{"id":10517,"date":"2018-02-03T22:57:18","date_gmt":"2018-02-03T22:57:18","guid":{"rendered":"http:\/\/manuscriptevidence.org\/wpme\/?page_id=10517"},"modified":"2018-02-03T23:26:35","modified_gmt":"2018-02-03T23:26:35","slug":"hastings-2018-congress","status":"publish","type":"page","link":"https:\/\/manuscriptevidence.org\/wpme\/abstracts\/hastings-2018-congress\/","title":{"rendered":"Hastings (2018  Congress)"},"content":{"rendered":"<h2><strong>Justin Hastings<br \/>\n(<em>Loyola University Chicago<\/em>)<\/strong><\/h2>\n<h2>&#8220;Allegoresis, Source-Text, and Paratextual Distortions:<br \/>\nHorace\u2019s <em>Ode<\/em> 3.9<br \/>\nin <a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b9067207q\" target=\"_blank\">Paris, Biblioth\u00e8que nationale de France, MS Latin 17897<\/a>&#8220;<\/h2>\n<h3>Abstract of Paper<br \/>\nTo be presented at the 53rd International Congress on Medieval Studies<br \/>\n(Kalamazoo, 2018)<\/h3>\n<h4>Session on<br \/>\n&#8220;Manuscript (Trans)formations: Transmission and Reception&#8221;<\/h4>\n<h4>Sponsored by the <strong>Research Group on Manuscript Evidence<\/strong><br \/>\nOrganized by Derek Shank and Justin Hastings<br \/>\n<a href=\"http:\/\/www.manuscriptevidence.org\/wpme\/2018-international-congress-on-medieval-studies-program\/\" target=\"_blank\">2018 Congress Program<\/a><\/h4>\n<p>[<em>Published on 2 February 2018<\/em>]<\/p>\n<p>*****<\/p>\n<p>In discussing <a href=\"https:\/\/en.wikipedia.org\/wiki\/Walter_Benjamin\" target=\"_blank\">Walter Benjamin<\/a>\u2019s term &#8216;the <em>Nachleben<\/em> of texts&#8217;, the textual scholar <a href=\"https:\/\/en.wikipedia.org\/wiki\/Sukanta_Chaudhuri\" target=\"_blank\">Sakunta<br \/>\nChaudhuri<\/a> asserts that reception and transmission of literary works are \u201calways already\u201d an<br \/>\ninterplay of adaptation and alteration: \u201ctexts ceaselessly alter and extend their form; eventually<br \/>\nthey pass into, or turn into, other works where the \u2018original\u2019 work persists as a \u2018presence,\u2019 the old<br \/>\nmoon in the new moon\u2019s arms\u2019\u201d (1).\u00a0 The logical extension of this premise is that \u201call texts are<br \/>\nmade up of other texts\u201d (2). This idea gets at the very heart of source study as a legitimate field<br \/>\nof intellectual activity.<\/p>\n<p>The commentaries that accrued around the classical Roman poets in the<br \/>\nMiddle Ages were written to help medieval readers understand these works in a way that was<br \/>\nharmonious with Catholic dogma; the path through this hermeneutic morass was allegoresis and<br \/>\nits strategies of <em>reductio ad concordiam<\/em>. My research centers around the ways in which<br \/>\nvernacular literature in medieval Britain made use of the commentary tradition that accrued<br \/>\naround the poetic corpus of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Horace\" target=\"_blank\">Horace<\/a>.<\/p>\n<p>This paper seeks to explore what happens, with respect to tracing the transmission and<br \/>\nreception of the Horatian tradition, when allegoresis is so thorough in its methodologies that it<br \/>\nleaves behind <em>reductio ad concordiam<\/em> to become, in essence, <em>reductio ad absurdum<\/em>. To extend<br \/>\nChaudhuri\u2019s astrological conceit, what happens when the commentary so thoroughly \u201cexplains<br \/>\naway\u201d linguistic difference that it becomes impossible to see beyond the event horizon of<br \/>\nallegoresis? This paper takes as its focus the commentary on Horace\u2019s <em>Ode<\/em> 3.9 in<br \/>\nParis BnF <a href=\"http:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b9067207q\" target=\"_blank\">MS Lat. 17897<\/a> as a locus for exploring these forces at work upon the Horatian poetic corpus.<\/p>\n<p>*****<\/p>\n<p>Citations:<\/p>\n<p>(1) Sakunta Chaurhudi, &#8220;Introduction&#8221;, <a href=\"http:\/\/www.cambridge.org\/us\/academic\/subjects\/literature\/printing-and-publishing-history\/metaphysics-text?format=HB&amp;isbn=9780521197960#4mrCwt416vQSKOqy.97\" target=\"_blank\"><em>The Metaphysics of Text<\/em><\/a> (Cambridge: Cambridge University Press, 2011), page 8.<\/p>\n<p>(2) <em>Ibid<\/em>.<\/p>\n<p>*****<\/p>\n<div id=\"attachment_10172\" style=\"width: 740px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2017\/09\/Q_Horatius_Flaccus_Carmina_1-48v_-fol-46r-rotated-sharpened.jpg\"><img aria-describedby=\"caption-attachment-10172\" loading=\"lazy\" class=\"wp-image-10172 size-large\" src=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2017\/09\/Q_Horatius_Flaccus_Carmina_1-48v_-fol-46r-rotated-sharpened-730x1024.jpg\" alt=\"Paris, BnF, MS latin 17987, folio 46 recto. Horaces 'Odes' (Carmina), Book IV.10-11 with commentary. Via gallica.bnf through Creative Commons.\" width=\"730\" height=\"1024\" srcset=\"https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2017\/09\/Q_Horatius_Flaccus_Carmina_1-48v_-fol-46r-rotated-sharpened-730x1024.jpg 730w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2017\/09\/Q_Horatius_Flaccus_Carmina_1-48v_-fol-46r-rotated-sharpened-107x150.jpg 107w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2017\/09\/Q_Horatius_Flaccus_Carmina_1-48v_-fol-46r-rotated-sharpened-214x300.jpg 214w, https:\/\/manuscriptevidence.org\/wpme\/wp-content\/uploads\/2017\/09\/Q_Horatius_Flaccus_Carmina_1-48v_-fol-46r-rotated-sharpened.jpg 746w\" sizes=\"(max-width: 730px) 100vw, 730px\" \/><\/a><p id=\"caption-attachment-10172\" class=\"wp-caption-text\">Paris, BnF, MS latin 17987, folio 46 recto. Horaces &#8216;Odes&#8217; (Carmina), Book IV.10-11 with commentary. Via gallica.bnf through Creative Commons.<\/p><\/div>\n<p>\u2021<\/p>\n<p>*****<\/p>\n<p><em>Website Editor\u2019s Note<\/em>:<\/p>\n<p>Another Abstract for a Paper presented by Dr. Hastings is posted here:<\/p>\n<p><a href=\"https:\/\/manuscriptevidence.org\/wpme\/abstracts\/hastings-2013-congress\" target=\"_blank\">Hastings (2013 Congress)<\/a>.<\/p>\n<p>We thank him for his expert contributions to our sponsored and co-sponsored Sessions, as well as our other Events.<\/p>\n<p>*****<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Justin Hastings (Loyola University Chicago) &#8220;Allegoresis, Source-Text, and Paratextual Distortions: Horace\u2019s Ode 3.9 in Paris, Biblioth\u00e8que nationale de France, MS Latin 17897&#8220; Abstract of Paper To be presented at the 53rd International Congress on Medieval Studies (Kalamazoo, 2018) Session on &#8220;Manuscript (Trans)formations: Transmission and Reception&#8221; Sponsored by the Research Group on Manuscript Evidence Organized by [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":10172,"parent":1023,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"_links":{"self":[{"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/pages\/10517"}],"collection":[{"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/comments?post=10517"}],"version-history":[{"count":6,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/pages\/10517\/revisions"}],"predecessor-version":[{"id":10530,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/pages\/10517\/revisions\/10530"}],"up":[{"embeddable":true,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/pages\/1023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/media\/10172"}],"wp:attachment":[{"href":"https:\/\/manuscriptevidence.org\/wpme\/wp-json\/wp\/v2\/media?parent=10517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}