, or responses on the subject of women who contributed in one or more ways to the production of books in various forms during a range of periods across history. Other speakers and respondents join them, along with our audience engaging in the discussion with questions, comments, and observations.<\/p>\n<p>For the January Episode, Mildred Budny was the presider. For the December Episode, Justin Hastings will preside.<\/p>\n<p>We thank all our contributors, presiders, and attendees.<\/p>\n<div id=\"attachment_18710\" style=\"width: 310px\" class=\"wp-caption alignright\"><img aria-describedby=\"caption-attachment-18710\" loading=\"lazy\" class=\"wp-image-18710 size-medium\" src=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/02\/Oldarchbridge1-Wikipedia-Old-Stone-Arch-Bridge-Lewistown-PA-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/02\/Oldarchbridge1-Wikipedia-Old-Stone-Arch-Bridge-Lewistown-PA-300x225.jpg 300w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/02\/Oldarchbridge1-Wikipedia-Old-Stone-Arch-Bridge-Lewistown-PA-150x112.jpg 150w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/02\/Oldarchbridge1-Wikipedia-Old-Stone-Arch-Bridge-Lewistown-PA.jpg 375w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-18710\" class=\"wp-caption-text\">Lewistown, Pennsylvania, Old Stone Arch Bridge spanning Jack&#8217;s Creek. Built by Philip Diehl in 1815. Photograph by KAATMAAN (August 2011) via Wikimedia Commons via CC BY-SA 3.0 License.<\/p><\/div>\n<h2>A Bridge for, or across,<br \/>\nOur 2024 Anniversary Year<\/h2>\n<p>In keeping with the Theme of our Anniversary Year, <a href=\"https:\/\/manuscriptevidence.org\/wpme\/bridges-for-our-anniversary-year\" target=\"_blank\" rel=\"noopener\" class=\"broken_link\">Bridges<\/a>, this Episode brings the opportunity to round out the year by means of a bridge across the RGME&#8217;s year with a return or expansion upon the theme of women responsible for contributions to the making of books. Now, we think of them not only as writers of texts, as at the beginning of the year in Episode 15, but also, or instead, as makers of the images, scripts, bindings, and\/or other materials which make up books themselves as carriers of knowledge, art, expressions,\u00a0 explorations, and manifestations of human aspirations.<\/p>\n<h2>Genres and Styles<\/h2>\n<p>Womens&#8217; contributions to the &#8220;making of books&#8221; also extend to manuscripts or other forms of presenting the written word in material form. These makers chose to work in spheres ranging from calligraphy to illustrations and the designs which governed the layout or production of the works themselves.<\/p>\n<p>Periods under consideration might range widely across centuries and cultures.\u00a0 Examples include the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Arts_and_Crafts_movement\" target=\"_blank\" rel=\"noopener\">Arts and Crafts Movement<\/a> which flourished in Europe and North America circa 1880\u20131920, the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Art_Nouveau\" target=\"_blank\" rel=\"noopener\">Art Nouveau<\/a> Movement of circa 1890\u20131910, and the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Art_Deco\" target=\"_blank\" rel=\"noopener\">Art Deco<\/a> Style of the 1910s to 1930s.<\/p>\n<p><em>Update<\/em>:<br \/>\nSince we began to plan this Episode, more of our events in our 2024 Anniversary Year address the subject.<\/p>\n<p>For example, in October, online by Zoom:<\/p>\n<ul>\n<li>the co-sponsored set of webinars on <a href=\"https:\/\/manuscriptevidence.org\/wpme\/medieval-womens-networks\" target=\"_blank\" rel=\"noopener\">Medieval Women&#8217;s Networks&#8221;<\/a> on Thursday and Friday 17\u201318 October by Zoom<\/li>\n<li>and the Autumn Symposium <a href=\"https:\/\/manuscriptevidence.org\/wpme\/2024-autumn-symposium-at-the-helm\" target=\"_blank\" rel=\"noopener\">2024 Autumn Symposium &#8220;At the Helm: Spotlight on Special Collections as Teaching Events&#8221;<\/a><br \/>\non Friday and Saturday 25\u201326 October by Zoom; its first session showcases contributions to book-production in the Victorian period<!--more--><\/li>\n<\/ul>\n<div id=\"attachment_18862\" style=\"width: 232px\" class=\"wp-caption alignright\"><img aria-describedby=\"caption-attachment-18862\" loading=\"lazy\" class=\"wp-image-18862 size-medium\" src=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_91-222x300.jpeg\" alt=\"\" width=\"222\" height=\"300\" srcset=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_91-222x300.jpeg 222w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_91-759x1024.jpeg 759w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_91-111x150.jpeg 111w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_91-768x1036.jpeg 768w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_91.jpeg 1024w\" sizes=\"(max-width: 222px) 100vw, 222px\" \/><p id=\"caption-attachment-18862\" class=\"wp-caption-text\">Paris, Biblioth\u00e8que nationale de France, d\u00e9partement Estampes et photographie, HD-83 (W)-PET FOL. \u00c9lisabeth Sonrel, Les Saisons. \u00c9tudes D\u00e9coratives (Paris, 1901), front cover (lithograph).<\/p><\/div>\n<h2>The Year Round<br \/>\nin Chromolithographic Engravings<\/h2>\n<p>As a case in point, we offer a sample of illustrations of the Seasons, personified as graceful women shown full-length within landscapes, by <a href=\"https:\/\/en.wikipedia.org\/wiki\/%C3%89lisabeth_Sonrel\" target=\"_blank\" rel=\"noopener\">\u00c9lisabeth Sonrel<\/a> (1874\u20131953), painter and illustrator active in France in the Art Nouveau Style. Gathered in book form as <em>Les Saisons. \u00c9tudes D\u00e9coratives<\/em> (1901), the full-page inscribed and colored engravings printed by chromolithography provide a suite of four illustrations depicting Spring, Summer, Autumn, and Winter: <em>Printemps, \u00c9t\u00e9, Automne, and Hiver<\/em>.<\/p>\n<p>As emblems of our Episodes 15 and 18 to start and end our Anniversary Year, we show here the scenes or pages for <em>Printemps<\/em> and <em>Hiver<\/em>.<\/p>\n<h3>Printemps \/ Spring<\/h3>\n<div id=\"attachment_18863\" style=\"width: 778px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-18863\" loading=\"lazy\" class=\"wp-image-18863 size-large\" src=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_10-768x1024.jpeg\" alt=\"\" width=\"768\" height=\"1024\" srcset=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_10-768x1025.jpeg 768w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_10-225x300.jpeg 225w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_10-112x150.jpeg 112w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_10.jpeg 1024w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><p id=\"caption-attachment-18863\" class=\"wp-caption-text\">Paris, Biblioth\u00e8que nationale de France, d\u00e9partement Estampes et photographie, HD-83 (W)-PET FOL. \u00c9lisabeth Sonrel, Les Saisons. \u00c9tudes D\u00e9coratives (Paris, 1901), Printemps (chromolithograph). Image Public Domain via https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b10546204w\/f10.item.<\/p><\/div>\n<h2>Hiver \/ Winter<\/h2>\n<div id=\"attachment_18866\" style=\"width: 774px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-18866\" loading=\"lazy\" class=\"wp-image-18866 size-large\" src=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_13-764x1024.jpeg\" alt=\"\" width=\"764\" height=\"1024\" srcset=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_13-764x1024.jpeg 764w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_13-224x300.jpeg 224w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_13-112x150.jpeg 112w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_13-768x1030.jpeg 768w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/Les_Saisons_Etudes_Decoratives_-_...Sonrel_Elisabeth_btv1b10546204w_13.jpeg 1024w\" sizes=\"(max-width: 764px) 100vw, 764px\" \/><p id=\"caption-attachment-18866\" class=\"wp-caption-text\">Paris, Biblioth\u00e8que nationale de France, d\u00e9partement Estampes et photographie, HD-83 (W)-PET FOL. \u00c9lisabeth Sonrel, Les Saisons. \u00c9tudes D\u00e9coratives (Paris, 1901), Hiver (chromolithograph). Image via https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b10546204w\/f13.item#.<\/p><\/div>\n<p>*****<\/p>\n<h2>Subjects and Makers as Examples<\/h2>\n<p>Our case-studies for examination include agents who created a variety of materials relating to, and contained within, books.<\/p>\n<p>Examples include authors, artists, calligraphers, and designers.<\/p>\n<h3>1) Authors as Shapers of Books<\/h3>\n<p>Developing her subject for our Episode 15 in January this year, <strong>Jaclyn Reed<\/strong> would consider, among other contemporary authors, the creative approach by <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ali_Smith\" target=\"_blank\" rel=\"noopener\">Ali Smith<\/a> (born 1962) to her novel <a href=\"https:\/\/en.wikipedia.org\/wiki\/How_to_Be_Both\" target=\"_blank\" rel=\"noopener\">How to Be Both<\/a> (2014). Its publication in two versions in each printing present the two different parts, or narratives (known as &#8220;Eye&#8221; and &#8220;Camera&#8221; respectively), in alternate orders, resonating with the title of the work and bringing it into being.<\/p>\n<p>Jackie proposes to focus on authors and their approaches as explored in her Ph.D. dissertation, &#8220;The Time Helix: Nonlinear Narrative Structures and the Paradox of the Time Helix&#8221; (University of Western Ontario, 2022), available <a href=\"Western\" target=\"_blank\" rel=\"noopener\" class=\"broken_link\">online<\/a>. First she will examine the agency of narrators in selected novels (post-2000), such as by <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ali_Smith\" target=\"_blank\" rel=\"noopener\">Ali Smith<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Muriel_Spark\" target=\"_blank\" rel=\"noopener\">Muriel Spark<\/a> (1918\u20132006), then set it in the context of the agency of authors and editors in the presentations of their works.<\/p>\n<h3>2) Manuals for Makers of the Arts of Books<\/h3>\n<p><strong>Hannah Goeselt<\/strong> would describe a different subject than the cookery specimens showcased in her presentation for Episode 15 by focusing upon aspects of the revival of manuscript illumination in the British Isles in the nineteenth and twentieth centuries as part of the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Arts_and_Crafts_movement\" target=\"_blank\" rel=\"noopener\">Arts and Crafts Movement<\/a>. In particular, Hannah addresses the instruction manuals for the Art of Missal Painting.\u00a0 Artists include:<\/p>\n<ul>\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Jessie_Bayes\" target=\"_blank\" rel=\"noopener\">Jesse Bayes<\/a> (1876\u20131970)<\/li>\n<\/ul>\n<ul>\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Florence_Kingsford_Cockerell\" target=\"_blank\" rel=\"noopener\">Florence Kingsford Cockerell<\/a> (1871\u20131949), Lady Cockerell<\/li>\n<\/ul>\n<div id=\"attachment_19005\" style=\"width: 1034px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-19005\" loading=\"lazy\" class=\"wp-image-19005 size-large\" src=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/10268Ashendene_1000-1024x690.jpg\" alt=\"\" width=\"1024\" height=\"690\" srcset=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/10268Ashendene_1000-1024x690.jpg 1024w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/10268Ashendene_1000-300x202.jpg 300w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/10268Ashendene_1000-150x101.jpg 150w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/10268Ashendene_1000-768x518.jpg 768w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/10268Ashendene_1000.jpg 1484w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><p id=\"caption-attachment-19005\" class=\"wp-caption-text\">Dallas, Texas, Bridwell Library, Ashendene Song of Songs (1902), illuminated by Florence Kingsford and bound by Katharine Adam. Title page and opening of text. Image Public Domain via Wikimedia Commons.<\/p><\/div>\n<ul>\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/Phoebe_Anna_Traquair\" target=\"_blank\" rel=\"noopener\">Phoebe Anna Traquair<\/a> (1852\u20131936)<\/li>\n<\/ul>\n<div id=\"attachment_19006\" style=\"width: 604px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-19006\" loading=\"lazy\" class=\"wp-image-19006 size-full\" src=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/A_page_from_Collection_of_Reproductions_of_Medallions_by_Phoebe_Anna_Traquair.jpg\" alt=\"\" width=\"594\" height=\"768\" srcset=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/A_page_from_Collection_of_Reproductions_of_Medallions_by_Phoebe_Anna_Traquair.jpg 594w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/A_page_from_Collection_of_Reproductions_of_Medallions_by_Phoebe_Anna_Traquair-232x300.jpg 232w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/A_page_from_Collection_of_Reproductions_of_Medallions_by_Phoebe_Anna_Traquair-116x150.jpg 116w\" sizes=\"(max-width: 594px) 100vw, 594px\" \/><p id=\"caption-attachment-19006\" class=\"wp-caption-text\">Edinburgh, University of Edinburgh Heritage Collections. Collection of Reproductions of Medallions by Phoebe Anna Traquair: Song School St. Mary, 1897, fol. 5r. igital Image: Copyright The University of Edinburgh. Original: Copyright The University of Edinburgh. Free use.<\/p><\/div>\n<h3>3) Creators and Transmitters of<br \/>\nRecipes, Recipe Collections, and Cookbooks<\/h3>\n<p>Expanding by request upon her contribution for Episode 15, <strong>Linda Civitello<\/strong> &#8220;would like to talk about how women preserved recipes in different forms&#8221;. These forms comprise, for example,<\/p>\n<ul>\n<li>manuscript cookbooks for their families;<\/li>\n<li>commercial cookbooks in the <a href=\"https:\/\/guides.newman.baruch.cuny.edu\/Americanhistory1\/earlyrepublic\" target=\"_blank\" rel=\"noopener\">Early Republic<\/a> (circa 1780\u20131830), which were morality and lifestyle manuals;<\/li>\n<li>commercial cookbooks;<\/li>\n<li>index cards when typewriters became available at the end of the nineteenth century;<\/li>\n<li>etc.<\/li>\n<\/ul>\n<p>Linda notes that, as an informed guide to the impact of such processes, &#8220;<a href=\"https:\/\/en.wikipedia.org\/wiki\/Lucy_Maynard_Salmon\" target=\"_blank\" rel=\"noopener\">Lucy Maynard Salmon<\/a> (1853\u20131927) has written an excellent essay about what happened when recipes switched from family cookbooks to index cards.&#8221;<\/p>\n<p>Resources online include<\/p>\n<ul>\n<li><a href=\"https:\/\/wp.nyu.edu\/early_american_cookbooks\/\" target=\"_blank\" rel=\"noopener\">Early American Cookbooks<\/a>: a &#8220;carefully curated collection of 1450 cookbooks published in the United States between 1800 and 1920. All of the titles in the collection are in the public domain and are available in full-text on the <a href=\"http:\/\/babel.hathitrust.org\/cgi\/mb?a=listis&amp;c=1934413200\">HathiTrust Digital Library<\/a>. Browse the titles, read them online, and search through the contents of each book. Search across all 1450 titles to find a particular ingredient, recipe name, or anything else and go directly to the results in the full text.&#8221;<\/li>\n<\/ul>\n<p>The first cookbook printed in America was <em>American Cookery<\/em> by <a href=\"https:\/\/en.wikipedia.org\/wiki\/Amelia_Simmons\" target=\"_blank\" rel=\"noopener\">Amelia Simmons<\/a> (vital dates unknown), published in Hartford, Connecticut, in 1796.<\/p>\n<div id=\"attachment_19551\" style=\"width: 688px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-19551\" loading=\"lazy\" class=\"wp-image-19551 size-full\" src=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/American_Cookery_1st_Ed_1796_cover.jpg\" alt=\"\" width=\"678\" height=\"1024\" srcset=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/American_Cookery_1st_Ed_1796_cover.jpg 678w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/American_Cookery_1st_Ed_1796_cover-199x300.jpg 199w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/American_Cookery_1st_Ed_1796_cover-99x150.jpg 99w\" sizes=\"(max-width: 678px) 100vw, 678px\" \/><p id=\"caption-attachment-19551\" class=\"wp-caption-text\">Amelia Simmons, American Cookery (1st Edition), cover, published by Hudson &amp; Goodwin (1796), Public domain, via Wikimedia Commons.<\/p><\/div>\n<p><em>P.S. <\/em>Linda&#8217;s own signature recipe, created for the 2024 RGME Anniversary Year and its Spring Symposium at Vassar College (her and the RGME Director&#8217;s Alma Mater), is circulated in a 1-page recipe in printed form and by pdf on our RGME website:<\/p>\n<ul>\n<li><a href=\"https:\/\/manuscriptevidence.org\/wpme\/download\/19188\/?tmstv=1732207919\" target=\"_blank\" rel=\"noopener\">Milly&#8217;s Cake<\/a>: Linda Civitello Recipe (April 2024)<\/li>\n<\/ul>\n<div id=\"attachment_18980\" style=\"width: 958px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-18980\" loading=\"lazy\" class=\"wp-image-18980 size-full\" src=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/731AC186-F753-4B70-B71A-3F01C45F54A8_1_105_c-Ingredients-of-the-Goody-Bags-cropped.jpg\" alt=\"\" width=\"948\" height=\"765\" srcset=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/731AC186-F753-4B70-B71A-3F01C45F54A8_1_105_c-Ingredients-of-the-Goody-Bags-cropped.jpg 948w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/731AC186-F753-4B70-B71A-3F01C45F54A8_1_105_c-Ingredients-of-the-Goody-Bags-cropped-300x242.jpg 300w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/731AC186-F753-4B70-B71A-3F01C45F54A8_1_105_c-Ingredients-of-the-Goody-Bags-cropped-150x121.jpg 150w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/731AC186-F753-4B70-B71A-3F01C45F54A8_1_105_c-Ingredients-of-the-Goody-Bags-cropped-768x620.jpg 768w\" sizes=\"(max-width: 948px) 100vw, 948px\" \/><p id=\"caption-attachment-18980\" class=\"wp-caption-text\">Contents of the Goody Bags, with Stories and Baked Goodies created by Linda Civitello. Photograph by Hannah Goeselt.<\/p><\/div>\n<p><em>P.P.S.<\/em> Did you know that the RGME has an interest in collecting favorite recipes? There is a Recipe Competition, with Prizes.<\/p>\n<ul>\n<li><a href=\"https:\/\/manuscriptevidence.org\/wpme\/three-step-program-lemonade-included\" target=\"_blank\" rel=\"noopener\">Three-Step Program, Lemonade Included<\/a><\/li>\n<li><a href=\"https:\/\/manuscriptevidence.org\/wpme\/favorite-recipes-for-lemonade-etc\/\" target=\"_blank\" rel=\"noopener\">Favorite Recipes for Lemonade, Etc.<\/a><\/li>\n<\/ul>\n<h3>4) Serial Skillers<br \/>\n(#notatypo)<\/h3>\n<p>By request, if time allows, <b>Mildred Budny<\/b> might briefly describe her long-term interest in several women who successfully combined their work as authors, editors, and producers of magazines or series of publications.\u00a0 Examples in England and the United States include <a href=\"https:\/\/en.wikipedia.org\/wiki\/Hannah_More\">Hannah More<\/a> (1745\u20131833) with <a href=\"https:\/\/en.wikipedia.org\/wiki\/Cheap_Repository_Tracts\">Cheap Repository Tracts<\/a> and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Mary_Mapes_Dodge\">Mary Mapes Dodge<\/a> (1831\u20131905) with <a href=\"https:\/\/en.wikipedia.org\/wiki\/St._Nicholas_(magazine)\">Saint Nicholas Magazine<\/a> for children.<\/p>\n<div id=\"attachment_19610\" style=\"width: 235px\" class=\"wp-caption alignright\"><img aria-describedby=\"caption-attachment-19610\" loading=\"lazy\" class=\"wp-image-19610 size-medium\" src=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/IMG_6059-Milly-with-The-Little-Red-Hen-1873-photo-by-Suze-Bienaimee-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/IMG_6059-Milly-with-The-Little-Red-Hen-1873-photo-by-Suze-Bienaimee-225x300.jpg 225w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/IMG_6059-Milly-with-The-Little-Red-Hen-1873-photo-by-Suze-Bienaimee-113x150.jpg 113w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2024\/05\/IMG_6059-Milly-with-The-Little-Red-Hen-1873-photo-by-Suze-Bienaimee.jpg 600w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><p id=\"caption-attachment-19610\" class=\"wp-caption-text\">Mildred Budny holds the Lomazow copy of &#8220;The Little Red Hen&#8221; in its first appearance for an American audience. Photograph by Suze Bienaimee.<\/p><\/div>\n<p>The former was the subject of our Director&#8217;s senior essay at Vassar College. The latter came to attention in our 2024 Anniversary Year first because one of our Associates mentioned &#8220;<a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Little_Red_Hen\" target=\"_blank\" rel=\"noopener\">The Little Red Hen<\/a>&#8221; as a model for our Director&#8217;s sometimes thankless work for the RGME over the years, and then because of our invited <a href=\"https:\/\/manuscriptevidence.org\/wpme\/rgme-visit-to-the-lomazow-collection-report\/\" target=\"_blank\" rel=\"noopener\">In-Person\/Hybrid Visit to the Collection of Steven M. Lomazow<\/a> in November 2024. Then it was possible to meet in person some early issues of the magazine in which the story first appeared in print in English (from the author\/editor&#8217;s Dutch grandmother), together with a signed letter by the editor herself.\u00a0 As Editor-in-Chief of RGME Publications, our Director looks at examples of initiatives for promoting education in other times.<\/p>\n<p>*****<\/p>\n<p>Justin Hastings will preside for the Episode.<\/p>\n<p>There is, as always, scope for our audience to engage in the discussion with questions, comments, and observations. We hope to see you there.<\/p>\n<p>*****<\/p>\n<p>Do you have favorites among women who make , or have made, books (and their accompaniments in text, image, and more) in one or another way?<\/p>\n<p>We encourage you to join the conversation and celebration.<\/p>\n<p><strong>To Register<\/strong> for the Episode:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.eventbrite.cm\/e\/episode-18-women-as-makers-of-books-tickets-898350088297\" target=\"_blank\" rel=\"noopener\">Episode 18. Eventbrite Tickets<\/a><\/li>\n<\/ul>\n<p>Registration is free. When you register, we are grateful for Voluntary Donations for our nonprofit educational organization, powered principally by volunteers.<\/p>\n<p>*****<\/p>\n<h2>Suggestion Box<\/h2>\n<p>Please <a href=\"https:\/\/manuscriptevidence.org\/wpme\/contact-us\" target=\"\" rel=\"noopener\">Contact Us<\/a> or visit<\/p>\n<ul>\n<li>our <a href=\"https:\/\/www.facebook.com\/Research-Group-on-Manuscript-Evidence-259443617456668\/notifications\/\" target=\"_blank\" rel=\"noopener\" class=\"broken_link\">FaceBook Page<\/a><\/li>\n<li>our <a href=\"https:\/\/www.facebook.com\/groups\/rgmemss\" target=\"_blank\" rel=\"noopener\" class=\"broken_link\">Facebook Group<\/a><\/li>\n<li>our <a href=\"https:\/\/twitter.com\/rgme_mss\" target=\"_blank\" rel=\"noopener\">Twitter Feed<\/a> (@rgme_mss)<\/li>\n<li>our <a href=\"https:\/\/bsky.app\/\" target=\"_blank\" rel=\"noopener\">Bluesky<\/a> nest @rgmesocial.bluesky.social)<\/li>\n<li>our <a href=\"https:\/\/www.linkedin.com\/groups\/8181489\/\" target=\"_blank\" rel=\"noopener\">LinkedIn Group<\/a><\/li>\n<li>our Blog on <a href=\"https:\/\/manuscriptevidence.org\/wpme\/manuscript-studies\" target=\"_blank\" rel=\"noopener\">Manuscript Studies<\/a> and its <a href=\"https:\/\/manuscriptevidence.org\/wpme\/manuscript-studies-contents-list\" target=\"_blank\" rel=\"noopener\">Contents List<\/a><\/li>\n<\/ul>\n<p><strong>Donations and contributions<\/strong>, in funds or in kind, are welcome and easy to give.\u00a0 Given our low overheads, your donations have direct impact on our work and the furtherance of our mission.\u00a0 For our Section 501(c)(3) nonprofit educational organization, your donations may be tax-deductible to the fullest extent permitted by law.\u00a0 Thank you for your support!<\/p>\n<ul>\n<li><a href=\"https:\/\/manuscriptevidence.org\/wpme\/contributions-and-donations\/\" target=\"_blank\" rel=\"noopener\">Contributions and Donations<\/a><\/li>\n<li><a href=\"https:\/\/manuscriptevidence.org\/wpme\/2024-anniversary-appeal\" target=\"_blank\" rel=\"noopener\">2024 Anniversary Appeal<\/a><\/li>\n<\/ul>\n<p>We look forward to hearing from you and seeing you at our events.<\/p>\n<p>*****<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The Research Group Speaks&#8221; Episode 18 &#8220;Women as Makers of Books&#8221; Saturday 14 December 2024 1:00\u20132:30 pm EST (GMT-5) by Zoom Jaclyn Reed, Hannah Goeselt, Linda Civitello, Mildred Budny, and Others [Posted on 3 May 2024, with updates] By its focus upon the agency of women in and for books, this Episode offers a pendant [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":18862,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[324,422,849,678,2332,2014],"tags":[2426,2497,2502,2505,2683,2417,2498,2674,2495,2504,2661,2675,2680,2543,1112,2682,2499,2681,2501,2500,2503,2351],"_links":{"self":[{"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/posts\/18868"}],"collection":[{"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/comments?post=18868"}],"version-history":[{"count":15,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/posts\/18868\/revisions"}],"predecessor-version":[{"id":19628,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/posts\/18868\/revisions\/19628"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/media\/18862"}],"wp:attachment":[{"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/media?parent=18868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/categories?post=18868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/tags?post=18868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}