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        • 2019 Anniversary Symposium Registration
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2014 Symposium on “Recollections of the Past”

July 15, 2014 in Abstracts of Conference Papers, Bembino, Conference Announcement, Events

Recollections of the Past:
Editorial & Artistic Workshops
from Late Antiquity to Early Modernity & Beyond

Friday & Saturday 16 & 17 May 2014
138 Lewis Library
Princeton University

Save the Date Announcement for Symposium on "Recollections of the Past" (May 2015) in its completed version with border

“Save the Date” Announcement (complete)

RGME Symposium 2014 Program & Abstracts Page 1 with border

Symposium Program Page 1

Poster for "Recollections of the Past" Symposium (May 2014) with border

Symposium Poster

 

[First published on 15 July 2014, with updates.  And now with the corrected Program Booklet:
RGME Symposium 2014 Program & abstracts corrected]

The “Save the Date” Announcement (Save the Date 16-17 May 2014) set the stage by describing the intentions and scope of the subject.  To sum up:

This symposium explored the workings of workshops, as revealed through the traces of artists, craftsmen, scribes, authors, editors, printers, and patrons, across a wide range of subjects, regions, and materials, in transitions from classical antiquity and early Christianity through the long Middle Ages and thence to the early modern period and beyond. We seek to discern how these editorial agents of whatever kind shaped and reshaped materials — tangible and intangible — in transmitting the legacy of the past, often in the process to form works which perhaps seemed more viable in changing times, expectations, and systems of belief. Memory may hold a significant place among the materials, processes, and forces at work in the processes of collecting, shaping, and, in many cases, transforming complex bodies of evidence in a robust or precarious voyage from the past.

The Research Group on Manuscript Evidence warmly thank the Sponsors, Donors, and Contributors to the Symposium, which formed part of the celebrations for our 2014 Anniversary Year.  Other celebrations have included our Sessions at the 2014 International Congress on Medieval Studies in May, along with an Anniversary Reception. Read the rest of this entry →

Tags: bokes of antiquity, Books of Hours, Caroline Lybbe Powys, Carolingian Studies, Church History, Codex Amiatinus, Courtly Love Ivories, Department of Art & Archaeology, Domestic Grand Tour, Early Modern Studies, Editorial Practices, erasable notebooks, Eusebian Canon Tables, History of Cambridge University, History of Workshops, Iconoclasm studies, Index of Christian Art, John Caius, Manuscript Illumination, Manuscript studies, Matthew Parker, Medieval Studies, Monkwearmouth-Jarrow, periodization of history, Princeton University, Qal'at Sim'an, Romanesque Sculpture, Saint-Sernin of Toulouse, Syriac Cave of Treasures
1 Comment »

2014 Congress Report

June 25, 2014 in Abstracts of Conference Papers, Bembino, Conference Announcement, ICMS, International Congress on Medieval Studies, Kalamazoo

49th International Congress on Medieval Studies
An Anniversary Year

8-11 May 2014

[Published on 25 June 2014, with updates]

David Sorenson and Donncha MacGabhann examine manuscript materials

Photography by Mildred Budny

Our sessions at the 2014 Congress formed part of the celebrations for our anniversary year.   2014 marks our 15th anniversary as a nonprofit educational organization and our 25th anniversary as an international scholarly society.  At the Congress, we both sponsored sessions and co-sponsored sessions, as before, with the Societas Magica, in the eighth year of this co-sponsorship, and, for the first time, with the Center for the Study of Medieval and Early Modern Studies at the University of Florida.  As is our practice, various of our Trustees, Officers, and Associates participated in these and other sessions at the Congress.

Read the rest of this entry →

Tags: Anglo-Saxon Manuscripts, Assenids, Book of Kells, Carolingian Manuscripts, Center for Medieval and Early Modern Studies at the University of Florida, Datini Archives, Early Ottoman Empire, Ethiopic Manuscripts, Gems, History of Canon Law, History of Magic, History of Paper, House Style, Individual Style, Islamic Manuscripts, Manuscript Illumination, Manuscript studies, Medieval manuscripts, Medieval Music, Medieval Writing Materials, Palaeography, Second Bulgarian Empire, Societas Magica, Talismans
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2014 Congress Announced

January 8, 2014 in Anniversary, Conference Announcement, ICMS, International Congress on Medieval Studies, Kalamazoo

49th International Congress on Medieval Studies

8-11 May 2014

[Published on our first website on 8 January 2014, with updates there and here]

We announce the program for our sponsored and co-sponsored sessions at the next International Congress on Medieval Studies, when we will celebrate our anniversary year, along with that of one of our co-sponsors, the Societas Magica.  2014 marks the 20th anniversary of the Societas Magica.  For the Research Group on Manuscript Evidence, it marks our 15th anniversary as a nonprofit educational organization and our 25th anniversary as an international scholarly society.  This is the ninth year of our co-sponsorship with the Societas Magica, and the first year of co-sponsorship with the Center for Medieval and Early Modern Studies at the University of Florida.  The Events at this Congress celebrate these shared accomplishments.

This year, with the transition to our second, updated website (begun in 2014 and completed in 2015), we began to issue the announcements for a given Congress in a series of blogposts, rather than overwriting its statements, which had left only the final state in view.  Here we offer the Congress Announced, with more to come.

Read the rest of this entry →

Tags: Abba Gärima Gospels, Anglo-Saxon Manuscripts, Archaeology, Barberini Gospels, Biblical Studies, Book of Kells, Bulgarian Studies, Center for Medieval and Early Modern Studies at the University of Florida, City of Tărnovo, Corpus Christi College MS 197B, Datini Archives, Early Medieval Art, Early Ottoman Empire, Ethiopic Manuscripts, Gems, Half-Uncial Script, History of Canon Law, History of Catholicism, History of Magic, History of Music, History of Paper, History of Style, History of the Assenids, History of Watermarks, House Style, Individual Style, Insular Manuscripts, Islamic Manuscripts, Legal History, Manuscript Illumination, McGill University MS MCG 117, Medieval manuscripts, Medieval Studies, Mediterranean Trade, Orthodox Christianity, Palaeography, Polygraphism, Renaissance Studies, Renaissance Visual Culture, Second Bulgarian Empire, Silistra, Societas Magica, South-East European History, Talismans, Uncial Script, Workshop Practices, Writing materials
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2013 Congress

January 1, 2014 in Abstracts of Conference Papers, Bembino, Conference Announcement, ICMS, International Congress on Medieval Studies, Kalamazoo

48th International Congress on Medieval Studies

9-12 May 2013

[First published on our first website on *6 December 2012, with updates there and here]

Posters for our Sessions displayed at the 2014 CongressWith its mission to “apply an integrated, holistic approach to manuscripts and texts in all forms,” at the International Congress on Medieval Studies in 2013, the Research Group on Manuscript Evidence held sponsored and co-sponsored sessions examining the material culture, production, and purposes of written records in Western Europe and beyond, and the dispersal, recovery, and study of those works in various forms and widespread locations.  Besides these interlinked subjects, the year’s highlighted genres were astrology, the material technology of magic, and the symbolism of water in the Middle Ages.

As before, we co-sponsored sessions with the Societas Magica and King Alfred’s Notebook LLC (respectively in the eighth and second years of this co-sponsorship). Also, three of our Trustees and many of our Officers, and Associates presented papers at the Congress in a variety of sessions.

Here we report the Programs for our Sessions, publish the Abstracts of their Papers, and illustrate the Posters for the Sessions.  For the first time, we designed Posters for all of our Sessions at the Congress, Sponsored and Co-Sponsored.  At the 2011 Congress we had one Poster, and two Posters at this 2013 Congress for our Sponsored Sessions, all with images courtesy of David W. Sorenson, whose donation of images inspired their creation. The series of Posters now stand exhibited in our Gallery of Posters on Display.  The Posters are set in our own multi-lingual digital font Bembino, available for download for FREE here.

Read the rest of this entry →

Tags: 'Huntingdonshire Scribe', Adam Pinkhurst, Artists' Recipe Books, Astrology, Bibliothèque nationale de France Ms Latin 16714, British Library Cotton MS Faustina C i, Datini Archive, Digital Imaging, Ducal Charters, History of Paper, Islamic Paper, Late Medieval English Scribes Project, Manipulus Florum, Manuscript Illumination, Manuscript studies, Medieval Manuscript Collecting, Medieval manuscripts, Medieval Music, Medieval Writing Materials, Middle English, Orpiment Pigment, Palaeography, Peter of Blois, Picatrix, Pigment Analysis, Popular Magic, Rhygyfarch ap Sulien, Scribe B - Pynkhurst Debate, Sigillum Dei, Silesia, Societas Magica, Textual Amulet, Thomas of Ireland, Welsh-Latin Poetry
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2012 Congress

January 1, 2014 in Abstracts of Conference Papers, Bembino, Conference Announcement, ICMS, International Congress on Medieval Studies, Kalamazoo

47th International Congress on Medieval Studies

10–13 May 2012

[First published on our first website on *15 December 2011, with updates there and here]

Our four Sponsored and Co-Sponsored Sessions at the 2012 Congress examined the material culture and production of written records in Western Europe and beyond, and the dispersal, recovery, and preservation of those works in various forms and widespread locations.  Besides these interlinked subjects, our highlighted genre was “Dream Books”, appearing in multiple manifestations in both manuscript and print.

One Session was the second in our series at the Congress on “Medieval Writing Materials”.  Its series (2011–2014 and, intended, 2016) is listed in our Sponsored Conference Sessions.

This year, for the first time, after the debut of a single illustrated Poster for one of our sponsored Sessions at the 2011 Congress, an illustrated Posters accompanied both of our own Sponsored Sessions.  Since 2015, the full series of illustrated Posters for Congress Sessions and other Events appear in our Gallery of Posters on Display. Read the rest of this entry →

Tags: Alchemy, Archaeology, Bembino Digital Font, Books of Hours, British Library, Chinese Manuscripts, Codicology, Datini Archives, Dream Books, Dream Divination, Ethiopic Manuscripts, History of Paper, History of Scotland, Islamic Manuscripts, Manuscript Illumination, Manuscripts & Early Printed Books, Medieval & Modern Scribal Practices, Medieval China, Medieval Italian Studies, Medieval Manuscript Collecting, Medieval manuscripts, Medieval Writing Materials, Mediterranean Trade, Middle English, Multi-spectral Imaging, North American Library History, Oneirocritical Manuscripts, Parc Abbey Bible, Pigment Analysis, Societas Magica, Somniale Danielis, Venice
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2009 Congress

January 1, 2014 in Abstracts of Conference Papers, Conference Announcement, ICMS, International Congress on Medieval Studies, Kalamazoo

Research Group Activities at the

44th International Congress on Medieval Studies

7–10 May 2009

[First published on our first website on *20 December 2008, with updates]

For the 2009 Congress, the Research Group on Manuscript Evidence sponsored one Session.

It also co-sponsored

  • one Session with the Societas Magica, in the fourth year of this co-sponsorship, and
  • one inaugural session with the new organization MEARCSTAPA (Monsters: the Experimental Association for the Research of Cryptozoology through Scholarly Theory And Practical Application), supporting its formation which followed our session at the 2008 Congress.
    Read the rest of this entry →

Tags: al-Bun, Blonde Esmerée, Books of Hours, Ellesmere Manuscript, Francesco da Barberino, Grendelkin, Historyof Magic, Hortus Deliciarum, Incantations, International Congress on Medieval Studies, Magical Spells, Manuscript Illumination, Manuscript studies, Marginalia, MEARCSTAPA, Medieval Muslim Magician, Medieval Studies, Munich Manual of Demonic Magic, Nun's Priest Tale, Papyri Graecae Magicae, Piccatrix, Sarah Celentano Parker, Shams al-ma'aris, Societas Magica, Solomon and Saturn II, Voyerism, Weapons in Magic
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2002 British Museum Colloquium

January 1, 2014 in Conference Announcement, Events

2002 Poster in monochrome for the 'Form and Order' Symposium at The British Museum.“Shaping Understanding:
Form and Order in the Anglo-Saxon World, 400–1100″
A Colloquium held at The British Museum
London
7–9 March 2002

Since 2001, the Research Group has jointly sponsored scholarly meetings, co-organized by Mildred Budny and held at various centers in the United States and elsewhere.  These meetings constitute the ‘New Series’ of Symposia, Colloquia, Workshops & Seminars (2001–).

Following the move of our principal base to the United States in October 1994, the ‘New Series’ began with the Annual Symposia on “The Transmission of the Bible” (1995–2000).  Then it moved to events devoted to various topics, biblical and other subjects included.  Among them:  “Form and Order in the Anglo-Saxon World” (2002) at The British Museum.

Front Entrance to the British Museum on 10 March 2002 after the 2002 Colloquium Photograph © Mildred Budny

Front Entrance to the British Museum on 10 March 2002. Photograph © Mildred Budny.

*****

2001 Poster for the Inaugural and Celebratory Workshop on 'The Dating Service or the Dating Game? Problems and Potential of Dating Materials from the Early Medieval Period', laid out in Adobe GaramondFirst in this New Series came

” ‘The Dating Service or the Dating Game?’
Problems and Potential of Dating Materials from the Early Medieval Period”

An Inaugural and Celebratory Workshop
(The College of New Jersey, November 2001),
inaugurating a series of workshops and celebrating
both the formation of the Early Medieval Forum and
the recognition for the Research Group on Manuscript Evidence of tax-exempt status
as a Section 501(c)(3) nonprofit organization.

Co-organized by Celia Chazelle and co-sponsored by the Early Medieval Forum, the Index of Christian Art of Princeton University, and the History Department and History Club of The College of New Jersey, the Workshop was held at The College of New Jersey, Ewing, New Jersey, in November 2001. Information about the interests, activities, and listserv of the Early Medieval Forum appears on its website: Early Medieval Forum.  Information about this Workshop appears on its own page.

*****

“Form and Order” Colloquium
at the British Museum

2002 Poster in monochrome for the 'Form and Order' Symposium at The British Museum.Next came the British Museum Colloquium, which extended across 3 days in March 2002.

Besides co-organizing the event, the Research Group prepared the printed announcements, Poster, Booking Form, Program, and Booklet containing the “Abstracts of Papers”.  All are set in Adobe Garamond and laid out according to our Style Manifesto.

“Shaping Understanding: Form and Order in the Anglo-Saxon World, 400–1100”

A Colloquium
Co-organized by Leslie E. Webster and Mildred Budny

Sponsored by

  • The British Museum
  • The British Academy
  • Samuel H. Kress Foundation
  • American Friends of the British Museum
  • Index of Christian Art, Princeton University
  • Royal Historical Society
  • Centre for Palaeography
    in the School of Advanced Study of the University of London
  • Research Group on Manuscript Evidence

The Colloquium was held at the Clore Centre of The British Museum in London in March 2002.

The Plan

We described it this way for the Announcement:

Anglo-Saxon perceptions of form and order are manifested in their approaches to multiple areas ranging from the visual arts and texts in all forms to religious practice and social structures.  The colloquium will explore this theme through two broad, interconnected strands:  Texts of all kinds, and Art, Architecture, and Archaeology.  We shall explore the varied evidence for the ways and means whereby Anglo-Saxons shaped their knowledge and understanding of the world, gave it order, and established their legacy.  Speakers, Keynote Speakers, Moderators, and Respondents are experts in a wide range of fields across these disciplines.  They come from many centres in the British Isles, Europe, and North America.

The Speakers (in Order of Appearance)

Simon D. Keynes (Trinity College and Department of Anglo-Saxon, Norse, and Celtic, University of Cambridge)
“The ‘Grand Combinations’ of the Anglo-Saxons”

2002 BM Colloquium Photos 017 croppedNoël Adams (London)
“Revival or Continuity?  Fifth-Century Elements in the Sutton Hoo Garnet Cloisonné”

Angela Evans (Department of Medieval and Modern Europe, British Museum)
“Innovation and Decline:  Garnet Cloisonné in Early Anglo-Saxon England’

Tania Dickinson (Department of Archaeology, University of York)
“Medium and Message in Early Anglo-Saxon Animal Art:  Some Observations on Salin’s Style I in England”

John Hines (School of History and Archaeology, Cardiff University)
“The Predictable Wanderer:  Individuality and Conformity in Anglo-Saxon England”

2002 BM Colloquium Photos 008 cropped Michael Ryan (Chester Beatty Library, Dublin)
“Some Irish Liturgical Spaces”

Susan Youngs (Department of Medieval and Modern Europe, British Museum)
“The Past in the Present:  Celtic Art in Insular Ornament”

James Graham-Campbell (Institute of Archaeology, University College, London)
“Shaping and Reshaping:  Aspects of Late Anglo-Saxon and Viking Art”

Alan Thacker (Institute of Historical Research, University of London)
“Bede and the Ordering of Understanding”

Wesley M. Stevens (Department of History, University of Winnipeg)
“En Route with Bedan Cosmology”

Coffee Break at the 2002 British Museum Colloquium.Helen Gittos (The Queen’s College, Oxford)
“Liturgy and Sacred Space in Anglo-Saxon England”

Richard Bailey (Department of English, University of Newcastle)
“Anglo-Saxon Art:  Some Orderings and Their Meanings”

Jane Hawkes (Centre for Medieval Studies, University of York)
“The Church Triumphant:  The Figural Columns of Early Ninth-Century Angl0-Saxon England”

2002 BM Colloquium Photos 015 croppedCarol Farr (London)
“The Sign at the Cross-Roads:  The Matthean Nomen sacrum in Gospelbooks before King Alfred”

Nancy Netzer (Department of Fine Arts and McMullen Art Museum, Boston College)
“Framing the Book of Durrow Inside/Outside the Anglo-Saxon World”

Joyce Hill (School of English, University of Leeds)
“Anglo-Saxon Perspectives on Liturgical Order”

Mildred Budny (Research Group on Manuscript Evidence, Princeton)
“Balanced Asymmetry as a Hallmark of Ninth-Century Anglo-Saxon Art”

Reception at the 2002 British Museum Colloquium.David Ganz (Departments of English and Classics, King’s College, and
Centre for Palaeography in the School of Advanced Study, University of London)
“Anglo-Saxon Reception of Carolingian and Ottonian Books”

Michael Wood (London)
“King Athelstan’s Imperium and the (Re-)Ordering of Anglo-Saxon England”

Reception at the 2002 British Museum Colloquium. Photography © Mildred Budny[Olivier Szerwiniack (Faculté des Lettres, Université de Picardie Jules Verne, Amiens)
“Shaping an Historical Event:  The Anglo-Saxons’ Arrival in Great Britain According to Anglo-Saxon and Britonic Historians”
Note:  Olivier did not attend the Colloquium to present his paper]

Reception at the 2002 British Museum Colloquium. Photography © Mildred BudnyRichard Gameson (School of History, University of Kent at Canterbury)
“The Last Chi-Rho in the West:  From Insular to Anglo-Saxon in the Boulogne 10 Gospels”

Elizabeth M. Tyler (Centre for Medieval Studies, University of York)
“Facta velut infecta:  History, Vergil and the Encomium Emmae Reginae”

Geoffrey Russom (Department of English, Brown University, Providence)
“The ‘Orchestration’ of Verse Patterns in Old English Meter”

Reception at the 2002 British Museum Colloquium.Robert D. Stevick (Department of English, University of Washington, Seattle)
“Accumulated Geometry:  Harmony of Form in Anglo-Saxon Texts and Design”

Philip Rusche (Department of English, University of Nevada, Las Vegas)
“Order and Design in Anglo-Saxon Glossaries”

John Higgitt (Department of Fine Art, University of Edinburgh)
“Emphasis and Visual Rhetoric in Anglo-Saxon Inscriptions”

David Parsons (School of English Studies, University of Nottingham)
“Recasting the Anglo-Saxon Runes”

Anna Gannon (Department of Coins and Medals, British Museum, and Lucy Cavendish College, Cambridge)
” . . . And Pretty Coins All in a Row”

2002 BM Colloquium Photos 004 croppedAndy Orchard (Centre for Medieval Studies, University of Toronto)
“Enigma Variations:  Mutual Influence in the Anglo-Latin and Old English Riddle Traditions:

Leslie E. Webster (Department of Medieval and Modern Europe, British Museum)
” ‘Learned Games’:  The Ludic Principle in the Visual Arts”

David Howlett (Dictionary of Medieval Latin from British Sources, Oxford)
“Letter and Number and Musical Note:  Literary Languages and Cosmic Order”

Dáibhí Ó Cróinín (School of History, National University of Ireland, Galway)
“Irish Manuscripts and Anglo-Saxon Studies:  The CALAMUS Project”

2002 BM Colloquium Photos 005 croppedPatrick Wormald (Wolfson College, Oxford)
“The Power of Command:  Pre-Conquest England as a Developing ‘State’ ”

Moderators

David M. Wilson (Isle of Man)
Carol Neuman de Vegvar (Department of Fine Arts, Ohio Wesleyan University, Delaware, Ohio)
Rosamond McKitterick (Newnham College and Faculty of History, University of Cambridge)
Rosemary Cramp (Department of Archaeology, Durham University)
Janet L. Nelson (Department of History, King’s College, London)
Giles Constable (School of Historical Studies, Institute for Advanced Study, Princeton)
Richard Marsden (School of English Studies, University of Nottingham)
Raymond Page (Corpus Christi College, Cambridge)
Carin Ruff (Department of English, John Carroll University, University Heights, Ohio)

2002 BM Colloquium Photos 002 cropped more

The 5-page Program lists the order of the proceedings, refreshments and receptions included.  The 14-page Booklet provides the Abstracts of Papers.  We include both of them here.

Cover Page for 2002 British Museum Colloquium Program Booklet, with Abstracts of Papers, compiled and edited by Mildred Budny, and laid out and printed by the Research Group on Manuscript Evidence.

Written Records

Abstracts of the thirty-three papers presented at the Colloquium were published in print for distribution at the Colloquium.  They are also available online, as described in the list of Publications.

The Abstracts alone, without reference to the Research Group (which provided their texts), were reprinted in double-column layout in the Old English Newsletter, 35:3 (Spring 2002), A-5–A-15, and now available online.

The Abstracts of Papers [compiled and edited by Mildred Budny] appeared as a Booklet of 14 quarto-size pages, laid out in single columns in Adobe Garamond (Princeton:  Research Group on Manuscript Evidence, 2002).  Distributed at the event, and circulated afterward, it is now available for download on our site.

The Index of Abstracts of Papers for Events Listed by Year cites the Authors alphabetically for this and other events in the New Series. The Indexes of the Abstracts for Congress Sessions lists the Authors both by year and by name.

*****

We thank the Organizers, Hosts, Sponsors, and Contributors.  The photographs of the event reproduced here were taken by Geoffrey Russom and Mildred Budny.

*****

Next came the Colloqium on

“Innovations for Editing Texts from Antiquity to Enlightenment”
(The Ohio State University, October 2003)

Some of the Contributors to the 2001 Dating Game Colloquium and the 2002 British Museum Colloquium also participated in this Colloquium.
Details here

2003 Poster for Colloquium on 'Innovations in Editing Texts from Antiquity to Enlightenment', laid out in Adobe Garamond*****

More events continue to follow.  Have a look at our Symposia, Colloquia, Workshops & Seminars. Please see also our News & Views.

Poster for 2014 Symposium on 'Recollections of the Past', laid out in the RGME font Bembino and illustrated with 2 images from a dismembered Book of Hours. Images courtesy of Adelaide Bennett2013 Poster 1 for the Symposium on 'Identity and Authenticity', laid out in RGME Bembino and illustrated with images courtesy of De Brailes Medieval Art LLC and David W. SorensonPoster 2 for the 2016 'Words & Deeds' Symposium at Princeton University, with 2 images from the Otto Ege Collection, The Beinecke Rare Book and Manuscript Library, Yale University. Photography by Lisa Fagin Davis. Reproduced by permission. Poster set in RGME Bembino

 

 

 

 

 

 

 

*****

Tags: Anglo-Saxon Manuscripts, British Museum, Centre for Palaeography, Index of Christian Art, Manuscript Illumination, Medieval Studies, Royal Historical Society, School of Advanced Study, The American Friends of the British Museum, The British Academy, The Friends of the British Museum, The Samuel H. Kress Foundation, University of London
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2001 Inaugural Workshop on “The Dating Service or the Dating Game?”

January 1, 2014 in Conference Announcement, Events

An Inaugural Workshop for a New Series

Poster for 2001 Workshop on 'The Dating Service or the Dating Game' on 3 November 2001 at The College of New Jersey, Ewing, New Jersey

2001 Workshop Poster

Since 2001, the Research Group has jointly sponsored various forms of scholarly meetings, including Workshops, Colloquia, and Symposia, co-organized by Mildred Budny and held at various centers in the United States and elsewhere. Our earlier events are reported here:

  • History
  • Events
  • Seminars on the Evidence of Manuscripts (1990‒1995)
  • Congress Sessions (1993‒1995 and 2004‒)
  • Annual Symposia on the Transmission of the Bible (1995‒2000).

Soon after completing the process of its incorporation as a nonprofit educational organization in 1999, and its official Recognition as such by the Internal Revenue Service, the Research Group on Manuscript Evidence resumed its organization of scholarly events with an “Inaugural and Celebratory Workshop” held at The College of New Jersey.  Over time, as these resumed Events gathered momentum, they came to be called

  • The New Series.

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Tags: Anglo-Norman Glossaries, Anglo-Saxon Glossaries, Anglo-Saxon Manuscripts, Archaeology, Archaeology of Early Medieval Spain, Celia Chazelle, Cluny Charters, Codex Amiatinus, Cotton MS Nero D IV, Edward James, Geoffrey Russom, Giles Constable, Glossary Manuscripts, Index of Christian Art, Lawrence Nees, Lindisfarne Gospels, Lindisfarne Gospels colophon, Manuscript Illumination, Metrical Patterns in Old English Verse, Michael Kulikowski, Philip Rusche, The College of New Jersey, The Early Medival Forum
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1995 Congress

January 1, 2014 in Conference Announcement, ICMS, International Congress on Medieval Studies, Kalamazoo

30th International Congress on Medieval Studies

4-7 May 1995

[First published on 9 August 2014, with updates]

At the 1995 Congress, the Research Group on Manuscript Evidence sponsored one Session. This appearance followed from the preparations already in hand for a transfer to the United States, as described in the 1994 Congress.

During the months following the 1994 Congress, and with the completion in October of the long-term Research Project on “Anglo-Saxon and Related Manuscripts” at Corpus Christi College, Cambridge, from which the Research Group on Manuscript Evidence had emerged, the Research Group moved its principal base to the United States — however, unexpectedly, to Princeton.

Its participation in the 1995 Congress represents its first appearance there as an organization based in North America. The developments from this transition are recorded overall in our website.  This Session set the stage.

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Tags: Anglo-Saxon Manuscripts, Archaeology of Manuscripts, Corpus Christi College Cambridge, Hidden & Disguised Elements in Manuscripts, Manuscript Illumination, Manuscript studies, Medieval Manuscript Fragments, Reconstructing Lost Manuscripts, Roman de la Rose
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Photographic Exhibitions & Masterclasses (1990–)

January 1, 2014 in Events, ICMS, Manuscript Studies, Photographic Exhibition

[Published on 1 January 2014, with updates]

Photography by Mildred Budny. For the Research Group on Manuscript Evidence, logo included

Now in Bembino

Since 1990, sometimes as part of its Seminars, Workshops, and Conference Sessions, the Research Group has held photographic exhibitions on Anglo-Saxon and related manuscripts at Corpus Christi College, Cambridge; the University of Oxford; and elsewhere.

Mostly using photographs by Mildred Budny, they include many of the Research Group Seminars on “The Evidence of Manuscripts” as well as these occasions:

“The Integrated Approach to Manuscript Studies” (Tokyo, 1992)

Exhibition held with variations at the University of Tokyo at Komaba, at Chuo University, Tokyo, and at Aoyama Gakuin University, Tokyo (November and December 1992).  The Exhibition Booklet is now downloadable here (2016).

Cover Page for 1992 Exhibition Catalogue on 'An Integrated Approach to Manuscript Studies'

“The Integrated Approach to Manuscript Studies” (International Congress on Medieval Studies, 1993 & 1994)

The previous exhibition held with further variations twice at Western Michigan University, Kalamazoo at the International Congress on Medieval Studies (May 1993 and May 1994).

These exhibitions formed part of the contributions by the Research Group on Manuscript Evidence and its Director to the Congress, as reported for our Session at the 28th International Congress on Medieval Studies and Session at the 29th International Congress on Medieval Studies.  The 1994 exhibition was designed to accompany the Dedication ceremony for the new Richard Rawlinson Center for Anglo-Saxon Studies.  The current activities of that Center are reported here: About Us at the Richard Rawlinson Center.

“The Monastic Library:  Books from St. Augustine’s Abbey, Canterbury” (Princeton University, 1995)

Exhibition held at Wilson College, Princeton University (March 1995).

*****

Since 2006, invited Master Classes taught by Mildred Budny, in Princeton and elsewhere, have provided instruction on aspects and techniques of responsibly photographing manuscripts, documents, and works of art for purposes of research, preservation, exhibition, and publication.  Some of these classes accompany, and augment, our continuing work on Genealogies & Archives.

MB Catalogue Front Cover Vol I-1

Front Cover Volume I: Text

Catalogue Front Cover Volume II: Plates

Front Cover Volume II: Plates

Our publications or co-publications include photographs of the manuscripts themselves and related materials (many or mostly by Mildred Budny).  Some publications contain so generous a number of photographs as to constitute a form of exhibition, as with the two-volume illustrated catalogue of Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge.  They are listed in our Publications.

While the world in recent years has turned widespread and extensively funded attention to the production, proliferation, and presentation of digital images reproducing manuscripts for online exhibition, the photographic work of the Research Group on Manuscript Evidence in its foundational collaborative and integrated study of manuscripts, before the dawn of the Digital Age, represents an example of the collaborative efforts to produce and reproduce images as accurately as possible so as to demonstrate the evidence and to encourage responsible interpretations from a wide and integrated range of specialists, students, and interested “bystanders” alike.

An example demonstrating these multiple approaches is our 2014 Seminar on “Manuscripts & Their Photographs”.

*****

Beregendarius document (detail of opening text) with photography © Mildred Budny

Photography © Mildred Budny

In August 2008, in exploring new developments and potential for our first website [launched in 2007 as www.manuscriptevidence.org, and then archived as http://www.manuscriptevidence.org/data/ during the transition to our second, updated website, launched in 2014 as manuscriptevidence.org/wpme/; You are Here], we were granted generous permission to photograph a group of medieval manuscript fragments and documents in a private collection, and to publish these images here, when the site allowed.

The photography is designed to show the whole objects, as well as details.

We invite, conduct, and report research on these materials. With their accompanying descriptions and assessments, the display may constitute a virtual exhibition.

We welcome questions or comments about the images. We hope that exhibiting them in this way will promote fuller knowledge of their nature, context, significance, and relatives.

We may also use this opportunity to discuss suitable techniques of photographing manuscripts and other artifacts responsibly, with respect to the directions of scholarly interests as well as curatorial and conservational concerns. Not always do these interests and concerns need to stand at odds with or against each other, especially with communication and collaboration. Such discussion may function, for example, as form of a tipsheet or masterclass.

*****

Poster for lecture on 'Manuscripts versus Photography: Image and "Imago" in a Digital Age' by Mildred Budny at Princeton University on 19 November 2010. Photograph by Mildred Budny of MS 10, Boulogne-sur-Mer, Bibliothèque des Annonciades,reproduced by permission.

Photograph by Mildred Budny of MS 10, Boulogne-sur-mer, Bibliothèque des Annonciades, reproduced by permission

As part of this process, we continue to present results and to discuss the issues involved in photographic recording of manuscript and related materials. An example is recorded at web.princeton.edu/sites/medieval/calendar_f10.html, with its accompanying Poster.   We thank the owners of the image and of the photograph for permission for reproduction on the poster.

*****

Please watch this space for further developments, as we unveil a new, illustrated page in our history.

Floral Border with gold pigment, photography © Mildred Budny

Photography © Mildred Budny

*****

[Update]

And now, we offer fruits, with illustrations, of these interlinked processes of photography, research, photography, research, reflection, revision, and reports, in our series of blogposts (since 2015) on Manuscript Studies.  Its Contents List (shown there) is growing.

Besides, along the way, we have also been able to open a series of Galleries on this website (since 2014) showcasing, generously from another private collection, a set of images of scripts and texts across the centuries and in a variety of languages:

Scripts on Parade
Texts on Parade

Have a look!  More to come . . .

Please let us know if you recognize any of the manuscripts from which some of these fragments have come!

*****

Tags: Aoyama Gakuin University, Budny's Illustrated Catalogue, Digital Imaging, Manuscript Illumination, Manuscript Photography, Manuscript studies, Manuscripts & Early Printed Books, Medieval manuscripts, Princeton University, Richard Rawlinson Center for Anglo-Saxon Studies, University of Tokyo, Wilson College
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