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Medieval Missal Fragment as Early-Modern Cover

February 28, 2026 in History of Printing, Manuscript Studies, Photographic Exhibition, Reports, Research Group Workshops, Reused Binding Fragments, Workshops on "The Evidence of Manuscripts"

A Medieval Missal Fragment
in Latin on Vellum
Reused
as the Early-Modern Binding Cover
for Erasmus Reinhold,
Prutenicae Tabulae (1585)

Mildred Budny

Reinhold (1585), Front Cover. Collector’s Photograph.

[Posted 25 February 2026, with updates]

In a Private Collection, we learn of an early-modern printed book on paper which reuses a medieval vellum binding fragment as cover for the card covers of its binding. Gladly we offer some first fruits of examining this evidence, in the process of work-in-progress process to learn about the original manuscript, the identity of its genre of book, its context, its reuse, and its fate within the printed book which ensured its survival, at least as a partial witness, to its former, intended, state.

With permission, we share the owner’s photographs of the ‘beginning, middle, and end’ of this specimen, or the ‘front, back, and side’.

I. The Printed Book

We introduce:

  • Erasmus Reinholdus, Prutenicae Tabulae Coelestium Motvem (Wittenberg, 1585)

Opening the book reveals the title page facing an originally blank page containing multiple entries, mostly in ink, in hand-written additions by different hands. Principal among them is the full-page single-column entry relating to the book and its context.

About the book itself, the work of the astronomer Erasmus Reinhold (1511–1553), a summary appears on Wikipedia (currently):

The Prutenic Tables (Latin: Tabulae prutenicae from Prutenia meaning “Prussia“, German: Prutenische oder Preußische Tafeln), were an ephemeris (astronomical tables) by the astronomer Erasmus Reinhold published in 1551 (reprinted in 1562, 1571 & 1585). They are sometimes called the Prussian Tables after Albert I, Duke of Prussia, who supported Reinhold and financed the printing. Reinhold calculated this new set of astronomical tables based on Nicolaus Copernicus‘ De revolutionibus orbium coelestium, the epochal exposition of Copernican heliocentrism published in 1543. Throughout his explanatory canons, Reinhold used as his paradigm the position of Saturn at the birth of the Duke, on 17 May 1490. With these tables, Reinhold intended to replace the Alfonsine Tables; he added redundant tables to his new tables so that compilers of almanacs familiar with the older Alfonsine Tables could perform all the steps in an analogous manner.

— Prutenic Tables

The first edition was printed in Tübingen in 1551 (see the copy for sale via Swann Galleries and an online digital facsimile of another copy via Google Books).

The edition under our consideration appeared in 1585. It was printed in Wittenburg by Matthaeus Welack (see another copy: via Swann Galleries or Swann Galleries).

At the front of the copy, the first verso (the pastedown on the inside front cover) carries a page of annotations in ink and pencil, facing the title page. At the top and bottom of the margins on both pages there gather some sellers’ or owners’ marks, codes, or notations: for example, 1R, N27, F858, 454, apparently to identify the item, such as within one or other individual collection. We note that some of these marks are crossed out or erased. A full-page single-column entry on the pastedown closes with the date ‘1632’, approaching a half-century after the printing of the book.

Reinhold (1585), Opening to Title Page. Collector’s Photograph.

Title Page

Reinhold (1585), Title Page. Collector’s Photograph.

II. The Reused Manuscript Fragment

The reused vellum fragment reveals its characteristics only partly, because the presentation as the covering of the boards of a binding for another set of contents turns one side of the vellum sheet to the back, hidden from view. As it is presented on the front cover, spine, back-cover, and turn-ins of the boards, we might glimpse parts of two columns of text on each of two pages on a single bifolium, plus some of the margins, including the intercolumns, inner columns, and original gutter.

On the cover, the text of the reused sheet stands upright with relation to the printed book. Let us start with the Front Cover of the Printed Book, move to the Spine, and turn to the Back Cover. However, be it noted, taking the original text in columns reading from left to right on a page, let us observe that the reused sheet constitutes a pair of leaves, for which the text starts with the ‘verso’ of the first leaf of the bifolium on the back cover, turns to the portion overlying spine of the volume, and moves to the ‘recto’ of the second leaf on the front cover.

Front Cover of the Printed Copy:
Side 1 of the Reused Manuscript Fragment

Here, with added ties to close the printed book, appears part of a 2-column page of text written in ink, with enlarged 2-line inset initials rendered alternately in blue or red pigment, rubrication written in red pigment for headings, and added strokes of red pigment to mark and highlight in minor text initials within the columns. Red lines set out the rulings for the lines and columns of text.

Reinhold (1585), Front Cover. Collector’s Photograph.

Spine

Reinhold (1585), Spine. Collector’s Photograph.

Back Cover
Side 2 of the Reused Manuscript Fragment

Reinhold (1585), Back Cover. Collector’s Photograph

Details

Back (Middle): Column B, Inner Margins, Gutter, and Initial of Column A

Reinhold (1585), Back Cover, Midsection. Collector’s Photograph

Front (Middle)

Reinhold (1585), Front Cover, Middle. Collector’s Photograph

*****

The Medieval Fragment

The RGME offers to the Private Collector and the wider world a preluminary report on “The Reinhold Missal Fragment.” It is available freely for download on our website.

With thanks to our Research Consultant, Leslie J. French, its preliminary findings can be summarized thus:

The two visible pages are consistent with a Roman Missal containing texts near the end of the Temporale.  Another extant missal containing exactly the sequences on these pages has not been located, so it is not yet possible to determine for which Use the original might have been constructed.  The following texts have been identified and matched against missal entries in the Usuarium database (https://usuarium.elte.hu/).

See the report:

  • Reinhold Missal Fragment

******

Would you like to join the quest to discover more about the original manuscript, and if possible to identify its producers, place of origin, and audience? Please let us know.

*********

 

 

 

Tags: Erasmus Reinhold, history of printing, Medieval Latin Missals, Medieval Manuscript Fragments, Prutenicae Tabulae Coelestium Motvem, Reused Binding Fragments
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Fragments from a Book of Hours

July 27, 2025 in Manuscript Studies, Photographic Exhibition, Research Group Workshops, Workshops on "The Evidence of Manuscripts"

Detective Story
“Fragments from a Book of Hours
Looking for their Identity”

[Posted on 25 July 2025]

Would you help us identify these fragments of a single leaf from a Book of Hours in a Private Collection? As if by the skin of their teeth, they survive together in a single collection. That collection has no other fragments from the same manuscript.

We wonder about these ‘foundlings’ and their former home in the medieval manuscript which contained them and their ‘relatives’ comprising the other leaves and the rest of this one leaf. Would you like to join the quest to find their identity?

Original Recto

Private Collection, Fragmentary Leaf from a Book of Hours. Recto, with two pieces aligned in their former original position. Photograph by Mildred Budny.

Original Verso

Private Collection, Fragmentary Leaf from a Book of Hours. Verso, with two pieces aligned in their former original position. Photograph by Mildred Budny.

Do you recognize their style, script, layout, and original manuscript? When and where do you think that it was made, and do you know, perchance, when and where it was dismembered for distribution?

We turn to the wider world to crowd-source the answers.

What do you think?

We plan to showcase these fragments and others looking for their identities in the series of

  • RGME Workshops on “The Evidence of Manuscripts, Etc.”

Please join us for the joys of detective work and sharing discoveries.

We look forward to hearing from you.

Private Collection, Fragmentary Leaf from a Book of Hours. Recto bottom, with two pieces aligned in their former original position. Photograph by Mildred Budny.

*****

 

Tags: Books of Hours, Fragmentology, Manuscript Foundlings, manuscript fragments, Medieval manuscripts
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Folio 4 with Latin Blessings for Holy Water and an Exorcism for Salt

June 19, 2022 in Manuscript Studies, Photographic Exhibition

Folio 4 from an ‘Italian Missal’ in Latin

Private Collection, Single Leaf from a Latin Missal. Folio 4r, Detail. Photography Mildred Budny. Reproduced by permission.

Single Leaf on Vellum
Circa 222 × 158 mm
<written area circa 150 × 104 mm>

Single columns of 18 lines,
starting below the top ruled line,
with rubricated elements

Blessings of Holy Water and Salt
and the title for an Exorcism of Salt
[qui inimici ru-/]gientis seuitiam seperas . . .
Exorcisimus ad catecuminum salis faciendum. [/]

Italy?  Southern France?  circa 1400–1450

Budny Handlist 10

[Posted on 20 June 2022]

We post a report of a leaf from a Private Collection which we examined and photographed a few years ago, as part of a larger study for an Illustrated Handlist.

The leaf was recorded briefly, with a description supplied by its owner, in C. U. Faye and W. H. Bond, Supplement to the Census of Medieval and Renaissance Manuscripts in the United States and Canada (1962), page 284, number 5.  There it is described as part of an “Italian Missal”.  The owner acquired the leaf by an unknown route, perhaps by gift already framed, before the preparation of that description for the Census.

At the owner’s request several years ago, we removed the leaf first from its plain wooden frame and then from its stained and darkened backing mat, onto which parts of the original script had offset. The leaf was photographed at several stages and examined in detail.  We show views of the leaf while still on the mat and afterward.

The Leaf Before

Here are both sides of the leaf as it was mounted to the backing mat.

The Front, or Forward-Facing, Side of the Leaf as Mounted for the Frame

For the frame, the leaf faces front with lines in script in black ink and red pigment.

"Folio

positioned as the front-facing page for the viewer. Private Collection. Folio 4v facing front on the former mat. Photography © Mildred Budny. Reproduced by permission.

The Other Side, Partly Lifted

Turning over the leaf, we can see the pair of hinged gauze mounting tapes which attach the edge of the leaf to the mat.

Folio 4r still attached to the mat. Photograph © Mildred Budny

Private Collection. Folio 4r still attached to the mat with a pair of hinged gauze tapes. Photography Mildred Budny. Reproduced by permission.

The Leaf apart from the Mat

The Original Recto

The recto has a modern folio number, an upright arabic 4, entered in dark brown ink at the top right.  The different expanses of the upper and lower margins imply that the short upper margin was trimmed at some stage, whilst the lower and outer margins appear to retain all or most of their original extents.  The accumulated dirt along the upper edge attests to an extended duration when the former manuscript, closed, stood upright on a shelf or in storage.

Private Collection, Single Leaf from a Latin Missal. Folio 4v with Guide. Photography Mildred Budny. Reproduced by permission.

This side of the leaf shows offsets or show-through of enlarged initials at the right-hand side of the column, as well as rubricated script at points within it.  The initials, in reverse, show the forms of a P and a D.

Most of these elements can be accounted for by the rubrications and the enlarged initial P on the other side of the leaf, so that they constitute show-through.  For the other, we must recognize that its offset must derive from contact with a formerly adjacent leaf.

The Original Verso

Private Collection, Single Leaf from a Latin Missal. Folio 4r. Detail. Photography Mildred Budny. Reproduced by permission.

On this page, an enlarged and decorated initial P, partly inset within two indented lines of text, comprises an enlarged Capital P (for Presta) rendered in blue pigment, with penline flourishes and extensions in red pigment.  In both curved and parallel straight lines, those flourishes fit between the initial and the indented letters, fill the bow and ‘footrest’ of the P, and extend in the margin above, beside, and below the initial.

A staple of the flourishing appears to be the sets of narrowly spaced parallel lines.  Characteristic, too, are the short, arrowhead-tipped elements which, separately, press into the cusps of parts of the flourishing below the right-hand side of the bow of the letter and in a whorl of three around the circular extension at the upper left of the letter.

The Text

The set of texts on the leaf provide directions for Exorcisms and Blessings of Salt and Water.  At an appropriate point, a sign of the cross (rendered within the outlines of a box-like frame, all in red) stands within the text to indicate its sign, or signing, as part of the ritual.

Specimens of such texts in medieval sources of various dates and from various places are edited, for example, in these bibliographical resources:

  • Benedictio Salis et Aquae in the Vetera Liturgia Alemannica = J. P. Migne, Patrologia Latina, Vol. 138, cols. 1039–1052 (downloadable here).
  • Missale Romanum Mediolani (1474), Vol. II = Henry Bradshaw Society, Vol. XXXIII (1907).

The text on the leaf provides snippets of the ritual for these functions.  We provide a transcription, with silently expanded abbreviations, and with indications of the rubrications in red.

Recto

[Oratio . . .  qui inimici ru-/]
gientis scuitiam superas. qui ho-
stiles nequitias potens expu-
gnas. te domine trementes et sup-
plices deprecam; ac petitumus. ut
hanc creaturam salis et aque di-
gnanter accipias. benignus il-
lustres. pietatis tue more san-
ctifices. + At ubi cumque sue-
nt aspersa per in uocationes sancti
tui nominis omis infestatio in
mundi spiritus abieiatur. terrorque . +
uenenosi serpentis procul pellatur.
et presentia sancti spiritus nobis misericordiam
tuam poscentibus ubique adesse di-
gnitur.  Per dominum nostrum in uinitate +
eiusdem spiritus sancti deus per omnia secula
seculorum.  Alia oratio
Presta domine tuum saltare reme-

Verso

dium super hand creaturam salis et
aque.  Ut ubicumque interserit. ad
anime et corporis proficiat sani-
tatem.  Per dominum.  Alia oratio qui dicitur
i[n] fine benedictionis aque.
Presta quos domine deus super hanc creatu-
ram aspersionis aque sanitatem
mentis integritatem corpus : tu-
telam saltis. securitatem spei. cor-
roborationem fidei hic et in eter-
num in secula seculorum.  Amen.  Sequitur.
Dominus vobiscum. Responsio. Et cum spiritu tuo.
kyrie. kyrie. kyrie. item.  Benedicat et exaudi-
at nos deus.  Responsio.  Amen.  iter.   Procedamus
cum pace.  Responsio.  Innomine [sic, for In nomine] christi.  item.  Bene-
dicamus domino.  Responsio.  Deo gratias.  Exorci-
simus at catecuminum salis facien-
dum.

The Former Manuscript

Parts of the text, or some texts in the sequence, can be found in other sources.  For example, comparisons for the text of the Roman Missal for the Liturgical Use of Milan (printed in 1474), show a similar version of the Presta which appears on the verso, although its version begins somewhat differently.

Presta michi domine deus per hanc creaturam aspersionis aque atque sanitatem mentis integritatem corpus : tutelam saltis : securitatem spei. corroborationem fidei : fructum charitatis nune et in futuro. Amen.

  • See Robert Lippe, Missale Romanum Mediolani (1474), Vol. II:  A Collation with other Editions Printed before 1570. Henry Bradshaw Society, Vol. XXXIII (1907), at page  385.
    The Milan Missal of 1474 was printed at Venice by Antonius Zarotis, with the date of 6 December 1474 (Incunabula Shorttitle Catalogue Number im00688450).

The long prayer on the recto belongs to the blessing of water.

  • See Traditional Rite of Blessing of Water.

It begins with an exorcism (or purification) of salt — but not the one intended for catechumens. as specified in the rubricated title at the bottom on the verso of the leaf.

Both the long prayer on the recto and the two following prayers also occur in that order in the Sacramentary portion of the composite Leofric Missal, but not followed by the exorcism of salt.

  • Frederick Edward Warren, ed., The Leofric Missal, As Used in the Cathedral of Exeter During the Episcopate of Its First Bishop, A.D. 1050-1072, Together with Some Account of the Red Book of Derby, the Missal of Robert of Jumieges, and a Few Other Early Manuscript Service Books of the English Church (Oxford:  Clarendon Press, 1883, page 250.

There is a close match for the sequence of texts on the leaf, with only a few variations, in an another source from Milan later than the printed edition of 1474.  That is:

  • the Rituale Sacramentorum ad Usum Mediolanensis Ecclesiae (“Ritual of the Sacraments for the Use of the Church of Milan“) of 1815, at pages 282–283.

The text on the Recto of the leaf starts on page 282 in the Oratio:  “[inimici ru-/]gientis saevitiam superas . . .”  The Oratio begins thus:  Deus invictae virtutis Auctor . . .  A brief section of text intervenes between this opening and the top of the extant recto.  Such an initial D, low in the column, formed the offset at the right-hand side of the column on the recto.

The “Alia Oratio Presta domine tuum salutare . . .” ends the recto and continues on the verso into the Aquam Benedictam “Presta quaesumus domine.”  Then come the Versicles and Responses extending to “Deo gratias”, but not the “Pax . . .”

Since the following text following refers to “hanc creaturam salis”, it may be the exorcism for which we have only the title.

The correspondences with texts in Missals associated with Milan, in northern Italy, might strengthen, but not confirm, the suggested origin of the leaf as part of an “Italian Missal” — or some similar liturgical handbook — in Latin from such a region.

For now, pending further information (such as the discovery of more parts of the same manuscript), let us continue to refer to it as containing (or, by virtue of the title, implying) a set of Ordines which address 1) the Blessing for the preparation of Holy Water and Salt, and 2) the Exorcism (or Purification) of Salt for Catechumens.  The former has a place in the Sacramentary portion of a Missal, whereas the latter would pertain, insofar as we have been able to discover, to a different form of book instead — such as a Collectar.

The folio number 4 indicates that the leaf occupied an early position within its book, whether or not that modern numeration took into account leaves (such as endleaves) which a modern observer might deem extraneous.  As companion materials, the texts to which this leaf belonged could have formed prefatory matter for a book of one or other genre designed to guide instruction and performance of liturgical practices at whatever stages required for the place of its production.

Perhaps other leaves from the same book as well as further research will resolve the mystery.  This lone leaf joins the company of all too many single, dispersed, leaves which have lost track or trace (apart from, say, an offset from an adjacent leaf) of their former siblings.  By close inspection of their material and textual evidence, it can partly become possible to retrieve some elements of their former connections and contexts.

Welcome to the ‘Foundling Hospital for Manuscript Fragments’, as invited in one of the early posts for our blog.

  • The ‘Foundling Hospital’ for Manuscript Fragments.

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Do you know of more leaves from this manuscript? Do you recognize the hand of the scribe, scribal artist, and rubricator in other parts of this book or in other manuscripts?

You might reach us via Contact Us or our Facebook Page. Comments here are welcome too. We look forward to hearing from you.

Watch our blog on Manuscript Studies for more discoveries. Please visit its Contents List.

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Private Collection, Single Leaf from a Latin Missal. Folio 4r, Detail. Reproduced by permission.

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Tags: 'Foundling Hospital' for Manuscript Fragments, Blessings for Holy Water and Salt, Census of Medieval and Renaissance Manuscripts, Collectar, Exorcism for Salt for Catechumens, Exorcisms and Blessings, Italian Missal, latin Missal, manuscript fragments, Medieval Manuscript Fragments, Offsets and Show-Through, Sacramentary
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More Discoveries for ‘Otto Ege Manuscript 41’

November 27, 2018 in Manuscript Studies, Photographic Exhibition

New Haven, Yale University, Beinecke Rare Book and Manuscript Library, Otto Ege Collection, Family Portfolio of Fifty Original Leaves ("FOL") of Medieval Western Manuscripts, Leaf 41, recto, column b, top. Medieval Contents List for the Volume in the upper margin, above the concluding line of the Chaper List for Book I and the Opening of that Book. Photography by Mildred BudnyOtto Ege’s
Dismembered Manuscript 41

A Latin copy of the
Dialogues of Gregory the Great,
Epistles and Homilies of John Chrysostom,
Meditations of Anselm,
And Maybe More

Double columns of 40 lines with some embellishment

Produced probably in Flanders, perhaps circa 1450

Plundered in World War I
From the Library of the Van der Cruisse de Waziers, near Lille in France

Sold circa 1925 through the Bookseller Thorpe in Surrey, England

Brought to the United States Intact, Then Dismembered and Distributed in Pieces

Continuing our series on Manuscript Studies, Mildred Budny (see Her Page) adds new evidence to her earlier reports of some leaves from medieval manuscripts dispersed by Otto F. Ege (1888–1951). Further research and newly revealed materials augment our knowledge of these manuscripts (and others). 

This report updates our earlier blogpost on parts of Otto Ege Manuscript 41.  See also the posts for Ege Manuscripts 8, 14, 51, and 61, plus updates (More Discoveries for Ege Manuscript 61), as well as the Report for our 2016 Symposium on ‘Words & Deeds’, with an illustrated Program Booklet. 

This report, drafted following a first visit in 2017 to view examples in the Otto Ege Collection now at the Beinecke Rare Book and Manuscript Collection, benefits from updates following a new visit in October 2018, with my thanks for permission to examine and to photograph the materials, especially while they remain mostly uncatalogued.

Picking Up The Piecework

As more pieces of the manuscript come to light, and/or become recognized for what they are, the process of virtually picking up their pieces toward a reasonable reconstruction of their original contents can or must proceed piecemeal.  More discoveries advance that process considerably.  Here we report new stages.  Some of them, naturally enough, may revise the received understanding about the manuscript.

Read the rest of this entry →

Tags: Beinecke Rare Book and Manuscript Library, Dialogues of Gregory the Great, Epistles of John Chrysostom, Homilies of John Chrysostom, Homilies on the Epistle to the Hebrews, library of the Van Der Cruisse de Waziers family, Manuscript studies, Medieval Manuscript Fragments, Meditations of Saint Anselm, Otto Ege Manuscript 41, Otto Ege Manuscripts
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Design & Layout of “The Illustrated Catalogue”

October 12, 2018 in Bembino, Design, Interviews, Manuscript Studies, Parker Library, Photographic Exhibition, Reports, Uncategorized

Gold stamp on blue cloth of the logo of the Research Group on Manuscript Evidence. Detail from the front cover of Volume II of 'The Illustrated Catalogue'Continuing our series of interviews and reports, we explore the processes by which Mildred Budny’s 2-volume Insular, Angl0-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge:  An Illustrated Catalogue (“The Catalogue” or “The Illustrated Catalogue”) was designed, laid out, and typeset to camera-ready copy for its publication as a set of 2 volumes of “Text” and “Plates”.

Now we present a joint interview with the Author and the Layout Designer of “The Illustrated Catalogue”.

For information about that publication see Insular, Anglo-Saxon, and Early Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge: An Illustrated Catalogue.

Our interview appears in the new Booklet describing “The Design and Layout of ‘The Illustrated Catalogue’ “.  This 16-page booklet is available freely as a pdf for quarto-size pages:

  • As a series of consecutive pages.
  • In foldable booklet form suitable for printing on 11 1/2 in. × 17 in. sheets.

Front Covers for Volumes I & II of 'Insular, Anglo-Saxon, and Anglo-Norman Manuscript Art at Corpus Christi College, Cambridge: An Illustrated Catalogue' by Mildred Budny, with the title of the publication and the gold-stamped logo of the Research Group on Manuscript Evidence, co-publisher of the volumes

 

Some of the background for preparing this ground-breaking publication is described in the “Interview with our Font & Layout Designer” (published in print on 25 September 2016 and online on 6 October 2016), with illustrations, and downloadable here.

For the progress and development of our Research Group Publications, please see our Publications. We invite your contributions, suggestions, and feedback.

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Tags: Anglo-Saxon Manuscripts, Budny's Illustrated Catalogue, Manuscript Illumination, Medieval manuscripts
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Updates for Some “Otto Ege Manuscripts”

March 23, 2018 in Manuscript Studies, Photographic Exhibition, Reports

More is More

New Acquisitions Exhibition at the Beinecke Rare Book and Manuscript Library in November 2016: View of Some Parts of "Otto Ege Manuscript 14".

“A Long Shot”. New Acquisitions Exhibition at the Beinecke Rare Book and Manuscript Library in November 2016: View of Some Parts of “Otto Ege Manuscript 14”.

Continuing our series on Manuscript Studies, Mildred Budny (see Her Page) adds new evidence to her earlier reports of some leaves from medieval manuscripts dispersed by Otto F. Ege (1888–1951).

Revisions are now in order.  As we continue to look at, and for, evidence of the dispersed materials, the old and new evidence shows more.  While giving some answers, the observations also raise new questions. 

Time now for more Updates for Some “Otto Ege Manuscripts”.

[Published on 15 December 2017, with updates]

Read the rest of this entry →

Tags: Ege Memorial Microfilm, Medieval Manuscript Fragments, Otto Ege, Otto Ege Manuscript 14, Otto Ege Manuscript 41, Otto Ege Manuscript 51, Otto Ege Manuscript 61, Otto Ege Manuscript 8
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Starter Kit

February 13, 2018 in Announcements, Photographic Exhibition, Uncategorized

Would You Like
Your Very Own Collection of
Medieval Seal Matrices?

Now is your chance

The Research Group on Manuscript Evidence has been offered a starter collection to examine, photograph, and offer for sale. With the donation of proceeds to support our nonprofit educational corporation’s mission.  A generous contribution!

Generosity?  You bet.  That’s how we roll: Contributions and Donations.

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About this new Medieval Matrix offering.

Sneak preview here.

Medieval Seal Matrices 1-14  in Tray with color guide at 72 dpiDescriptive booklet coming soon. Ooh!

To Have & To Hold, For Real

Would you want your very own collection of Medieval Seal Matrices to have and to hold? We confidently say that it is a treat to hold these specimens from medieval life.

While we prepare the Sale Catalogue, with photography by our in-house photographer, with layout by our in-house designers, and with research by our resident specialist, we can say that we’d love to sell this collection as a whole, as the complete ensemble.

That is how the collection, they tell us, came to become available.  Through a generous, well-meaning donation, it can be offered for sale with proceeds to support our nonprofit educational mission.

Wouldn’t you love to have this collection, and its specialist booklet showcasing its qualities and varieties, for your very own?

Please Contact Us.

*****

Tags: medieval seal-matrices
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More Discoveries for “Otto Ege Manuscript 61”

May 23, 2017 in Manuscript Studies, Photographic Exhibition, Uncategorized

Initial I of 'In' opening of the Book of Zachariah. Courtesy of Flora Lamson Hewlett Library, Graduate Theological Union, Berkeley, CA. Reproduced by permission.

Zachariah. Courtesy of Flora Lamson Hewlett Library, Graduate Theological Union, Berkeley, CA.

More Fragments are Revealed
from a Dismembered and Dispersed
32-line French Vulgate Pocket Bible
Made Probably in Southern France
circa 1325 C.E.
= “Otto Ege Manuscript 61”

Probably Southern France, circa 1325

Circa 186 × 126 mm
< written area circa 119 × 81 mm >
Double columns of 32 lines, with embellishments and running titles

[Posted on 23 May 2017, with updates]

Updating an earlier blogpost reporting A New Leaf from “Otto Ege Manuscript 61” in our series on Manuscript Studies, Mildred Budny (see Her Page) describes further progress in locating and identifying more parts from that little book.  It should be said that, after the initial discovery and draft write-up, in the excitement of new discoveries, some long illnesses and a wrenching death in the family, with some gratuitous onslaughts from so-called family members, made it difficult to return on course.  Back again.

These new discoveries go hand-in-hand with a rapid pace of strides further in continuing research on some other dismembered “Ege Manuscripts”, owned and dispersed by Otto F. Ege (1888–1951), as well as on some other manuscript fragments – which turn out to have unexpectedly interlocking patterns of transmission by 20th-century sellers.  The advances are described in Updates for Some ‘Otto Ege Manuscripts’.

Read On, Dear Reader, Read On. To say that “The Plot Thickens” would take the words right out of our mouth.

Read the rest of this entry →

Tags: Budny Handlist, Dawson's Bookshop, Ege Memorial Microfilm, Manuscript studies, Otto Ege, Otto Ege Manuscript 61, Philip Duschnes, University of Pennsylvania, University of Virginia, Vulgate Pocket Bible, WorldCat
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Say Cheese

May 21, 2017 in Manuscript Studies, Photographic Exhibition, Uncategorized

Survey of Rents for Plots of Land
circa 1530s
from Brie in France

Single-Sheet Document
Undated
in French on Vellum
with mostly Blank Dorse

[First published on 21 May 2017, with updates]

Continuing our series on Manuscript Studies, our Principal Blogger, Mildred Budny (see Her Page) briefly describes a single-sheet vellum document, which lists in French the rents for various plots of land concerning the region of Brie (renowned for, among other things, its distinctive Cheese).

Detail of "Brie Champenoise" from the "Atlas Moderne" by Rigbert Bonne (1771). Via Wiki Commons.

Detail of “Brie Champenoise” from the “Atlas Moderne” by Rigbert Bonne (1771). Via Wiki Commons.

Face Front

The document in question, now in a private collection, measures at the most circa 298 × 149 mm. The script of the document uses the whitish flesh side of the animal skin.  The written side presents a description in French in 22 1/3 long lines of fields and rents from various properties in the area.

By a single hand, the text is skillfully and swiftly written in faded brown ink.  The lines are not uniformly horizontal.  They stand upon an unevenly trimmed sheet, whose contours perhaps conform partly to the shape of the sheet as it emanated from the initial preparation of the writing material.

The dorse (not shown here; no image is yet available) is mostly blank, although apparently black light reveals some scarcely decipherable traces of script which has been rubbed or effaced.  To quote the collector’s report:  the document “has nothing obvious written on the verso, although a black light shows what may possibly be faint text that has rubbed out.  The recto text is mostly readable with the black light.”  Glad for image enhancement, wherever possible.

Single-sheet document in Latin on vellum, circa 1530s, listing rents for plots of land, from Brie in France. Private collection, reproduced by permission.

Face of the document.

The document is undated.  A sensible assessment of its probable date of origin must depend, for example, upon the style of its script.  Given points of comparison (in Latin:  comparanda), let us suggest that it probably dates from the 153os.  An earlier post in our blog considers 16th-century script by more than one skilled French hands: Scrap of Information.

That post illustrates a large single-sheet charter from Vienne in Nouvelle-Aquitaine, also in a private collection, emanating from the 1530s.  Seen here:

1530 document from Vienne. Reproduced by permission

Different hands, stylistic differences, but some similar approaches in both these documents.  Plus, the Vienne document contains entries by several different hands.  Shared features.

Closer Up

A few closer views, first the left-hand half:

Left-hand half of face of Single-sheet document in Latin on vellum, circa 1530s, listing rents for plots of land, from Brie in France. Private collection, reproduced by permission.

Left-hand Half of the Brie Document. Reproduced by permission.

Now the right-hand half:

Right-hand half of face of Single-sheet document in Latin on vellum, circa 1530s, listing rents for plots of land, from Brie in France. Private collection, reproduced by permission.

Right-hand Half. Reproduced by permission.

What Up?

To put it mildly, much of the vocabulary is more than a bit unfamiliar.  Let’s take a sampling, and you might take it from there.

For example, one line (guess which one?) reads “. . . Les courres des godeaux situes du ladite paroisse de brye contenans trois journaulx ung quart de journaul et ung quar de carreau ladit bernardeau promo . . .”  Presumably the terms ‘carreau’ and ‘journaul’ are land measures. 

To state that this is “not exactly our field” applies both to the fields in the region of Brie, not possessed by anyone we know, and to our own fields of expertise (so far).  Way to go?  Bien sur!

Way to Go

Do you know, perhaps, of other extant monuments of script from this scribe, from this region at the same point in time, or locations indicated in the span of the document?  We would be glad to know more.

Piece of Cake?  Piece of Cheese?

Slice of Brie. Photograph by Coyau via Wikipedia Commons.

Slice of Brie. Photograph by Coyau via Wikipedia Commons.

Over to you.  Please let us know your comments.

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Next stop:  More Manuscripts, Of Course.

Keep sight of the Contents List for this Blog.

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Update July 2020

For reports on other 16th-century documents in French on vellum, see

  • Scrap of Information, from a document including the date or number 1538,
    and also a document of circa 1530 from Vienne, Isère
  • Vellum Binding Fragments in a Parisian Printed Book of 1598, from a legal document of circa 1510 to 1520

Please let us know if you know of other documents like these.

You might reach us via Contact Us or our Facebook Page. Comments here are welcome too.

*****

Tags: documents in question, French documents, List of Fields and Rents, manuscript fragments, Manuscript Photography, Manuscript studies, Region of Brie
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Fit to Be Tied

May 9, 2017 in Manuscript Studies, Photographic Exhibition, Uncategorized

1320 Letter of Berengarius
Concerning a Dispute at Calahorra

Or Not!

Single-Sheet Document
of Cardinal–Bishop Bérengar de Frédul
dated 13 July 1320
in Latin on Vellum
with Red Cord Tie
and Docketing on the Dorse in Spanish

Budny Handlist 21

Budny Handlist 21 Dorse of Document of Berengar Fredul of 1320 with red cord tie and Docketing in Spanish. Photography by Mildred Budny.

Document of Pope John XXII for Berengarius, unfolded. Photography by Mildred Budny

Continuing our series on Manuscript Studies, our Principal Blogger, Mildred Budny (see Her Page) describes a single-sheet vellum Latin document, plus cord, which came within the span of her conservation, photography, and research for the Illustrated Handlist.

There, the document holds Number 21.  Unlike the other items (so far) in the Illustrated Handlist, this one appears to be a forgery, albeit skilled.  In a word:  Curious.

The Thing as Such

First some ‘statistics’.

Cameo of Pope John XXII. Photograph via Wikimedia Commons.

Cameo of Pope John XXII. Photograph via Wikimedia Commons.

Epistolary Document of
Bérenger Fredoli (circa 1250 – 1323),
Cardinal–Bishop (1309–1323)
of Frascati near Rome,
Issued Purportedly during
Year 4 of the Reign
of the Avignon Pope John XXII (1316–1377)
and dated 13 July 1320,
with knotted red cord tie

Circa 230 × 423 mm with flap closed; full height counting flap = circa 169 × 316 mm
Single column of 18 long lines
< written area circa 169 × 316 mm >
plus red knotted cord tie laced through the flap
with docketing in Spanish on the dorse

Provenance Interrupted

The document was acquired by gift in 1955.  The method and appurtenances of presentation provide the name of the donor, Philip Hofer, (1898–1984), his letter announcing and accompanying the gift as a thank-offering, and his custom-made box for the offering.

However, it provides no information whatsoever about the provenance, source of acquisition, the presentation provides other useful elements of information which the intermediary would have had.  We are stuck with those gaps.  Shame.

About those lamentable and noxious with-holdings of information in the transmission of materials between modern handlers, some of our blogposts already document the miseries in trying to piece together the traces.  See the blog’s Contents List.

We are entitled to wonder, also, about the caliber of the gift, which, itself doubtless well-meaning between equals at Harvard with stature and means, carries questionability in its own ‘right’ (or ‘wrong’), considering the dubious nature of the document itself.

Information about where and how the donor acquired the document is much to be wished.  Or what he thought it constituted.

As a Gift

Folded in half horizontally and then in thirds across, along its medieval folds, the document was contained in its custom-made 20th-century lined clam-shell box for presentation to the Owner by Philip Hofer, along with the letter describing that presentation, signed by Hofer and dated 14 December 1955.

With that presentation enclosure, I first came to know the shape and features of the object.  It took a while before the oddities came pressingly into the forefront.

Happy as a Clam-Shell

The Presentation Box

In and Out.  All About.

1.  Outside

Unfolded exterior of Custom Clam-Shell Box

2.  Inside
Unfolded Interior of Custom Clam-Shell Box with Donor's Presentation Letter

Unfolded Interior of Custom Clam-Shell Box with Donor’s Presentation Letter and Folded Document

CenterFold

Opening of Indulgence from Pope John XXIII for Berengarius, Cardinal-Bishop of Frascati. Photography © Mildred Budny

Who, What, Where, Wherefore?

The text of the document begins with an enlarged and decorated ink initial B, which stands upon the baseline of the first line of script and rises firmly into the upper margin.  The other letters of the name Berengarius ascend as a clustered, narrow group, before the document settles into the main script, which provides an upright, neatly written Gothic Textualis, with some curved, hook-like tips ascending or descending into the interlines.  Although the lettering, which employs some abbreviations, is, for the most part, clearly decipherable, the sense of the phrasing overall proves a puzzle.

A transcription and attempted translations of the text reveal that the Latinity leaves something to be desired in terms of clarity or comprehension.  Several of us looking at its challenges wonder about its command of the language.  Neatly put, as one scholar declared in a message:  “I cannot make out much of your document; the Latin is awful!”

The Bishop addresses the recipient of the letter, the Thesaurius (“treasurer”) of Calahorra in the province of La Rioja in northeastern Spain, with an appeal on behalf of the clergy of its churches of Saint Andrew and Saint Christopher.  The clergy claimed that they had “at one time” made a deal with the Thesaurius, who possibly had given them property to administer (or something).  The deal went sour.  They claimed that the Thesaurius had pulled a fast one on them; they appealed to the Bishop, who had authority from the Pope; and the Bishop turned to the official.  To whit, this Letter.  To quote our scholar again:  “That’s the best I can do.  I find most of the Latin incomprehensible.”

Panorama view of the historical district of Calahorra. Photograph: Own Work by De Zarateman via Creative Commons.De Zarateman - Trabajo propio, CC0, https://commons.wikimedia.org/w/index.php?curid=50474431

Panorama view of the historical district of Calahorra. Photograph: Own Work by De Zarateman via Creative Commons.

Cameo of Pope John XXII. Photograph via Wikimedia Commons.The letter declares its issue during the reign of Pope John XXII (1244–1334), the second Avignon Pope (reigned 1316–1334).  The issue of the letter relates to the span of “political and administrative correspondence of the Avignon popes, 1305–1378”, as surveyed, for example, by Patrick Zutschi in a paper presented in 1988 (published in 1990).  As such, it would hold interest as a relic of that contested period in the papacy.

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When the Dust Has Settled

An interior view of the fold:

Detail of Document of Berengarius, viewing the interior of the right-hand side of the folded flap at its bottom, to reveal the gathered dust and glimpse part of the red silk cord. Photography © Mildred Budny

We plan to write some more about this questionable document, but other tasks and challenges (including illnesses and a death in the family) have interfered with the completion of the report.  Returning somewhat to health, I decided that it might be useful to send forth these observations, questions, and images, to set the discussion going.  Do you have any views on this matter and material?  Please let us know.

Meanwhile, feast your eyes on its features.  Photography by Mildred Budny.

 

Document of Pope John XXII for Berengarius, unfolded. Photography by Mildred Budny

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Budny Handlist 21 Dorse of Document of Berengar Fredul of 1320 with red cord tie and Docketing in Spanish. Photography by Mildred Budny.

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Some Background Reading

Patrick Zutschi, “The political and administrative correspondence of the Avignon popes, 1305–1378:  a contribution to papal diplomatic”, in Actes de la table ronde d’Avignon (23-24 janvier 1988).  Publications de l’École française de Rome, 138 (1990), 371–384

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More to come.  Please watch this space.

Tags: Avignon Popes, Bérengar de Frédul, Budny Handlist, Calahorra, Document with Cord Tie, Documents of 1320, Forgeries & Imitations, Medieval Documents, medieval forgery, Pope John XXII
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